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Identifying different functional regions during a brain surgery is a challenging task usually performed by highly specialized neurophysiologists. Progress in this field may be used to improve in situ brain navigation and will serve as an important building block to minimize the number of animals in preclinical brain research required by properly positioning implants intraoperatively. The study at hand aims to correlate recorded extracellular signals with the volume of origin by deep learning methods. Our work establishes connections between the position in the brain and recorded high-density neural signals. This was achieved by evaluating the performance of BLSTM, BGRU, QRNN and CNN neural network architectures on multisite electrophysiological data sets. All networks were able to successfully distinguish cortical and thalamic brain regions according to their respective neural signals. The BGRU provides the best results with an accuracy of 88.6 % and demonstrates that this classification task might be solved in higher detail while minimizing complex preprocessing steps.
We present a comprehensive analysis of the neural audio-visual synchrony evaluation tool SyncNet. We assess the agreement of SyncNet scores vis-a-vis human perception and whether we can use these as a reliable metric for evaluating audio-visual lip-synchrony in generation tasks with no ground truth reference audio-video pair. We further look into the underlying elements in audio and video which vitally affect synchrony using interpretable explanations from SyncNet predictions and analyse its susceptibility by introducing adversarial noise. SyncNet has been used in numerous papers on visually-grounded text-to-speech for scenarios such as dubbing. We focus on this scenario which features many local asynchronies (something that SyncNet isn’t made for).
We introduce the Merkel Podcast Corpus, an audio-visual-text corpus in German collected from 16 years of (almost) weekly Internet podcasts of former German chancellor Angela Merkel. To the best of our knowledge, this is the first single speaker corpus in the German language consisting of audio, visual and text modalities of comparable size and temporal extent. We describe the methods used with which we have collected and edited the data which involves downloading the videos, transcripts and other metadata, forced alignment, performing active speaker recognition and face detection to finally curate the single speaker dataset consisting of utterances spoken by Angela Merkel. The proposed pipeline is general and can be used to curate other datasets of similar nature, such as talk show contents. Through various statistical analyses and applications of the dataset in talking face generation and TTS, we show the utility of the dataset. We argue that it is a valuable contribution to the research community, in particular, due to its realistic and challenging material at the boundary between prepared and spontaneous speech.
Accepted at LREC 2022
Ellipses denote the omission of one or more grammatically necessary phrases. In this paper, we will demonstrate how to identify such ellipses as a rhythmical pattern in modern and postmodern free verse poetry by using data from lyrikline which contain the corresponding audio recording of each poem as spoken by the original author. We present a feature engineering approach based on literary analysis as well as a neural networks based approach for the identification of ellipses within the lines of a poem. A contrast class to the ellipsis is defined from poems consisting of complete and correct sentences. The feature-based approach used features derived from a parser such as verb, comma, and sentence ending punctuation. The classifier of neural networks is trained on the line level to integrate the textual information, the spoken recitation, and the pause information between lines, and to integrate information across the lines within the poem. A statistic analysis of poet's gender showed that 65% of all elliptical poems were written by female poets. The best results, calculated by the weighted F-measure, for the classification of ellipsis with the contrast class is 0.94 with the neural networks based approach. The best results for classification of elliptical lines is 0.62 with the feature-based approach.
A large proportion of (post)-modern poetry contains no or hardly any punctuation. In our contribution, we will investigate how well punctuation information can be recovered for postmodern poetry based on the information contained in the text and speech of free verse poems. We use the world's largest corpus of spoken (post-)modern poetry from our partner lyrikline which contains the corresponding audio recording of each poem as spoken by the original author and features translations for many of the poems. We identify lines that contain a phrase break in the middle of the poetic line, which may already be helpful for philological analysis on one hand, and identify the position of the break in the line on the other hand. We select those poetic lines that contain one or more punctuation characters that typically indicate a phrase break in poetry (.,;:!?/) somewhere in the middle (rather than only at the end of the line) as our target class. We train a neural network (bidirectional recurrent neural network (RNN) based on gated recurrent units (GRU) with attention) that combines audio and textual features to identify the punctuation with the goal of applying it to reconstruct them within a corpus of unpunctuated poems. Our results clearly indicate that speech is helpful for recovering the constituency structure of post-modern poetry that is partially obfuscated by missing punctuation.
Dubbing, i.e., the lip-synchronous translation and revoicing of audio-visual media into a target language from a different source language, is essential for the full-fledged reception of foreign audio-visual media, be it movies, instructional videos or short social media clips. In this paper, we objectify influences on the ‘dubbability’ of translations, i.e., how well a translation would be synchronously revoiceable to the lips on screen. We explore the value of traditional heuristics used in evaluating the qualitative aspects, in particular matching bilabial consonants and the jaw opening while producing vowels, and control for quantity, i.e., that translations are similar to the source in length. We perform an ablation study using an adversarial neural classifier which is trained to differentiate “true” dubbing translations from machine translations. While we are able to confirm the value of matching lip closure in dubbing, we find that the opening angle of the jaw as determined by the realized vowel may be less relevant than frequently considered in audio-visual translation.
This contribution focuses on structural similarities between tonality and cadences in music on the one hand, and rhythmical patterns in poetic languages respectively poetry on the other hand.
We investigate two exemplary rhythmical patterns in modern and postmodern poetry to detect these tonality-like features in poetic language: The Parlando and the Variable Foot. German poems
readout from the original poets are collected from the webpage of our partner lyrikline. We compared these rhythmical features with tonality rules, explained in two important theoretical volumes: The Generative Theory of Tonal Music and the Rhythmic Phrasing in English Verse. Using both volumes, we focused on a certain combination of four different features: The grouping
structure, the metrical structure, the time-span-variation and the prolongation, in order to detect the two important rhythmical patterns which use tonality-like features in poetic language (Parlando and Variable Foot). Different features including pause and parser information are used in this classification process. The best classification result, calculated by the f-measure, for
Parlando and Variable Foot is 0.69.
We show how to classify the phrasing of readout poems with the help of machine learning algorithms that use manually engineered features or automatically learn representations. We investigate modern and postmodern poems from the webpage lyrikline, and focus on two exemplary rhythmical patterns in order to detect the rhythmic phrasing: The Parlando and the Variable Foot. These rhythmical patterns have been compared by using two important theoretical works: The Generative Theory of Tonal Music and the Rhythmic Phrasing in English Verse. Using both, we focus on a combination of four different features: The grouping structure, the metrical structure, the time-span-variation, and the prolongation in order to detect the rhythmic phrasing in the two rhythmical types. We use manually engineered features based on text-speech alignment and parsing for classification. We also train a neural network to learn its own representation based on text, speech and audio during pauses. The neural network outperforms manual feature engineering, reaching an f-measure of 0.85.
This work aims to discern the poetics of concrete poetry by using a corpus-based classification focusing on the two most important techniques used within concrete poetry: semantic decomposition and syntactic permutation. We demonstrate how to identify concrete poetry in modern and postmodern free verse. A class contrasting to concrete poetry is defined on the basis of poems with complete and correct sentences. We used the data from lyrikline, which contain both the written as well as the spoken form of poems as read by the original author. We explored two approaches for the identification of concrete poetry. The first is based on the definition of concrete poetry in literary theory by the extraction of various types of features derived from a parser, such as verb, noun, comma, sentence ending, conjunction, and asemantic material. The second is a neural network-based approach, which is theoretically less informed by human insight, as it does not have access to features established by scholars. This approach used the following inputs: textual information and the spoken recitation of poetic lines as well as information about pauses between lines. The results based on the neural network are more accurate than the feature-based approach. The best results, calculated by the weighted F-measure, for the classification of concrete poetry vis-à-vis the contrasting class is 0.96
Speech-based interactive systems, such as virtual personal assistants, inevitably use complex architectures, with a multitude of modules working in series (or less often in parallel) to perform a task (e.g., giving personalized movie recommendations via dialog). Add modules for evoking and sustaining sociability with the user and the accumulation of processing latencies through the modules results in considerable turn-taking delays. We introduce incremental speech processing into the generation pipeline of the system to overcome this challenge with only minimal changes to the system architecture, through partial underspecification that is resolved as necessary. A user study with a sociable movie recommendation agent objectively diminishes turn-taking delays; furthermore, users not only rate the incremental system as more responsive, but also rate its recommendation performance as higher.
Translation systems aim to perform a meaning-preserving conversion of linguistic material (typically text but also speech) from a source to a target language (and, to a lesser degree, the corresponding socio-cultural contexts). Dubbing, i.e., the lip-synchronous translation and revoicing of speech adds to this constraints about the close matching of phonetic and resulting visemic synchrony characteristics of source and target material. There is an inherent conflict between a translation’s meaning preservation and ‘dubbability’ and the resulting trade-off can be controlled by weighing the synchrony constraints. We introduce our work, which to the best of our knowledge is the first of its kind, on integrating synchrony constraints into the machine translation paradigm. We present first results for the integration of synchrony constraints into encoder decoder-based neural machine translation and show that considerably more ‘dubbable’ translations can be achieved with only a small impact on BLEU score, and dubbability improves more steeply than BLEU degrades.
This seminar was held in late 2016 and brought together, for the first time, researchers studying vocal interaction in a variety of different domains covering communications between all possible combinations of humans, animals, and robots. While each of these sub-domains has extensive histories of research progress, there is much potential for cross-fertilisation that currently remains underexplored. This seminar aimed at bridging this gap. In this report, we present the nascent research field of VIHAR and the major outputs from our seminar in the form of prioritised open research questions, abstracts from stimulus talks given by prominent researchers in their respective fields, and open problem statements by all participants.
The Spoken Wikipedia Corpus collection: Harvesting, alignment and an application to hyperlistening
(2019)
Spoken corpora are important for speech research, but are expensive to create and do not necessarily reflect (read or spontaneous) speech ‘in the wild’. We report on our conversion of the preexisting and freely available Spoken Wikipedia into a speech resource. The Spoken Wikipedia project unites volunteer readers of Wikipedia articles. There are initiatives to create and sustain Spoken Wikipedia versions in many languages and hence the available data grows over time. Thousands of spoken articles are available to users who prefer a spoken over the written version. We turn these semi-structured collections into structured and time-aligned corpora, keeping the exact correspondence with the original hypertext as well as all available metadata. Thus, we make the Spoken Wikipedia accessible for sustainable research. We present our open-source software pipeline that downloads, extracts, normalizes and text–speech aligns the Spoken Wikipedia. Additional language versions can be exploited by adapting configuration files or extending the software if necessary for language peculiarities. We also present and analyze the resulting corpora for German, English, and Dutch, which presently total 1005 h and grow at an estimated 87 h per year. The corpora, together with our software, are available via http://islrn.org/resources/684-927-624-257-3/. As a prototype usage of the time-aligned corpus, we describe an experiment about the preferred modalities for interacting with information-rich read-out hypertext. We find alignments to help improve user experience and factual information access by enabling targeted interaction.
We present an open source plugin for live subtitling in the popular open source video conferencing software BigBlueBut-ton. Our plugin decodes each speaker’s audio stream separately and in parallel, thereby obliviating the need for speaker di-arization and seamlessly handling overlapped talk. Any Kaldi-compatible nnet3 model can be used with our plugin and we demonstrate it using freely available TDNN-HMM-based ASR models for English and German. Our subtitles can be used as they are (e.g., in loud environments) or can form the basis for further NLP processes. Our tool can also simplify the collection of remotely recorded multi-party dialogue corpora.
Data-based analyses are becoming more and more common in the Digital Humanities and tools are needed that focus human efforts on the most interesting and important aspects of exploration, analysis and annotation by using active machine learning techniques. We present our ongoing work on a tool that supports classification tasks for spoken documents (in our case: read-out post-modern poetry) using a neural networks-based classification backend and a web-based exploration and classification environment.
Automatic speech recognition (ASR) is not only becoming increasingly
accurate, but also increasingly adapted for producing timely, incremental output. However, overall accuracy and timeliness alone are insufficient when it comes to interactive dialogue systems which require stability in the output and responsivity to the utterance as it is unfolding. Furthermore, for a dialogue system to deal with
phenomena such as disfluencies, to achieve deep understanding of user utterances these should be preserved or marked up for use by downstream components, such as language understanding, rather than be filtered out. Similarly, word timing can be informative for analyzing deictic expressions in a situated environment and should
be available for analysis. Here we investigate the overall accuracy and incremental performance of three widely used systems and discuss their suitability for the aforementioned perspectives. From the differing performance along these measures we provide a picture of the requirements for incremental ASR in dialogue systems and describe freely available tools for using and evaluating incremental ASR.
We summarize our project Rhythmicalizer in which we analyze a corpus of post-modern poetry in a combination of qualitative hermeneutical and computational methods, as we have run the project over the course of the past three years (and preparing it for some time before that). Interdisciplinary work is always challenging and we here focus on some of the highlights of our collaboration.
Listeners typically provide feedback while listening to a speaker in conversation and thereby engage in the co-construction of the interaction. We analyze the influence of the listener on the speaker by investigating how her verbal feedback signals help in modeling the speaker's language. We find that feedback from the listener may help in modeling the speaker's language, whether through the listener's feedback as transcribed, or the acoustic signal directly. We find the largest positive effects for end of sentence as well as for pauses mid-utterance, but also effects that indicate we successfully model elaborations of ongoing utterances that may result from the presence or absence of listener feedback.
This paper describes the tasks, databases, baseline systems, and summarizes submissions and results for the GermEval 2020 Shared Task 1 on the Classification and Regression of Cognitive and Motivational Style from Text. This shared task is divided into two subtasks, a regression task, and a classification task. Subtask 1 asks participants to reproduce a ranking of students based on average aptitude indicators such as different high school grades and different IQ scores. The second subtask aims to classify so-called implicit motives, which are projective testing procedures that can reveal unconscious desires. Besides five implicit motives, the target labels of Subtask 2 also contain one of six levels that describe the type of self-regulation when acting out a motive, which makes this task a multiclass-classification with 30 target labels. 3 participants submitted multiple systems. Subtask 1 was solved (best r = .3701) mainly with non-neural systems and statistical language representations, submissions for Subtask 2 utilized neural approaches and word embeddings (best macro F1 = 70.40). Not only were the tasks solvable, analyses by the participants even showed connections to the implicit psychometrics theory and behavioral observations made by psychologists. This paper describes the tasks, databases, baseline systems, and summarizes submissions and results for the GermEval 2020 Shared Task 1 on the Classification and Regression of Cognitive and Motivational Style from Text. This shared task is divided into two subtasks, a regression task, and a classification task. Subtask 1 asks participants to reproduce a ranking of students based on average aptitude indicators such as different high school grades and different IQ scores. The second subtask aims to classify so-called implicit motives, which are projective testing procedures that can reveal unconscious desires. Besides five implicit motives, the target labels of Subtask 2 also contain one of six levels that describe the type of self-regulation when acting out a motive, which makes this task a multiclass-classification with 30 target labels. 3 participants submitted multiple systems. Subtask 1 was solved (best r =.3701) mainly with non-neural systems and statistical language representations, submissions for Subtask 2 utilized neural approaches and word embeddings (best macro F1 = 70.40). Not only were the tasks solvable, analyses by the participants even showed connections to the implicit psychometrics theory and behavioral observations made by psychologists.
Automatic speech recognition (ASR) technology has been developed to such a level that off-the-shelf distributed speech recognition services are available (free of cost), which allow researchers to integrate speech into their applications with little development effort or expert knowledge leading to better results compared with previously used open-source tools.
Often, however, such services do not accept language models or grammars but process free speech from any domain. While results are very good given the enormous size of the search space, results frequently contain out-of-domain words or constructs that cannot be understood by subsequent domain-dependent natural language understanding (NLU) components. We present a versatile post-processing technique based on phonetic distance that integrates domain knowledge with open-domain ASR results, leading to improved ASR performance. Notably, our technique is able to make use of domain restrictions using various degrees of domain knowledge, ranging from pure vocabulary restrictions via grammars or N-Grams to restrictions of the acceptable utterances. We present results for a variety of corpora (mainly from human-robot interaction) where our combined approach significantly outperforms Google ASR as well as a plain open-source ASR solution.
The SMOOTH-robot is a mobile robot that-due to its modularity-combines a relatively low price with the possibility to be used for a large variety of tasks in a wide range of domains. In this article, we demonstrate the potential of the SMOOTH-robot through three use cases, two of which were performed in elderly care homes. The robot is designed so that it can either make itself ready or be quickly changed by staff to perform different tasks. We carefully considered important design parameters such as the appearance, intended and unintended interactions with users, and the technical complexity, in order to achieve high acceptability and a sufficient degree of utilization of the robot. Three demonstrated use cases indicate that such a robot could contribute to an improved work environment, having the potential to free resources of care staff which could be allocated to actual care-giving tasks. Moreover, the SMOOTH-robot can be used in many other domains, as we will also exemplify in this article.
Dubbing is the art of finding a translation from a source into a target language that can be lip-synchronously revoiced, i. e., that makes the target language speech appear as if it was spoken by the very actors all along. Lip synchrony is essential for the full-fledged reception of foreign audiovisual media, such as movies and series, as violated constraints of synchrony between video (lips) and audio (speech) lead to cognitive dissonance and reduce the perceptual quality. Of course, synchrony constraints only apply to the translation when the speaker's lips are visible on screen. Therefore, deciding whether to apply synchrony constraints requires an automatic method for detecting whether an actor's lips are visible on screen for a given stretch of speech or not. In this paper, we attempt, for the first time, to classify on- from off-screen speech based on a corpus of real-world television material that has been annotated word-by-word for the visibility of talking lips on screen. We present classification experiments in which we classify
Speech quality and likability is a multi-faceted phenomenon consisting of a combination of perceptory features that cannot easily be computed nor weighed automatically. Yet, it is often easy to decide which of two voices one likes better, even though it would be hard to describe why, or to name the underlying basic perceptory features. Although likability is inherently subjective and individual preferences differ, generalizations are useful and there is often a broad intersubjective consensus about whether one speaker is more likeable than another. We present a methodology to efficiently create a likability ranking for many speakers from crowdsourced pairwise likability ratings which focuses manual rating effort on pairs of similar quality using an active sampling technique. Using this methodology, we collected pairwise likability ratings for many speakers (>220) from many raters (>160). We analyze listener preferences by correlating the resulting ranking with various acoustic and prosodic features. We also present a neural network that is able to model the complexity of listener preferences and the underlying temporal evolution of features. The recurrent neural network achieves remarkably high performance in estimating the pairwise decisions and an ablation study points toward the criticality of modeling temporal aspects in speech quality assessment.
This paper presents the classification of rhythmical patterns detected in post-modern spoken poetry by means of machine learning algorithms that use manually engineered features or automatically learnt representations. We used the world's largest corpus of spoken poetry from our partner lyrikline. We identified nine rhythmical patterns within a spectrum raging from a more fluent to a more disfluent poetic style. The text data analyzed by a statistical parser. Prosodic features of rhythmical patterns are identified by using the parser information. For the classification of rhythmical patterns, we used a neural networks-based approach which use text, audio, and pause information between poetic lines as features. Different combinations of features as well as the integration of feature engineering in the neural networks-based approach are tested. We compared the performance of both approaches (feature-based and neural network-based) using combinations of different features. The results show – by using the weighted average of f-measure for the evaluation – that the neural networks-based approach performed much better in classification of rhythmical patterns. The important improvement of the classification results lies in the use of the audio information. The integration of feature engineering in the neural networks-based approach yielded a very small result improvement.
A method, system, and computer-usable non-transitory storage device for dynamic voice codec adaptation are disclosed. The voice codec adapts in real time to devote more bits to audio quality when it is most needed, and fewer bits to less important parts of utterances are disclosed. Dialog knowledge is utilized for compression opportunities to adjust the bitrate moment-by-moment, based on the inferred value of each frame. Frame importance and appropriate transmission fidelity is predicted based on prosodic features and models of dialog dynamics. This technique provides the same communications quality with less spectrum needs, fewer antennas, and less battery drain.
It is established that driver distraction is the result of sharing cognitive resources between the primary task (driving) and any other secondary task. In the case of holding conversations, a human passenger who is aware of the driving conditions can choose to interrupt his speech in situations potentially requiring more attention from the driver, but in-car information systems typically do not exhibit such sensitivity. We have designed and tested such a system in a driving simulation environment. Unlike other systems, our system delivers information via speech (calendar entries with scheduled meetings) but is able to react to signals from the environment to interrupt when the driver needs to be fully attentive to the driving task and subsequently resume its delivery. Distraction is measured by a secondary short-term memory task. In both tasks, drivers perform significantly worse when the system does not adapt its speech, while they perform equally well to control conditions (no concurrent task) when the system intelligently interrupts and resumes.
When humans speak, they do not plan their full utterance inall detail before beginning to speak, nor do they speak piece-by-piece and ignoring their full message – instead humans usepartial representations in which they fill in the missing partsas the utterance unfolds. Incremental speech synthesizers, incontrast, have not yet made use of partial representations and theinformation contained there-in.We analyze the quality of prosodic parameter assignments(pitch and duration) generated from partial utterance specifi-cations (substituting defaults for missing features) in order todetermine the requirements that symbolic incremental prosodymodelling should meet. We find that broader, higher-level infor-mation helps to improve prosody even if lower-level informationabout the near future is yet unavailable. Furthermore, we findthat symbolic phrase-level or utterance-level information is mosthelpful towards the end of the phrase or utterance, respectively,that is, when this information is becoming available even in theincremental case. Thus, the negative impact of incremental pro-cessing can be minimized by using partial representations thatare filled in incrementally.
When a passenger speaks to a driver, he or she is co-located with the driver, is generally aware of the situation, and can stop speaking to allow the driver to focus on the driving task. In-car dialogue systems ignore these important aspects, making them more distracting than even cell-phone conversations. We developed and tested a "situationally-aware" dialogue system that can interrupt its speech when a situation which requires more attention from the driver is detected, and can resume when driving conditions return to normal. Furthermore, our system allows driver-controlled resumption of interrupted speech via verbal or visual cues (head nods). Over two experiments, we found that the situationally-aware spoken dialogue system improves driving performance and attention to the speech content, while driver-controlled speech resumption does not hinder performance in either of these two tasks
Holding non-co-located conversationswhile driving is dangerous (Horrey and- Wickens, 2006; Strayer et al., 2006), much more so than conversations with physically present, “situated” interlocutors
(Drews et al., 2004). In-car dialogue systems typically resemble non-co-located conversations more, and share their negative impact (Strayer et al., 2013). We implemented and tested a simple strategy
for making in-car dialogue systems aware of the driving situation, by giving them the capability to interrupt themselves when a dangerous situation is detected,and resume when over. We show that this improves both driving performance and recall of system-presented information,
compared to a non-adaptive strategy.
We analyze the addressee detection task for complexity-identical dialog for both human conversation and device-directed speech. Our recurrent neural model performs at least as good as humans, who have problems with this task, even native speakers, who profit from the relevant linguistic skills. We perform ablation experiments on the features used by our model and show that fundamental frequency variation is the single most relevant feature class. Therefore, we conclude that future systems can detect whether they are addressed based only on speech prosody which does not (or only to a very limited extent) reveal the content of conversations not intended for the system.
Dubbing has two shades; synchronisation constraints are applied only when the actor’s mouth is visible on screen, while the translation is unconstrained for off-screen dubbing. Consequently, different synchronisation requirements, and therefore translation strategies, are applied depending on the type of dubbing. In this work, we manually annotate an existing dubbing corpus (Heroes) for this dichotomy. We show that, even though we did not observe distinctive features between on- and off-screen dubbing at the textual level, on-screen dubbing is more difficult for MT (-4 BLEU points). Moreover, synchronisation constraints dramatically decrease translation quality for off-screen dubbing. We conclude that, distinguishing between on-screen and off-screen dubbing is necessary for determining successful strategies for dubbing-customised Machine Translation.
In this paper, we present a study in which a robot initiates interactions with people passing by in an in-the-wild scenario. The robot adapts the loudness of its voice dynamically to the distance of the respective person approached, thus indicating who it is talking to. It furthermore tracks people based on information on body orientation and eye gaze and adapts the text produced based on people's distance autonomously. Our study shows that the adaptation of the loudness of its voice is perceived as personalization by the participants and that the likelihood that they stop by and interact with the robot increases when the robot incrementally adjusts its behavior.
Incremental speech synthesis aims at delivering the synthetic voice while the sentence is still being typed. One of the main challenges is the online estimation of the target prosody from a partial knowledge of the sentence's syntactic structure. In the context of HMM-based speech synthesis, this typically results in missing segmental and suprasegmental features, which describe the linguistic context of each phoneme. This study describes a voice training procedure which integrates explicitly a potential uncertainty on some contextual features. The proposed technique is compared to a baseline approach (previously published), which consists in substituting a missing contextual feature by a default value calculated on the training set. Both techniques were implemented in a HMM-based Text-To-Speech system for French, and compared using objective and perceptual measurements. Experimental results show that the proposed strategy outperforms the baseline technique for this language.
The most important development in modern and postmodern poetry is the replacement of traditional meter by new rhythmical patterns. Ever since Walt Whitman's Leaves of Grass (1855), modern (nineteenth-to twenty-first-century) poets have been searching for novel forms of prosody, accent, rhythm, and intonation. Along with the rejection of older metrical units such as the iamb or trochee, a structure of lyrical language was developed that renounced traditional forms like rhyme and meter. This development is subsumed under the term free verse prosody. Our project will test this theory by applying machine learning or deep learning techniques to a corpus of modern and postmodern poems as read aloud by the original authors. To this end, we examine “lyrikline”, the most famous online portal for spoken poetry. First, about 17 different patterns being characteristic for the lyrikline-poems have been identified by the philological scholar of this project. This identification was based on a certain philological method including three different steps: a) grammetrical ranking; b) rhythmic phrasing; and c) mapping rubato and prosodic phrasing. In this paper we will show how to combine this philological and a digital analysis by using the prosody detection available in speech processing technology. In order to analyse the data, we want to use different tools for the following tasks: PoS-tagging, alignment, intonation, phrases and pauses, and tempo. We also analyzed the lyrikline-data by identifying the occurrence of the mentioned patterns. This analysis is a first step towards an automatic classification based on machine learning or deep learning techniques.
Most modern and post-modern poems have developed a post-metrical idea of lyrical prosody that employs rhythmical features of everyday language and prose instead of a strict adherence to rhyme and metrical schemes. This development is subsumed under the term free verse prosody. We present our methodology for the large-scale analysis of modern and post-modern poetry in both their written form and as spoken aloud by the author. We employ language processing tools to align text and speech, to generate a null-model of how the poem would be spoken by a naïve reader, and to extract contrastive prosodic features used by the poet. On these, we intend to build our model of free verse prosody, which will help to understand, differentiate and relate the different styles of free verse poetry. We plan to use our processing scheme on large amounts of data to iteratively build models of styles, to validate and guide manual style annotation, to identify further rhythmical categories, and ultimately to broaden our understanding of free verse poetry. In this paper, we report on a proof-of-concept of our methodology using smaller amounts of poems and a limited set of features. We find that our methodology helps to extract differentiating features in the authors’ speech that can be explained by philological insight. Thus, our automatic method helps to guide the literary analysis and this in turn helps to improve our computational models.
Predictive incremental parsing produces syntactic representations of sentences as they are produced, e.g. by typing or speaking. In order to generate connected parses for such unfinished sentences, upcoming word types can be hypothesized and structurally integrated with already realized words. For example, the presence of a determiner as the last word of a sentence prefix may indicate that a noun will appear somewhere in the completion of that sentence, and the determiner can be attached to the predicted noun. We combine the forward-looking parser predictions with backward-looking N-gram histories and analyze in a set of experiments the impact on language models, i.e. stronger discriminative power but also higher data sparsity. Conditioning N-gram models, MaxEnt models or RNN-LMs on parser predictions yields perplexity reductions of about 6%. Our method (a) retains online decoding capabilities and (b) incurs relatively little computational overhead which sets it apart from previous approaches that use syntax for language modeling. Our method is particularly attractive for modular systems that make use of a syntax parser anyway, e.g. as part of an understanding pipeline where predictive parsing improves language modeling at no additional cost.
The Spoken Wikipedia project unites volunteer readers of encyclopedic entries. Their recordings make encyclopedic knowledge accessible to persons who are unable to read (out of alexia, visual impairment, or because their sight is currently occupied, e. g. while driving). However, on Wikipedia, recordings are available as raw audio files that can only be consumed linearly, without the possibility for targeted navigation or search. We present a reading application which uses an alignment between the recording, text and article structure and which allows to navigate spoken articles, through a graphical or voice-based user interface (or a combination thereof). We present the results of a usability study in which we compare the two interaction modalities. We find that both types of interaction enable users to navigate articles and to find specific information much more quickly compared to a sequential presentation of the full article. In particular when the VUI is not restricted by speech recognition and understanding issues, this interface is on par with the graphical interface and thus a real option for browsing the Wikipedia without the need for vision or reading.
We propose to use a model of personal space to initiate communication while passing a human thereby acknowledging that humans are not just a special kind of obstacle to be avoided but potential interaction partners. As a simple form of interaction, our system communicates an apology while closely passing a human. To this end, we present a software architecture that integrates a social-spaces knowledge base and a component for incremental speech production. Incrementality ensures that the robot’s utterance can be adapted to fit the developing situation in a natural way. Observer ratings show that personal-space intrusion is perceived as both natural and polite if the robot has the capability to utter and adapt an apology in an incremental way whereas it is perceived as unfriendly if the robot intrudes personal space without saying anything. Moreover, the robot is perceived as less natural if it does not adapt.
Robots should appropriately give reasons for their actions
when these actions affect a human’s action or goal space. Communicating reasons may help the human understand the robot’s intents and may initiate joint action, i. e., accepting the robot’s goals and cooperating on the robot’s actions. However, to be efficient, the communication of reasons should be limited to the necessary rather than to completeness, conforming to the Gricean Maxim of Quantity. Furthermore, what is necessary only becomes apparent as the situation evolves and hence, for seamless interaction, ongoing utterances must be adapted as they happen. We present a system that flexibly gives reasons in a reduced setting in which the robot needs to intrude a human’s personal space in order to reach its goal.
Human speakers plan and deliver their utterances incrementally, piece-by-piece, and it is obvious that their choice regarding phonetic details (and the details' peculiarities) is rarely determined by globally optimal solutions. In contrast, parametric speech synthesizers use a full-utterance context when optimizing vocoding parameters and when determing HMM states. Apart from being cognitively implausible, this impedes incremental use-cases, where the future context is often at least partially unavailable. This paper investigates the `locality' of features in parametric speech synthesis voices and takes some missing steps towards better HMM state selection and prosody modelling for incremental speech synthesis.
We present a corpus of time-aligned spoken data of Wikipedia articles as well as the pipeline that allows to generate such corpora for many
languages. There are initiatives to create and sustain spoken Wikipedia versions in many languages and hence the data is freely available,
grows over time, and can be used for automatic corpus creation. Our pipeline automatically downloads and aligns this data. The resulting
German corpus currently totals 293h of audio, of which we align 71h in full sentences and another 86h of sentences with some missing
words. The English corpus consists of 287h, for which we align 27h in full sentence and 157h with some missing words. Results are publically available.
One of the most important patterns in ancient as well as modern poetry is the enjambment, the continuation of a sentence beyond the end of a line, couplet, or stanza. The paper reports first activities towards the development of a digital tool to analyze the accentuation of poetic enjambments in readout poetry. The aim in this contribution is to recognize two forms of enjambment (emphasized and unemphasized) in poems using audio and text data. We use data from lyrikline which is a major online portal for spoken poetry whereas poems are read aloud by the original authors. We identified by hermeneutical means based on literary analysis a total of 69 poems being characteristic for the use of enjambments in modern and postmodern German poetry and train classifiers to differentiate the emphasized/unemphasized ategorization. A remarkable result of our automated analyses (and to our knowledge the first data-driven analysis of this kind) is the identification of a cultural difference in the accentuation of enjambments: statistically speaking, poets from the former GDR tend to emphasize the enjambment, whereas poets from the FRG do not. We use features derived from speech-to-text alignment and statistical parsing information such as pause lengths, number of lines with verbs, and number of lines with punctuation. The best classification results, calculated by the F-measure, for the both types of enjambment (emphasized/unemphasized) is 0.69.
After overcoming the traditional metrics, modern and postmodern poetry developed a large variety of ‘free verse prosodies’ that falls along a spectrum from a more fluent to a more disfluent and choppy style. We present a method, grounded in philological analysis and theories on cognitive (dis)fluency, to analyze this ‘free verse spectrum’ into six classes of poetic styles as well as to differentiate three types of poems with enjambments. We use a model for automatic prosodic analysis of spoken free verse poetry which uses deep hierarchical attention networks to integrate the source text and audio and predict the assigned class. We then analyze and fine-tune the model with a particular focus on enjambments and in two ways: we drill down on classification performance by analyzing whether the model focuses on similar traits of poems as humans would, specifically, whether it internally builds a notion of enjambment. We find that our model is similarly good as humans in finding enjambments; however, when we employ the model for classifying enjambment-dominated poem types, it does not pay particular attention to those lines. Adding enjambment labels to the training only marginally improves performance, indicating that all other lines are similarly informative for the model.
We present our research on computer-supported analysis of prosodic styles in post-modern poetry. Our project is unique in making use of both the written as well as the spoken form of the poem as read by the original author. In particular, we use speech and natural language processing technology to align speech and text and to perform textual analyses. We then explore, based on literary theory, the quantitative value of various types of features in differentiating various prosodic classes of post-modern poetry using machine-learning techniques. We contrast this feature-driven approach with a theoretically less informed neural networks-based approach and explore the relative strengths of both models, as well as how to integrate higher-level knowledge into the NN. In this paper, we give an overview of our project, our approach, and particularly focus on the challenges encountered and lessons learned in our interdisciplinary endeavour. The classification results of the rhythmical patterns (six classes) using NN-based approaches are better than by feature-based approaches.
Speech quality and likability is a multi-faceted phenomenon consisting of a combination of perceptory features that cannot easily be computed nor weighed automatically. Yet, it is often easy to decide which of two voices one likes better, even though it would be hard to describe why, or to name the underlying basic perceptory features. Although likability is inherently subjective and individual preferences differ frequently, generalizations are useful and there is often a broad intersubjective consensus about whether one speaker is more likable than another. However, breaking down likability rankings into pairwise comparisons leads to a quadratic explosion of rating pairs. We present a methodology and software to efficiently create a likability ranking for many speakers from crowdsourced pairwise likability ratings. We collected pairwise likability ratings for many (>220) speakers from many raters (>160) and turn these ratings into one likability ranking. We investigate the resulting speaker ranking stability under different conditions: limiting the number of ratings and the dependence on rater and speaker characteristics. We also analyze the ranking wrt. acoustic correlates to find out what factors influence likability. We publish our ranking and the underlying ratings in order to facilitate further research.