TY - JOUR A1 - Anglada-Tort, Manuel A1 - Masters, Nikhil A1 - Steffens, Jochen A1 - North, Adrian A1 - Müllensiefen, Daniel T1 - The Behavioural Economics of Music: Systematic review and future directions JF - Quarterly Journal of Experimental Psychology N2 - Music-related decision-making encompasses a wide range of behaviours including those associated with listening choices, composition and performance, and decisions involving music education and therapy. Although research programmes in psychology and economics have contributed to an improved understanding of music-related behaviour, historically, these disciplines have been unconnected. Recently, however, researchers have begun to bridge this gap by employing tools from behavioural economics. This article contributes to the literature by providing a discussion about the benefits of using behavioural economics in music-decision research. We achieve this in two ways. First, through a systematic review, we identify the current state of the literature within four key areas of behavioural economics-heuristics and biases, social decision-making, behavioural time preferences, and dual-process theory. Second, taking findings of the literature as a starting point, we demonstrate how behavioural economics can inform future research. Based on this, we propose the Behavioural Economics of Music (BEM), an integrated research programme that aims to break new ground by stimulating interdisciplinary research in the intersection between music, psychology, and economics. Y1 - 2022 SN - 1747-0218 U6 - https://doi.org/10.1177/17470218221113761 SN - 1747-0226 VL - 76 IS - 5 PB - SAGE ER - TY - CHAP A1 - Egermann, Hauke A1 - Lepa, Steffen A1 - Herzog, Martin A1 - Steffens, Jochen ED - Grünewald-Schukalla, Lorenz ED - Jóri, Anita ED - Schwetter, Holger T1 - Evidenzbasierte Praxis im Music Branding - Musikalische Markenkommunikation wird erwachsen T2 - Musik & Marken Y1 - 2022 UR - Egermann_Evidenzbasi.pdf SP - 73 EP - 91 PB - Springer Fachmedien CY - Wiesbaden ER - TY - CHAP A1 - Krause, Amanda A1 - Baker J., David A1 - Groarke, Jenny A1 - Pereira, Ana I. A1 - Liew, Kongmeng A1 - Anglada-Tort, Manuel A1 - Steffens, Jochen T1 - A global investigation of music listening practices: The influence of country latitude and seasons on music preferences T2 - ICMPC-ESCOM 2021: 16th International Conference on Music Perception and Cognition/11th Triennial conference of the European Society for the Cognitive Sciences of Music, 28-31 July 2021, Sheffield Y1 - 2021 UR - https://researchonline.jcu.edu.au/68858/ PB - ESCOMsociety CY - Sheffield ER - TY - CHAP A1 - Loepthien, Tim A1 - Hantschel, Florian A1 - Ruth, Nicolas A1 - Steffens, Jochen A1 - Shumaker, Randall T1 - Flowerleben beim Musikhören: Die Wichtigkeit situativer und personenbezogener Variablen und Zusammenhänge mit der aktuellen Stimmung T2 - Abstract-Band zur 38. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie Y1 - 2022 PB - Deutschen Gesellschaft für Musikpsychologie CY - Würzburg ER - TY - CHAP A1 - Rosenthal, Fabian A1 - Versümer, Siegbert A1 - Steffens, Jochen T1 - Audioinhaltsanalyse und Multilevelmodellierung zur Vorhersage der Bewertung von Indoor Soundscapes T2 - Deutsche Jahrestagung für Akustik (DAGA) Y1 - 2022 PB - DAGA CY - Stuttgart ER - TY - CHAP A1 - Steffens, Jochen A1 - Himmelein, Hendrik T1 - Induced cognitive load influences unpleasantness judgments of modulated noise T2 - Proceedings of the 24th International Congress on Acoustics Y1 - 2022 CY - Gyeoungju, Südkorea ER - TY - CHAP A1 - Versümer, Siegbert A1 - Steffens, Jochen A1 - Blättermann, Patrick T1 - Subjektive Lautheitsbewertung unter Einfluss situativer und personenbezogener Faktoren T2 - Deutsche Jahrestagung für Akustik (DAGA) Y1 - 2022 CY - Stuttgart ER - TY - CHAP A1 - von Berg, Markus A1 - Schwörer, Paul A1 - Prinz, Lukas A1 - Steffens, Jochen T1 - Analysis of physical and perceptual properties of room impulse responses: development of an online tool T2 - Forum Acusticuum 2023: 10th Convention of European Acoustics Association, Turin, Italy, 11th-15th September 2023 N2 - Over the past decades, research in room acoustics has established several derivative measures of an impulse response, some of which are incorporated in the ISO 3382 standards. These parameters intend to represent perceptual qualities, but were developed without a consistent modeling of room acoustical perception. More recent research proposed comprehensive inventories of room acoustic perception that are purely based on evaluations by human subjects, such as the Room Acoustical Quality Index (RAQI). In this work RA-QI scores acquired for 70 room impulse responses were predicted from room acoustical parameters. Except for Reverberance, the prediction of RAQI factors performed rather poor. In most cases, the sound source had a greater impact on RAQI scores. All analyses are published in an online tool, where users can upload omnidirectional and binaural impulse responses, and instantly obtain and visualize several physical descriptors, as well as predicted RAQI scores for three different sound sources. So far, acceptable prediction accuracy is achieved for Reverberance, Strength, Irregular Decay, Clarity and Intimacy. Larger data sets of evaluated impulse responses are required to improve the model performance and enable reliable predictions of room acoustical quality. Therefore, the administration of RAQI evaluations within the website is currently being developed. Y1 - 2023 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-41955 PB - EAA ER - TY - GEN A1 - Versümer, Siegbert A1 - Steffens, Jochen A1 - Rosenthal, Fabian T1 - Extensive crowdsourced dataset of in-situ evaluated binaural soundscapes of private dwellings containing subjective sound-related and situational ratings along with person factors to study time-varying influences on sound perception - research data N2 - The soundscape approach highlights the role of situational factors in sound evaluations; however, only a few studies have applied a multi‐domain approach including sound‐related, person‐related, and time‐varying situational variables. Therefore, we conducted a study based on the Experience Sampling Method to measure the relative contribution of a broad range of potentially relevant acoustic and non‐auditory variables in predicting indoor soundscape evaluations. Here we present the comprehensive dataset for which 105 participants reported temporally (rather) stable trait variables such as noise sensitivity, trait affect, and quality of life. They rated 6.594 situations regarding the soundscape standard dimensions, perceived loudness, and the saliency of its sound components and evaluated situational variables such as state affect, perceived control, activity, and location. To complement these subject‐centered data, we additionally crowdsourced object‐centered data by having participants make binaural measurements of each indoor soundscape at their homes using a low‐(self‐)noise recorder. These recordings were used to compute (psycho‐)acoustical indices such as the energetically averaged loudness level, the A‐weighted energetically averaged equivalent continuous sound pressure level, and the A‐weighted five‐percent exceedance level. This complex hierarchical data can be used to investigate time‐varying non‐auditory influences on sound perception and to develop soundscape indicators based on the binaural recordings to predict soundscape evaluations. KW - Dataset KW - soundscape KW - person factors KW - indoor soundscape KW - acoustic environment KW - non-auditory factors KW - situational factors KW - binaural recording KW - Experience Sampling Method KW - acoustic descriptors Y1 - 2023 U6 - https://doi.org/10.5281/zenodo.7193937 N1 - This study was sponsored by the German Federal Ministry of Education and Research. “FHprofUnt” funding code: 13FH729IX6. Versions: Version V.01.1 10.5281/zenodo.7858848 Apr 25, 2023 Version V.01.0 10.5281/zenodo.7193938 Mar 7, 2023 CY - Zenodo ET - V.01.1 ER - TY - INPR A1 - Ptasczynski, Lena Esther A1 - Blättermann, Patrick A1 - Greb, Fabian A1 - Sterzer, Philipp A1 - Steffens, Jochen T1 - The vibe of musical and social reward: Listening to beat-based music acts as a surrogate for socioemotional support during the Covid-19 pandemic T2 - Research Square N2 - Music listening is subjectively efficient in surrogating socioemotional needs during the Covid-19 pandemic, although underlying mechanisms remain unclear. We here challenge the generalizability of music-based coping by testing whether the insufficient satisfaction of distinct needs during the first lockdown entails enhanced listening to beat-based music with medium complexity (BBMMC) stimulating the cortico-striatal reward circuit and triggering oxytocinergic propagation. A Quasi-Bayesian mediation analysis on open-source data revealed that, across 11 European countries, more severe social distancing measures evoke a decline in experienced social provision (SP), in turn provoking BBMMC preferences. The latter was best predicted by the SP dimensions of social reward and attachment, suggesting that the partial overlap in neurophysiological processing at dopaminergic and oxytocinergic sites enables BBMMC to specifically alleviate these socioemotional needs, which has important implications for the development of mental health interventions. Finally, a stress-alleviating effect of BBMMC was found pointing towards HPA-activity modulation through music listening. KW - Psychoakustik KW - COVID-19-Pandemie KW - Bewältigung KW - Soziales Bedürfnis KW - Emotionales Bedürfnis KW - Musikpsychologie KW - Psychische Gesundheit Y1 - 2023 U6 - https://doi.org/10.21203/rs.3.rs-2529116/v1 PB - Research Square ET - v1 ER -