Preferences patterns in music requests on a radio show for children [Abstract]

  • Background Previous research has observed vast changes in musical preference during childhood and adolescence due to developmental processes such as the experience of aesthetic responses to music (Nieminen et al., 2012) and the formation and expression of social identity through distinct musical preferences (Hargreaves et al., 2016). Most of this research, however, is either based on the evaluation of musical pieces that have been previously selected by adult experimenters, or self-reports on preferences for different musical styles. Aim(s) This study presents another methodological approach by collecting and analysing music that was freely requested on a children’s radio show. The aim was to test to what extent findings from self-reports and ratings of pre-selected music apply to this kind of data. Methods A sample of 1412 freely and publicly expressed music requests of children between 4 and 11 years was taken from a German radio program and analysed with regard toBackground Previous research has observed vast changes in musical preference during childhood and adolescence due to developmental processes such as the experience of aesthetic responses to music (Nieminen et al., 2012) and the formation and expression of social identity through distinct musical preferences (Hargreaves et al., 2016). Most of this research, however, is either based on the evaluation of musical pieces that have been previously selected by adult experimenters, or self-reports on preferences for different musical styles. Aim(s) This study presents another methodological approach by collecting and analysing music that was freely requested on a children’s radio show. The aim was to test to what extent findings from self-reports and ratings of pre-selected music apply to this kind of data. Methods A sample of 1412 freely and publicly expressed music requests of children between 4 and 11 years was taken from a German radio program and analysed with regard to age- and sex-specific differences. The music was categorized into genres as listed on Spotify and examined by methods of Music Information Retrieval provided by the Spotify Developer API. Additionally, the music was genre-independently classified as children’s music. Results Results showed that, at younger ages, the requests were generally more evenly distributed across different genres. Regarding single genres, logistic regression models revealed small positive relationships between age and the likelihood of requesting the genres Pop and Electro and small negative relationships between age and the likelihood of requesting Acapella, German songwriter, Indie, theme songs, and children's music. Furthermore, contingency table analyses showed that boys requested significantly more Rock and Hip Hop, whereas girls had a higher tendency to ask for Pop. Finally, age was negatively correlated with the Spotify features valence and liveness of the requested music, which was related to the higher preference for children’s music at younger ages. Discussion and Conclusion The results suggest that previous findings regarding musically expressed gender roles and increasing formation of distinct genre preferences during infancy also apply to single song requests made on a radio show. References Hargreaves, D. J., North, A. C., & Tarrant, M. (2016). How and why do musical preferences change in childhood adolescence. In G. McPherson (Ed.), The child as musician: A handbook of musical development (Second edition). Oxford University Press. Nieminen, S., Istók, E., Brattico, E., & Tervaniemi, M. (2012). The development of the aesthetic experience of music: Preference, emotions, and beauty. Musicae Scientiae, 16(3), 372–391. https://doi.org/10.1177/1029864912450454show moreshow less

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Author:Markus von BergORCiD, Anna-Christina WolfORCiD, Jochen SteffensORCiDGND
Fachbereich/Einrichtung:Hochschule Düsseldorf / Fachbereich - Medien / Sound and Vibration Engineering​
Document Type:Conference Proceeding
Year of Completion:2024
Language of Publication:German
Publisher:Universität Graz
Place of publication:Graz
Parent Title (German):ESCOM12 (York, La Plata & Melbourne) – The 12th Triennial Conference of the European Society for the Cognitive Sciences of Music: Book of Abstracts
Editor:Andrea Schiavio, Helena Daffern, Solange Glasser, Margaret Osborne, Isabel C. Martinez, Maria Marchiano, Joaquin Blas Pérez, Adrian Kempf, Naomi Norton, Hannah J. Gibbs, Caroline Owen, Connor G. Kirts, Katherine O’Neill, Rebecca Jackson
First Page:257
Last Page:258
GND Keyword:MusikwahrnehmungGND; HörfunkGND; KindheitsforschungGND
Dewey Decimal Classification:7 Künste und Unterhaltung / 78 Musik / 780 Musik
Licence (German):Creative Commons - CC BY - Namensnennung 4.0 International
Release Date:2025/06/13
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