TY - JOUR A1 - Kampes, Céline Fabienne T1 - Tail or no Tail? Applicability of the Long Tail Theory to the German Online Media Market JF - Central European Journal of Communication N2 - The Long Tail theory serves as an explanation for market change triggered through evolving online market conditions. However, it is often referred to without empirical validation, or with inconsistent findings on its applicability. Therefore, this paper analyses the applicability of the Long Tail theory to German online media offerings as of 2014 and 2016, focusing on offerings that serve information purposes (information offerings). Based on a unique dataset of commercially oriented online media offerings (Longitudinal IntermediaPlus 2014–2016), an analysis for three Long Tail characteristics (variety increase, opposing concentration between hit and niche offerings and niche market share increase) is conducted. By additionally distinguishing between political and entertainment-oriented information offerings as boundaries of democratized online market conditions the analysis reveals that the Long Tail theory is not fully applicable to any market sample, and especially not to politically oriented offerings. KW - online information offerings KW - Long Tail theory KW - entertainment KW - politics KW - Germany Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-40123 SN - 1899-5101 N1 - This research was supported by the Digital Society research program funded by the Ministry of Culture and Science of the German State of North Rhine-Westphalia. VL - 13 IS - 3 SP - 371 EP - 389 PB - University Press of Wroclaw ER - TY - CHAP A1 - Feitsch, Jochen A1 - Strobel, Marco A1 - Meyer, Stefan A1 - Geiger, Christian ED - Butz, Andreas ED - Greenberg, Saul ED - Bakker, Saskia ED - Loke, Lian ED - de Luca, Alexander T1 - Tangible and body-related interaction techniques for a singing voice synthesis installation T2 - Proceedings of the 8th International Conference on Tangible, Embedded and Embodied Interaction - TEI '14, 16.02.2014 - 19.02.2014, Munich Y1 - 2013 UR - http://dl.acm.org/citation.cfm?doid=2540930 SN - 9781450326353 U6 - https://doi.org/10.1145/2540930.2540962 SP - 157 EP - 164 PB - ACM Press CY - New York ER - TY - CHAP A1 - Echternacht, David A1 - Neusel-Lange, N. A1 - Schermuly, Rainer A1 - Meyer, F. T1 - Target Network Planning and Asset Condition Assessment as Basis for an integrated Asset Management Approach T2 - ETG Congress 2017, Bonn, 28.11.-29.11.2017 Y1 - 2017 CY - Bonn ER - TY - CHAP A1 - Zielke, Thomas A1 - Neef, Matthias A1 - Fussenecker, Claudia T1 - Teaching Engineering Conferences T2 - Proceedings of the Canadian Engineering Education Association (CEEA) Conference N2 - This article is on a university course called Engineering Conferences. It has been developed by the authors and installed as a mandatory part of the curriculum in three master’s degree programs for engineering students. The participants of the course are postgraduates with different nationalities, mostly German, and different technical backgrounds. They study Mechanical Engineering, Simulation and Experimental Technology, or International Business Engineering. The basic idea of the course concept goes far beyond simply teaching the standards of academic writing and skills for using scientific publications. By using a learnercentered approach, the students get engaged in typical activities around an active attendance of a real conference. Students learn to locate the field of their bachelor thesis or project report in the world of research communities, scientific journals and engineering conferences. They learn about conferences matching their bachelor/project topic. They write a paper complying with common academic standards, submit it to a mock-up conference, and review submissions of their fellow students. Students also produce a poster and have to defend it in a poster session held publicly on the campus. Engineering Conferences is a course on scientific communication and presentation that also aims at the development of other skills and competences needed in the world of modern engineering. KW - Engineering Conferences Y1 - 2017 CY - Winnipeg ER - TY - CHAP A1 - Reckter, Holger A1 - Geiger, Christian A1 - Singer, Jurgen A1 - Streuber, Stephan T1 - Tech-note: Iterative design and test of a multimodal experience T2 - 2009 IEEE Symposium on 3D User Interfaces, 14.03.2009 - 15.03.2009, Lafayette Y1 - 2009 UR - http://ieeexplore.ieee.org/document/4811213/ SN - 978-1-4244-3965-2 U6 - https://doi.org/10.1109/3DUI.2009.4811213 SP - 99 EP - 102 PB - IEEE ER - TY - CHAP A1 - Breuer, Christopher A1 - Echternacht, David A1 - Linnemann, Christian A1 - Moser, Albert T1 - Technical and economic comparison of national and joint cross-border curative congestion management application T2 - 2011 8th International Conference on the European Energy Market (EEM), 25.05.2011 - 27.05.2011, Zagreb, Croatia Y1 - 2011 UR - http://ieeexplore.ieee.org/document/5952974/ SN - 978-1-61284-285-1 U6 - https://doi.org/10.1109/EEM.2011.5952974 SP - 33 EP - 38 PB - IEEE ER - TY - JOUR A1 - Wiesmann, Thomas A1 - Hamel, Christian A1 - Kaluza, Stefan T1 - Techniques to Remove Traces of Oxygen by Catalytic Conversion from Gas Mixtures JF - Chemie Ingenieur Technik Y1 - 2018 U6 - https://doi.org/10.1002/cite.201800022 SN - 1522-2640 VL - 90 IS - 10 SP - 1446 EP - 1452 PB - Wiley ER - TY - CHAP A1 - Deckert, Carsten T1 - Tensions in Corporate Creativity T2 - Book of Papers N2 - The standard definition of creativity is based on a tension between originality and effectiveness. Borrowing from the wave-particle duality in physics one could say that there is an originality-effectiveness duality at work for creativity. The paper explores how this tension pervades Amabile's (1997) componential theory of organizational creativity with the components organizational motivation, management practices (including work assignment and work control) and resources. As a method the so called value square (" Wertequadrat ") developed by Helwig (1967) and Schulz von Thun (1998) is used which balances a value with its countervalue. The author identifies a tension of corporate tradition and corporate change for organizational motivation, a tension of skills and challenges for work assignment, a tension of management by control and management by loss of control for work control as well as a tension of organizational efficiency and organizational slack for resources. Additionally different implications of these tensions for the resistance of a company to creativity, for an organizational climate conducive to creativity as well as for resource allocation in creative endeavours are discussed. KW - Components of Creativity KW - Corporate Creativity KW - Organizational Creativity Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-18065 UR - https://www.researchgate.net/publication/313010955_TENSIONS_IN_CORPORATE_CREATIVITY SP - 79 EP - 86 ER - TY - RPRT A1 - Deckert, Carsten T1 - Tensions in Creative Products - Using the Value Square to Model Functional Creativity T2 - CBS Working Paper Series Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-18078 UR - https://www.researchgate.net/publication/305900610_Tensions_in_Creative_Products_-_Using_the_Value_Square_to_Model_Functional_Creativity VL - 4 PB - Cologne Business School CY - Köln ER - TY - JOUR A1 - Deckert, Carsten T1 - Tensions in Creative Products: Using the Value Square to Model Functional Creativity JF - International Journal of Creativity & Problem Solving Y1 - 2017 VL - 26 SP - 71 EP - 93 ER - TY - RPRT A1 - Deckert, Carsten T1 - Tensions in Creativity - Using the Value Square to Model Individual Creativity T2 - CBD Working Paper Series N2 - The definition of individual creativity is based on a tension between novelty on the one side and usefulness respectively appropriateness on the other side. The paper explores how this tension pervades the stage and componential theories of creativity. To achieve this, the so called value square (“Wertequadrat”) developed by Helwig (1967) and Schulz von Thun (1998)is used which balances a value with its countervalue to analyze creativity. The author identifies tensions of action and inaction, expertise and mindfulness, precision and ambiguity as well as immersion and detachment permeating the creative process and the components of creativity. As a conclusion a morphological box for creativity is presented which allows one to show which combination of characteristics of the tensions support different stages of creativity. Furthermore implications for development and time management are discussed. Y1 - 2015 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-18209 UR - https://www.researchgate.net/publication/282875608_Tensions_in_Creativity_-_Using_the_Value_Square_to_Model_Individual_Creativity VL - 2 PB - Cologne Business School CY - Köln ER - TY - RPRT A1 - Deckert, Carsten ED - Niemann, Jörg ED - Deckert, Carsten T1 - Tensions in Team Creativity: Using the Value Square to Model Team Climate for Creativity N2 - This paper explores the tensions in team creativity. The tensions in team creativity are based on a tension between originality and effectiveness in the standard definition of creativity. To display the tensions in team creativity, the value square (“Wertequadrat”) developed by Schulz von Thun (1998) is used which balances a value with its countervalue. The author identifies tensions for cohesion, consensus and conformity. Cohesion is described as a tension between team diversity and team safety, consensus as a tension between constructive controversy and participatory decision-making and conformity as a tension between support for innovation and task orientation. Finally, the connection of individual and team creativity is described as an interplay between solitary and interactive components. T3 - Working Papers in Industrial Engineering - 1 KW - Innovation KW - Creativity KW - Team Climate Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-16763 SN - 2627-8375 CY - Düsseldorf ER - TY - CHAP A1 - Herder, Jens A1 - Jaensch, Kai A1 - Horst, Bruno A1 - Novotny, Thomas ED - Gausemeier, Jürgen ED - Grafe, Michael T1 - Testmärkte in einer Virtuellen Umgebung - Die Bestimmung von Preisabsatzfunktionen zur Unterstützung des Innovationsmanagements T2 - Augmented and Virtual Reality in der Produktentstehung N2 - Multimediale Technologien werden in der Marktforschung immer stärker eingesetzt, um flexible und kostengünstige Studien durchzuführen. Im Innovationsprozess kann dabei auf die langjährigen Erfahrungen zurückgegriffen werden, die durch den Einsatz der Computersimulation in der technischen Produktentwicklung zustande gekommen sind. In sehr frühen Phasen des Innovationsprozesses können durch Einsatz der neuen Technologien die Markteinführungskonzepte für neue Produkte getestet werden. Die Applikationen der virtuellen Realität bieten ein einzigartiges Potential, neue Produkte einschlieï‚lich des Marketingkonzeptes zu testen, ohne dass dieses Produkt bereits physisch vorhanden sein muss. Am Beispiel eines Elementes des Marketingkonzeptes, der Preispolitik, zeigt die vorliegende Studie auf, welches Potential die virtuelle Kaufsituation von Produkten bietet. Der Fokus des Projektes liegt auf der interaktiven Produktpräsentation in einer virtuellen Umgebung, die in eine Online-Befragung mit zusätzlichen Werbefilmen eingebettet ist. Visuell hochwertige 3D-Produktpräsentationen versetzen den Probanden in eine virtuelle Einkaufsumgebung, die einem realen Szenario entspricht. Die virtuellen Produkte werden in mehreren Kaufentscheidungsrunden zu unterschiedlichen Preisen angeboten. Der Preisuntersuchung geht eine Präsentation ausgewählter Werbespots sowie eine produktbezogene Befragung voraus. Im Anschluss an die virtuellen Preisentscheidungen werden die Eindrücke sowie einige Kontrollgröen abgefragt. In weitergehenden Studien dieser Art können die Wirkungen mehrerer Marketing-Instrumente zu einem Zeitpunkt untersucht werden, in dem sich die Produkte noch im Entwicklungsprozess befinden. Auf diesem Weg lassen sich auch Wettbewerbsvorteile bestehender Produkte effizienter erkennen und nutzen. Mit den hoch entwickelten Computer- und Visualisierungstechnologien ist ein mächtiges Werkzeug entstanden, das bereits für kommerzielle Präsentationen und Produktstudien eingesetzt wird. Zukünftig kann es auch in Kombination mit Internetanwendungen und klassischen Methoden der Marktforschung zu einem sehr frühen Zeitpunkt umfassende Erkenntnisse über ein Produkt liefern. KW - Virtuelle Umgebungen KW - 3D-Rendering KW - Mensch-Maschine-Kommunikation KW - Innovationsmanagement KW - Preisabsatzfunktion KW - Testmarkt KW - Produkttest KW - Markteinführungskonzept KW - FHD KW - VSVR Y1 - 2004 SN - 3-935433-58-1 VL - 149 SP - 97 EP - 110 PB - Heinz Nixdorf Institut, Universität Paderborn CY - Paderborn ER - TY - CHAP A1 - Virchow, Fabian ED - Liang, Christina Schori T1 - The aims and objections of the austrian far right in foreign and military policies T2 - Europe for the Europeans KW - Forena Y1 - 2008 SN - 978-0-7546-8625-5 U6 - https://doi.org/10.4324/9781315580821-8 SP - 55 EP - 80 PB - Ashgate CY - Aldershot ER - TY - CHAP A1 - Anglada-Tort, Manuel A1 - Steffens, Jochen A1 - Müllensiefen, Daniel T1 - The Behavioral Economics of Music T2 - Proceedings of the Prague Conference on Behavioral Sciences (PCBS), Prague, Czech Republic Y1 - 2019 UR - Anglada-Tort_2019.pdf CY - Prague ER - TY - JOUR A1 - Anglada-Tort, Manuel A1 - Masters, Nikhil A1 - Steffens, Jochen A1 - North, Adrian A1 - Müllensiefen, Daniel T1 - The Behavioural Economics of Music: Systematic review and future directions JF - Quarterly Journal of Experimental Psychology N2 - Music-related decision-making encompasses a wide range of behaviours including those associated with listening choices, composition and performance, and decisions involving music education and therapy. Although research programmes in psychology and economics have contributed to an improved understanding of music-related behaviour, historically, these disciplines have been unconnected. Recently, however, researchers have begun to bridge this gap by employing tools from behavioural economics. This article contributes to the literature by providing a discussion about the benefits of using behavioural economics in music-decision research. We achieve this in two ways. First, through a systematic review, we identify the current state of the literature within four key areas of behavioural economics-heuristics and biases, social decision-making, behavioural time preferences, and dual-process theory. Second, taking findings of the literature as a starting point, we demonstrate how behavioural economics can inform future research. Based on this, we propose the Behavioural Economics of Music (BEM), an integrated research programme that aims to break new ground by stimulating interdisciplinary research in the intersection between music, psychology, and economics. Y1 - 2022 SN - 1747-0218 U6 - https://doi.org/10.1177/17470218221113761 SN - 1747-0226 VL - 76 IS - 5 PB - SAGE ER - TY - CHAP A1 - Dziwis, Damian T. A1 - Vormann, Anja A1 - Wiethölter, Felix A1 - Geiger, Christian A1 - Marinos, Dionysios ED - Butz, Andreas ED - Greenberg, Saul ED - Bakker, Saskia ED - Loke, Lian ED - de Luca, Alexander T1 - The conductor's philosophy T2 - Proceedings of the 8th International Conference on Tangible, Embedded and Embodied Interaction - TEI '14, 16.02.2014 - 19.02.2014, Munich Y1 - 2013 UR - http://dl.acm.org/citation.cfm?doid=2540930 SN - 9781450326353 U6 - https://doi.org/10.1145/2540930.2555208 SP - 343 EP - 344 PB - ACM Press CY - New York ER - TY - JOUR A1 - Smith, David A1 - Gentry, Brian A1 - Stuhrmann, Björn A1 - Huber, Florian A1 - Strehle, D. A.N. A1 - Brunner, Claudia A1 - Koch, Daniel A1 - Steinbeck, Matthias A1 - Betz, Timo A1 - Käs, Josef A. T1 - The cytoskeleton: An active polymer-based scaffold JF - Biophysical Reviews and Letters Y1 - 2009 U6 - https://doi.org/10.1142/S1793048009000983 SN - 1793-7035 VL - 04 SP - 179 EP - 208 ER - TY - RPRT A1 - Scherer, Anke A1 - Deckert, Carsten T1 - The Dao of Innovation: What European innovators can learn from philosophical Daoism N2 - The article argues that European innovators can profit from some of the concepts of philosophical Daoism, namely "wu-wei" (non-interference) and "ziran" ("go with the flow"). Whereas most Western approaches to innovation emphasize the different stages of the creative process as well as tools to enhance creativity, the Daoist world view allows for the mind to just wander and thus spontaneously discover the solution to a problem in a rather detached state of mind. Creative minds need space for personal development and the permission to wander around without being exposed to control and instant judgement on the results. Training individuals in the tools and techniques of problem solving and creativity as the common approach in innovation management is certainly necessary, but in the end it is the intellectual accomplishment of a creative mind that produces innovation. Managers can allow this to happen when they get the balance of control and non-interference right. Y1 - 2013 PB - EAMSA - Euro-Asia Management Studies Association CY - Duisburg ER - TY - JOUR A1 - Deckert, Carsten A1 - Scherer, Anke T1 - The Dao of Innovation: What European Innovators Can Learn from Philosophical Daoism JF - Kindai Management Review N2 - A central question for managers in charge of innovation is to what extent creativity and inno-vation can be controlled and supervised, or whether they just have to be set free and allowed to take shape. In assessing this dilemma the authors conclude that there is a contradiction of action versus inaction on the personal level as well as a contradiction of control versus loss of control on the organizational level. What European innovators can learn from philosophical Daoism is an attitude that allows a process to just develop “naturally” and refrains from prem-ature interference with the intention to permanently be in control. In business structures that judge everything according to its usefulness, i.e. profitability for the company, a look at the laid-back attitude of Daoism where usefulness and uselessness are relative qualities might relief the pressure on people to perform in a premeditated way. Innovation can be supported, but creativity cannot be forced. It can only be allowed to happen when control, interference, and action are balanced out with non-interference, and go-with-the-flow. This attitude in not an excuse for stressed-out managers to neglect their duty, but a time honoured worldview of one of the oldest civilizations in the world that can give them the sovereignty to “get out of the way” and let innovation happen. Y1 - 2017 VL - 5 IS - 4 SP - 105 EP - 118 ER - TY - BOOK A1 - de Bánffy-Hall, Alicia T1 - The development of community music in Munich N2 - In German music education, the focus has historically been on formal music education in schools. Participatory music making in the community, or community music, has so far received little attention in theory or practice. This thesis constitutes the first in-depth analysis of the development of community music in Germany, conducted using empirical data and literature analysis. The development of the Munich Community Music Action Research Group is highlighted as an example of the potential of community music in the German context. The research shows that the context-specific development of a framework for community music in Germany, within the community music spirit of participation reflected in the action research methodology, gives voice to and connects community musicians, and has contributed considerably to the development of community music theory and practice, not only in Munich, but across Germany. Y1 - 2019 SN - 978-3-8309-4018-0 N1 - Dissertation VL - Internationale Hochschulschriften, Bd. 665 PB - Waxmann ER - TY - JOUR A1 - Nguyen, Lam H. A1 - Stoter, Stein K.F. A1 - Ruess, Martin A1 - Sanchez Uribe, Manuel A. A1 - Schillinger, Dominik T1 - The diffuse Nitsche method: Dirichlet constraints on phase-field boundaries JF - International Journal for Numerical Methods in Engineering Y1 - 2018 U6 - https://doi.org/10.1002/nme.5628 SN - 1097-0207 VL - 113 IS - 4 SP - 601 EP - 633 PB - Wiley ER - TY - JOUR A1 - Agnese, Pablo A1 - SALA, HECTOR T1 - The Driving Forces Behind the Falling Labour Share and Persistent Unemployment in Japan JF - Pacific Economic Review Y1 - 2011 U6 - https://doi.org/10.1111/j.1468-0106.2011.00566.x VL - 16 IS - 5 SP - 577 EP - 603 PB - Wiley ER - TY - JOUR A1 - Steffens, Jochen A1 - Müller, Franz A1 - Schulz, Melanie A1 - Gibson, Samuel T1 - The effect of inattention and cognitive load on unpleasantness judgments of environmental sounds JF - Applied Acoustics Y1 - 2020 U6 - https://doi.org/10.1016/j.apacoust.2020.107278 SN - 0003-682X VL - 164 PB - Elsevier ER - TY - JOUR A1 - Unterfrauner, Elisabeth A1 - Voigt, Christian A1 - Hofer, Margit T1 - The effect of maker and entrepreneurial education on self-efficacy and creativity JF - Entrepreneurship Education Y1 - 2021 U6 - https://doi.org/10.1007/s41959-021-00060-w SN - 2520-8152 VL - 4 IS - 4 SP - 403 EP - 424 PB - Springer Nature ER - TY - JOUR A1 - Anton, Johan A1 - Nebel, Janine A1 - Song, Huiqing A1 - Froese, Christian A1 - Weide, Philipp A1 - Ruland, Holger A1 - Muhler, Martin A1 - Kaluza, Stefan T1 - The effect of sodium on the structure–activity relationships of cobalt-modified Cu/ZnO/Al2O3 catalysts applied in the hydrogenation of carbon monoxide to higher alcohols JF - Journal of Catalysis Y1 - 2016 U6 - https://doi.org/10.1016/j.jcat.2015.12.016 SN - 0021-9517 VL - 335 SP - 175 EP - 186 PB - Elsevier ER - TY - JOUR A1 - Steffens, Jochen A1 - Anglada-Tort, Manuel T1 - The effect of visual recognition on listener choices when searching for music in playlists JF - Psychology of Aesthetics, Creativity, and the Arts Y1 - 2023 U6 - https://doi.org/10.1037/aca0000562 SN - 1931-3896 PB - American Psychological Association ER - TY - JOUR A1 - Ruess, Martin A1 - Tal, David A1 - Trabelsi, Nir A1 - Yosibash, Zohar A1 - Rank, Ernst T1 - The finite cell method for bone simulations: verification and validation JF - Biomechanics and modeling in mechanobiology Y1 - 2012 UR - http://www.ncbi.nlm.nih.gov/pubmed/21695444 U6 - https://doi.org/10.1007/s10237-011-0322-2 SN - 1617-7940 VL - 11 IS - 3-4 SP - 425 EP - 437 PB - Springer ER - TY - JOUR A1 - Zander, Nils A1 - Kollmannsberger, Stefan A1 - Ruess, Martin A1 - Yosibash, Z. A1 - Rank, Ernst T1 - The Finite Cell Method for linear thermoelasticity JF - Computers & Mathematics with Applications Y1 - 2012 U6 - https://doi.org/10.1016/j.camwa.2012.09.002 SN - 0898-1221 N1 - Open Archiv VL - 64 IS - 11 SP - 3527 EP - 3541 PB - Elsevier ER - TY - JOUR A1 - Schillinger, Dominik A1 - Ruess, Martin T1 - The Finite Cell Method: A Review in the Context of Higher-Order Structural Analysis of CAD and Image-Based Geometric Models JF - Archives of Computational Methods in Engineering Y1 - 2015 U6 - https://doi.org/10.1007/s11831-014-9115-y SN - 1886-1784 VL - 22 IS - 3 SP - 391 EP - 455 PB - Springer ER - TY - CHAP A1 - Völker, Lutz A1 - Casey, Michael A1 - Neef, Matthias A1 - Stüer, Heinrich T1 - The Flow Field and Performance of a Model Low Pressure Steam Turbine T2 - 6th European Conference on Turbomachinery - Fluid Dynamics and Thermodynamics : conference proceedings; 7-11 March 2005, Lille, France N2 - A 3-stage model of a low pressure steam turbine has been equipped with extensive instrumentation to assess aerodynamic performance and for validation of numerical methods. Emphasis was placed on detailed measurements at the inlet and exit of the last stage guide vane. Two configurations were examined – the first used a guide vane with lean in the last stage and a the second used a guide vane combining both lean and sweep. The experimental results from the two configurations have been compared with data from various design methods, ranging from through-flow to 3D multistage viscous simulations with mixing planes. Despite the challenges in modelling complex rotating blades in a wet steam environment, good agreement between the numerical and experimental results was obtained, and the new stator vane combining lean and sweep achieved the desired increase in reaction at the hub section. Y1 - 2005 CY - Lille ER - TY - RPRT A1 - Bleuel, Hans-H. ED - Kalmring, Dirk T1 - The German banking system and the global financial crisis: causes, developments and policy responses N2 - Germany’s banking sector has been severely hit by the global financial crisis. In a German context as of February, 2009, this paper reviews briefly the structure of the banking industry, quantifies effects of the crisis on banks and surveys responses of economic policy. It is argued that policy design needs to enhance transparency and enforce the liability principle. In addition, economic policy should not eclipse principles of competition policy. N2 - Der deutsche Bankensektor ist durch die internationale Finanzkrise schwer getroffen. Auf Deutschland und die im Februar 2009 verfügbaren Informationen bezogen, werden die Struktur des Bankensektors kurz umrissen, die Effekte auf die Banken quantifiziert und wirtschaftspolitische Reaktionen aufgezeigt. Ziel der Wirtschaftspolitik ist es, die Transparenz zu erhöhen und das Haftungsprinzip durchzusetzen. Darüber hinaus sollten Grundsätze der Wettbewerbspolitik nicht in den Hintergrund geraten. T2 - The German banking system and the global financial crisis: causes, developments and policy responses T3 - Forschungsberichte des Fachbereichs Wirtschaftswissenschaften der Hochschule Düsseldorf - 8 KW - Bank KW - Bankenkrise KW - Finanzmarktkrise KW - Wirtschaftspolitik KW - Deutschland KW - bank KW - banking crisis KW - financial crisis KW - economic policy KW - Germany KW - FHD Y1 - 2009 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-5116 N1 - Erster / früherer Titel der Reihe: Forschungsberichte des Fachbereichs Wirtschaft der Fachhochschule Düsseldorf bis 2014 IS - 8 CY - Düsseldorf ER - TY - JOUR A1 - Virchow, Fabian T1 - The groupuscularization of neo-Nazism in Germany: the case of the Aktionsbüro Norddeutschland JF - Patterns of Prejudice KW - Forena Y1 - 2004 U6 - https://doi.org/10.1080/0031322032000185587 SN - 0031-322X VL - 38 IS - 1 SP - 56 EP - 70 PB - Taylor & Francis ER - TY - JOUR A1 - Herder, Jens A1 - Cohen, Michael T1 - The Helical Keyboard: Perspectives for Spatial Auditory Displays and Visual Music JF - Journal of New Music Research N2 - Auditory displays with the ability to dynamically spatialize virtual sound sources under real-time conditions enable advanced applications for art and music. A listener can be deeply immersed while interacting and participating in the experience. We review some of those applications while focusing on the Helical Keyboard project and discussing the required technology. Inspired by the cyclical nature of octaves and helical structure of a scale, a model of a piano-style keyboard was prepared, which was then geometrically warped into a helicoidal configuration, one octave/revolution, pitch mapped to height and chroma. It can be driven by MIDI events, real-time or sequenced, which stream is both synthesized and spatialized by a spatial sound display. The sound of the respective notes is spatialized with respect to sinks, avatars of the human user, by default in the tube of the helix. Alternative coloring schemes can be applied, including a color map compatible with chromastereoptic eyewear. The graphical display animates polygons, interpolating between the notes of a chord across the tube of the helix. Recognition of simple chords allows directionalization of all the notes of a major triad from the position of its musical root. The system is designed to allow, for instance, separate audition of harmony and melody, commonly played by the left and right hands, respectively, on a normal keyboard. Perhaps the most exotic feature of the interface is the ability to fork oneís presence, replicating subject instead of object by installing multiple sinks at arbitrary places around a virtual scene so that, for example, harmony and melody can be separately spatialized, using two heads to normalize the octave; such a technique effectively doubles the helix from the perspective of a single listener. Rather than a symmetric arrangement of the individual helices, they are perceptually superimposed in-phase, co-extensively, so that corresponding notes in different registers are at the same azimuth. KW - 3D audio KW - virtual reality KW - computer music KW - spatialization KW - spatial media KW - visual music KW - VSVR Y1 - 2002 VL - 31 IS - 3 SP - 269 EP - 281 ER - TY - CHAP A1 - Greb, Fabian A1 - Steffens, Jochen T1 - The Impact of Music Preference on the Physiological Activation of the Human Body due to Music Reception T2 - Fortschritte der Akustik 2013, DAGA-AIA, Merano, Italy, CD-ROM Y1 - 2013 CY - Merano ER - TY - JOUR A1 - Anglada-Tort, Manuel A1 - Keller, Steve A1 - Steffens, Jochen A1 - Müllensiefen, Daniel T1 - The Impact of Source Effects on the Evaluation of Music for Advertising JF - Journal of Advertising Research Y1 - 2020 U6 - https://doi.org/10.2501/JAR-2020-016 VL - 60 IS - 3 PB - ARF ER - TY - JOUR A1 - Steffens, Jochen T1 - The influence of film music on moral judgments of movie scenes and felt emotions JF - Psychology of Music KW - effects of music KW - Emotion KW - film music KW - moral foundations KW - moral judgments KW - soundtrack Y1 - 2020 VL - 48 SP - 3 EP - 17 PB - Sage ER - TY - CHAP A1 - Elvers, Paul A1 - Steffens, Jochen ED - Goschke, Thomas ED - Bolte, Annette ED - Kirschbaum, Clemens T1 - The influence of motivational music on risk-behavior and ball-throwing performance T2 - TeaP 2017: Abstracts of the 59th Conference of Experimental Psychologists : Dresden, Germany, March 26-29, 2017 Y1 - 2017 SN - 978-3958532946 PB - Pabst Science Publishers CY - Lengerich ER - TY - JOUR A1 - Lyalina, Yuliya A1 - Langmann, Reinhard A1 - Krisilov, V. T1 - The Interaction Model in iLearning Environments and its Use in the Smart Lab Concept JF - International Journal of Online Engineering Y1 - 2011 U6 - https://doi.org/10.3991/ijoe.v7i4.1793 VL - 7 IS - 4 PB - iJOE ER - TY - JOUR A1 - Liang, Ke A1 - Ruess, Martin A1 - Abdalla, Mostafa T1 - The Koiter–Newton approach using von Kármán kinematics for buckling analyses of imperfection sensitive structures JF - Computer Methods in Applied Mechanics and Engineering Y1 - 2014 U6 - https://doi.org/10.1016/j.cma.2014.07.008 SN - 0045-7825 VL - 279 SP - 440 EP - 468 PB - Elsevier ER - TY - CHAP A1 - Unterfrauner, Elisabeth A1 - Voigt, Christian A1 - Schrammel, Maria A1 - Menichinelli, Massimo ED - Diplaris, Sotiris ED - Satsiou, Anna ED - Følstad, Asbjørn ED - Vafopoulos, Michail ED - Vilarinho, Thomas T1 - The Maker Movement and the Disruption of the Producer-Consumer Relation T2 - Internet Science Y1 - 2018 SN - 978-3-319-77546-3 U6 - https://doi.org/10.1007/978-3-319-77547-0_9 VL - Lecture Notes in Computer Science: 10750 SP - 113 EP - 125 PB - Springer International Publishing CY - Cham ER - TY - CHAP A1 - Musall, Eike A1 - Voss, Karsten ED - Feist, Wolfgang T1 - The Passive House Concept as Suitable Basis towards Net Zero Energy Buildings T2 - Tagungsband / 16. Internationale Passivhaustagung 2012, 4. - 5. Mai 2012, Hannover KW - Querschnittsauswertung Y1 - 2012 UR - https://www.researchgate.net/publication/260719331_The_Passive_House_Concept_as_Suitable_Basis_towards_Net_Zero_Energy_Buildings SN - 978-3-00-037721-1 SP - 271 EP - 276 PB - Passivhaus-Inst. CY - Darmstadt ER - TY - CHAP A1 - Amano, Katsumi A1 - Matsushita, Fumio A1 - Yanagawa, Hirofumi A1 - Cohen, Michael A1 - Herder, Jens A1 - Koba, Yoshiharu A1 - Tohyama, Mikio T1 - The Pioneer sound field control system at the University of Aizu Multimedia Center T2 - RO-MAN '96 Tsukuba N2 - The PSFC, or Pioneer sound field control system, is a DSP-driven hemispherical 14-loudspeaker array, installed at the University of Aizu Multimedia Center. Collocated with a large screen rear-projection stereographic display the PSFC features realtime control of virtual room characteristics and direction of two separate sound channels, smoothly steering them around a configurable soundscape. The PSFC controls an entire sound field, including sound direction, virtual distance, and simulated environment (reverb level, room size and liveness) for each source. It can also configure a dry (DSP-less) switching matrix for direct directionalization. The PSFC speaker dome is about 14 m in diameter, allowing about twenty users at once to comfortably stand or sit near its sweet spot. KW - Acoustic reflection KW - Auditory displays KW - Control systems KW - Delay effects KW - Electronic mail KW - Large screen displays KW - Loudspeakers KW - Multimedia systems KW - Reverberation KW - Size control Y1 - 1996 SN - 0-7803-3253-9 U6 - https://doi.org/10.1109/ROMAN.1996.568887 SP - 495 EP - 499 PB - IEEE CY - Piscataway ER - TY - JOUR A1 - Langmann, Reinhard A1 - Michael, Stiller T1 - The PLC as a Smart Service in Industry 4.0 Production System JF - Applied Sciences Y1 - 2019 U6 - https://doi.org/10.3390/app9183815 SN - 2076-3417 VL - 9 IS - 18 PB - MDPI ER - TY - CHAP A1 - Neme, Christopher A1 - Seefeldt, Friedrich A1 - Gottstein, Meg A1 - Echternacht, David A1 - Moser, Albert A1 - Weston, Frederick T1 - The Positive Effects of Energy Efficiency on the German Electricity Sector: Peer-reviewed paper presented at IEPPEC 2014 International Energy Policies & Programmes Evaluation Conference T2 - 15. International Energy Policies & Programmes Evaluation Conference (IEPEC), Berlin, Deutschland, 09.09-11.09.2014 Y1 - 2014 UR - https://www.agora-energiewende.de/en/publications/the-positive-effects-of-energy-efficiency-on-the-german-electricity-sector/ SP - 1 EP - 16 CY - Berlin ER - TY - JOUR A1 - Ruth, Nicolas A1 - Hantschel, Florian A1 - Loepthien, Tim A1 - Randall, Will M. A1 - Steffens, Jochen T1 - The relation between technology acceptance and music listening: An experience sampling study JF - Jahrbuch Musikpsychologie N2 - In the intersection of technology and music listening, understanding user experiences is paramount. This research employed the Experience Sampling Method via the smartphone app MuPsych to continuously capture real-time data on individuals' music listening behaviors and related emotional responses. Over a span of two weeks, participants from Germany were prompted to report on various factors as they engaged in music listening, resulting in a rich dataset. Results indicate that Spotify Premium was the most frequently used music application, with personal playlists being the preferred listening format. To unravel the intricacies of these responses and their determinants, linear mixed-effects model analysis was utilized. Among the critical findings, the Perceived Usefulness and Perceived Ease of Use, two of the central constructs of the Technology Acceptance Model, emerged as significant predictors for the valence and enjoyment of the music experienced by users during the onset of music listening sessions. This highlights the imperative role of user-friendly interfaces in enhancing positive emotional states even before fully engaging with the music, underscoring the need for designers and developers of music-related apps to prioritise usability and useful functions. KW - digital music platforms KW - emotional valence KW - user experience KW - Technology Acceptance Model KW - experience sampling method KW - music listening KW - DOAJ Y1 - 2024 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-44662 SN - 2569-5665 VL - 32 SP - 1 EP - 10 PB - Leibniz Institute for Psychology (ZPID) ER - TY - CHAP A1 - Steele, Daniel A1 - Steffens, Jochen A1 - Guastavino, Catherine T1 - The role of activity in urban soundscape evaluations T2 - Proceedings of Euronoise 2015, 31 May - 3 June, Maastricht Y1 - 2015 UR - https://www.conforg.fr/euronoise2015/proceedings/data/articles/000248.pdf SP - 1507 EP - 1512 CY - Maastricht ER - TY - CHAP A1 - Heyman, Thomas A1 - Yskout, Koen A1 - Scandariato, Riccardo A1 - Schmidt, Holger A1 - Yu, Yijun ED - Erlingsson, Úlfar ED - Wieringa, Roel ED - Zannone, Nicola T1 - The Security Twin Peaks T2 - Engineering Secure Software and Systems: Third International Symposium, ESSoS 2011, Madrid, Spain, February 9-10, 2011. Proceedings KW - security KW - software architecture KW - requirements KW - patterns Y1 - 2011 UR - https://link.springer.com/book/10.1007/978-3-642-19125-1 SN - 978-3-642-19124-4 U6 - https://doi.org/10.1007/978-3-642-19125-1_13 VL - LNCS IS - 6542 SP - 167 EP - 180 PB - Springer CY - Berlin, Heidelberg ER - TY - JOUR A1 - Hautmann, Christopher A1 - Stein, Petra A1 - Eichelberger, Ilka A1 - Hanisch, Charlotte A1 - Plück, Julia A1 - Walter, Daniel A1 - Döpfner, Manfred T1 - The Severely Impaired Do Profit Most: Differential Effectiveness of a Parent Management Training for Children with Externalizing Behavior Problems in a Natural Setting JF - Journal of Child and Family Studies Y1 - 2011 U6 - https://doi.org/10.1007/s10826-010-9409-0 VL - 20 IS - 4 SP - 424 EP - 435 PB - Springer ER - TY - JOUR A1 - Elvers, Paul A1 - Steffens, Jochen T1 - The Sound of Success: Investigating Cognitive and Behavioral Effects of Motivational Music in Sports JF - Frontiers in psychology N2 - Listening to music before, during, or after sports is a common phenomenon, yet its functions and effects on performance, cognition, and behavior remain to be investigated. Listening to music before, during, or after sports is a common phenomenon, yet its functions and effects on performance, cognition, and behavior remain to be investigated. In this study we present a novel approach to the role of music in sports and exercise that focuses on the notion of musical self-enhancement (Elvers, 2016). We derived the following hypotheses from this framework: listening to motivational music will (i) enhance self-evaluative cognition, (ii) improve performance in a ball game, and (iii) evoke greater risk-taking behavior. To evaluate the hypotheses, we conducted a between-groups experiment (N = 150) testing the effectiveness of both an experimenter playlist and a participant-selected playlist in comparison to a no-music control condition. All participants performed a ball-throwing task developed by Decharms and Davé (1965), consisting of two parts: First, participants threw the ball from fixed distances into a funnel basket. During this task, performance was measured. In the second part, the participants themselves chose distances from the basket, which allowed their risk-taking behavior to be assessed. The results indicate that listening to motivational music led to greater risk taking but did not improve ball-throwing performance. This effect was more pronounced in male participants and among those who listened to their own playlists. Furthermore, self-selected music enhanced state self-esteem in participants who were performing well but not in those who were performing poorly. We also discuss further implications for the notion of musical self-enhancement. // Listening to music before, during, or after sports is a common phenomenon, yet its functions and effects on performance, cognition, and behavior remain to be investigated. In this study we present a novel approach to the role of music in sports and exercise that focuses on the notion of musical self-enhancement (Elvers, 2016). We derived the following hypotheses from this framework: listening to motivational music will (i) enhance self-evaluative cognition, (ii) improve performance in a ball game, and (iii) evoke greater risk-taking behavior. To evaluate the hypotheses, we conducted a between-groups experiment (N = 150) testing the effectiveness of both an experimenter playlist and a participant-selected playlist in comparison to a no-music control condition. All participants performed a ball-throwing task developed by Decharms and Davé (1965), consisting of two parts: First, participants threw the ball from fixed distances into a funnel basket. During this task, performance was measured. In the second part, the participants themselves chose distances from the basket, which allowed their risk-taking behavior to be assessed. The results indicate that listening to motivational music led to greater risk taking but did not improve ball-throwing performance. This effect was more pronounced in male participants and among those who listened to their own playlists. Furthermore, self-selected music enhanced state self-esteem in participants who were performing well but not in those who were performing poorly. We also discuss further implications for the notion of musical self-enhancement. KW - Motivation KW - motor coordination KW - Music KW - risk taking KW - self-enhancement KW - Self-esteem KW - sports Y1 - 2017 U6 - https://doi.org/10.3389/fpsyg.2017.02026 VL - 8 PB - Frontiers ER -