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A pesar de que Max Horkheimer en Eclipse de la razón había analizado los límites de la razón subjetiva, atendien- do a las posibilidades de retornar a la razón objetiva y a su función después del eclipse, a Jay le parecían aún insuficientes estas respuestas. Por ello, regresó al estudio de las conceptualizaciones filosóficas de los fundadores de la teoría crítica y de quienes se quedaron a cargo del Instituto de Investigación Social en Frankfurt. En este sentido, este texto podría verse en continuidad y a distancia respecto a su primer li- bro: Dialectical Imagination. A History of the Frankfurt School and the Institute of Social Research, 1923-1950 (1973); producto de su trabajo de doctorado, enfocado en la formación del Instituto de Investigación Social; en sus principales integrantes: Herbert Marcuse, Max Horkheimer, Theodor Adorno, Leo Löwenthal, Walter Benjamin,Franz Neumann, Otto Kirchheimer, Henryk Grossmann, Erich Fromm, Karl August Wittfogel; en la integra- ción del psicoanálisis; en su exilio a América; en los estudios empíricos sobre el autoritarismo, la estética y la industria cultural.
In dieser Arbeit soll es um die Frage gehen, wie die Entstehung einer autoritären Persönlichkeitsstruktur – mit Hilfe von selbsterzieherischen und institutionellen Maßnahmen – vermieden werden kann. Dazu soll die psychische Struktur des autoritären Charakters offengelegt und dem revolutionären Charakter gegenübergestellt werden, den Fromm in den 1960er Jahren explizit als Gegenmodell zu diesem entworfen hat. In seinem Konzept des revolutionären Charakters versucht Fromm diejenige Charakterstruktur zu fassen, die er als geistig-seelisch gesund einstuft. Der gesunde Mensch ist für Fromm also das Gegenmodell zur autoritären Persönlichkeit. Dies ist zugleich die Lösung die Fromm anbietet: Will man der Anfälligkeit für faschistische und totalitäre Ideologien vorbeugen, muss dafür Sorge getragen werden, dass die Menschen Mittel und Möglichkeiten an die Hand bekommen, sich seelisch gesund zu entwickeln und ihre psychische Gesundheit zu erhalten. [Walmart.com]
Alan Watts’ seminal text >Psychotherapy East and West<was authored near Humanistic Psychology’s beginnings, also a transformational time for psychotherapy theory and practice. Watts fostered appreciation for Eastern philosophical traditions, particularly in relation to self, identity, and counterculture. In this article, contributions of innovative thinkers cited by Watts, including Gregory Bateson, Erich Fromm, Jay Haley, George Herbert Mead, Rollo May, and Carl Rogers, are highlighted and historically situated toward tracking threads of contemporary influence vis-à-vis social construction, brief therapy, and therapeutic simplicity. The article begins with a brief note on Watts’ countercultural positioning.
Acceptance and commitment therapy (ACT) and humanistic psychotherapy: an integrative approximation
(2019)
This article explores the similarities between humanistic (and existential) psychotherapy, represented here by the ideas of Viktor Frankl, Erich Fromm and Irvin Yalom, and Acceptance and Commitment Therapy (ACT). Despite the ongoing dialogue between both therapies during the last decade, regarding both their convergences and divergences, there is a gap in the literature concerning their complementarity in clinical practice. This analysis addresses this gap with the integrative (or pluralistic) clinician in mind, and approximates a theoretical and practical integration anchored upon the trans-theoretical model.
The author presents a model of clinical intervention based on patients’ mentalization, or mind reading, that is, the function of the mind to understand the mind. The action of mind reading means a type of thought, mostly not conscious, implicit, often not even encoded in words, that expresses the meaning >I think that you think that I think.< Thoughts about the analyst’s states of mind crowd the minds of patients, taking shape in these questions: >What do you think I have in mind?< and so >How do you plan to act towards me?< If the analyst does not capture and does not disambiguate the doubts, the patient’s perplexity and insecurity can intensify and produce emotions of anxiety, fear, fright, but also anger towards a silent interlocutor. Conversely, the analyst who mentalizes the state of mind of the patient and verbalizes it heteroregulates the patient’s fears and anxiety level. Mentalization and affect regulation are also related to the analyst’s recognition of the patient’s metacognition process. At the conclusion of the theoretical section, a clinical sketch shows examples, and highlights in therapeutic work the abovementioned theoretical issues.
El artículo describe la importancia de la integración entre marxismo y psicoanálisis freudiano en los marcos del marxis¬mo occidental. Se analizan las principales obras de dicha inte¬gración en el pensamiento de la Escuela de Frankfurt. En es¬pecial se realiza una comparación entre Miedo a la libertad de Erich Fromm y Eros y civilización de Herbert Marcuse.
Erich Fromm, de origem austríaca, viveu grande parte da sua vida nos Estados Unidos da América e é um dos: homens mais representativos da escola neopskamlítica. Os factores sociais têm uma importância extraordinária na sua obra, e o instinto seriafunçiio desses mesmos factores. A sua obra, vasta e muito profunda, çupõe actualmente uma oposição muito forte às concepções freudianas. Segundo Fromm, o grande mro de Freud reside no facto de ele não ter considerado a grande diferença que existe entre a rigidez do animal e a relativa liberdade do homem no terreno dos instintos. O homem possui uma sexualidade e todos os outros instintos que o animal também possui, mas não lhes está subjugado. Tem uma determinação de carácter sociwultural que deriva da antítesesíntese ((instinto-se ciedadev. Abordaremos, seguidamente, as ideias fundamentais da concepção antropkjgica de Erich Fromm.
Penelitian ini bertujuan untuk melihat mekanisme pelarian diri yang digunakan Thia sebagai manusia modern dalam ketiga seri novel KKPK Little Ballerina. Analisis dilakukan dengan menggunakan teori psikoanalisis Erich Fromm, khususnya konsep pelarian diri. Fromm berasumsi bahwa pada dasarnya manusia modern melepaskan kebebasan karena kebebasan selalu hadir bersama ancamannya tersendiri. Terdapat tiga mekanisme yang bisa digunakan untuk melakukan pelarian diri, yaitu: otoritarisme, kedestruktifan, dan konformitas. Data-data yang dikumpulkan berupa kata-kata baik yang bersumber dari data utama, yaitu novel, maupun wawancara. Kemudian data-data dianalisis dengan melihat hubungan-hubungan tekstual yang ada dalam ketiga seri novel dengan konsep mekanisme pelarian diri. Hasil analisis memperlihatkan bahwa terdapat hubungan antara kebutuhan-kebutuhan manusia dengan mekanisme pelarian diri. Melalui jenis kebutuhan-kebutuhan manusia yang dipenuhi memperlihatkan mekanisme pelarian diri yang digunakan. Otoritarisme terbentuk dengan memenuhi kebutuhan keterhubungan. Kedestruktifan muncul setelah kebutuhan keunggulan terpenuhi. Sementara itu, konformitas tercipta setelah kebutuhan kerangka orientasi, keberakaran, dan kepekaan identitas terpenuhi. Thia menggunakan ketiga mekanisme pelarian diri tersebut. Dari ketiga mekanisme tersebut terlihat hubungan antara satu dengan lainnya. Pola kebebasan menjadi pola tetap dalam cerita-cerita Thia, sementara pola ketidakbebasan menjadi bentuk tersendiri yang muncul berkaitan dengan perkembangan psikologis dari anak-anak akhir ke remaja awal dan pengalaman mengikuti les balet.
Der vorliegende Text setzt sich kritisch mit Erich Fromms Text zur Furcht vor der Freiheit auseinander. Schwerpunkt der Auseindersetzung ist Fromms Kapitel zur Rennaissance. Es wird argumentiert, dass nicht eine Furcht vor der Freiheit ausschlaggebend für die Genese autoritärer Gesellschaftlichkeit ist, sondern die der kapitalistischen Produktionsweise immanente Tendenz, jegliche Subsistenzmittel zu zerstören. Der Freudmarxist Erich Fromm widmet sich in seinem Buch >Die Furcht vor der Freiheit< der Charakterstruktur und der Bedeutung der Freiheit für den modernen Menschen. Fromm vertritt die These, dass der moderne Mensch, je mehr er Individuum wird und sich von den >Fesseln der vorindivualistischen Gesellschaft (Fromm 2014: 7) befreie, sich entweder mit der Welt in >spontaner Liebe und produktiver Arbeit< vereine oder Bindungen eingehe, die seine Freiheit und die Integrität seines individuellen Selbst zerstöre (ebd.23) Das Individuum der Moderne ist für Fromm stets Produkt eines widersprüchlichen Gesellschaftsprozesses. Diesen Prozess meint er auch in den ideologischen und sozioökonomischen Entwicklungen der Reformation entdecken zu können. Gesellschaftliche Umwälzungen und Verwerfungen gingen Hand in Hand und bringen – damals wie heute – menschliche Freiheit und Autonomie mit sich, jedoch nur um den Preis der sozialen Isolation, die mithin neue Bindungen und die Unterwerfung unter eine höhere Autorität hervorbringe. In Kapitel 3a >Mittelalterlicher Hintergrund und Renaissance< versucht Fromm den Übergang von mittelalterlichen Gesellschaften zur Renaissance und dem >Italiener der Renaissance< (ebd. 39) zu skizzieren, dessen Charakterstruktur er als Ausgangspunkt des modernen Individuums sieht. [Buecher.de]
Direct-to-consumer pharmaceutical advertising (DTCPA) is pervasive in the United States. Beyond its effect on consumer behavior, DTCPA changes the relationship between individuals and physicians. The author provides a brief history of pharmaceutical advertising in the United States. The author then analyzes the current commonly used marketing techniques of pharmaceutical companies and argues that pharmaceutical companies are >irrational authorities< in Erich Fromm’s sense of the term since they seek to exploit persons. Using concepts from various philosophers from the Continental tradition, with a particular emphasis on the work of Michel Foucault, the author analyzes the power relations involved in DTCPA and ultimately argues that DTCPA subtly undermines the contemporary paradigm of patient autonomy while simultaneously depending upon it by treating health consumers as >dividuals<, that is, as porous entities to be manipulated.
Entering the 14th Five-Year Plan period, accompanied by significant trend of China’s population aging, the digital integration of the elderly group has become the core concern in academic circles. In view of this, taking Erich Fromm’s humanistic theory and his philosophy for considering China’s reality, open the interface between the elderly and technology from three top-level designs of understanding needs, stimulating creativity, and strengthening education support, which could help the elderly group to adapt to digital life and enjoy its dividends smoothly. [Translation: www.cnki.net, 1/2023]
Obedience
(2022)
This is a phenomenological description of existential obedience, which draws out a contrast between it and ressentiment and existential envy, and compares it with pedagogical obedience. The discussion is developed with reference especially to the work of Erich Fromm, Emerson, and Nietzsche. Eds.: This paper forms part of a special issue titled >Beyond Virtue and Vice: Education for a Darker Age<, in which the editors invited authors to engage in exercises of >transvaluation<. Certain apparently settled educational concepts (from agency and fulfilment to alienation and ignorance) can be reinterpreted and transvaluated (in a Nietzschean vein) such that virtues become vices, and vices, virtues. The editors encouraged authors to employ polemics and some occasional exaggeration to reimagine educational values that are all too readily accepted within contemporary educational discourses.
Johan Jakob Bachofen (1815-1887) was a Swiss anthropologist and sociologist whose 1861 book, Mother Right: An Investigation of the Religious and Juridical Character of Matriarchy in the Ancient World is best known for his radical claims that matriarchy preceded patriarchy, and that matriarchy is the source of human society, religion, and morality. Scholars have acknowledged Bachofen’s influence on a long list of writers, including but not limited to: Lewis Henry Morgan, Friedrich Nietzsche, Thomas Mann, Friederich Engels, Karl Marx, Erich Fromm, Joseph Campbelll, Emile Durkheim, Carl Gustav Jung, Thorstein Veblen, Ferdinand Tonnies, and Pitirim Sorokin. The focus of my thesis is to bring attention to Bachofen’s influence on the early sociologists (Engels, Durkheim, Tonnies, Sorokin), and more importantly, on the later sociologists and other social scientists whom these early sociologists in turn influenced, including: David Riesman, Talcott Parsons, and Jean Baudrillard.
After publishing a psychoanalytic inquiry on Enescu’s and Stravinsky’s Oedipal operas, it seemed worth offering comments about other artistic depictions based on Oedipus’ myth. Josep Soler’s and Xiao-song’s versions were studied in relation to their orientalist sources. Soler’s opera shed further light on Oedipus’ paranoid crisis in his duet with the blind seer. Seneca, Soler’s main inspiration, also influenced Méreaux’s Oedipal opera, which portrays the phantom of Laius requiring vengeance for his murder, a situation similar to the one Freud and Jones commented on in their analysis of Hamlet. Another ghost was found in Pierre Bartholomée’s OEdipe sur la route, which depicts a return of Oedipus’ own complex and its psychopathological comorbidities even after he chastised himself. Psychopathological symptoms were also observed in Sacchini’s version, probably the most famous of all Oedipal operas in its century. Furthermore, the focus now is not only on Oedipal operas, but also on a version of the Jocasta debate. Also attended to in this article are other operas and artistic representations that do not deal directly with the Oedipus myth. A list of 30 Oedipal operas with musical examples offers a fruitful space for debates on psychopathological issues related to the most important complex in psychoanalysis.
Relacionado con la historia de la arquitectura mexicana del siglo XX, este artículo expone y entrelaza la trayectoria del psicoanalista Erich Fromm y el cineasta Luis Buñuel con los arquitectos Arturo Sáenz de la Calzada y Oscar Coll Alas, quienes fueron los encargados de crear los hogares de estas figuras en México. Se explora el proceso de diáspora de los personajes y su exilio en tierras mexicanas, así como el momento y circunstancias de encuentro, sus preconcepciones en el ámbito arquitectónico, las características de las construcciones que diseñaron, construyeron y habitaron para finalmente entrelazar su propuesta teórica o estética con los hogares elegidos. Palabras clave: exilio español en México, arquitectos del exilio, casas del exilio, arquitectura mexicana del siglo XX.
Este estudio de tipo cualitativo, tuvo como objetivo identificar cómo la espiritualidad es un factor de resiliencia ante la cultura de la violencia que viven los jóvenes que asisten a la Unidad Educativa Arquidiocesana >Bicentenario del Natalicio de El Libertador< de Maracaibo. Se realizó durante el período 2012-2013. La recolección de la información se realizó mediante entrevistas a profundidad a 10 adolescentes estudiantes de esta Unidad Educativa, de los cuales 6 fueron mujeres y 4 varones, cuyas edades oscilaron entre 13 y 17 años y se encontraban cursando 8vo, 5to y 6to año de Bachillerato. El análisis se realizó mediante la Teoría Fundamentada. Los principales autores que guiaron el estudio fueron Frankl (1990), Llobet (2005), González y Ginart (2011) Fromm (1978) y Walsh (2004). Como resultados, se determinó que para los estudiantes de esta Unidad Educativa, la espiritualidad ha sido un factor de Resiliencia ayudándolos a enfrentar la cultura de la violencia. Estos jóvenes han tenido proceso de interiorización y crecimiento interior gracias a la experiencia espiritual, como una búsqueda, de salud mental, motivación, comportamiento, conciencia, que imprime identidad y proyecta al ser humano hacia nuevos y mejores horizontes. Esta espiritualidad no está conectada con una Iglesia en especial, ni única, sino con una experiencia, con un ambiente, con una manera de vivir, de ser, de estar y de superar los problemas. Permitiéndoles Violencia, espiritualidad y resiliencia en estudiantes de la Unidad Educativa Arquidiocesana >Bicentenario del Natalicio de El Libertador<.
In recent years, the undead have been on the rise in films. Zombies and vampires are taking center stage and raking in money in record amounts. Resident Evil moved on to its fourth installment, 28 Days Later morphed into 28 Weeks Later, and 30 Days of Night is scoring some serious box office attention. George Romero, the king of the undead film, released his latest Land of the Dead, fourth in the Night of the Living Dead, Dawn of the Dead, and Day of the Dead series. There has even been an updated remake of Dawn of the Dead where the zombies transform from the shambling mounds of the past to the hyperdrive zombies of today. But what makes these films, so focused upon the living dead, so popular? Are we attracted to the undead because we, as Americans, are morphing into a society of necrophiles? Or are we already a society of necrophiles simply searching for an outlet? By examining the genre with an eye to Erich Fromm’s concept of necrophilia in a mechanized world, a new trend reveals itself. According to Fromm, as the world becomes more and more mechanized, humans become more and more disassociated from their selves, creating a move from biophilia to necrophilia. As we become inured to social ills and violence, it’s a small step from being distanced from life to being attracted to death. If the trend continues, the undead in films will be mere reflections of the undead in a mechanized world. Art imitates life. In the case of the undead in film, art imitates death. And who doesn’t love art?