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  <doc>
    <id>4488</id>
    <completedYear/>
    <publishedYear>2014</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
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    <type>conferenceobject</type>
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    <title language="eng">Coordinating Speech Delivery to Gesture Progress for Deictic Expressions with Incremental Speech Synthesis</title>
    <abstract language="eng">This paper presents ongoing work in incremental speech synthesis that enables a system to adapt speech delivery to unforeseen changes in the timing of motor events (e. g. a robot actuator working faster or slower than anticipated) in order to improve the coordination of speech and gestures for deictic expressions.</abstract>
    <parentTitle language="eng">Proceedings of the Timing in Human-Robot Interaction Workshop held in conjunction with the 9th ACM/IEEE International Conference on Human-Robot Interaction (HRI 2014), Bielefeld, 3. March 2014</parentTitle>
    <identifier type="url">https://edoc.sub.uni-hamburg.de/informatik/volltexte/2014/199/pdf/timo_baumann_coordinating_speech_delivery.pdf</identifier>
    <identifier type="urn">urn:nbn:de:gbv:18-228-7-1991</identifier>
    <enrichment key="opus.import.date">2022-06-20T18:36:30+00:00</enrichment>
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    <enrichment key="BegutachtungStatus">peer-reviewed</enrichment>
    <licence>Keine Lizenz - Es gilt das deutsche Urheberrecht: § 53 UrhG</licence>
    <author>Timo Baumann</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Incremental processing</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>speech synthesis</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>online adaptation</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Inkrementelle Verarbeitung,</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Sprachsynthese</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Zeigegesten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Echtzeitadaptierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Sprachverarbeitung</value>
    </subject>
    <collection role="ddc" number="006">Spezielle Computerverfahren</collection>
    <collection role="institutes" number="FakIM">Fakultät Informatik und Mathematik</collection>
    <collection role="othpublikationsherkunft" number="">Externe Publikationen</collection>
    <collection role="othforschungsschwerpunkt" number="16315">Information und Kommunikation</collection>
  </doc>
  <doc>
    <id>4446</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>192</pageFirst>
    <pageLast>199</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>TUDpress</publisherName>
    <publisherPlace>Ulm, Germany</publisherPlace>
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    <belongsToBibliography>0</belongsToBibliography>
    <completedDate>--</completedDate>
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    <title language="eng">Recognizing Modern Sound Poetry with LSTM Networks</title>
    <abstract language="eng">Our paper focuses on the computational analysis of “readout poetry” (german: Hördichtung) – recordings of poets reading their own work – with regards to the most important type of this genre, the modern “sound poetry” (german: Lautdichtung). Whereas “readout poetry” often uses normal words and sentences, the “sound poetry”, developed by dadaistic poets like Hugo Ball and Kurt Schwitters or concrete poets like Ernst Jandl, Oskar Pastior, or Bob Cobbing, combines the “microparticles of the human voice” like the segments in Ernst Jandls sound poem “schtzngrmm” (“schtzngrmm / schtzngrmm / tttt / tttt / grrrmmmmm / tttt / sch / tzngrmm”). Within the genre of sound poetry, there are two main forms: The lettristic and the syllabic decomposition. A short anecdote will explain this difference: The dadaist Raoul Hausmann developed the lettristic sound poetry in his early dadaistic poem “fmsbw” from 1918. This is said to have inspired his successor Schwitters, whose famous “Ursonate” [The Sonata in Primal Speech] begins with the words “Fümms bö wö tää zää Uu”. With the “Ursonate”, Schwitters developed a syllabic variation of the lettristic poems of Hausmann. The paper shows how to train a bidirectional LSTM network in order to differ between these “dadaistic” sound poems and the “normal” read out poems. In a further step, we will also show how to distinguish between the lettristic and the syllabic decomposition. Based on a bidirectional LSTM network that reads encodings of the character sequence in the poem and uses the output of each directional layer, we identify poems of the sound poetry genre and differentiate between its two types of compositions. The classification results of sound poetry vs. other poetry as well as lettristic vs. syllabic decomposition are with a high performance, yielding a f-scores of 0.86 and 0.84, respectively.</abstract>
    <parentTitle language="eng">Proceedings of Elektronische Sprachsignalverarbeitung (ESSV)</parentTitle>
    <identifier type="isbn">978-3-959081-28-3</identifier>
    <identifier type="url">http://www.essv.de/paper.php?id=407</identifier>
    <enrichment key="opus.import.date">2022-06-20T17:06:06+00:00</enrichment>
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    <licence>Keine Lizenz - Es gilt das deutsche Urheberrecht: § 53 UrhG</licence>
    <author>Burkhard Meyer-Sickendiek</author>
    <author>Hussein Hussein</author>
    <author>Timo Baumann</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Sprachverarbeitung</value>
    </subject>
    <collection role="ddc" number="006">Spezielle Computerverfahren</collection>
    <collection role="institutes" number="FakIM">Fakultät Informatik und Mathematik</collection>
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    <collection role="othforschungsschwerpunkt" number="16315">Information und Kommunikation</collection>
  </doc>
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