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Institut
Planetary Embodiment (2021-2023) is a seminar and transdisciplinary artistic practice coordinated by Luïza luz at the Berlin University of Arts as part of Studium Generale. Engaging with the "Transformation of Silence Into Language and Action" as suggested by Audre Lorde, we envisioned this publication with the intention of investigating the power of words in breaking silences and cultivating awareness of intersectional environmentalism. The content was developed through workshops and guest lectures in collaboration with Andrea Galano Toro, gal sherizly, Denilson Baniwa, participants, and friends. In reciprocity for the causes we are addressing, the profits from this publication are directed to initiatives supporting Indigenous, land, human, and more than human rights.
DRAFTS#3
(2022)
DRAFTS#3 invited more than 80 designers, design researchers, and design students to discuss the role of artifacts in research and design activities within disciplines such as fashion, textile, and interaction design through the means of two exhibitions and one symposium.
A cooperation between the Swedish School of Textiles – University of Borås and designtransfer – UdK Berlin.
No-Win Situation is an interdisciplinary exhibition, which took place from May 14th to May 16th 2021 in the Treptower Ateliers. Students, lecturers and alumni from the Universität der Künste Berlin showed their works.
In response to the current situation and beyond, the participants tried to find new forms and ways to approach media that can do justice to the fast-paced character of a human-made downfall. That is what we call "the pessimistic view“: The internet creates a network that is no longer comprehensible. Nature is burdened until the consequences harm the humankind itself. The market creates dynamics that no one can control. Regardless of the Covid-19 pandemic, there are more than enough reasons to be pessimistic about the world.
Spatial sculptures encountered sound installations, machines met performance, virtual realty came across Readymade.
The exhibition catalog tries to link various artistic and creative positions. In terms of design, the question arises to what extent it is possible to reproduce new media but also to interpret them in a documentary print publication – a search for the best way to transport the essence of an artwork, especially when it has more to it than a visual part. The individual artwork is presented in a unique layout, approaching every work with a different design concept which is asking for the right visual language to communicate what is important.