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Seit den ersten nationalen, strategischen Papieren zu Datenmanagement-Fragen in der Wissenschaft in den USA (NSF, 2005), Großbritannien (Lyon, 2007; Swan & Brown, 2008), der EU (Atkinson et al. 2008; OGF22-ET CG, 2008) und vor allem seit den Guidelines der OECD (2007) wird international intensiv über die Erfordernisse der Ausbildung von „Datenspezialisten“ diskutiert. Grundlegende Überlegungen, die einen gewissen internationalen Konsens gefunden haben, wurden im Auftrag von JISC von Swan und Brown (2008, S. 1) entwickelt (vgl. Hank & Davidson, 2009). Sie schlagen vier Rollen im Forschungsdatenmanagement vor. Neben dem Data Creator (datenproduzierender Forscher), dem Data Scientist (Wissenschaftler der bspw. bei der Datenanalyse unterstützt) und dem Data Manager (verantwortlich für alle technischen Aspekte: Lagerung, Zugriff, Aufbewahrung) wurde auch der Data Librarian benannt. Im Weiteren wird, auch unter Beachtung der Tätigkeiten die im Data Curation Lifecycle Model (s. Beitrag von Rümpel. Kap. 1.2) aufgeführt sind, neben dem Data Manager und dem Data Curator insbesondere auf den Data Librarian eingegangen.
Um einen Mehrwert von Forschungsdaten zu erhalten, ist eine adäquate Verwaltung notwendig. Ihr Lebenszyklus erstreckt sich über verschiedene Phasen, die von der Entstehung in wissenschaftlichen Arbeitsprozessen bis zur nachnutzbaren Archivierung reichen. Die Anforderungen an das Management von Forschungsdaten gehen weit über die Langzeitarchivierung hinaus.
This article presents a new approach of integrating tangible user feedback in todays virtual TV studio productions. We describe a tangible multitouch planning system, enabling multiple users to prepare and customize scene flow and settings. Users can collaboratively view and interact with virtual objects by using a tangible user interface on a shared multitouch surface. The in a 2D setting created TV scenes are simultaneously rendered on an external monitor, using a production/target renderer in 3D. Thereby the user experiences a closer reproduction of a final production. Subsequently, users are able to join together the scenes into one complex plot. Within the developing process, a video prototype of the system shows the user interaction and enables early reviews and evaluations. The requirement analysis is based on expert interviews.
In this paper we describe a prototypical system for live musical performance in a virtual studio environment. The performer stands in front of the studio camera and interacts with an infrared-laser-based multi-touch device. The final TV image shows the performer interacting with a virtual screen which is augmented in front of herself. To overcome the problem of the performer not seeing this virtual screen in reality, we use a special hexagonal grid to facilitate the performer's awareness of this novel Theremin-like virtual musical instrument.
This paper presents a tracking of parts of a human body in a virtual TV studio environment. The tracking is based on a depth camera and a HD studio camera and aims at a realistic interaction between the actor and the computer generated environment. Stereo calibration methods are used to match corresponding pixels of both cameras (HD color and depth image). Hence the images were rectified and column aligned. The disparity is used to correct the depth image pixel by pixel. This image registration results in row and column aligned images where ghost regions are in the depth image resulting from occlusion. Both images are used to generate foreground masks with chroma and depth keying. The color image is taken for skin color segmentation to determine and distinguish the actor’s hands and face. In the depth image the flesh colored regions were used to determine their spatial position. The extracted positions were augmented by virtual objects. The scene is rendered correctly with virtual camera parameters which were calculated from the camera calibration parameters. Generated computer graphics with alpha value are combined with the HD color images. This compositing shows interaction with augmented objects for verification. The additional depth information results in changing the size of objects next to the hands when the actor moves around.
Interdisciplinary communities involve people and knowledge from different disciplines in addressing a common challenge. Differing perspectives, processes, methods, tools, vocabularies, and standards are problems that arise in this context. We present an approach to support bringing together disciplines based on a common body of knowledge (CBK), in which knowledge from different disciplines is collected, integrated, and structured. The novelty of our approach is twofold: first, it introduces a CBK ontology, which allows one to semantically enrich contents in order to be able to query the CBK in a more elaborate way afterwards. Second, it heavily relies on user participation in building up a CBK, making use of the Semantic MediaWiki as a platform to support collaborative writing. The CBK ontology is backed by a conceptual framework, consisting of concepts to structure the knowledge, to provide access options to it, and to build up a common terminology. To ensure a high quality of the provided contents and to sustain the community’s commitment, we further present organizational means as part of our approach. We demonstrate our work using the example of a Network of Excellence EU project, which aims at bringing together researchers and practitioners from services computing, security and software engineering.
The ISO 27000 is a well-established series of information security standards. The scope for applying these standards can be an organisation as a whole, single business processes or even an IT application or IT infrastructure. The context establishment and the asset identification are among the first steps to be performed. The quality of the results produced when performing these steps has a crucial influence on the subsequent steps such as identifying loss, vulnerabilities, possible attacks and defining countermeasures. Thus, a context analysis to gather all necessary information in the initial steps is important, but is not offered in the standard. In this paper, we focus on the scope of cloud computing systems and present a way to support the context establishment and the asset identification described in ISO 27005. A cloud system analysis pattern and different kinds of stakeholder templates serve to understand and describe a given cloud development problem, i.e. the envisaged IT systems and the relevant parts of the operational environment. We illustrate our support using an online banking cloud scenario.