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No-Win Situation Exhibition Catalog
- No-Win Situation is an interdisciplinary exhibition, which took place from May 14th to May 16th 2021 in the Treptower Ateliers. Students, lecturers and alumni from the Universität der Künste Berlin showed their works. In response to the current situation and beyond, the participants tried to find new forms and ways to approach media that can do justice to the fast-paced character of a human-made downfall. That is what we call "the pessimistic view“: The internet creates a network that is no longer comprehensible. Nature is burdened until the consequences harm the humankind itself. The market creates dynamics that no one can control. Regardless of the Covid-19 pandemic, there are more than enough reasons to be pessimistic about the world. Spatial sculptures encountered sound installations, machines met performance, virtual realty came across Readymade. The exhibition catalog tries to link various artistic and creative positions. In terms of design, the question arises to what extent it is possible to reproduce new media butNo-Win Situation is an interdisciplinary exhibition, which took place from May 14th to May 16th 2021 in the Treptower Ateliers. Students, lecturers and alumni from the Universität der Künste Berlin showed their works. In response to the current situation and beyond, the participants tried to find new forms and ways to approach media that can do justice to the fast-paced character of a human-made downfall. That is what we call "the pessimistic view“: The internet creates a network that is no longer comprehensible. Nature is burdened until the consequences harm the humankind itself. The market creates dynamics that no one can control. Regardless of the Covid-19 pandemic, there are more than enough reasons to be pessimistic about the world. Spatial sculptures encountered sound installations, machines met performance, virtual realty came across Readymade. The exhibition catalog tries to link various artistic and creative positions. In terms of design, the question arises to what extent it is possible to reproduce new media but also to interpret them in a documentary print publication – a search for the best way to transport the essence of an artwork, especially when it has more to it than a visual part. The individual artwork is presented in a unique layout, approaching every work with a different design concept which is asking for the right visual language to communicate what is important.…
Verfasserangaben: | Erik Anton Reinhardt, Maxim Tur |
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URN: | urn:nbn:de:kobv:b170-15686 |
DOI: | https://doi.org/10.25624/kuenste-1568 |
ISBN: | 978-3-89462-373-9 |
Verlag: | Udk Berlin |
Verlagsort: | Berlin |
Herausgeber*in: | Erik Anton Reinhardt, Maxim Tur |
Dokumentart: | Buch (Monographie) |
Sprache: | Englisch |
Datum der Veröffentlichung (online): | 02.12.2021 |
Datum der Erstveröffentlichung: | 02.12.2021 |
Veröffentlichende Institution: | Universität der Künste Berlin |
Datum der Freischaltung: | 09.12.2021 |
Freies Schlagwort / Tag: | Ausstellung; Berlin; Computational Arts; Generative Kunst; Katalog; Medienkunst; New Media; NoWin |
GND-Schlagwort: | Universität der Künste Berlin. Fakultät GestaltungGND; Zukunftserwartung <Motiv>GND; PessimismusGND |
Seitenzahl: | 130 |
Fakultäten und Einrichtungen: | Fakultät Gestaltung |
DDC-Klassifikation: | 7 Künste und Unterhaltung / 70 Künste / 700 Künste; Bildende und angewandte Kunst |
Lizenz (Deutsch): | Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell - Weitergabe unter gleichen Bedingungen 4.0 International |