Intensity, Manifestation, and Performance in the Politics of the Real

  • This study attempts to explain the concept of the real in terms of intensity, manifestation, and performance, and then outlines key aspects of the politics of the real. The politics of the real is based on an interruption of identification and an abrupt end of continuity, and intensity, manifestation, and performance are the modalities of the politics of the real. First, intensity is the principle of punctualization. It denotes an anti-dialectic and anti-systematic enterprise that aims to leave behind the paradigm of continuity. It acts as the counter-principle to overcome the Hegelian dialectic and historicism. It concerns the dimension before the formation of identity and thus functions as a categorical rejection of ontological identity. Consequently, it evolves into a figure of future politics, because it denies identity and instead affirms new inventions. Second, manifestation is a matter of politics, because politics shows itself as a matter of visibility and demonstration.This study attempts to explain the concept of the real in terms of intensity, manifestation, and performance, and then outlines key aspects of the politics of the real. The politics of the real is based on an interruption of identification and an abrupt end of continuity, and intensity, manifestation, and performance are the modalities of the politics of the real. First, intensity is the principle of punctualization. It denotes an anti-dialectic and anti-systematic enterprise that aims to leave behind the paradigm of continuity. It acts as the counter-principle to overcome the Hegelian dialectic and historicism. It concerns the dimension before the formation of identity and thus functions as a categorical rejection of ontological identity. Consequently, it evolves into a figure of future politics, because it denies identity and instead affirms new inventions. Second, manifestation is a matter of politics, because politics shows itself as a matter of visibility and demonstration. Ultimately, politics is the fight over manifestation. Furthermore, manifestation is the modality of existence of the collective, since a new arising collective always manifests itself in the space of images. Finally, performance is an action concept and thus opposed to the static world-model. Hence, the world appears as the place for restructuring and reshaping. Performance renders reference and the classical notion of mimesis obsolete. It undermines the distinction between original and copy and instead affirms the permanent generating of new relations and nexuses. Hence, it is the generation of freedom. Ultimately, it acts as a disappearing intermediary between virtual intensity and actual manifestation. It is an anti-metaphysical concept of possibility that differs strictly from metaphysical possibility. Thus, intensity, manifestation, and performance each correspond to the virtual, actual, and possible of the real and thus are to be denoted as modalities of the politics of the real.show moreshow less

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Metadaten
Author:Hyun Kang KimGND
Qualitätssicherung:peer reviewed
open access:Gold - Erstveröffentlichung mit Lizenzhinweis
Fachbereich/Einrichtung:Hochschule Düsseldorf / Fachbereich - Design
Document Type:Article
Year of Completion:2019
Language of Publication:English
Publisher:Science Publishing Group
Parent Title (English):International Journal of Philosophy
Volume:7
Issue:1
Article Number:24
Page Number:7
First Page:24
Last Page:30
URN:urn:nbn:de:hbz:due62-opus-54465
DOI:https://doi.org/10.11648/j.ijp.20190701.14
ISSN:2330-7439
GND Keyword:WirklichkeitGND; Performance (Künste)GND; IntensitätGND; ÄsthetikGND
Dewey Decimal Classification:1 Philosophie und Psychologie / 10 Philosophie / 100 Philosophie und Psychologie
Licence (German):Creative Commons - CC BY - Namensnennung 4.0 International
Release Date:2025/07/02
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