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As the earliest form of literary expression, myth has provided a wide range of creative ideas for later writers with its profound changeable themes and thought-provoking connotations, and the vitality of love reflected in myth has also attracted more and more attention. Since Freud, the school of psychoanalysis and its branches have absorbed a great deal of classical nutrients concerning the practice of modern psychoanalysis in the Romantic epics Metamorphoses and Love Proverbs, which were systematized by the Roman poet Ovid. Aiming at the love topic of mankind for thousands of years, there is a close dialogue between psychoanalysis and literature in different historical contexts. Based on the theories of Freud, Lacan, Fromm and other psychoanalysts about love and the predicament of human existence, this paper attempts to analyze the symptoms of love in myth romantic epic Metamorphoses written by Ovid, and to observe >Ars amatoria<, which is shining with the glory of human nature, through the study of the symptoms of myth, and then to demonstrate: Only through the guidance and transformation of real freedom, hope and creativity can love finally become social and sound love.– This article is divided into four chapters and three parts: First of all, in the introduction part, this article will briefly explain the research significance and research status at home and abroad. Secondly, the article in the second part consisted of three chapters, aims to research on Freud’s unconscious and neurosis, Lacan’s mirror stage and the >Three Realms Theory<, Fromm’s doctrine of sound love as the foundation. Taking the classic epic Metamorphoses as a case, this paper aims to probe into the successful or tragic love in the epic from the psychological perspective of psychoanalysis, and summarize the crux and root causes of various love syndromes under an objective and meticulous text interpretation method.– The first chapter focuses on the relationship between love and freedom in two steps: The first step mainly focuses on the analysis of the stories of Eco and Philomela in >Metamorphoses<, expressing the relationship between the control and anti-control of subject, language and vision, and pointing out that human beings are always facing the dilemma of becoming >the subject that cannot stand up< in the existing order; the second step mainly compares Tereus’s >love< and Daphne’s >love< with >the subject who cannot stand up<, showing that the excessive >free< love desire leads to the loss of shame of the subject, and the serious consequences of not being able to truly realize free love.– The second chapter will focus on the relationship between love and hope in the stories of Lanthe, Pygmalion and Adonis. On the one hand, it shows that the psychological archetypes of >Anima<, >Animus< and >Mana< based on primitive experience not only stipulate the hope of love in accordance with human nature, but also prove the futility of the hope of love by the existence of >the ultimate thing< and death. On the other hand, on the basis of comparing >magic< with >Thesmophoria Worship< and >Adonis cult<, this paper analyzes hopeless obsession and positive belief, and emphasizes that only the latter can perfect free love and make it full of hope.– The third chapter focuses on love and creativity, and illustrates the defects of love between Narcissus and Eco, Thisbe and Pyramus: Due to the lack of conscious emotional motivation and the ability of free love, human beings have developed the >Copying Love< without any creativity. The creation and destruction of life is the subject’s proof of the inevitability of existence, and it also confirms the powerful power of erotic instinct. In addition, Orpheus and Pygmalion provided inspiration for the free play of the subject’s erotic impulses in art, through the understanding of art, the combination of the subject and the work of art promotes the creative sublimation of love and desire. Finally, in the third part, the fourth chapter, Based on the research results of Fromm, Marcuse and others on the formation, development and perfection of the subject personality in society, this paper returns from the love myth epic Metamorphoses by the ancient Roman poet Ovid to the love proverbs poem >Ars amatoria< then specifically analyzes the medication judgment, treatment means and cure goal of love syndrome in >Ars amatoria<. In the end, my conclusion is that love is the unity of freedom, hope and creativity. Only in the process of mutual promotion and formation of love can freedom, hope and creativity transform primitive love into social love, and realize the perfection and cure of love and purification of noble sentiment. [Translation: www.cnki.net, 4/2023]
Western capitalist societies in the 1940s and 1950s had a significant improvement in the level of productivity development, but during this period there were problems with the overall mental status of social members. Fromm believes that society as a whole will be in a morbid state just like individuals. At this time, criticism of society should be used to replace the rejection of individuals who do not adapt to society. In order to carry out social critical work, Fromm mainly absorbed the ideas of Freud and Marx, combined psychoanalysis with the social and historical research method as the prototype of historical materialism, and changed the validity of Freud’s theory from the personal or family scope extends to the social scope, and social character is formed from this.– This article systematically introduces and explores the theory of social character. On the one hand, the introduction reveals the research background and significance of this article, on the other hand, it also introduces the status quo of the research on Fromm’s thought at home and abroad, especially his theory of social character.– The first chapter introduces the two major theoretical sources of social character: Freud’s theory and Marxist philosophy, including Freud’s psychoanalysis, subconscious theory and individual character dynamics and society as a prototype of historical materialism. The specific content of historical research method and historical materialism.– The second chapter restores its complete theoretical form from the three aspects of the formation process, main content and function of social character, laying a foundation for exploring the theoretical and practical significance of social character.– Chapter Three discusses the theoretical significance of social character in depth, mainly from the position of the theory in Fromm’s thought and its significance to historical materialism. Specifically, social character is an important theoretical weapon for Fromm to criticize Western capitalist society. Fromm also uses the ideal social character-productive character to try to restore the historical subject; in addition, social character not only supplements and developed the relationship between social existence and social consciousness, economic foundation and superstructure, and also explored the relationship between subject and object in historical materialism, and restored the subjective dimension of historical materialism on this basis.– Finally, the fourth chapter of the article reveals the practical significance of social personality for thinking and resolving the main contradictions in our society. [Translation: www.cnki.net, 7/2023]
As socialism with Chinese characteristics enters a new era, people’s leisure needs are growing, and the problem of leisure and human development has become increasingly prominent. On the basis of criticizing the antagonism of capitalist leisure, Marx put forward the communist ideal which takes human’s overall and free development as the basic principle, which has important enlightenment to reflect on contemporary leisure. Understanding leisure, learning leisure, as well as practicing leisure are the only ways to realize the all-round development of people and a better life for people. The former leisure thought can deepen our understanding of Marx’s leisure thought, and can be used as a tool to reflect on the leisure problem. Hegel’s philosophy of master and slave initially revealed the antagonism of leisure and its way out, and Feuerbach’s criticism of alienation provided a model for reflection on leisure alienation. He regarded god as the highest leisure person and love as the essence of human, which meant that the way to overcome leisure alienation lies in the integration of leisure and human development. French utopianism socialism proposed the combination of leisure and work. Veblen criticized the conspicuous consumption of the leisure class. Fromm criticized the emphasis on possession over survival. These theories revealed that leisure and human development can be unified. The leisure discussed by Marx is divided into three levels, including the leisure of rest and relaxation, the leisure of consumption and entertainment and the leisure of human development. Marx’s leisure thought is deeply embedded in consumption theory, free time theory and labor theory. Specifically, human development is the fundamental purpose of leisure, which is the path to human development; Consumption is an important carrier of leisure, and real leisure consumption can promote human development; Free time is the essence of leisure and expands the space for human development; Labor is the foundation of leisure, labor and leisure unity can expand leisure space, make leisure more realistic; The four aspects are interrelated and all reflect the practical logic of communism which takes human development as the center. Marx’s leisure thought has important enlightenment for understanding contemporary leisure theory, leisure status, leisure problems and countermeasures: to build a new leisure value system, to coordinate the relationship between human and nature, society and self; to build a new connotation of leisure consumption and overcome consumer materialization, pay attention to humanistic meaning; to build a new connotations of free time, and realize the comprehensive and free development of human being; to build a new type of labor-leisure relationship, achieve the unity of the two, and to realize the highest human value. [Translation: www.cnki.net, 1/2023]
This thesis conducts a comparative study between >The Summer before the Dark< by the British writer Doris Lessing and >The Edible Woman< by the Canadian writer Margaret Atwood from the perspective of Fromm’s humanistic psychoanalysis. >The Summer before the Dark< and >The Edible Woman< share a significant common theme, that is, the dilemma of contemporary women. Alienation is a prevalent phenomenon in modern society and as members of that society, females cannot escape from this problem. >The Summer before the Dark< describes the story of a middle-aged housewife, Kate, who pursues her true self after temporarily escaping from her family, and >The Edible Woman< depicts working class Marian’s process of searching for mental independence and escaping from an alienating spiritual predicament. By examining the view of human nature, alienation and road to sanity proposed Erich Fromm, this thesis thoroughly analyzes and compares the similarities between the two protagonists’ behavior when confronted with alienation, their process of awakening self-awareness and differences in their routes to mental sanity. Through systematic comparison and analysis, it can be concluded that Kate’s maternal love for children and Marian’s erotic love for Peter provide the respective sources of their alienation. Obsession with others gives them a false sense of identity which enables them to cast off their deeply-rooted feelings of separation. In such symbiotic relationships with others, both Kate and Marian lose their self-awareness as an individual being and they cannot realize their spiritual dilemma. Mental independence and self-awareness are the key to getting rid of plight and the way to mental health for them. Through intensive study, the thesis suggests a solution for those trapped in a spiritual dilemma: productive love. Productive love can meet man’s need for union with others and provide a sense of identity with the prerequisite of the development of integrity. It is the final answer to conditions of individual living plight and the only way to achieve personal equilibrium. [English: www.cnki.net, 4/2022]
E. M. Forster’s works mostly reflect the social realities of his time. At the beginning of the 20th century England was in a significant historical period of social transformation. Although material wealth was abundant people’s spiritual state and moral level were constantly retrogressive. >Where Angels Fear to Tread< was set in this background. The moral values expressed in the Mrs. Herritons the family relationships between members and the mental state of each person all reflected the social status quo of their time. This thesis analyzes the phenomenon of alienation in >Where Angels Fear to Tread< through Fromm’s theory of alienation. Alienation has become a common social phenomenon people are in a state of controlling and being controlled so they lost their own independent personality productivity and creativity. In addition money and interests dominate social relations which makes people feel less care for each other thus the social relationship is becoming more and more indifferent. This phenomenon of alienation was not only reflected in British society at the beginning of the twentieth century but also was evident in contemporary times. This thesis studies the novel with the theory of alienation. Through analyzing the manifestations of alienation in characters exploring the causes of alienation and finally achieving the ultimate goal of curing the alienation of characters this thesis not only reflects the novelist’s desire to reveal the alienation of the British middle class but also provides methods and ideas to solve the spiritual alienation of modern people through the study of alienation resistance. This thesis is mainly divided into three parts-introduction main body and conclusion. The introduction gives a brief presentation to the novelist and his works followed by a comprehensive overview of the current state of domestic and international research on >Where Angels Fear to Tread<. Finally the purpose and significance of the text are explained. The introductory part is a prelude to the rest of the study. The main part is divided into three chapters.– The first chapter starts with the embodiment of alienation which explores the embodiment of alienation between individuals and society between individuals and other people and between individuals and themselves. From these three aspects the thesis makes a specific study on the embodiment of alienation and characters’ behavior under alienation.– The second chapter mainly explores the causes of alienation. There are many reasons for characters’ alienation. On the one hand characters’ personality defects lead to their self-loss. On the other hand the influence of long-term family environment is on a person as well as the influence of social environment on them.– The third chapter studies the resistance to alienation. The resistance to alienation also starts from three aspects. The first is the individual’s efforts to get rid of his own alienation. Secondly from the perspective of love it explains the importance of creative love to improve people’s alienation. Thirdly from the social perspective it expounds the positive role of a good social environment for people to get rid of alienation. The conclusion summarizes the content of the above chapters. It can be seen that Foster has a sober understanding of the society he lives in. He expresses the concern of people’s alienation and shows his hope for overcoming alienation. With the rapid development of productive forces the great wealth of material materials and the increasing consumer demand the seemingly sound society hides a profound spiritual crisis which also coincides with Fromm’s alienation theory. Through the analysis it can be seen that studying human alienation is necessary and feasible. [English: www.cnki.net, 4/2022]
The theory of social character is a creative theory that Fromm combines Marx’s social thought and consciousness view on the basis of Freud’s theory of character. Fromm regards Marx as a person of world historical significance. Although Freud sees personal psychological factors, he neglects the influence of social environment on human personality, which limits his vision. Marx thinks far more deeply and more than Freud. He examines human behavior from the social and economic structure, but the irrational factors were ignored, so Fromm tried to >melt the two into one furnace<. Meanwhile, the misreading and Misreading of Marx thought by >pseudo Marxism< made Fromm spend a lot of energy on studying and thinking about Marxism, not only criticizing it, but also expounding his understanding of Marxism. The author proposes the theory of social character to make up for the deficiency of Marx in the micro psychological level and the concrete transformation mechanism between economic foundation and superstructure. The concept of >social character< clearly reflects the traces of Marxist thought. Under the influence of Marx’s thought, Fromm examined the character in the relationship between man and the world, insisted that >the main thing of human is social existence<, and modified Freud with Marx ’social tendency, and explained the decisive effect of social economic structure on social character from the root and change of social character.– At the same time, we also noticed the role of >bond< and >explosive mortar< of social character, so as to explain the relative independence of social character. Not only that, Fromm also explored the foundation and premise of social character, namely, social unconsciousness. He put unconsciousness in the concrete world of reality for understanding, insisted that >consciousness is the product of society< and modified Freud’s >libido< with Marx’s >historical power<. He not only expounded the decisive role of social existence on social unconsciousness, but also saw the negative effect of social unconsciousness on social existence, and tried to make people realize the repression of facts, and seek the way of social change to break this repression.– Fromm’s theory of social character is influenced by Marx’s thought. Although he always bases on the people in the real society and examines the human character in social history, he still regards Marx thought as spiritual existentialism in essence, and the theoretical focus is on the role of social character on human behavior and thinking, and does not really understand Marxism, not only does the understanding of human nature stay in the abstract theory of human nature, but also does not touch the fundamental contradiction of capitalist society, and it is not realistic with a strong utopian color. [Translation: www.cnki.net, 4/2023]
Anne Tyler is deemed as one of the most outstanding writers and literary critics in contemporary America. Over her long career, distinguished by her vivid description of the conflicts in family life, Tyler has continually published over twenty novels, as well as over fifty short stories and numerous book reviews. Among them, Dinner at the Homesick Restaurant (1982) and >The Accidental Tourist< (1985) are two typical examples. The two novels share a common theme: alienation and loneliness, and the author uses the narrative model of internal focalization in both novels. The difference is that in >Dinner at the Homesick Restaurant<, Tyler flexibly adopts three models of internal focalization: fixed internal focalization, variable internal focalization and multiple internal focalization. While in >The Accidental Tourist<, fixed internal focalization is employed throughout the story. These two novels do not have the tortuous and bizarre storyline, but only revolve around trivial matters that have occurred in family, including the contradiction and estrangement between family members and so on. Judging from the existing literature at home and abroad, there is still great potential for in-depth research on Anne Tyler and her two novels. Based on Gérard Genette’s Narrative Theories, this thesis is devoted to a comparative study of alienation in Dinner at the Homesick Restaurant and >The Accidental Tourist< by means of close reading and theoretical analysis, so as to help readers gain a deep understanding of Tyler’s writing style and alienation theme, and also render a new perspective for further interpretation of Tyler’s family novels. This thesis consists of six parts. Chapter One first gives a brief introduction to the writer Anne Tyler and her works. Then, the definition of alienation is presented, especially Fromm’s views on alienation. In the end of this chapter, the significance and structure of the thesis are pointed out.– Chapter Two is Literature Review. In this part, the study on Anne Tyler and her two representative novels at home and abroad are shown.– Chapter Three is the theoretical framework of the thesis, in which Genette’s narratology theory is explained in detail, especially the narrative focalization: zero focalization, internal focalization, external focalization.– Chapter Four and Chapter Five are the main body of the thesis. Chapter Four aims to compare and analyze the manifestation of alienation in the two novels from different internal focalization types. This chapter can be divided into two parts. The first part will analyze the self-alienation in the two novels. The second part will explore the alienation of interpersonal relationship in the two novels, including two types: the alienation among family members and the alienation with non-family members. And the environmental alienation will be taken into consideration in this part, which accelerates the alienation of characters in the two novels.– Chapter Five is expected to elaborate the external and internal reasons of the alienation in the two novels, and explore the countermeasures to overcome alienation. External reasons, such as the social and historical background, the writer’s experience, the influence of American Southern literature and the family background are analyzed. In view of the internal reasons, this thesis puts an emphasis on personal attitude and choice. In terms of countermeasures, the strength of family ties weakens the alienation in >Dinner at the Homesick Restaurant<. While in >The Accidental Tourist<, the greatness of affection helps the protagonist Macon overcome alienation partially.– Chapter Six – conclusion part, the author summaries the previous viewpoints and puts forward the suggestion for further study. [www.cnki.net, 1/2023]
This paper aims at the presentation of ethical and political grounds of the pedagogy of asylum, which, in its assumptions, refers to concepts of such thinkers as Emmanuel Levinas, Erich Fromm, George Steiner, Hannah Arendt, Michael Walzer, Avishai Margalit, Jacques Derrida and Janusz Korczak. Utopia of hospitality, presented in its basic assumptions, constitutes a look at the social life, life of individuals and communities, as concentrated in asylums, while its author thinks that it forms an answer to modern challenges to Western democracies, education and politics in the >Age of Migration<.
Penelitian bertujuan mengungkap gejala, bentuk, dan tujuan perasaan cinta tokoh-tokoh dalam novel >Fi Qalbi Untsa ‘Ibriyyah<, serta bagaimana mereka bersikap ketika perasaan cinta kepada sesama manusia terhalang oleh batasan agama yang mereka anut (Yahudi, Islam, dan Kristen) sehingga mengakibatkan konflik dan pertentangan di antara mereka. Penelitian ini berbentuk studi pustaka dengan melakukan analisis terhadap karya sastra Arab yang berbentuk novel serta menggunakan pendekatan psikososial Erich Fromm tentang konsep cinta, dimana Fromm berpandangan bahwa cinta merupakan solusi dari semua permasalahan manusia. >Fi Qalbi Untsa ‘Ibriyyah< menampilkan kehidupan para tokoh yang awalnya dalam suasana damai saling mencintai tanpa melihat identitas agama, tetapi kemudian cinta mereka berubah menjadi konflik setelah mengetahui perbedaan agama di antara mereka. Para tokoh memiliki dua pilihan, antara mengikuti perasaan cinta kepada manusia tanpa memandang identitas agama atau melepaskan rasa cinta tersebut dengan alasan menaati batasan agama sebagai wujud cinta kepada Tuhan. Penelitian menjadi penting ketika ditemukan fakta bahwa cinta yang berangkat dari perasaan suka kepada personal tanpa melihat ikatan sosial ternyata bisa melahirkan banyak konflik ketika bertemu dengan identitas agama beserta batasan-batasannya.
The film literary drama >No Escape< is a crime genre drama with the theme of >revenge<. It mainly tells that Fang Tonghang, a spiritless novelist in a small town, discovered that his uncle suddenly became a suspect in a murder case. In order to clear his uncle’s suspicion, Fang Tonghang had to find the real murderer within three days. During the process of finding the real murderer, Fang Tonghang uncover a twenty-year past by visiting and researching different witnesses and exhibits. The plot finally focuses on a broken father-daughter relationship, discussing the alienation of people under money worship. The main storyline of the film literary drama >No Escape< is that the small town novelist Fang Tonghang received a contract intention from Honghui Publishing center after repeated setbacks in his work. The victim was Zou Tezhu, vice president of Honghui Group, who went to Li town for a holiday in a low-key manner. By mistake, the former assistant policeman Zhiwei, who chased the traffickers because of suspicion, became the >true murderer< witnessed by the inn attendant Xiao Mao. To restore his uncle Fang Zhiwei’s innocence, Fang Tonghang had to be ordered by Wei Tingjun, vice president of the Honghui Group, capture the real murderer within three days. Through interviews with waiter Xiaomao, uncle Wu who sells cigarettes, cleaning staff aunt Wu, and Wei Tingjun, the party concerned, the possibility of the murderer was found. In the end, real murderer Jing Lan was identified by the return trafficker Lao San in the secondary plot.– Creation interpretation uses five parts: summary of the work, character setting, narrative structure, mirror language style and creative reflection to sort out and think about the drama creation. The main part of the work overview is based on the origin of the topic selection, around the drama structure, combined with the aesthetic tendency of the genre film and the moral and ethical themes, it tells the origin of the creation and a brief plot analysis. The character setting part mainly focuses on the three main characters of Fang Tonghang, Jing Lan, and Wei Tingjun, explaining the significance of their creation, using Maslow’s demand theory and Marx’s theory of human alienation proposed by Fromm to explain the projections on Jing Lan and Wei Tingjun. In the narrative structure, use the book-in-book structure similar to the movie >Atonement<, and focus on the >introduction of events< and >critical events< proposed by Syd Field, which will introduce the construction before the event and the internal operation rules of the key event Describe. Mirror language style part analyzes the basic aesthetic structure of this drama, taking the Korean crime genre film >Cry<as an example, expounds the stylized pursuit of the genre film under the decadent aesthetics of the small town. The creative reflection part summarizes the shortcomings in the creative experience, and reflects on the shortcomings in the script creation from the perspective of characterization and plot structure. [Translation: www.cnki.net, 6/2023]
Marx’s concept of class not only plays an important role in the formation of early Marxist philosophy, but also deepens it in the exploration of late Marxist philosophy. Because Marx began to construct the concept of >class< from the early stage, and constantly deepened the concept of kind in the mature and late stage, so the study of Marx’s concept of class is of great significance to understand and grasp the development process of Marxist philosophy and the Sinicization of Marxist philosophy. However, because Marx criticized Feuerbach’s abstract concept of class and didn’t directly use the terms related to the concept of class in his later period, most researchers in the academic circles think that Marx’s concept of class is an >immature< concept, and Marx later replaced the concept of class with the concept of >society<. Therefore, based on Marx’s early and late original works, this paper will deeply explore the historical evolution of Marx’s concept of category, so as to objectively refute the above >immature< view. Althusser and Fromm hold opposite views on Marx’s concept of class. The former thinks that Marx’s early >ideological stage< involves >class< thought, while the latter >scientific< stage abandons >class< thought. Fromm thinks that there is only one humanistic Marx, and Marx’s concept of class has continuity. It is undeniable that Marx did use the philosophical terms with the color of Feuerbach’s >class concept<, and also highly valued the historical achievements of Feuerbach’s philosophy, but this does not lead to the conclusion that Marx’s class concept remained in the Feuerbach stage. Through the analysis of Marx’s concept of class and its formation process, this paper finds that although Marx’s concept of class has inherited and developed the terms related to Feuerbach’s concept of class, it has fundamentally gone beyond the basic connotation of Feuerbach’s concept of class, and has continued to deepen in Marx’s mature and late works. Therefore, the basic connotation of Marxist concept is not a mature concept, but it runs through Marxist philosophy. The study of Marx’s concept of class has two dimensions of theoretical and practical value. The theoretical dimension is conducive to maintaining the integrity of Marx’s philosophical thought and opposing the >class theory< of Marx’s thought. In the practical dimension, Marx’s concept of category provides philosophical basis for the construction of contemporary Chinese philosophy, the correct handling of the relationship between man and nature, and a community with a shared future for mankind. [Translation: www.cnki.net, 4/2023]
과학기술의 급속한 발전으로 생명안전 문제가 빈번히 발생하는 현대, 특히 코로나19의 배경 아래에서 역사적 경험을 통해 재난의 재발 방지를 위해 최선을 다하는 것은 미룰 수 없는 임무이다. 체르노빌 원전폭발은 이미 역사로 남았지만 그것이 남긴 문제는 아직도 적절하게 해결되지 않았다. >체르노빌<이라는 이 금기된공간을 어떻게 적절하게 처리할지는 현대사회의 문제 중 하나이다. 본문은 브래들리 파커(Bradley Parker) 감독의 <체르노빌 다이어리>(2012)를 사례로 현대에서 체르노빌의 공간적 표현을 고찰한다. 이 영화는 자극을추구하는 여행객들이 금지구역인 체르노빌로 진입하면서 겪는 끔찍한 상황을 그렸으며, 영화에서 나타난 체르노빌은 실제 체르노빌의 공간 상태와 부합한다. 영화에서 묘사한 체르노빌은 무인구역, 소비구역, 정치권력 규제구역 세 공간이 혼합된 장소이다. 본 논문에서는 세 공간이 작동하는 메커니즘과 상호 관계를 탐구하여 에리히 프롬(Erich Fromm)이 말한 건전한 사람과 건전한 사회의 구축에 기여할 것이다. 체르노빌은 무인구역, 소비구역, 정치권력 규제구역 세 공간이 혼합되어 서로를 제약한다. 체르노빌이라는 이 공간에서 국가는 주도적위치를 차지하며, 무인구역과 소비구역의 운영 배후에는 국가의 정치권력이 어느 정도 관여하고 있다. 원전폭발로 인해 체르노빌은 정치당국에 의해 >예외상태<로 운영되면서, 이 운영 체제 하에서 국가법, 인권, 도덕윤리 등문명사회의 체제와 규범이 사라지게 되었고, 이 공간에 들어온 개인의 생명은 순식간에 조르조 아감벤(Giorgio Agamben)이 말한 >벌거벗은 생명<으로 전락해 타인에 의해 생존권을 박탈당했다. 따라서 >건전한 사회<를 만들어 >건전한 개인의 생명<을 살리는 길을 고민하는 것은 매우 절실하다.