<?xml version="1.0" encoding="utf-8"?>
<?xml-stylesheet type="text/xsl" href="xsl/oai2.xslt"?>
<OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd">
  <responseDate>2026-09-27T14:11:30Z</responseDate>
  <request verb="GetRecord" metadataPrefix="xMetaDissPlus" identifier="oai:kobv.de-opus4-uni-passau:860">https://opus4.kobv.de/opus4-uni-passau/oai</request>
  <GetRecord>
    <record>
      <header>
        <identifier>oai:kobv.de-opus4-uni-passau:860</identifier>
        <datestamp>2025-08-22</datestamp>
        <setSpec>bibliography:false</setSpec>
        <setSpec>doc-type:PhDThesis</setSpec>
        <setSpec>open_access</setSpec>
        <setSpec>ddc</setSpec>
        <setSpec>ddc:750</setSpec>
        <setSpec>ddc:791</setSpec>
        <setSpec>ddc:800</setSpec>
      </header>
      <metadata>
        <xMetaDiss:xMetaDiss xmlns:xMetaDiss="http://www.d-nb.de/standards/xmetadissplus/" xmlns:cc="http://www.d-nb.de/standards/cc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcmitype="http://purl.org/dc/dcmitype/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:pc="http://www.d-nb.de/standards/pc/" xmlns:urn="http://www.d-nb.de/standards/urn/" xmlns:hdl="http://www.d-nb.de/standards/hdl/" xmlns:doi="http://www.d-nb.de/standards/doi/" xmlns:thesis="http://www.ndltd.org/standards/metadata/etdms/1.0/" xmlns:ddb="http://www.d-nb.de/standards/ddb/" xmlns:dini="http://www.d-nb.de/standards/xmetadissplus/type/" xmlns="http://www.d-nb.de/standards/subject/" xsi:schemaLocation="http://www.d-nb.de/standards/xmetadissplus/ https://d-nb.info/standards/schema/xmetadissplus.xsd" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
          <dc:title xsi:type="ddb:titleISO639-2" lang="ger">(Un)Bewegte Kunst – Ekphrasis als intermediales Phänomen im Bedeutungssystem Film</dc:title>
          <dc:title xsi:type="ddb:titleISO639-2" lang="eng" ddb:type="translated">Still/Moving art – ekphrasis as intermedial phenomenon in film</dc:title>
          <dc:creator xsi:type="pc:MetaPers">
            <pc:person>
              <pc:name type="nameUsedByThePerson">
                <pc:foreName>Amata</pc:foreName>
                <pc:surName>Wagner</pc:surName>
              </pc:name>
            </pc:person>
          </dc:creator>
          <dc:subject xsi:type="xMetaDiss:DDC-SG">750</dc:subject>
          <dc:subject xsi:type="xMetaDiss:DDC-SG">791</dc:subject>
          <dc:subject xsi:type="xMetaDiss:DDC-SG">800</dc:subject>
          <dc:subject xsi:type="xMetaDiss:SWD">Film</dc:subject>
          <dc:subject xsi:type="xMetaDiss:SWD">Kunst (Motiv)</dc:subject>
          <dc:subject xsi:type="xMetaDiss:SWD">Ekphrasis</dc:subject>
          <dcterms:abstract xsi:type="ddb:contentISO639-2" ddb:type="noScheme" lang="ger">Die vorliegende Arbeit erforscht den Einsatz von Ekphrasen in audiovisuellen Texten. Der ursprünglich aus der antiken Rhetoriklehre stammende Begriff bezeichnet die literarische Beschreibung von bildender Kunst und wird im Rahmen dieser Untersuchung auf den Film übertragen. Ziel der Analyse filmischer Beschreibungen von Kunst, speziell Malerei, ist es zu eruieren, wie Kunstwerke im Sinne der Bedeutungsvermittlung semantisch aufgeladen respektive funktionalisiert werden. Zentrale Forschungsgegenstände bilden demnach die Medien Bild und Film – somit ist die gesamte Arbeit in den Kontext des Intermedialitätsdiskurses eingebettet. Als Korpus dient ein Konglomerat an Texten, das neben zentralen Schlüsselwerken insbesondere jüngere – zwischen 2011 und 2016 entstandene –, wenig bis kaum erforschte Filme umfasst.</dcterms:abstract>
          <dcterms:abstract xsi:type="ddb:contentISO639-2" ddb:type="noScheme" lang="eng">The dissertation explores the use of ekphrases in audiovisual texts. The term, originally derived from ancient rhetoric, describes the literary description of fine arts and is transferred to film in the context of this study. The aim of the analysis of cinematic descriptions of art, especially painting, is to determine how works of art are semantically functionalized in the sense of conveying meaning. Image and film are central research subjects - thus the entire work is embedded in the context of the intermediality discourse. A conglomerate of texts serves as corpus, which, in addition to key works, includes particularly recent films - produced between 2011 and 2016 - for which almost no secondary literature is provided.</dcterms:abstract>
          <dc:publisher xsi:type="cc:Publisher" type="dcterms:ISO3166">
            <cc:universityOrInstitution>
              <cc:name>Universität Passau</cc:name>
              <cc:place>Passau</cc:place>
            </cc:universityOrInstitution>
            <cc:address cc:Scheme="DIN5008">Innstrasse 29, 94032 Passau</cc:address>
          </dc:publisher>
          <dc:contributor xsi:type="pc:Contributor" type="dcterms:ISO3166" thesis:role="advisor">
            <pc:person>
              <pc:name type="nameUsedByThePerson">
                <pc:foreName>Martin</pc:foreName>
                <pc:surName>Nies</pc:surName>
              </pc:name>
            </pc:person>
          </dc:contributor>
          <dc:contributor xsi:type="pc:Contributor" type="dcterms:ISO3166" thesis:role="advisor">
            <pc:person>
              <pc:name type="nameUsedByThePerson">
                <pc:foreName>Dennis</pc:foreName>
                <pc:surName>Gräf</pc:surName>
              </pc:name>
            </pc:person>
          </dc:contributor>
          <dcterms:dateAccepted xsi:type="dcterms:W3CDTF">2020-06-26</dcterms:dateAccepted>
          <dcterms:issued xsi:type="dcterms:W3CDTF">2020-12-10</dcterms:issued>
          <dc:type xsi:type="dini:PublType">PhDThesis</dc:type>
          <dc:type xsi:type="dcterms:DCMIType">Text</dc:type>
          <dc:identifier xsi:type="urn:nbn">urn:nbn:de:bvb:739-opus4-8605</dc:identifier>
          <dcterms:medium xsi:type="dcterms:IMT">application/pdf</dcterms:medium>
          <dc:language xsi:type="dcterms:ISO639-2">ger</dc:language>
          <dc:rights>Creative Commons - CC BY - Namensnennung 4.0 International</dc:rights>
          <thesis:degree>
            <thesis:level>thesis.doctoral</thesis:level>
            <thesis:grantor xsi:type="cc:Corporate">
              <cc:universityOrInstitution>
                <cc:name>Universität Passau</cc:name>
                <cc:place>Passau</cc:place>
                <cc:department>
                  <cc:name>Philosophische Fakultät</cc:name>
                </cc:department>
              </cc:universityOrInstitution>
            </thesis:grantor>
          </thesis:degree>
          <ddb:contact ddb:contactID="F6000-0384"/>
          <ddb:fileNumber>1</ddb:fileNumber>
          <ddb:fileProperties ddb:fileName="Wagner_Amata_Dissertation.pdf" ddb:fileSize="30272995" ddb:fileID="file860-0"/>
          <ddb:transfer ddb:type="dcterms:URI">https://opus4.kobv.de/opus4-uni-passau/oai/container/index/docId/860</ddb:transfer>
          <ddb:identifier ddb:type="URL">https://opus4.kobv.de/opus4-uni-passau/frontdoor/index/index/docId/860</ddb:identifier>
          <ddb:rights ddb:kind="free"/>
        </xMetaDiss:xMetaDiss>
      </metadata>
    </record>
  </GetRecord>
</OAI-PMH>
