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<export-example>
  <doc>
    <id>2910</id>
    <completedYear>2020</completedYear>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>movingimage</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2020-09-12</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Das Auto als Kommunikationsplattform der Zukunft</title>
    <identifier type="url">https://youtu.be/2-GN1feCWYE?si=sHYObq37FqO7wHyv</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Keine Lizenz - Deutsches Urheberrecht gilt</licence>
    <author>Alexander von Hoffmann</author>
    <author>Adriaen Keller</author>
    <author>Marlies Körner</author>
    <author>Tom Schmid</author>
    <author>Julian Hutterer</author>
    <author>Katja Heil</author>
    <author>Therese Häupl</author>
    <author>Dirk Raubach</author>
    <author>Karl Schiessl</author>
    <author>Falko Wolter</author>
    <author>Hasan Caylan</author>
    <author>Eduard Bonnacker</author>
    <author>Markus Kaiser</author>
    <author>Yves Ebnöther</author>
    <author>Alexander Hahn</author>
    <collection role="ddc" number="6">Technik, Medizin, angewandte Wissenschaften</collection>
    <collection role="institutes" number="">Fakultät für Elektrotechnik Feinwerktechnik Informationstechnik</collection>
    <collection role="institutes" number="">LEONARDO - Zentrum für Kreativität und Innovation</collection>
    <collection role="institutes" number="">Ohm User Experience Center (Ohm-UX)</collection>
  </doc>
  <doc>
    <id>1201</id>
    <completedYear>2023</completedYear>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>9</pageLast>
    <pageNumber>9</pageNumber>
    <edition/>
    <issue/>
    <volume/>
    <type>workingpaper</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>2023-11-21</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">AI Generated Music Using Speech Emotion Recognition</title>
    <abstract language="eng">This study aims to compare two different implementations of speech emotion recognition models.The emphasis is directed towards evaluating their efficacy in capturing and characterizing dialogues&#13;
portrayed by actors within a film scene to create suitable musical intervals. The goal of the overarching research intends to derive indications to enhance the compositional process of film scores by recognizing the emotion in a particular scene. Based on established deep learning models, the study delves into the exploration of two distinct emotion classification metrics: The Six Emotion Prediction and the Valence/Arousal/Dominance Prediction. To facilitate a comparative analysis, a preliminary study an a following survey is deployed. The preliminary study confirms a significant difference in the generated MIDI data. For this reason, a survey is essential to detect the better fitting algorithm. Participants are tasked to rate the affective suitability of eight generated interval sequences to the corresponding film scenes. The Suitability is verified quantitatively using a bidirectional rating system. Both model assessments are conducted within a uniform sound design, thus ensuring unbiased conditions for evaluation. Upon a thorough examination of our extensive analysis, a preference for method A becomes increasingly evident.</abstract>
    <identifier type="urn">urn:nbn:de:bvb:92-opus4-12016</identifier>
    <identifier type="doi">10.34646/thn/ohmdok-1201</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Roberto Murru</author>
    <author>Jonas Krug</author>
    <author>Tom Schmid</author>
    <author>Garri Steba</author>
    <author>Giorgio Giacinto</author>
    <author>Alexander von Hoffmann</author>
    <collection role="institutes" number="">Fakultät für Elektrotechnik Feinwerktechnik Informationstechnik</collection>
    <collection role="institutes" number="">Ohm User Experience Center (Ohm-UX)</collection>
    <thesisPublisher>Technische Hochschule Nürnberg Georg Simon Ohm</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-ohm/files/1201/AIGeneratedMusicUsingSpeechEmotionRecognition.pdf</file>
  </doc>
  <doc>
    <id>1202</id>
    <completedYear>2023</completedYear>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>7</pageLast>
    <pageNumber>7</pageNumber>
    <edition/>
    <issue/>
    <volume/>
    <type>workingpaper</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>2023-11-24</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">A Novel Framework for the Assessment of the Impact of Affective UI Sounds in a Driving Situation Through Virtual Reality and Physiological Signals</title>
    <abstract language="eng">The objective of this study was to develop an experimental framework that allows research on whether the combined use of a virtual reality (VR) driving simulator, electroencephalography signals collected during driving tests and designed attentional paradigms could be applied to assess the performance of affective warning sounds for re-channelling driver’s attention in certain driving situations. Three VR driving scenarios with different stimuli and two driving tasks were designed and implemented. Acquisition of driver’s physiological data and behavioural metrics were integrated to be gathered synchronously. In addition, an experimental protocol was designed for the assessment of the impact of affective warning sounds. The technical feasibility of the framework was evaluated with the results showing that the proposed framework enables the data acquisition and analysis for a variety of warning stimuli. After successful technical deployment, a study with experimental subjects will follow to evaluate the effectiveness of affective warning sounds.</abstract>
    <identifier type="urn">urn:nbn:de:bvb:92-opus4-12021</identifier>
    <identifier type="doi">10.34646/thn/ohmdok-1202</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Lisa Marie Sparrer</author>
    <author>Sven Winkelmann</author>
    <author>Alexander von Hoffmann</author>
    <author>Daniel Sánchez Morillo</author>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Driving simulator, attention, mental workload, sound, physiologic sensors, electroencephalogram, virtual reality</value>
    </subject>
    <collection role="institutes" number="">Fakultät für Elektrotechnik Feinwerktechnik Informationstechnik</collection>
    <collection role="Publikationen" number="">Winkelmann, Sven</collection>
    <collection role="Publikationen" number="">von Hoffmann, Alexander</collection>
    <collection role="institutes" number="">Ohm User Experience Center (Ohm-UX)</collection>
    <thesisPublisher>Technische Hochschule Nürnberg Georg Simon Ohm</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-ohm/files/1202/Impact_of_Affective_UI_Sounds.pdf</file>
  </doc>
  <doc>
    <id>2888</id>
    <completedYear>2014</completedYear>
    <publishedYear>2024</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferencepresentation</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2024-11-14</completedDate>
    <publishedDate>2024-11-14</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Workshop: UX-Sounds</title>
    <identifier type="url">https://www.gupanue.de</identifier>
    <enrichment key="ConferenceStatement">World Usability Day 2024 Nürnberg</enrichment>
    <enrichment key="opus.source">publish</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Keine Lizenz - Deutsches Urheberrecht gilt</licence>
    <author>Alexander von Hoffmann</author>
    <collection role="ddc" number="0">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Fakultät für Elektrotechnik Feinwerktechnik Informationstechnik</collection>
    <collection role="Forschungsschwerpunkt" number="5">Digitalisierung &amp; Künstliche Intelligenz</collection>
    <collection role="institutes" number="">Ohm User Experience Center (Ohm-UX)</collection>
    <collection role="institutes" number="">Technologietransferzentrum Nürnberger Land</collection>
  </doc>
  <doc>
    <id>2903</id>
    <completedYear>2022</completedYear>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>coursematerial</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>2022-10-15</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Audiotechnik: Dynamikprozessoren</title>
    <abstract language="deu">In diesem Lehrmodul wird auf digitale und analoge Audiopegel sowie Pegelanzeigen eingegangen. Der Unterschied zwischen Hard- und Softclipping und die Problematik der Inter Sample Peaks („ISP“) werden dargelegt. Messtechnische Größen wie die LUFS „Loudness Units relative to Full Scale“ (Lautstärke-Einheiten in Relation zur Vollskala) werden erklärt. Dynamikprozessoren beeinflussen die Lautstärke eines Audiosignals. Limiter und Kompressoren werden in dieser Lehreinheit vorgestellt und ihre Wirkungsweise beschrieben. In praktischen Übungen soll die Parametrisierung der Dynamikprozessoren geübt werden. Übungsbeispiele zum selbstnachbauen für die kostenlos verfügbare DSP Software „Reaktor Player“ runden diese Lerneinheit ab.</abstract>
    <identifier type="url">https://smart.vhb.org/edu-sharing/components/login</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Keine Lizenz - Deutsches Urheberrecht gilt</licence>
    <author>Alexander von Hoffmann</author>
    <author>Oliver Lopez-Forster</author>
    <collection role="ddc" number="6">Technik, Medizin, angewandte Wissenschaften</collection>
    <collection role="institutes" number="">Fakultät für Elektrotechnik Feinwerktechnik Informationstechnik</collection>
    <collection role="institutes" number="">Ohm User Experience Center (Ohm-UX)</collection>
  </doc>
  <doc>
    <id>2904</id>
    <completedYear>2022</completedYear>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>coursematerial</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>2022-10-15</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Audiotechnik: Mixing und Mastering</title>
    <abstract language="deu">Der zeitliche Ablauf bei einer Audioproduktion und der Signalfluss durch das Mischpult soll im Rahmen dieses Lehrmoduls erklärt werden. Standards und Methoden zur räumlichen Wiedergabe von Audiosignalen werden dargelegt. Ebenso die Eigenschaften verschiedenerer Filtertechniken zur Bearbeitung des Frequenzgangs einzelner Spuren sowie Strategien zur Gestaltung des Zusammenspiels der verschiedenen Frequenzbereiche in einer Audioproduktion. Der Themenblock Digital Audio rundet dieses Lehrmodul mit Übungsaufgaben ab.</abstract>
    <identifier type="url">https://smart.vhb.org/edu-sharing/components/login</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Keine Lizenz - Deutsches Urheberrecht gilt</licence>
    <author>Alexander von Hoffmann</author>
    <author>Oliver Lopez - Forster</author>
    <collection role="ddc" number="6">Technik, Medizin, angewandte Wissenschaften</collection>
    <collection role="institutes" number="">Fakultät für Elektrotechnik Feinwerktechnik Informationstechnik</collection>
    <collection role="institutes" number="">Ohm User Experience Center (Ohm-UX)</collection>
  </doc>
  <doc>
    <id>2905</id>
    <completedYear>2022</completedYear>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>coursematerial</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-10-15</completedDate>
    <publishedDate>2022-10-15</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Audiotechnik: Raumakustik</title>
    <abstract language="deu">Die wesentlichen Aspekte, die bei der Planung einer guten Raumakustik eine Rolle spielen, werden in diesem Lehrmodul behandelt: Eingangs wird auf akustische Grundlagen und Materialeigenschaften eingegangen. Am Anfang eines Planungsprozesses steht die analytische Berechnung der Raummoden und die messtechnische Analyse des Raumes. Die wichtigsten Kennzahlen zur Beschreibung der akustischen Eigenschaften eines Raumes werden vorgestellt. Mit Komponenten wie z.B. Diffusoren und Absorbern können die akustischen Verhältnisse des Raumes angepasst werden. Die Berechnung dieser Komponenten und die Möglichkeiten ihrer Anordnung (z.B. LeDe Konzept) werden vorgestellt.</abstract>
    <identifier type="url">https://smart.vhb.org/edu-sharing/components/login</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Keine Lizenz - Deutsches Urheberrecht gilt</licence>
    <author>Alexander von Hoffmann</author>
    <author>Oliver Lopez - Forster</author>
    <collection role="ddc" number="6">Technik, Medizin, angewandte Wissenschaften</collection>
    <collection role="institutes" number="">Fakultät für Elektrotechnik Feinwerktechnik Informationstechnik</collection>
    <collection role="institutes" number="">Ohm User Experience Center (Ohm-UX)</collection>
  </doc>
  <doc>
    <id>2906</id>
    <completedYear>2022</completedYear>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>sound</type>
    <publisherName>Feucht FM</publisherName>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-10-07</completedDate>
    <publishedDate>2022-10-07</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">VOSS LATE NIGHT</title>
    <abstract language="deu">Er ist ein Kreativer, für den Sound Design Beruf und Leidenschaft zugleich ist. Den geschmacklichen Abenteuern der spanischen Küche stellt er sich als begeisterter Hobbykoch. In der 24. Folge von Voss Late Night trifft Susanne Voss den Hochschullehrer Prof. Dr. Alexander von Hoffmann. Ein Gespräch über die Freiheit von Kreativität und die Freude am Blick über den wissenschaftlichen Tellerrand.</abstract>
    <subTitle language="deu">Folge 24 mit Prof. Dr. Alexander Hoffmann</subTitle>
    <identifier type="url">https://feuchtfm.de/voss-late-night-folge-24-mit-prof-dr-alexander-hoffmann/</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Keine Lizenz - Deutsches Urheberrecht gilt</licence>
    <author>Alexander von Hoffmann</author>
    <author>Susanne Voss</author>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>PODCAST</value>
    </subject>
    <collection role="institutes" number="">Fakultät für Elektrotechnik Feinwerktechnik Informationstechnik</collection>
    <collection role="institutes" number="">Ohm User Experience Center (Ohm-UX)</collection>
  </doc>
  <doc>
    <id>2907</id>
    <completedYear>2022</completedYear>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>movingimage</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-30</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Making Of: Sounddesign "Soda-Einschenkgeräusch"</title>
    <identifier type="url">https://youtu.be/IOmbJ-kDBX4?si=1sNyMj0rHwBHGh8h</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Keine Lizenz - Deutsches Urheberrecht gilt</licence>
    <author>Alexander von Hoffmann</author>
    <author>Oliver Lopez-Forster</author>
    <collection role="ddc" number="6">Technik, Medizin, angewandte Wissenschaften</collection>
    <collection role="institutes" number="">Fakultät für Elektrotechnik Feinwerktechnik Informationstechnik</collection>
    <collection role="institutes" number="">LEONARDO - Zentrum für Kreativität und Innovation</collection>
    <collection role="institutes" number="">Ohm User Experience Center (Ohm-UX)</collection>
  </doc>
  <doc>
    <id>1405</id>
    <completedYear>2024</completedYear>
    <publishedYear>2024</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>9</pageLast>
    <pageNumber>9</pageNumber>
    <edition/>
    <issue/>
    <volume/>
    <type>workingpaper</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>2024-02-28</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Development of photometric criteria for the design of registration plate illumination systems using light simulation methods</title>
    <abstract language="eng">The illumination of registration plates poses challenges for lighting technology. To achieve the wide and steep angles required for homogeneous illumination of the license plate, optics are needed to refract and reflect light. In this work, registration plate lamps with different components are designed. After the construction, the concepts are tested for their limits in terms of position and manufacturability. The&#13;
entire work is carried out at the company CREAT GmbH in Ingolstadt. All developments in the field of registration plate lighting are subject to the UNECE and country-specific regulations, which must be considered in the development of the lights.[1] Some vehicles currently available on the automotive market are measured to classify and compare the different lamp systems. From the average values, the lamps are designed. Adjustments are repeatedly made to the lighting device to achieve the most&#13;
homogeneous illumination of the registration plate. As soon as the lights meet the legal requirements, the geometric limits of the lighting device are defined in relation to the plate. As there are different polymers to produce optics, these are simulated with their refractive indices and tested for their effects on the light image.</abstract>
    <identifier type="doi">10.34646/thn/ohmdok-1405</identifier>
    <identifier type="urn">urn:nbn:de:bvb:92-opus4-14051</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-ND - Namensnennung - Keine Bearbeitungen 4.0 International</licence>
    <author>Daniel Karg</author>
    <author>Alexander von Hoffmann</author>
    <author>Matthias Groß</author>
    <author>Yasen Yakimov</author>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Light Simulation, Ray Tracing, Optical Design, Registration/License Plate Illumination, Light Distribution, Luminance, Automotive, UNECE R4</value>
    </subject>
    <collection role="institutes" number="">Fakultät für Elektrotechnik Feinwerktechnik Informationstechnik</collection>
    <collection role="institutes" number="">Ohm User Experience Center (Ohm-UX)</collection>
    <thesisPublisher>Technische Hochschule Nürnberg Georg Simon Ohm</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-ohm/files/1405/Paper.pdf</file>
  </doc>
</export-example>
