@inproceedings{KlindtProhaskaBaumetal.2012, author = {Klindt, Marco and Prohaska, Steffen and Baum, Daniel and Hege, Hans-Christian}, title = {Conveying Archaeological Contexts to Museum Visitors: Case Study Pergamon Exhibition}, series = {VAST12: The 13th International Symposium on Virtual Reality, Archaeology and Intelligent Cultural Heritage - Short Papers}, booktitle = {VAST12: The 13th International Symposium on Virtual Reality, Archaeology and Intelligent Cultural Heritage - Short Papers}, editor = {Arnold, David and Kaminski, Jaime and Niccolucci, Franco and Stork, Andre}, publisher = {Eurographics Association}, address = {Brighton, UK}, doi = {10.2312/PE/VAST/VAST12S/025-028}, pages = {25 -- 28}, year = {2012}, language = {en} } @misc{KlindtAmrheinMuelleretal., author = {Klindt, Marco and Amrhein, Kilian and M{\"u}ller, Anja and Peters-Kottig, Wolfgang}, title = {Dealing with all the data - Participating in workflows to transform digital data about cultural heritage objects within a digital long-term preservation infrastructure}, issn = {1438-0064}, url = {http://nbn-resolving.de/urn:nbn:de:0297-zib-43020}, abstract = {Cultural heritage institutions are on the verge of making their artefacts available in digital form. During this transition they are faced with conceptual and technical challenges that have only little overlap with their traditional domains but provide them with a lot of opportunities. We aim at empowering them to deal with some of these challenges by designing workflows attached to the data flow within a digital long-term preservation system. The preservation framework processes data by utilising micro-services. These are tailored to accommodate data transformations that can help institutions making their data available if they choose to participate in the interconnected digital world}, language = {en} } @misc{AmrheinHaslerKlindtetal., author = {Amrhein, Kilian and Hasler, Tim and Klindt, Marco and Oltmanns, Elias and Peters-Kottig, Wolfgang}, title = {Digitale Langzeitarchivierung: Mustervorlage f{\"u}r {\"U}bernahmevereinbarungen}, issn = {1438-0064}, url = {http://nbn-resolving.de/urn:nbn:de:0297-zib-59452}, abstract = {Digitale Langzeitarchivierung erfolgt auf Grundlage verbindlicher Regelungen zwischen Langzeitarchiv und Datengeber. Detaillierte organisatorische und technische Bedingungen f{\"u}r Daten{\"u}bernahmen werden dabei in Absprache zwischen den Kooperationspartnern in einer {\"U}bernahmevereinbarung festgehalten. Im Rahmen der Entwicklung des Langzeitarchivs EWIG am Zuse Institute Berlin ist die hier dokumentierte Mustervorlage f{\"u}r {\"U}bernahmevereinbarungen entstanden.}, language = {de} } @misc{AmrheinHaslerKlindtetal., author = {Amrhein, Kilian and Hasler, Tim and Klindt, Marco and Oltmanns, Elias and Peters-Kottig, Wolfgang}, title = {Digitale Langzeitarchivierung: Mustervorlage f{\"u}r {\"U}bernahmevereinbarungen, Version 2}, issn = {1438-0064}, url = {http://nbn-resolving.de/urn:nbn:de:0297-zib-63245}, abstract = {Digitale Langzeitarchivierung erfolgt auf Grundlage verbindlicher Regelungen zwischen Langzeitarchiv und Datengeber. Detaillierte organisatorische und technische Bedingungen f{\"u}r Daten{\"u}bernahmen werden dabei in Absprache zwischen den Kooperationspartnern in einer {\"U}bernahmevereinbarung festgehalten. Im Rahmen der Entwicklung des Langzeitarchivs EWIG am Zuse Institute Berlin ist die hier dokumentierte zweite Version der Mustervorlage f{\"u}r {\"U}bernahmevereinbarungen entstanden. Das Submission Manifest wurde in aktualisierter Version 1.3 eingef{\"u}gt, es erfolgten sprachliche Pr{\"a}zisierungen, und die Beispiele m{\"o}glicher Verzeichnisstrukturen f{\"u}r Transferpakete wurden erneuert.}, language = {de} } @misc{DresenKlindt, author = {Dresen, Christina and Klindt, Marco}, title = {Eine kleine Handreichung zur Digitalisierung von Audio- und Videomaterial}, editor = {digiS - Forschungs- und Kompetenzzentrum Digitalisierung Berlin,}, url = {http://nbn-resolving.de/urn:nbn:de:0297-zib-86526}, pages = {41}, abstract = {Die Handreichung soll Mitarbeiter:innen von kulturellen Einrichtungen bei der Digitalisierung von Audio- und Videomaterial unterst{\"u}tzten. Diese Einf{\"u}hrung richtet sich besonders an Personen, die nicht mit dem Thema vertraut sind. Nach einer Einf{\"u}hrung in die Geschichte von Ton- und Bildsignalen werden verschiedene Medientypen vorgestellt und der Umgang mit ihnen um eine Digitalisierung zu beginnen. Die Digitalisierung wird im Zusammenhang mit wichtigen Grundbegriffen und Parametern vorgestellt. Abgeschlossen wird die Handreichung durch Hinweise zur Qualit{\"a}tspr{\"u}fung und Archivierung.}, subject = {Digitalisierung}, language = {de} } @inproceedings{KlindtBaumProhaskaetal.2012, author = {Klindt, Marco and Baum, Daniel and Prohaska, Steffen and Hege, Hans-Christian}, title = {iCon.text - a customizable iPad app for kiosk applications in museum exhibitions}, series = {EVA 2012 Berlin}, booktitle = {EVA 2012 Berlin}, publisher = {Gesellschaft zur F{\"o}rderung angewandter Informatik e.V.}, address = {Volmerstraße 3, 12489 Berlin}, pages = {150 -- 155}, year = {2012}, language = {en} } @misc{KlindtBaumProhaskaetal., author = {Klindt, Marco and Baum, Daniel and Prohaska, Steffen and Hege, Hans-Christian}, title = {iCon.text - a customizable iPad app for kiosk applications in museum exhibitions}, issn = {1438-0064}, url = {http://nbn-resolving.de/urn:nbn:de:0297-zib-17731}, abstract = {We present iCon.text, a kiosk platform for the iPad centered around artefacts, whose content and layout can be tailored without programming skills for specific museum exhibitions. The central metaphor to access information is a virtual postcard with one front and a customizable number of back sides that provide details about exhibits to museum visitors in textual and image form. Back sides can link to others cards. Access to these postcards is possible through one or more navigation views that can be navigated to from a navigation bar. The entry point to the application is designed as a multitouch interactive pile of cards in a playful manner that allows visitors of any age an easy approach to the presentation and interaction metaphor. To directly access a certain postcard, a mosaic view can be uitilized to provide an overview about all available exhibits. A category view groups postcards into themes. Locating artefacts on a zoomable map or exhibition floor plan allows for conveying information about spatial contexts between different objects and their location. Furthermore, contexts can be illustrated with a two stage view comprising an overview and corresponding detail views to provide further insights into the spatial, temporal, and thematic contexts of artefacts. The application scaffolding allows the design of bilingual presentations to support exhibitions with an international audience. The logo of the presenting institution or exhibition can be incorporated to display the the kiosk's corporate design branding and to access an imprint or further informations. Usage is logged into files to provide a basis for extracting statistical information about the usage. The details about the exhibits are presented as images and as such impose no limit to the design choices made by the content provider or exhibition designer. The application (enhanced with a panoramic view) has been integrated successfully into a large special exhibition about the ancient city of Pergamon 2011/2012 at the Pergamon Museum Berlin within the interdisciplinary project "Berlin Sculpture Network".}, language = {en} } @inproceedings{Klindt, author = {Klindt, Marco}, title = {Implications of perceived preservation levels}, series = {Proceedings of iPres - 15th International Conference on Digital Preservation / Boston, MA, USA / September 24 - 27, 2018}, volume = {15}, booktitle = {Proceedings of iPres - 15th International Conference on Digital Preservation / Boston, MA, USA / September 24 - 27, 2018}, doi = {10.17605/OSF.IO/M6QA5}, abstract = {This paper describes and explores the concept of perceived preservation levels and their implications. Perceived preservation levels are a way to communicate preservation policies, options and actions to the various stakeholders in digital preservation a digital preservation system is capable and able of. While explicitly assigned or stated preservation levels are promises to adhere to a certain set of policies and decisions, it may be hard to impossible for a best effort preservation service to fulfill these expectations. Perceived preservation levels combine different outcomes from preservation actions with preservation options and available resources to convey a holistic view of the archive's worflow and decision states. A preservation system providing information about current states of digital objects puts the data producers in a position to reassure themselves of the trustworthiness of the archive without the need of formal certification. This openness has implications not only for the trust relationship between producer and archive but provides the opportunity to constantly reassess the archive's decisions and priorities from the outside.}, language = {en} } @inproceedings{AmrheinKlindt, author = {Amrhein, Kilian and Klindt, Marco}, title = {Islandora as an access system for iRODS managed information packages}, series = {10th International Conference on Open Repositories (OR2015)}, booktitle = {10th International Conference on Open Repositories (OR2015)}, doi = {10.12752/5665}, abstract = {Accessing information packages with Islandora is straight forward, albeit not so much when they reside within a federated data management environment. In our case, dissemination information packages live in the Fedora object store for immediate access. The archival information packages are stored safely in a hierarchical storage infrastructure managed by iRODS and are only accessible for administrative and preservation action purposes. We present a data model that supports both use cases utilizing just a single Islandora instance. To integrate with iRODS, we developed an Islandora module to display and deliver data and metadata from the storage location. This solution also allows us to extend the system with further preservation workflow actions that will be required in the future.}, language = {en} } @inproceedings{KlindtAmrhein, author = {Klindt, Marco and Amrhein, Kilian}, title = {One Core Preservation System for All your Data. No Exceptions!}, series = {iPRES 2015 - Proceedings of the 12th International Conference on Preservation of Digital Objects}, booktitle = {iPRES 2015 - Proceedings of the 12th International Conference on Preservation of Digital Objects}, publisher = {School of Information and Library Science, University of North Carolina at Chapel Hill}, url = {http://nbn-resolving.de/urn:nbn:de:0297-zib-56639}, pages = {101 -- 108}, abstract = {In this paper, we describe an OAIS aligned data model and architectural design that enables us to archive digital infor- mation with a single core preservation workflow. The data model allows for normalization of metadata from widely var- ied domains to ingest and manage the submitted information utilizing only one generalized toolchain and be able to create access platforms that are tailored to designated data con- sumer communities. The design of the preservation system is not dependent on its components to continue to exist over its lifetime, as we anticipate changes both of technology and environment. The initial implementation depends mainly on the open-source tools Archivematica, Fedora/Islandora, and iRODS.}, language = {en} }