The Counterpoint in Eurhythmics
- Originally, music choreography works of rhythm are closely tied to music and seek the most comprehensive possible transfer of all musical parameters into spatio-temporal as well as dynamic correspondences. Following the boundary-expanding developments in music and dance from the 1960s onwards, other intermedial forms of reference have become conceivable. Dorothea Weise breaks these down exemplarily and presents a system (to be questioned critically and thought through further).
Verfasserangaben: | Prof. Dorothea Weise |
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URN: | urn:nbn:de:kobv:b170-19575 |
DOI: | https://doi.org/10.25624/kuenste-1957 |
Dokumentart: | Bericht |
Sprache: | Englisch |
Jahr der Fertigstellung: | 2009 |
Veröffentlichende Institution: | Universität der Künste Berlin |
Datum der Freischaltung: | 16.11.2022 |
GND-Schlagwort: | RhythmikGND; KontrapunktGND; BewegungGND |
Seitenzahl: | 11 |
DDC-Klassifikation: | 7 Künste und Unterhaltung |
Weitere Hinweise: | This text is based on a lecture held in Vienna during the European Eurhythmics Days 2009. |
Weitere Hinweise: | This contribution is part of the Erasmus+ Project Eurhythmics in Education and Artistic Practice (EEAP). |
Lizenz (Deutsch): | Creative Commons - CC BY - Namensnennung 4.0 International |