Filtern
Dokumenttyp
- Zeitschriftenartikel (14)
Sprache
- Englisch (14)
Referierte Publikation
- ja (14) (entfernen)
Schlagworte
- Raman microspectroscopy (8)
- High-fired gypsum mortar (4)
- Raman spectroscopy (4)
- Analytical methods (2)
- Anhydrite (2)
- Cuprorivaite (2)
- Egyptian blue (2)
- Gypsum (2)
- Luminescence (2)
- Meso Portland cement (2)
Organisationseinheit der BAM
Raman spectroscopy provides vibrational fingerprints of chemical compounds enabling their unambiguous identification. The assignment of Raman spectra to minerals is straightforward, if appropriate reference data is accessible. Modern couplings of Raman spectroscopy with microscopy (Raman microspectroscopy) merge the high structural specificity with down to sub-micrometre spatial resolution. This analytical tool has high potential not only in the identification of minerals from natural sources but also for studying the complex microstructure and mineral distribution of both ancient and modern man-made materials. In addition to the chemical identity of minerals, Raman spectra are affected by crystal orientations (varying relative Raman band intensities); (sub)stoichiometric compositional changes (e.g., in solid solution series), traces of foreign ions, strain (the latter three shifting Raman bands); and crystallinity (changing Raman band widths), enabling a comprehensive physico-chemical characterisation of minerals. Thus, Raman spectroscopy – including its in situ measurement capabilities – provides possibilities to study mineral paragenesis in both, natural and man-made samples at the micrometre scale. While in 1928 the first experimental evidence for inelastic light scattering was provided by C. V. Raman and K. S. Krishnan by using sunlight for excitation, filters for selecting the inelastically scattered light, and their eyes for detection (later, photographic plates for acquisition of spectra were employed), modern Raman spectrometers make use of laser excitation, dispersive spectrographs and charge coupled device (CCD) detection. This Special Issue includes technological developments and applications in the field of modern Raman spectroscopy of minerals in a broad sense, from natural mineral deposits and archaeological objects to inorganic phases in man-made materials. The studied minerals include fossil resins, typical rock-forming minerals (calcite, quartz, forsterite), iron-sulphur species (e.g., mackinawite), a range of sulphates (gypsum, bassanite, anhydrite III, anhydrite II, celestine, barite, ternesite), as well as silicate minerals like garnets (e.g., almandine).
Raman microscopic imaging was just recently introduced into the analysis of residual Roman and Portland cement grains in 19th century cement stone, displaying evidence of the experimental adaptation of contemporary technological knowledge and practice to local circumstance. Beyond calcium ferrites, this study deals with ferruginous clinker phases that are atypical compared to present-day commercial conditions of manufacture, such as iron oxides, clinopyroxenes or pyroxenoids. Analog, microtexture, mineralogy and chemical composition of pulverized ferrosilicate slag used in the course of the 19th century as mineral additive in lime mortar reflect local resource utilization, recording the melting history within the furnace and the effectiveness of the reduction process of a single smelting event. In the case of the discussed example, chemical imaging by Raman microscopy allowed deducing a lime-rich, low-silica melt exposed to fairly reducing conditions because of the detection of the pyrometallurgic phases fayalite (Fe2SiO4), kirschsteinite (CaFeSiO4) and calcioolivine (Ca2SiO4) in zoned olivine laths and (with the melilite gehlenite, Ca2Al2SiO7) in the Interstitial matrix, cross-cut by dendritic wuestite (FeO). The presented analytical approach faces the high spatial complexity of such mortar samples by microspectroscopic imaging with micrometer lateral resolution and their chemical complexity by extracting the rich chemical information content from Raman spectra. Intensity maps of marker bands provide spatial phase distributions. Furthermore, maps of peak positions can give access to the dissemination of spectroscopically similar phases of solid solution series (e.g., olivine and calcium Aluminate ferrite) as well as varying amounts of incorporated foreign cations (e.g., in hematite).
Measuring the Burning Temperatures of Anhydrite Micrograins in a High-Fired Medieval Gypsum Mortar
(2017)
Typical feature of high-fired medieval gypsum mortars is a compact microstructure of squat gypsum crystals containing firing products as remains of the calcination process. So far, the burning history of the binder is estimated based on morphological characteristics of the latter. A novel Raman microspectroscopy approach provides access to the calcination temperatures of individual anhydrite grains based on quantifiable spectroscopic changes appearing due to gradual variations of crystallinity, as independently confirmed by X-ray diffraction analysis of anhydrites synthesised at temperatures between 500°C and 900°C. The approach was successfully applied to the high-fired gypsum mortar of a South Tyrolean stucco sculpture of a pieta dated around 1420. Microparticles of burned anhydrite II with firing temperatures scattered around 650°C and clusters of thermally damaged natural anhydrite II crystals from the raw material were identified and imaged.
The study, dedicated to Beautiful Pietàs conserved in South Tyrol (Northern Italy), aims to establish, for the first time, a connection between Austroalpine raw materials and the high-fired gypsum mortars constituting the Gothic figure groups in question. The origin and chronology of this stylistically and qualitatively differing ensemble have been subject of art historical debate for nearly a century. The discourse is dominated by three main hypotheses: itinerary of an Austrian artist versus itinerary of the work of art created in an artist’s workshop in Austria versus itinerary of the stylistic vocabulary via graphical or three-dimensional models. The comparison of the δ34S values and the 87Sr/86Sr ratios of the gypsum mortars and Austroalpine sulphate deposits (in a compilation of own reference samples and literature data) points to the exploitation of sediments in the Salzkammergut and possibly also in the evaporite district of the Eastern Calcareous Alps, thus evidencing the import of the sculptures and not the activities of local South Tyrolean or itinerant artists. Two geochronological units are distinguishable: The Pietà in the Church St. Martin in Göflan can be assigned to Upper Permian raw material, whereas the metrologically consistent sculptures in the Church of Our Lady of the Benedictine Abbey Marienberg and in the Chapel St. Ann in Mölten correlate with deposits of the Early Triassic (or the Lower-Middle Triassic transition). The medieval gypsum mortars also differ in their mineralogical characteristics, i.e. in their geologically related minor components, as in the first case, characterised by a significant proportion of primary anhydrite, natural carbonate impurities mainly consist of calcite (partly converted to lime-lump-like aggregates), whereas in the second group dolomite (or rather its hydration products after pyrometamorphic decomposition) predominates, accompanied by celestine, quartz and potassium feldspar. The Pietà in the Cathedral Maria Himmelfahrt in Bozen turned out to be made of Breitenbrunn calcareous sandstone (Leitha Mountains, Burgenland, Austria), which is why the sample is not considered in the geochemical analysis.