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Department/institution
Bei einem Verfahren zum Kalibrieren einer Bilderfassungseinrichtung, die an einem Kraftfahrzeug angeordnet ist und in der Lage ist, nacheinander Bilder eines vor dem Kraftfahrzeug befindlichen Verkehrsraums zu erfassen, werden in einem erfassten Bild wenigstens zwei Bildobjekte detektiert, welche in Weltkoordinaten geraden und zueinander im Wesentlichen parallelen Liniensegmenten entsprechen. Anhand der Bildobjekte wird die Position eines Fluchtpunkts in dem erfassten Bild geschätzt und mittels eines Tracking-Verfahrens verfolgt. Dabei wird ein Fehler für die Position des Fluchtpunkts berechnet. Sobald der berechnete Fehler einen vorbestimmten Schwellenwert unterschreitet, wird anhand der zu dem Fehler gehörigen Position des Fluchtpunkts die Bilderfassungseinrichtung kalibriert.
A chatspace was developed that allows conversation with 3D sound using networked streaming in a shared virtual environment. The system provides an interface to advanced audio features, such as a "whisper function" for conveying a confided audio stream. This study explores the use of spatial audio to enhance a user's experience in multiuser virtual environments.
Actors in virtual studio productions are faced with the challenge that they have to interact with invisible virtual objects because these elements are rendered separately and combined with the real image later in the production process. Virtual sets typically use static virtual elements or animated objects with predefined behavior so that actors can practice their performance and errors can be corrected in the post production. With the demand for inexpensive live recording and interactive TV productions, virtual objects will be dynamically rendered at arbitrary positions that cannot be predicted by the actor. Perceptive aids have to be employed to support a natural interaction with these objects. In our work we study the effect of haptic feedback for a simple form of interaction. Actors are equipped with a custom built haptic belt and get vibrotactile feedback during a small navigational task (path following). We present a prototype of a wireless vibrotactile feedback device and a small framework for evaluating haptic feedback in a virtual set environment. Results from an initial pilot study indicate that vibrotactile feedback is a suitable non-visual aid for interaction that is at least comparable to audio-visual alternatives used in virtual set productions.
In this paper we describe a prototypical system for live musical performance in a virtual studio environment. The performer stands in front of the studio camera and interacts with an infrared-laser-based multi-touch device. The final TV image shows the performer interacting with a virtual screen which is augmented in front of herself. To overcome the problem of the performer not seeing this virtual screen in reality, we use a special hexagonal grid to facilitate the performer's awareness of this novel Theremin-like virtual musical instrument.