TY - JOUR A1 - Ryskeldiev, Bektur A1 - Cohen, Michael A1 - Herder, Jens T1 - StreamSpace: Pervasive Mixed Reality Telepresence for Remote Collaboration on Mobile Devices JF - Journal of Information Processing N2 - We present a system that exploits mobile rotational tracking and photospherical imagery to allow users to share their environment with remotely connected peers “on the go.” We surveyed related interfaces and developed a unique groupware application that shares a mixed reality space with spatially-oriented live video feeds. Users can collaborate through realtime audio, video, and drawings in a virtual space. The developed system was tested in a preliminary user study, which confirmed an increase in spatial and situational awareness among viewers as well as reduction in cognitive workload. Believing that our system provides a novel style of collaboration in mixed reality environments, we discuss future applications and extensions of our prototype. KW - Ubiquitous Computing KW - Telepresence KW - Remote Collaboration KW - Mixed Reality KW - Live Video Streaming Y1 - 2018 U6 - https://doi.org/10.2197/ipsjjip.26.177 VL - 26 SP - 177 EP - 185 PB - J-STAGE ER - TY - CHAP A1 - Brettschneider, Nico A1 - Herder, Jens A1 - de Mooij, Jeroen A1 - Ryskeldiev, Bektur ED - Herder, Jens T1 - Audio vs. Visual Avatars as Guides in Virtual Environments T2 - 21th International Conference on Human and Computer, HC-2018, March 27–28, 2019, Shizuoka University, Hamamatsu, Japan. N2 - Through constant technical progress, multi-user virtual reality is transforming towards a social activity that is no longer only used by remote users, but also in large-scale location-based experiences. We evaluate the usage of realtime-tracked avatars in co-located business-oriented applications in a "guide-user-scenario" in comparison to audio only instructions. The present study examined the effect of an avatar-guide on the user-related factors of Spatial Presence, Social Presence, User Experience and Task Load in order to propose design guidelines for co-located collaborative immersive virtual environments. Therefore, an application was developed and a user study with 40 participants was conducted in order to compare both guiding techniques of a realtime-tracked avatar guide and a non-visualised guide with otherwise constant conditions. Results reveal that the avatar-guide enhanced and stimulated communicative processes while facilitating interaction possibilities and creating a higher sense of mental immersion for users. Furthermore, the avatar-guide appeared to make the storyline more engaging and exciting while helping users adapt to the medium of virtual reality. Even though no assertion could be made concerning the Task Load factor, the avatar-guide achieved a higher subjective value on User Experience. Due to the results, avatars can be considered valuable social elements in the design of future co-located collaborative virtual environments. KW - Virtual Reality KW - Co-located Collaborations KW - Networked Immersive Virtual Environments KW - Head-mounted Display KW - Avatars KW - Lehre Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-23859 UR - https://vsvr.medien.hs-duesseldorf.de/publications/hc2018-avatar/ PB - Hochschule Düsseldorf CY - Düsseldorf ER - TY - JOUR A1 - Greb, Fabian A1 - Steffens, Jochen A1 - Schlotz, Wolff T1 - Understanding music-selection behavior via statistical learning JF - Music & Science KW - daily life KW - lasso regression KW - music listening behavior KW - music selection behavior KW - percentile-lasso KW - situational influences KW - Statistical learning Y1 - 2018 U6 - https://doi.org/10.1177/2059204318755950 VL - 1 IS - 2 SP - 1 EP - 17 PB - Sage ER - TY - JOUR A1 - Anglada-Tort, Manuel A1 - Keller, Steve A1 - Steffens, Jochen A1 - Müllensiefen, Daniel T1 - The Impact of Source Effects on the Evaluation of Music for Advertising JF - Journal of Advertising Research Y1 - 2020 U6 - https://doi.org/10.2501/JAR-2020-016 VL - 60 IS - 3 PB - ARF ER - TY - JOUR A1 - Elvers, Paul A1 - Steffens, Jochen T1 - The Sound of Success: Investigating Cognitive and Behavioral Effects of Motivational Music in Sports JF - Frontiers in psychology N2 - Listening to music before, during, or after sports is a common phenomenon, yet its functions and effects on performance, cognition, and behavior remain to be investigated. Listening to music before, during, or after sports is a common phenomenon, yet its functions and effects on performance, cognition, and behavior remain to be investigated. In this study we present a novel approach to the role of music in sports and exercise that focuses on the notion of musical self-enhancement (Elvers, 2016). We derived the following hypotheses from this framework: listening to motivational music will (i) enhance self-evaluative cognition, (ii) improve performance in a ball game, and (iii) evoke greater risk-taking behavior. To evaluate the hypotheses, we conducted a between-groups experiment (N = 150) testing the effectiveness of both an experimenter playlist and a participant-selected playlist in comparison to a no-music control condition. All participants performed a ball-throwing task developed by Decharms and Davé (1965), consisting of two parts: First, participants threw the ball from fixed distances into a funnel basket. During this task, performance was measured. In the second part, the participants themselves chose distances from the basket, which allowed their risk-taking behavior to be assessed. The results indicate that listening to motivational music led to greater risk taking but did not improve ball-throwing performance. This effect was more pronounced in male participants and among those who listened to their own playlists. Furthermore, self-selected music enhanced state self-esteem in participants who were performing well but not in those who were performing poorly. We also discuss further implications for the notion of musical self-enhancement. // Listening to music before, during, or after sports is a common phenomenon, yet its functions and effects on performance, cognition, and behavior remain to be investigated. In this study we present a novel approach to the role of music in sports and exercise that focuses on the notion of musical self-enhancement (Elvers, 2016). We derived the following hypotheses from this framework: listening to motivational music will (i) enhance self-evaluative cognition, (ii) improve performance in a ball game, and (iii) evoke greater risk-taking behavior. To evaluate the hypotheses, we conducted a between-groups experiment (N = 150) testing the effectiveness of both an experimenter playlist and a participant-selected playlist in comparison to a no-music control condition. All participants performed a ball-throwing task developed by Decharms and Davé (1965), consisting of two parts: First, participants threw the ball from fixed distances into a funnel basket. During this task, performance was measured. In the second part, the participants themselves chose distances from the basket, which allowed their risk-taking behavior to be assessed. The results indicate that listening to motivational music led to greater risk taking but did not improve ball-throwing performance. This effect was more pronounced in male participants and among those who listened to their own playlists. Furthermore, self-selected music enhanced state self-esteem in participants who were performing well but not in those who were performing poorly. We also discuss further implications for the notion of musical self-enhancement. KW - Motivation KW - motor coordination KW - Music KW - risk taking KW - self-enhancement KW - Self-esteem KW - sports Y1 - 2017 U6 - https://doi.org/10.3389/fpsyg.2017.02026 VL - 8 PB - Frontiers ER - TY - JOUR A1 - Elvers, Paul A1 - Fischinger, Timo A1 - Steffens, Jochen T1 - Music listening as self-enhancement JF - Psychology of Music KW - Habilitation Y1 - 2018 U6 - https://doi.org/10.1177/0305735617707354 VL - 10 IS - 2 SP - 1 EP - 19 PB - Sage ER - TY - JOUR A1 - Lepa, Steffen A1 - Steffens, Jochen A1 - Herzog, Martin A1 - Egermann, Hauke T1 - Popular Music as Entertainment Communication: How Perceived Semantic Expression Explains Liking of Previously Unknown Music JF - Media and Communication Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-23602 VL - 8 IS - 3 SP - 191 EP - 204 PB - Cogitatio ER - TY - JOUR A1 - Lepa, Steffen A1 - Herzog, Martin A1 - Steffens, Jochen A1 - Schoenrock, Andreas A1 - Egermann, Hauke T1 - A computational model for predicting perceived musical expression in branding scenarios JF - Journal of New Music Research KW - ABC_DJ KW - Audio Branding Y1 - 2020 U6 - https://doi.org/10.1080/09298215.2020.1778041 VL - 49 IS - 4 SP - 387 EP - 402 PB - Taylor & Francis ER - TY - JOUR A1 - Küppers, Thomas A1 - Biermann, Jan-Welm A1 - Steffens, Jochen T1 - Structurized sound design process of electric vehicle interior sound JF - The Journal of the Acoustical Society of America Y1 - 2011 U6 - https://doi.org/10.1121/1.3655178 VL - 130 IS - 4 PB - AIP Publishing ER - TY - JOUR A1 - Irrgang, Melanie A1 - Steffens, Jochen A1 - Egermann, Hauke T1 - From acceleration to rhythmicity: Smartphone-assessed movement predicts properties of music JF - Journal of New Music Research KW - Accelerometer KW - Embodied Music Cognition KW - Mobile Devices KW - Movement and Computing KW - Music Information Retrieval Y1 - 2020 U6 - https://doi.org/10.1080/09298215.2020.1715447 VL - 4 IS - 7 SP - 1 EP - 14 PB - Taylor & Francis ER - TY - JOUR A1 - Herzog, Martin A1 - Lepa, Steffen A1 - Egermann, Hauke A1 - Schoenrock, Andreas A1 - Steffens, Jochen T1 - Towards a common terminology for music branding campaigns JF - Journal of Marketing Management KW - brand identity KW - brand value KW - Music branding KW - Music Branding Expert Terminology (MBET) KW - musical congruity KW - musical meaning Y1 - 2020 U6 - https://doi.org/10.1080/0267257X.2020.1713856 N1 - Das Preprint (Accepted Version) ist online verfügbar: https://eprints.whiterose.ac.uk/155624/ (Green Open Access) VL - 36 IS - 1-2 SP - 176 EP - 209 PB - Taylor & Francis ER - TY - JOUR A1 - Greb, Fabian A1 - Steffens, Jochen A1 - Schlotz, Wolff T1 - Modeling Music-Selection Behavior in Everyday Life: A Multilevel Statistical Learning Approach and Mediation Analysis of Experience Sampling Data JF - Frontiers in psychology N2 - Music listening has become a highly individualized activity with smartphones and music streaming services providing listeners with absolute freedom to listen to any kind of music in any situation. Until now, little has been written about the processes underlying the selection of music in daily life. The present study aimed to disentangle some of the complex processes among the listener, situation, and functions of music listening involved in music selection. Utilizing the experience sampling method, data were collected from 119 participants using a smartphone application. For 10 consecutive days, participants received 14 prompts using stratified-random sampling throughout the day and reported on their music-listening behavior. Statistical learning procedures on multilevel regression models and multilevel structural equation modeling were used to determine the most important predictors and analyze mediation processes between person, situation, functions of listening, and music selection. Results revealed that the features of music selected in daily life were predominantly determined by situational characteristics, whereas consistent individual differences were of minor importance. Functions of music listening were found to act as a mediator between characteristics of the situation and music-selection behavior. We further observed several significant random effects, which indicated that individuals differed in how situational variables affected their music selection behavior. Our findings suggest a need to shift the focus of music-listening research from individual differences to situational influences, including potential person-situation interactions. KW - music-listening behavior KW - music-selection behavior KW - machine learning Y1 - 2019 U6 - https://doi.org/10.3389/fpsyg.2019.00390 N1 - This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). VL - 10 PB - Frontiers ER - TY - JOUR A1 - Greb, Fabian A1 - Schlotz, Wolff A1 - Steffens, Jochen T1 - Personal and situational influences on the functions of music listening JF - Psychology of Music Y1 - 2018 VL - 46 IS - 6 SP - 763 EP - 794 PB - Sage ER - TY - JOUR A1 - Anglada-Tort, Manuel A1 - Steffens, Jochen A1 - Müllensiefen, Daniel T1 - Names and titles matter: The impact of linguistic fluency and the affect heuristic on aesthetic and value judgements of music JF - Psychology of Aesthetics, Creativity, and the Arts Y1 - 2019 U6 - https://doi.org/10.1037/aca0000172 VL - 13 IS - 3 SP - 277 EP - 292 PB - APA ER - TY - JOUR A1 - Luizard, Paul A1 - Steffens, Jochen A1 - Weinzierl, Stefan T1 - Singing in different rooms: Common or individual adaptation patterns to the acoustic conditions? JF - The Journal of the Acoustical Society of America Y1 - 2020 U6 - https://doi.org/10.1121/10.0000715 N1 - Open Access Veröffentlichung VL - 147 IS - 2 PB - ASA ER - TY - JOUR A1 - Skoda, Sabrina A1 - Steffens, Jochen A1 - Küppers, Thomas T1 - Auditory-proprioceptive interaction – How do acceleration forces influence the evaluation of driving sounds? JF - Journal of the Acoustical Society of America Y1 - 2011 VL - 130 IS - 4 PB - AIP ER - TY - JOUR A1 - Steffens, Jochen T1 - The influence of film music on moral judgments of movie scenes and felt emotions JF - Psychology of Music KW - effects of music KW - Emotion KW - film music KW - moral foundations KW - moral judgments KW - soundtrack Y1 - 2020 VL - 48 SP - 3 EP - 17 PB - Sage ER - TY - JOUR A1 - Steffens, Jochen A1 - Guastavino, Catherine T1 - Trend Effects of Momentary and Retrospective Soundscape Evaluations JF - Acta Acustica united with Acustica KW - Habilitation KW - HB KW - ICA2019 KW - JASA2019 Y1 - 2015 VL - 101 SP - 713 EP - 722 PB - Hirzel ER - TY - JOUR A1 - Steffens, Jochen A1 - Küppers, Thomas A1 - Skoda, Sabrina T1 - Psychological factors influencing the evaluation of electric vehicle interior noise JF - Journal of the Acoustical Society of America N2 - Increasing global awareness of the benefits of electromobility has brought about the need for new concepts in terms of the acoustic design of future vehicle generations. This includes both the creative design process and the development of suitable methods for the evaluation of target sounds by trial participants. The main difference between e-car sound surveys and those carried out on familiar sound categories is the potential consumer’s lack of experience with electric vehicles. Thus the consumer has no, or very unspecific, expectations in this regard. Several studies have consequently shown that many subjects have to construct their personal frame of reference for evaluation within the listening experiment. However, this is possibly at odds with experience-based expectations relating to the sounds of conventional combustion engines. The result is a conflict of objectives between the traditional and the modern, familiarity and strangeness and not least between driving freedom and ecological awareness. In this context, the authenticity of the sound and the subjective interpretability of the sound information also appear as moderator variables. Moreover, associations with other vehicle categories, for example streetcars, also influence the perceived sound quality. In the course of this contribution, these factors will be expounded and their influence on the evaluation of interior noise discussed. KW - HB Y1 - 2011 U6 - https://doi.org/10.1121/1.3655176 VL - 130 IS - 4 PB - AIP ER - TY - JOUR A1 - Rosenfeld, Ninett A1 - Steffens, Jochen T1 - Effects of congruency of combined audiovisual stimuli in movie scenes on perceived emotions in the context of film reception JF - Psychomusicology: Music, Mind & Brain Y1 - 2019 U6 - https://doi.org/10.1037/pmu0000242 VL - 29 IS - 4 SP - 200 EP - 208 PB - APA ER - TY - JOUR A1 - Versümer, Siegbert A1 - Steffens, Jochen A1 - Blättermann, Patrick A1 - Becker-Schweitzer, Jörg T1 - Modelling evaluations of low-level sounds in everyday situations using linear machine learning for variable selection JF - Frontiers in Psychology KW - DOAJ Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-23779 SN - 1664-1078 N1 - Supplementary Material The Supplementary Material for this article can be found online at: https://www.frontiersin.org/articles/10.3389/fpsyg.2020.570761/full#supplementary-material VL - 11 PB - Frontiers ER - TY - JOUR A1 - Steffens, Jochen A1 - Müller, Franz A1 - Schulz, Melanie A1 - Gibson, Samuel T1 - The effect of inattention and cognitive load on unpleasantness judgments of environmental sounds JF - Applied Acoustics Y1 - 2020 U6 - https://doi.org/10.1016/j.apacoust.2020.107278 SN - 0003-682X VL - 164 PB - Elsevier ER - TY - JOUR A1 - Steffens, Jochen A1 - Petrenko, Johannes A1 - Guastavino, Catherine T1 - Comparison of momentary and retrospective soundscape evaluations JF - Journal of the Acoustical Society of America Y1 - 2014 U6 - https://doi.org/10.1121/1.4877121 VL - 135 IS - 2 PB - AIP Publishing ER - TY - JOUR A1 - Steffens, Jochen A1 - Schulte-Fortkamp, Brigitte A1 - Becker-Schweitzer, Jörg T1 - Human-machine interaction as influencing factor of indoor soundscape evaluation JF - The Journal of the Acoustical Society of America Y1 - 2012 U6 - https://doi.org/10.1121/1.4708899 VL - 131 IS - 4 PB - AIP ER - TY - JOUR A1 - Steffens, Jochen A1 - Steele, Daniel A1 - Guastavino, Catherine T1 - Measuring Momentary and Retrospective Soundscape Evaluations in Everyday Life by Means of the Experience Sampling Method JF - The Brunswik Society Newsletter Y1 - 2015 VL - 30 SP - 45 EP - 48 PB - The Brunswik society ER - TY - JOUR A1 - Steffens, Jochen A1 - Steele, Daniel A1 - Guastavino, Catherine T1 - Situational and person-related factors influencing momentary and retrospective soundscape evaluations in day-to-day life JF - The Journal of the Acoustical Society of America KW - Habilitation KW - HB KW - ICA2019 KW - JASA2019 Y1 - 2017 U6 - https://doi.org/10.1121/1.4976627 VL - 141 IS - 3 SP - 1414 EP - 1425 PB - AIP ER - TY - CHAP A1 - Herder, Jens A1 - Brettschneider, Nico A1 - de Mooij, Jeroen A1 - Ryskeldiev, Bektur T1 - Avatars for Co-located Collaborations in HMD-based Virtual Environments T2 - IEEE VR 2019, 26th IEEE Conference on Virtual Reality and 3D User Interfaces, Osaka, March, 2019 N2 - Multi-user virtual reality is transforming towards a social activity that is no longer only used by remote users, but also in large-scale location-based experiences. Usage of realtime-tracked avatars in co-located business-oriented applications with a ”guide-user-scenario” is examined for user-related factors of Spatial Presence, Social Presence, User Experience and Task Load. A user study was conducted in order to compare both techniques of a realtime-tracked avatar and a non-visualised guide. Results reveal that the avatar-guide enhanced and stimulated communicative processes while facilitating interaction possibilities and creating a higher sense of mental immersion for users and engagement. KW - Virtual Reality KW - Co-located Collaborations KW - Head-mounted Display KW - Avatars KW - Social Presence KW - Lehre Y1 - 2019 UR - https://vsvr.medien.hs-duesseldorf.de/publications/ieeevr2019/ U6 - https://doi.org/10.1109/VR.2019.8798132 SP - 968 EP - 969 PB - IEEE CY - Osaka ER - TY - CHAP A1 - Herder, Jens A1 - Takeda, Shinpei A1 - Vermeegen, Kai A1 - Davin, Till A1 - Berners, Dominique A1 - Ryskeldiev, Bektur A1 - Zimmer, Christian A1 - Druzetic, Ivana A1 - Geiger, Christian T1 - Mixed Reality Art Experiments - Immersive Access to Collective Memories T2 - ISEA2019, Proceedings, 25th International Symposium on Electronic Art, Gwangju, South Korea, June 22-28, 2019 N2 - We report about several experiments on applying mixed reality technology in the context of accessing collective memories from atomic bombs, Holocaust and Second World War. We discuss the impact of Virtual Reality, Augmented Virtuality and Augmented Reality for specific memorial locations. We show how to use a virtual studio for demonstrating an augmented reality application for a specific location in a remote session within a video conference. Augmented Virtuality is used to recreate the local environment, thus providing a context and helping the participants recollect emotions related to a certain place. This technique demonstrates the advantages of using virtual (VR) and augmented (AR) reality environments for rapid prototyping and pitching project ideas in a live remote setting. KW - Mixed Reality KW - Augmented Reality KW - Augmented Virtuality KW - Rapid Prototyping KW - Video Conferencing Y1 - 2019 UR - http://www.isea-archives.org/docs/2019/ISEA2019_Proceedings.pdf SP - 334 EP - 341 PB - IESA CY - Gwangju ER - TY - RPRT A1 - Marke, Ute T1 - Land of High Hopes N2 - We are living in the era of sophisticated, state-of-the-art technology, artificial intelligence, accelerating data sciences at ultimate speed and sheer unlimited possibilities. We are able to shoot unmanned rockets equipped with vehicles into the orbit. We can afford to spend fortunes on research and development. However, and that leaves me bloodcurdling and furious, we haven´t managed yet to settle at least some of the most pressing global humanitarian needs: access to food, water, electricity, education and healthcare. So how can we be proud of any achievements? What does make us proud anyway?! ... Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-17683 PB - Hochschule Düsseldorf CY - Düsseldorf ER - TY - CHAP A1 - Herder, Jens A1 - Cohen, Michael T1 - Design of a Helical Keyboard T2 - icad'96 - International Conference on Auditory Display, Palo Alto N2 - Inspired by the cyclical nature of octaves and helical structure of a scale (Shepard, '82 and '83), we prepared a model of a piano-style keyboard (prototyped in Mathematica), which was then geometrically warped into a left-handed helical configuration, one octave/revolution, pitch mapped to height. The natural orientation of upper frequency keys higher on the helix suggests a parsimonious left-handed chirality, so that ascending notes cross in front of a typical listener left to right. Our model is being imported (via the dxf file format) into (Open Inventor/)VRML, where it can be driven by MIDI events, realtime or sequenced, which stream is both synthesized (by a Roland Sound Module), and spatialized by a heterogeneous spatial sound backend (including the Crystal River Engineering Acoustetron II and the Pioneer Sound Field Control speaker-array System), so that the sound of the respective notes is directionalized with respect to sinks, avatars of the human user, by default in the tube of the helix. This is a work-in-progress which we hope to be fully functional within the next few months. Y1 - 1996 CY - Palo Alto ER - TY - JOUR A1 - Martens, William L. A1 - Herder, Jens T1 - Perceptual criteria for eliminating reflectors and occluders for efficient rendering of environmental sound JF - The Journal of the Acoustical Society of America Y1 - 1999 U6 - https://doi.org/10.1121/1.425349 VL - 105 IS - 2 SP - 979 ER - TY - JOUR A1 - Martens, William L. A1 - Herder, Jens A1 - Shiba, Yoshiki T1 - A filtering model for efficient rendering of the spatial image of an occluded virtual sound source JF - The Journal of the Acoustical Society of America N2 - Rendering realistic spatial sound imagery for complex virtual environments must take into account the effects of obstructions such as reflectors and occluders. It is relatively well understood how to calculate the acoustical consequence that would be observed at a given observation point when an acoustically opaque object occludes a sound source. But the interference patterns generated by occluders of various geometries and orientations relative to the virtual source and receiver are computationally intense if accurate results are required. In many applications, however, it is sufficient to create a spatial image that is recognizable by the human listener as the sound of an occluded source. In the interest of improving audio rendering efficiency, a simplified filtering model was developed and its audio output submitted to psychophysical evaluation. Two perceptually salient components of occluder acoustics were identified that could be directly related to the geometry and orientation of a simple occluder. Actual occluder impulse responses measured in an anechoic chamber resembled the responses of a model incorporating only a variable duration delay line and a low-pass filter with variable cutoff frequency. KW - virtual environment Y1 - 1999 U6 - https://doi.org/10.1121/1.425354 VL - 105 IS - 2 SP - 980 ER - TY - CHAP A1 - Herder, Jens T1 - Interactive Content Creation with Virtual Set Environments T2 - Fourth International Conference on Human and Computer N2 - Digital broadcasting enables interactive \sc tv, which presents new challenges for interactive content creation. Besides the technology for streaming and viewing, tools and systems are under development that extend traditional \sc tv studios with virtual set environments. This presentation reviews current technology and describes the requirements for such systems. Interoperability over the production, streaming, and viewer levels requires open interfaces. As the technology allow more interaction, it becomes inherent difficult to control the quality of the viewers experience KW - VSVR KW - digital broadcasting Y1 - 2001 PB - University of Aizu CY - Aizu-Wakamatsu ER - TY - CHAP A1 - Herder, Jens T1 - Matching Light for Virtual Studio TV Productions T2 - 9th International Conference on Human and Computer N2 - High dynamic range environments maps based on still images or video streams are used for computer animation or interactive systems. The task of realistic light setup of scenes using captured environment maps might be eased as well as the visual quality improves. In this article, we discuss the light setting problem for virtual studio (tv) layout and system become more complex to handle this new feature of studio light capturing. The analysis of system requirements identifies the technical challenges. KW - VSVR KW - Animation KW - Virtual (TV) Studio Y1 - 2006 SP - 158 EP - 162 CY - Aizu-Wakamatsu ER - TY - CHAP A1 - Rakow, Thomas C. A1 - Korezki, Vitali A1 - Bender, Axel T1 - Comparing the Contrast for Electronic and Traditional Whiteboards in a Real-life Environment T2 - Proceedings Electronic Displays Conference 2012, Nuremberg, Germany KW - Whiteboards KW - FHD Y1 - 2012 N1 - USB-Stick PB - Design & Elektronik [i.e. WEKA-Fachmedien] CY - Haar ER - TY - RPRT A1 - Herder, Jens T1 - Specification and Implementration of a Texture Synthesis Language N2 - Texturen können als Oberflächenstrukturen realer Objekt aufgefasst werden und sind Variationen in Farbe, Geometrie, Transparenz, usw.. Im Gegensatz zu Algorithmen für die künstliche Generierung von Texturen gibt es nur wenige Ansätze zu Textur-Synthese-Sprachen oder zu Hilfsmittel für die Textur-Beschreibung. Die bekannten Werkzeuge decken zudem jeweils nur Teilgebiete der Generierung ab. Mit HiLDTe (Hierachical Language for the Description of Textures) ist nun eine Sprache entwickelt worden, mit der möglichst alle bekannten Texturtypen beschrieben werden können. HiLDTe basiert auf einem am Fachgebiet GRIS entwickelten Texturmodell, in dem Texturen generische, eventuell komplex zusammengesetzte Objekte repräsentieren. Aufgabe dieser Arbeit war es nun, Konzepte für die Sprache HiLDTe zu entwickeln, eine entsprechende Grammatik aufzubauen und mit Hilfe der UNIX-Werkzeuge LEX und YACC einen Compiler zu implementieren, mit dem ein ausführbarer Zwischen-Code für die in HiLDTe spezifizierten Texturen erstellt wird. Y1 - 1990 PB - Technische Hochschule Darmstadt CY - Darmstadt ER - TY - JOUR A1 - Hesse, Jan A1 - König, Rainer A1 - Logi, Filippo A1 - Herder, Jens T1 - A Prototype of an Interface Builder for the Common Lisp Interface Manager - CLIB JF - ACM Sigplan Notices N2 - The Common Lisp Interface Manager (CLIM) is used to develop graphical user interfaces for Lisp-basedapplications. With the prototype of the CLIM interface Builder (CLIB) the programmer can generate code for CLIM interactively. The developing process will be fast and less prone to errors. With this new tool, the interactive rapid prototyping reduces costs of a specification phase. Here we present the concept and first results of the prototype of CLIB. Y1 - 1993 U6 - https://doi.org/10.1145/163114.163116 VL - 28 IS - 8 SP - 19 EP - 28 PB - Forschungszentrum Informatik (FZI), Technical Expert Systems and Robotics ER - TY - JOUR A1 - Kunii, Tosiyasu L. A1 - Herder, Jens A1 - Myszkowski, Karol A1 - Okunev, Oleg A1 - Okuneva, Galina A1 - Ibusuki, Masumi T1 - Articulation Simulation for an Intelligent Dental Care System JF - Displays N2 - CAD/CAM techniques are used increasingly in dentistry for design and fabrication of teeth restorations. An important issue is preserving occlusal contacts of teeth after restoration. Traditional techniques based on the use of casts with mechanical articulators require manual adjustment of occlusal surface, which becomes impractical when hard restoration materials like porcelain are used; they are also time and labor consuming. Most existing computer systems ignore completely such an articulation check, or perform the check at the level of a tooth and its immediate neighbors. We present a new mathematical model and a related user interface for global articulation simulation, developed for the Intelligent Dental Care System project. The aim of the simulation is elimination of the use of mechanical articulators and manual adjustment in the process of designing dental restorations and articulation diagnostic. The mathematical model is based upon differential topological modeling of the jawbs considered as a mechanical system. The user interface exploits metaphors that are familiar to dentists from everyday practice. A new input device designed specifically for use with articulation simulation is proposed. Y1 - 1994 VL - 15 IS - 3 SP - 181 EP - 188 ER - TY - CHAP A1 - Myszkowski, Karol A1 - Okuneva, Galina A1 - Herder, Jens A1 - Kunii, Tosiyasu L. A1 - Ibusuki, Masumi T1 - Visual Simulation of the Chewing Process for Dentistry T2 - Visualization & Modelling, International Conf., 5-7 December, 1995 N2 - CAD/CAM techniques are increasingly used in dentistry for the design and fabrication of teeth restorations. Important concerns are the correction of articulation problems that existed beforetreatment and the prevention of treatment-generated problems. These require interactive evaluation of the occlusal surfaces of teeth during mastication. Traditional techniques based on the use of casts with mechanical articulators require manual adjustment of occlusal surfaces, which becomes impractical when hard restoration materials like porcelain are used; they are also time and labor consuming and provide little visual information. We present new visual tools and a related user interface for global articulation simulation, developed for the Intelligent Dental Care System project. The aim of the simulation is visual representation of characteristics relevant to the chewing process. The simulation is based on the construction of distance maps, which are visual representations of the distributions of the distances of points in a tooth to the opposite jaw. We use rasterizing graphics hardware for fast calculation of the distance maps. Distance maps are used for collision detection and for the derivation of various characteristics showing the distribution of load on the teeth and the chewing capability of the teeth. Such characteristics can be calculated for particular positions of the jaws; cumulative characteristics are used to describe the properties of jaw movement. This information may be used for interactive design of the occlusal surfaces of restorations and for jaw articulation diagnosis. We also demonstrate elements of a user interface that exploit metaphors familiar to dentists from everyday practice. Y1 - 1995 CY - Leeds ER - TY - CHAP A1 - Herder, Jens A1 - Myszkowski, Karol A1 - Kunii, Tosiyasu L. A1 - Ibusuki, Masumi ED - Weghorst, Suzanne J. ED - Sieburg, Hans B. ED - Morgan, Karen S. T1 - A Virtual Reality Interface to an Intelligent Dental Care System T2 - Medicine Meets Virtual Reality 4 Y1 - 1996 SP - 17 EP - 20 PB - IOS Press CY - Amsterdam ER - TY - CHAP A1 - Myszkowski, Karol A1 - Herder, Jens A1 - Kunii, Tosiyasu L. A1 - Ibusuki, Masumi T1 - Visualization and analysis of occlusion for human jaws using a "functionally generated path" T2 - IS&T/SPIE Symp. on Electronic Imaging, Visual Data Exploration and Analysis III N2 - Dynamic characteristics of occlusion during lower jaw motion are useful in the diagnosis of jaw articulation problems and in computer-aided design/manufacture of teeth restorations. The Functionally Generated Path (FGP), produced as a surface which envelops the actual occlusal surface of the moving opponent jaw, can be used for compact representation of dynamic occlusal relations. In traditional dentistry FGP is recorded as a bite impression in a patient’s mouth. We propose an efficient computerized technique for FGP reconstruction and validate it through implementation and testing. The distance maps between occlusal surfaces of jaws, calculated for multiple projection directions and accumulated for mandibular motion, provide information for FGP computation. Rasterizing graphics hardware is used for fast calculation of the distance maps. Real-world data are used: the scanned shape of teeth and the measured motion of the lower jaw. We show applications of FGP to analysis of the occlusion relations and occlusal surface design for restorations. Y1 - 1996 U6 - https://doi.org/10.1117/12.234684 SP - 360 EP - 367 PB - The International Society for Optical Engineering CY - San Jose ER - TY - CHAP A1 - Amano, Katsumi A1 - Matsushita, Fumio A1 - Yanagawa, Hirofumi A1 - Cohen, Michael A1 - Herder, Jens A1 - Koba, Yoshiharu A1 - Tohyama, Mikio T1 - The Pioneer sound field control system at the University of Aizu Multimedia Center T2 - RO-MAN '96 Tsukuba N2 - The PSFC, or Pioneer sound field control system, is a DSP-driven hemispherical 14-loudspeaker array, installed at the University of Aizu Multimedia Center. Collocated with a large screen rear-projection stereographic display the PSFC features realtime control of virtual room characteristics and direction of two separate sound channels, smoothly steering them around a configurable soundscape. The PSFC controls an entire sound field, including sound direction, virtual distance, and simulated environment (reverb level, room size and liveness) for each source. It can also configure a dry (DSP-less) switching matrix for direct directionalization. The PSFC speaker dome is about 14 m in diameter, allowing about twenty users at once to comfortably stand or sit near its sweet spot. KW - Acoustic reflection KW - Auditory displays KW - Control systems KW - Delay effects KW - Electronic mail KW - Large screen displays KW - Loudspeakers KW - Multimedia systems KW - Reverberation KW - Size control Y1 - 1996 SN - 0-7803-3253-9 U6 - https://doi.org/10.1109/ROMAN.1996.568887 SP - 495 EP - 499 PB - IEEE CY - Piscataway ER - TY - CHAP A1 - Herder, Jens A1 - Cohen, Michael T1 - Sound Spatialization Resource Management in Virtual Reality Environments T2 - ASVA’97 ‐- Int. Symp. on Simulation, Visualization and Auralization for Acoustic Research and Education N2 - In a virtual reality environment users are immersed in a scene with objects which might produce sound. The responsibility of a VR environment is to present these objects, but a system has only limited resources, including spatialization channels (mixels), MIDI/audio channels, and processing power. The sound spatialization resource manager controls sound resources and optimizes fidelity (presence) under given conditions. For that a priority scheme based on human psychophysical hearing is needed. Parameters for spatialization priorities include intensity calculated from volume and distance, orientation in the case of non-uniform radiation patterns, occluding objects, frequency spectrum (low frequencies are harder to localize), expected activity, and others. Objects which are spatially close together (depending on distance and direction) can be mixed. Sources that can not be spatialized can be treated as a single ambient sound source. Important for resource management is the resource assignment, i.e., minimizing swap operations, which makes it desirable to look-ahead and predict upcoming events in a scene. Prediction is achieved by monitoring objects’ speed and past evaluation values. Fidelity is contrasted for Zifferent kind of resource restrictions and optimal resource assignment based upon unlimited dynamic scene look-ahead. To give standard and comparable results, the VRML 2.0 specification is used as an application programmer interface. Applicability is demonstrated with a helical keyboard, a polyphonic MIDI stream driven animation including user interaction (user moves around, playing together with programmed notes). The developed sound spatialization resource manager gives improved spatialization fidelity under runtime constraints. Application programmers and virtual reality scene designers are freed from the burden of assigning and predicting the sound sources. Y1 - 1997 SP - 407 EP - 414 CY - Tokyo ER - TY - CHAP A1 - Myszkowski, Karol A1 - Okuneva, Galina A1 - Herder, Jens A1 - Kunii, Tosiyasu L. A1 - Ibusuki, Masumi ED - Earnshaw, Rae A. ED - Huw, Jones ED - John, Vince T1 - Visual Simulation of the Chewing Process for Dentistry T2 - Visualization & Modeling N2 - CAD/CAM techniques are increasingly used in dentistry for the design and fabrication of teeth estorations. Important concerns are the correction of articulation problems that existed before treatment and the prevention of treatment-generated problems. These require interactive evaluation of the occlusal surfaces of teeth during mastication. Traditional techniques based on the use of casts with mechanical articulators require manual adjustment of occlusal surfaces, which becomes impractical when hard restoration materials like porcelain are used; they are also time and labor consuming and provide little visual information. We present new visual tools and a related user interface for global articulation simulation, developed for the Intelligent Dental Care System project. The aim of the simulation is visual representation of characteristics relevant to the chewing process. The simulation is based on the construction of distance maps, which are visual representations of the distributions of the distances of points in a tooth to the opposite jaw. We use rasterizing graphics hardware for fast calculation of the distance maps. Distance maps are used for collision detection and for the derivation of various characteristics showing the distribution of load on the teeth and the chewing capability of the teeth. Such characteristics can be calculated for particular positions of the jaws; cumulative characteristics are used to describe the properties of jaw movement. This information may be used for interactive design of the occlusal surfaces of restorations and for jaw articulation diagnosis. We also demonstrate elements of a user interface that exploit metaphors familiar to dentists from everyday practice. Y1 - 1997 SN - 0-12-227738-4 SP - 419 EP - 438 PB - Academic Press CY - London ER - TY - CHAP A1 - Schmitt, Lothar M. A1 - Herder, Jens A1 - Bhalla, Subhash ED - Gorayska, Barbara ED - Nehaniv, Chrystopher L. ED - Marsh, Jonathon P. T1 - Information Retrieval and Database Architecture for Conventional Japanese Character Dictionaries T2 - Proceedings, Second International Conference on Cognitive Technology N2 - The cycle of abstraction-reconstruction which occurs as a fundamental principle in the development of culture and in cognitive processes is described and analyzed. This approach leads to recognition of boundary conditions for and directions of probable development of cognitive tools. It is shown how the transition from a conventional Japanese-English character dictionary to a multi-dimensional language database is an instance of such an abstraction-reconstruction cycle. The different phases of the design of a multi-dimensional language database based upon different computer software technologies are properly placed in this cycle. The methods used include the use of UNIX software tools, classical database methods as-well-as the use of search engines based upon full text search in this process. Several directions of application and extension for a multi-dimensional language database are discussed from the general point of view of an abstraction-reconstruction cycle. KW - abstraction-reconstruction cycle KW - database KW - dictionary KW - hypertext, search engine KW - retrieval methods KW - UNIX Y1 - 1997 SN - 0-8186-8084-9 SP - 200 EP - 217 PB - IEEE CY - Los Alamitos ER - TY - CHAP A1 - Herder, Jens A1 - Cohen, Michael ED - Gorayska, Barbara ED - Nehaniv, Chrystopher L. ED - Marsh, Jonathon P. T1 - Enhancing Perspicuity of Objects in Virtual Reality Environments T2 - Proceedings, Second International Conference on Cognitive Technology N2 - In an information-rich Virtual Reality (VR) environment, the user is immersed in a world containing many objects providing that information. Given the finite computational resources of any computer system, optimization is required to ensure that the most important information is presented to the user as clearly as possible and in a timely fashion. In particular, what is desired are means whereby the perspicuity of an object may be enhanced when appropriate. An object becomes more perspicuous when the information it provides to the user becomes more readily apparent. Additionally, if a particular object provides high-priority information, it would be advantageous to make that object obtrusive as well as highly perspicuous. An object becomes more obtrusive if it draws attention to itself (or equivalently, if it is hard to ignore). This paper describes a technique whereby objects may dynamically adapt their representation in a user's environment according to a dynamic priority evaluation of the information each object provides. The three components of our approach are: - an information manager that evaluates object information priority, - an enhancement manager that tabulates rendering features associated with increasing object perspicuity and obtrusion as a function of priority, and - a resource manager that assigns available object rendering resources according to features indicated by the enhancement manager for the priority set for each object by the information manager. We consider resources like visual space (pixels), sound spatialization channels (mixels), MIDI/audio channels, and processing power, and discuss our approach applied to different applications. Assigned object rendering features are implemented locally at the object level (e.g., object facing the user using the billboard node in VRML 2.0) or globally, using helper applications (e.g., active spotlights, semi-automatic cameras). KW - autonomous actors KW - obtrusion KW - perspicuity KW - spatial media KW - spatialization KW - user interface design man-machine interfaces KW - Virtual Reality Y1 - 1997 SN - 0-8186-8084-9 SP - 228 EP - 237 PB - IEEE CY - Los Alamitos ER - TY - JOUR A1 - Amano, Katsumi A1 - Matsushita, Fumio A1 - Yanagawa, Hirofumi A1 - Cohen, Michael A1 - Herder, Jens A1 - Martens, William A1 - Koba, Yoshiharu A1 - Tohyama, Mikio T1 - A Virtual Reality Sound System Using Room-Related Transfer Functions Delivered Through a Multispeaker Array: the PSFC at the University of Aizu Multimedia Center JF - TVRSJ N2 - The PSFC, or Pioneer Sound Field Controller, is a DSP-driven hemispherical loudspeaker array, installed at the University of Aizu Multimedia Center. The PSFC features realtime manipulation of the primary components of sound spatialization for each of two audio sources located in a virtual environment, including the content (apparent direction and distance) and context (room characteristics: reverberation level, room size and liveness). In an alternate mode, it can also direct the destination of the two separate input signals across 14 loudspeakers, manipulating the direction of the virtual sound sources with no control over apparent distance other than that afforded by source loudness (including no simulated environmental reflections or reverberation). The PSFC speaker dome is about 10 m in diameter, accommodating about fifty simultaneous users, including about twenty users comfortably standing or sitting near its ``sweet spot,'' the area in which the illusions of sound spatialization are most vivid. Collocated with a large screen rear-projection stereographic display, the PSFC is intended for advanced multimedia and virtual reality applications. KW - audio signal processing, audio telecommunications KW - auralization KW - calm technology KW - directional mixing console KW - multichannel sound reproduction KW - room-related transfer functions KW - roomware KW - sound localization KW - virtual conferencing environment Y1 - 1998 U6 - https://doi.org/10.18974/tvrsj.3.1_1 VL - 3 IS - 1 SP - 1 EP - 12 PB - J-STAGE ER - TY - CHAP A1 - Cohen, Michael A1 - Herder, Jens ED - Göbel, Martin ED - Landauer, Jürgen ED - Lang, Ulrich ED - Wapler, Matthias T1 - Symbolic representations of exclude and include for audio sources and sinks: Figurative suggestions of mute/solo & cue and deafen/confide & harken T2 - Virtual Environments ’98, Proceedings of the Eurographics Workshop Y1 - 1998 SN - 3-211-83233-5 U6 - https://doi.org/10.1007/978-3-7091-7519-4_23 SP - 235 EP - 242 PB - Springer-Verlag CY - Stuttgart ER - TY - JOUR A1 - Herder, Jens T1 - Tools and Widgets for Spatial Sound Authoring JF - Computer Networks & ISDN Systems Y1 - 1998 VL - 30 IS - 20-21 SP - 1933 EP - 1940 PB - Elsevier ER - TY - CHAP A1 - Martens, William L. A1 - Herder, Jens T1 - Perceptual criteria for eliminating reflectors and occluders from the rendering of environmental sound T2 - 137th Regular Meeting of the Acoustical Society of America and the 2nd Convention of the European Acoustics Association N2 - Given limited computational resources available for the rendering of spatial sound imagery, we seek to determine effective means for choosing whatcomponents of the rendering will provide the most audible differences in the results. Rather than begin with an analytic approach that attempts to predict audible differences on the basis of objective parameters, we chose to begin with subjective tests of how audibly different the rendering result may be heard to be when that result includes two types of sound obstruction: reflectors and occluders. Single-channel recordings of 90 short speech sounds were made in an anechoic chamber in the presence and absence of these two types of obstructions, and as the angle of those obstructions varied over a 90 degree range. These recordings were reproduced over a single loudspeaker in that anechoic chamber, and listeners were asked to rate how confident they were that the recording of each of these 90 stimuli included an obstruction. These confidence ratings can be used as an integral component in the evaluation function used to determine which reflectors and occluders are most important for rendering. KW - audio rendering KW - first-order reflection KW - human perception KW - level of detail KW - occluder KW - sound spatialization resource management Y1 - 1999 PB - Acoustical Society of America, European Acoustics Association CY - Berlin ER - TY - CHAP A1 - Martens, William L. A1 - Herder, Jens A1 - Shiba, Yoshiki T1 - A filtering model for efficient rendering of the spatial image of an occluded virtual sound source T2 - 137th Regular Meeting of the Acoustical Society of America and the 2nd Convention of the European Acoustics Association N2 - Rendering realistic spatial sound imagery for complex virtual environments must take into account the effects of obstructions such as reflectors and occluders. It is relatively well understood how to calculate the acoustical consequence that would be observed at a given observation point when an acoustically opaque object occludes a sound source. But the interference patterns generated by occluders of various geometries and orientations relative to the virtual source and receiver are computationally intense if accurate results are required. In many applications, however, it is sufficient to create a spatial image that is recognizable by the human listener as the sound of an occluded source. In the interest of improving audio rendering efficiency, a simplified filtering model was developed and its audio output submitted to psychophysical evaluation. Two perceptually salient components of occluder acoustics were identified that could be directly related to the geometry and orientation of a simple occluder. Actual occluder impulse responses measured in an anechoic chamber resembled the responses of a model incorporating only a variable duration delay line and a low-pass filter with variable cutoff frequenc KW - audio rendering KW - first-order reflection KW - human perception KW - occluder Y1 - 1999 PB - Acoustical Society of America, European Acoustics Association CY - Berlin ER - TY - CHAP A1 - Ishikawa, Kimitaka A1 - Hirose, Minefumi A1 - Herder, Jens T1 - A Sound Spatialization Server for a Speaker Array as an Integrated Part of a Virtual Environment T2 - IEEE YUFORIC Germany 98 N2 - Spatial sound plays an important role in virtual reality environments, allowing orientation in space, giving a feeling of space, focusing the user on events in the scene, and substituting missing feedback cues (e.g., force feedback). The sound spatialization framework of the University of Aizu, which supports number of spatialization backends, has been extended to include a sound spatialization server for a multichannel loudspeaker array (Pioneer Sound Field Control System). Our goal is that the spatialization server allows easy integration into virtual environments. Modeling of distance cues, which are essential for full immersion, is discussed. Furthermore, the integration of this prototype into different applications allowed us to reveal the advantages and problems of spatial sound for virtual reality environments. KW - distance cue KW - loudspeaker array KW - psychoacoustic KW - sound spatialization server Y1 - 1998 UR - http://vsvr.medien.hs-duesseldorf.de/publications/ve98-spatial-server/welcome.html PB - IEEE CY - Stuttgart ER - TY - JOUR A1 - Griesert, Arnfried A1 - Walczak, Oliver A1 - Herder, Jens T1 - Interactive Realtime Terrain Visualization for Virtual Set Applications JF - Journal of the 3D-Forum Society N2 - Virtual set environments for broadcasting become more sophisticated as well as the visual quality improves. Realtime interaction and production-specific visualization implemented through plugin mechanism enhance the existing systems like the virtual studio software 3DK. This work presents an algorithm which can dynamically manage textures of high resolution by prefetching them depending on their requirement in memory and map them on a procedural mesh in realtime. The main goal application of this work is the virtual representation of a flight over a landscape as part of weather reports in virtual studios and the interaction by the moderator. KW - 3D KW - VSVR KW - Virtual (TV) Studio Y1 - 2003 VL - 17 IS - 4 SP - 20 EP - 26 ER - TY - CHAP A1 - Herder, Jens A1 - Yamazaki, Yasuhiro T1 - A Chatspace Deploying Spatial Audio for Enhanced Conferencing T2 - Third International Conference on Human and Computer KW - VSVR Y1 - 2000 SP - 197 EP - 202 PB - University of Aizu CY - Aizu-Wakamatsu ER - TY - THES A1 - Herder, Jens T1 - A Sound Spatialization Resource Management Framework N2 - In a virtual reality environment, users are immersed in a scene with objects which might produce sound. The responsibility of a VR environment is to present these objects, but a practical system has only limited resources, including spatialization channels (mixels), MIDI/audio channels, and processing power. A sound spatialization resource manager, introduced in this thesis, controls sound resources and optimizes fidelity (presence) under given conditions, using a priority scheme based on psychoacoustics. Objects which are spatially close together can be coalesced by a novel clustering algorithm, which considers listener localization errors. Application programmers and VR scene designers are freed from the burden of assigning mixels and predicting sound source locations. The framework includes an abstract interface for sound spatialization backends, an API for the VR environments, and multimedia authoring tools. KW - audio rendering KW - human perception KW - Resource Management KW - Sound Spatialization Y1 - 1999 UR - http://vsvr.medien.hs-duesseldorf.de/publications/phd99-abstract.html PB - University of Tsukuba CY - Tsukuba ER - TY - JOUR A1 - Herder, Jens T1 - Visualization of a Clustering Algorithm of Sound Sources based on Localization Errors JF - Journal of the 3D-Forum Society N2 - A module for soundscape monitoring and visualizing resource management processes was extended for presenting clusters, generated by a novel sound source clustering algorithm. This algorithm groups multiple sound sources together into a single representative source, considering localization errors depending on listener orientation. Localization errors are visualized for each cluster using resolution cones. Visualization is done in runtime and allows understanding and evaluation of the clustering algorithm. KW - audio rendering, clustering KW - human perception KW - Resource Management KW - Sound Spatialization KW - Visualization Y1 - 1999 VL - 13 IS - 3 SP - 66 EP - 70 ER - TY - CHAP A1 - Herder, Jens T1 - Optimization of Sound Spatialization Resource Management through Clustering T2 - Second International Conference on Human and Computer N2 - Level-of-detail is a concept well-known in computer graphics to reduce the number of rendered polygons. Depending on the distance to the subject (viewer), the objects’ representation is changed. A similar concept is the clustering of sound sources for sound spatialization. Clusters can be used to hierarchically organize mixels and to optimize the use of resources, by grouping multiple sources together into a single representative ource. Such a clustering process should minimize the error of position allocation of elements, perceived as angle and distance, and also differences between velocity relative to the sink (i.e., Doppler shift). Objects with similar direction of motion and speed (relative to sink) in the same acoustic resolution cone and with similar distance to a sink can be grouped together. KW - audio rendering KW - clustering, and human perception KW - Resource Management KW - Sound Spatialization Y1 - 1999 SP - 1 EP - 7 CY - Aizu-Wakamatsu ER - TY - CHAP A1 - Herder, Jens T1 - Visualization of a Clustering Algorithm of Sound Sources based on Localization Errors T2 - Second International Conference on Human and Computer N2 - A module for soundscape monitoring and visualizing resource management processes was extended for presenting clusters, generated by a novel sound source clustering algorithm. This algorithm groups multiple sound sources together into a single representative source, considering localization errors depending on listener orientation. Localization errors are visualized for each cluster using resolution cones. Visualization is done in runtime and allows understanding and evaluation of the clustering algorithm. KW - audio rendering, clustering KW - human perception KW - Resource Management KW - Sound Spatialization KW - Visualization Y1 - 1999 SP - 1 EP - 5 CY - Aizu-Wakamatsu ER - TY - JOUR A1 - Cohen, Michael A1 - Herder, Jens A1 - L. Martens, William T1 - Cyberspatial Audio Technology T1 - available in Japanese as well - Acoustical Society of Japan, Vol. 55, No. 10, pp. 730-731 JF - The Journal of the Acoustical Society of Japan (E) N2 - Cyberspatial audio applications are distinguished from the broad range of spatial audio applications in a number of important ways that help to focus this review. Most significant is that cyberspatial audio is most often designed to be responsive to user inputs. In contrast to non-interactive auditory displays, cyberspatial auditory displays typically allow active exploration of the virtual environment in which users find themselves. Thus, at least some portion of the audio presented in a cyberspatial environment must be selected, processed, or otherwise rendered with minimum delay relative to user input. Besides the technological demands associated with realtime delivery of spatialized sound, the type and quality of auditory experiences supported are also very different from those associated with displays that support stationary sound localization. Y1 - 1999 U6 - https://doi.org/10.1250/ast.20.389 N1 - available in Japanese as well - Acoustical Society of Japan, Vol. 55, No. 10, pp. 730-731 VL - 20 IS - 6 SP - 389 EP - 395 ER - TY - CHAP A1 - Honno, Kuniaki A1 - Suzuki, Kenji A1 - Herder, Jens T1 - Distance and Room Effects Control for the PSFC, an Auditory Display using a Loudspeaker Array T2 - Third International Conference on Human and Computer N2 - The Pioneer Sound Field Controller (PSFC), a loudspeaker array system, features realtime configuration of an entire sound field,including sound source direction, virtual distance, and context of simulated environment (room characteristics: room size and liveness)for each of two sound sources. In the PSFC system, there is no native parameter to specify the distance between the sound source and sound sink (listener) and also no function to control it directrly. This paper suggests the method to control virtual distance using basic parameters: volume, room size and liveness. The implementation of distance cue is an important aspect of 3D sounds. Virtual environments supporting room effects like reverberation not only gain realism but also provide additional information to users about surrounding space. The context switch of different aural attributes is done by using an API of the Sound Spatialization Framework. Therefore, when the sound sink move through two rooms, like a small bathroom and a large living room, the context of the sink switches and different sound is obtained. KW - VSVR Y1 - 2000 SP - 71 EP - 76 PB - University of Aizu CY - Aizu-Wakamatsu ER - TY - CHAP A1 - Herder, Jens T1 - Applications of Spatial Auditory Displays in the Context of Art and Music T2 - Human Supervision and Control in Engineering and Music KW - VSVR Y1 - 2001 PB - Universität Kassel CY - Kassel ER - TY - JOUR A1 - Herder, Jens T1 - Interactive Content Creation with Virtual Set Environments JF - Journal of the 3D-Forum Society N2 - Digital broadcasting enables interactive \sc tv studios with virtual set environments. This presentation reviews current technology and describes the requirements for such systems. Interoperability over the production, streaming, and viewer levels requires open interfaces. As the technology allow more interaction, it becomes inherent difficult to control the quality of the viewers experience. KW - Interactive Media KW - Sound Spatialization KW - Virtual Sets KW - virtual studio KW - VSVR Y1 - 2001 VL - 15 IS - 4 SP - 53 EP - 56 ER - TY - CHAP A1 - Yamazaki, Yasuhiro A1 - Herder, Jens T1 - Exploring Spatial Audio Conferencing Functionality in Multiuser Virtual Environments T2 - The Third International Conference on Collaborative Virtual Environments N2 - A chatspace was developed that allows conversation with 3D sound using networked streaming in a shared virtual environment. The system provides an interface to advanced audio features, such as a "whisper function" for conveying a confided audio stream. This study explores the use of spatial audio to enhance a user's experience in multiuser virtual environments. KW - chatspaces KW - groupware KW - narrowcasting functions KW - networked audio KW - spatial audio KW - VSVR Y1 - 2000 SP - 207 EP - 208 PB - ACM CY - San Francisco ER - TY - CHAP A1 - Suzuki, Kenji A1 - Nishoji, Yuji A1 - Herder, Jens T1 - Implementation of Aural Attributes for Simulation of Room Effects in Virtual Environments T2 - ACM Multimedia 2000 N2 - The audio design for virtual environments includes simulation of acoustical room properties besides specifing sound sources and sinks and their behavior. Virtual environments supporting room reverberation not only gain realism but also provide additional information to the user about surrounding space. Catching the different sound properties by the different spaces requires partitioning the space by the properties of aural spaces. We define soundscape and aural attributes as an application and multimedia content interface. Calculated data on an abstract level is sent to spatialization backends. Part of this research was the implementation of a device driver for the Roland Sound Space Processor. This device not only directionalizes sound sources, but also controls room effects like reverberation. KW - Acoustic displays KW - Aural attributes KW - Room effects KW - Virtual environments KW - VSVR Y1 - 2000 SP - 439 EP - 441 PB - ACM CY - Los Angeles ER - TY - CHAP A1 - Herder, Jens T1 - Challenges of Virtual Sets: From Broadcasting to Interactive Media T2 - Seventh International Workshop on Human N2 - Virtual sets have evolved from computer-generated, prerendered 2D backgrounds to realtime, responsive 3D computer graphics and are nowadays standard repertoire of broadcasting divisions. The graphics, which are combined with real video feed becoming moresophisticated, real looking and more responsive. We will look at the recent developments and suggest further developments like integration of spatial audio into the studio production and generating interactive media streams. Educational institutes recognize the demands of the rising media industry and established new courses on media technology like the Duesseldorf University of Applied Sciences. KW - Education KW - Interactive Media KW - Sound Spatialization KW - Virtual Sets KW - Virtual (TV) Studio KW - VSVR Y1 - 2000 SP - 13 EP - 17 PB - University of Aizu CY - Aizu-Wakamatsu ER - TY - JOUR A1 - Honno, Kuniaki A1 - Suzuki, Kenji A1 - Herder, Jens T1 - Distance and Room Effects Control for the PSFC, an Auditory Display using a Loudspeaker Array JF - Journal of the 3D-Forum Society N2 - The Pioneer Sound Field Controller (PSFC), a loudspeaker array system, features realtime configuration of an entire sound field, including sound source direction, virtual distance, and context of simulated environment (room characteristics: room size and liveness) for each of two sound sources. In the PSFC system, there is no native parameter to specify the distance between the sound source and sound sink (listener) and also no function to control it directrly. This paper suggests the method to control virtual distance using basic parameters: volume, room size and liveness. The implementation of distance cue is an important aspect of 3D sounds. Virtual environments supporting room effects like reverberation not only gain realism but also provide additional information to users about surrounding space. The context switch of different aural attributes is done by using an API of the Sound Spatialization Framework. Therefore, when the sound sink move through two rooms, like a small bathroom and a large living room, the context of the sink switches and different sound is obtained. KW - VSVR Y1 - 2000 VL - 14 IS - 4 SP - 146 EP - 151 ER - TY - JOUR A1 - Herder, Jens A1 - Yamazaki, Yasuhiro T1 - A Chatspace Deploying Spatial Audio for Enhanced Conferencing JF - Journal of the 3D-Forum Society KW - VSVR Y1 - 2000 VL - 15 IS - 1 ER - TY - CHAP A1 - Cohen, Michael A1 - Herder, Jens A1 - Martens, William T1 - Panel: Eartop computing and cyberspatial audio technology T2 - IEEE-VR2001: IEEE Virtual Reality KW - VSVR Y1 - 2001 SN - 0-7695-0948-7 SP - 322 EP - 323 PB - IEEE CY - Yokohama ER - TY - JOUR A1 - Herder, Jens A1 - Wörzberger, Ralf A1 - Twelker, Uwe A1 - Albertz, Stefan T1 - Use of Virtual Environments in the Promotion and Evaluation of Architectural Designs JF - Journal of the 3D-Forum Society N2 - Virtual environments can create a realistic impression of an architectural space during the architectural design process, providing a powerful tool for evaluation and promotion during a project’s early stages. In comparison to pre-rendered animations, such as walkthroughs based on CAD models, virtual environments can offer intuitive interaction and a more life like experience. Advanced virtual environments allow users to change realtime rendering features with a few manipulations, switching between different versions while still maintaining sensory immersion. This paper reports on an experimental project in which architectural models are being integrated into interactive virtual environments, and includes demonstrations of both the possibilities and limitations of such applications in evaluating, presenting and promoting architectural designs. KW - virtual environments KW - architectural design KW - interactive walkthrough KW - design review KW - VSVR Y1 - 2002 VL - 16 IS - 4 SP - 117 EP - 122 ER - TY - JOUR A1 - Herder, Jens A1 - Cohen, Michael T1 - The Helical Keyboard: Perspectives for Spatial Auditory Displays and Visual Music JF - Journal of New Music Research N2 - Auditory displays with the ability to dynamically spatialize virtual sound sources under real-time conditions enable advanced applications for art and music. A listener can be deeply immersed while interacting and participating in the experience. We review some of those applications while focusing on the Helical Keyboard project and discussing the required technology. Inspired by the cyclical nature of octaves and helical structure of a scale, a model of a piano-style keyboard was prepared, which was then geometrically warped into a helicoidal configuration, one octave/revolution, pitch mapped to height and chroma. It can be driven by MIDI events, real-time or sequenced, which stream is both synthesized and spatialized by a spatial sound display. The sound of the respective notes is spatialized with respect to sinks, avatars of the human user, by default in the tube of the helix. Alternative coloring schemes can be applied, including a color map compatible with chromastereoptic eyewear. The graphical display animates polygons, interpolating between the notes of a chord across the tube of the helix. Recognition of simple chords allows directionalization of all the notes of a major triad from the position of its musical root. The system is designed to allow, for instance, separate audition of harmony and melody, commonly played by the left and right hands, respectively, on a normal keyboard. Perhaps the most exotic feature of the interface is the ability to fork oneís presence, replicating subject instead of object by installing multiple sinks at arbitrary places around a virtual scene so that, for example, harmony and melody can be separately spatialized, using two heads to normalize the octave; such a technique effectively doubles the helix from the perspective of a single listener. Rather than a symmetric arrangement of the individual helices, they are perceptually superimposed in-phase, co-extensively, so that corresponding notes in different registers are at the same azimuth. KW - 3D audio KW - virtual reality KW - computer music KW - spatialization KW - spatial media KW - visual music KW - VSVR Y1 - 2002 VL - 31 IS - 3 SP - 269 EP - 281 ER - TY - CHAP A1 - Herder, Jens A1 - Jaensch, Kai A1 - Horst, Bruno A1 - Novotny, Thomas ED - Gausemeier, Jürgen ED - Grafe, Michael T1 - Testmärkte in einer Virtuellen Umgebung - Die Bestimmung von Preisabsatzfunktionen zur Unterstützung des Innovationsmanagements T2 - Augmented and Virtual Reality in der Produktentstehung N2 - Multimediale Technologien werden in der Marktforschung immer stärker eingesetzt, um flexible und kostengünstige Studien durchzuführen. Im Innovationsprozess kann dabei auf die langjährigen Erfahrungen zurückgegriffen werden, die durch den Einsatz der Computersimulation in der technischen Produktentwicklung zustande gekommen sind. In sehr frühen Phasen des Innovationsprozesses können durch Einsatz der neuen Technologien die Markteinführungskonzepte für neue Produkte getestet werden. Die Applikationen der virtuellen Realität bieten ein einzigartiges Potential, neue Produkte einschlieï‚lich des Marketingkonzeptes zu testen, ohne dass dieses Produkt bereits physisch vorhanden sein muss. Am Beispiel eines Elementes des Marketingkonzeptes, der Preispolitik, zeigt die vorliegende Studie auf, welches Potential die virtuelle Kaufsituation von Produkten bietet. Der Fokus des Projektes liegt auf der interaktiven Produktpräsentation in einer virtuellen Umgebung, die in eine Online-Befragung mit zusätzlichen Werbefilmen eingebettet ist. Visuell hochwertige 3D-Produktpräsentationen versetzen den Probanden in eine virtuelle Einkaufsumgebung, die einem realen Szenario entspricht. Die virtuellen Produkte werden in mehreren Kaufentscheidungsrunden zu unterschiedlichen Preisen angeboten. Der Preisuntersuchung geht eine Präsentation ausgewählter Werbespots sowie eine produktbezogene Befragung voraus. Im Anschluss an die virtuellen Preisentscheidungen werden die Eindrücke sowie einige Kontrollgröen abgefragt. In weitergehenden Studien dieser Art können die Wirkungen mehrerer Marketing-Instrumente zu einem Zeitpunkt untersucht werden, in dem sich die Produkte noch im Entwicklungsprozess befinden. Auf diesem Weg lassen sich auch Wettbewerbsvorteile bestehender Produkte effizienter erkennen und nutzen. Mit den hoch entwickelten Computer- und Visualisierungstechnologien ist ein mächtiges Werkzeug entstanden, das bereits für kommerzielle Präsentationen und Produktstudien eingesetzt wird. Zukünftig kann es auch in Kombination mit Internetanwendungen und klassischen Methoden der Marktforschung zu einem sehr frühen Zeitpunkt umfassende Erkenntnisse über ein Produkt liefern. KW - Virtuelle Umgebungen KW - 3D-Rendering KW - Mensch-Maschine-Kommunikation KW - Innovationsmanagement KW - Preisabsatzfunktion KW - Testmarkt KW - Produkttest KW - Markteinführungskonzept KW - FHD KW - VSVR Y1 - 2004 SN - 3-935433-58-1 VL - 149 SP - 97 EP - 110 PB - Heinz Nixdorf Institut, Universität Paderborn CY - Paderborn ER - TY - CHAP A1 - Herder, Jens A1 - Vonolfen, Wolfgang A1 - Griesert, Arnfried A1 - Heuer, Stefan A1 - Hoffmann, Ansgar A1 - Höppner, Bernd T1 - Interactive Virtual Set Applications for Post Production T2 - University of Aizu 2004 – Seventh International Conference on Human N2 - Virtual set environments for broadcasting become more sophisticated as well as the visual quality improves. Realtime interaction and production-specific visualization implemented through plugin mechanism enhance the existing systems like the 3DK. This work presents the integration of the Intersense IS-900 SCT camera tracking and 3D interaction into the 3DK virtual studio environment. The main goal of this work is the design of a virtual studio environment for post productions, which includes video output as well as media streaming formats such as MPEG-4. The systems allows high quality offline rendering during post production and 3D interaction by the moderator during the recording. KW - interaction KW - tracking KW - virtual set environments KW - Virtual (TV) Studio KW - post production KW - MPEG-4 KW - FHD KW - VSVR Y1 - 2004 CY - Aizu-Wakamatsu ER - TY - JOUR A1 - Novotny, Tom A1 - Jaensch, Kai A1 - Herder, Jens T1 - A Database Driven and Virtual Reality supported Environment for Marketing Studies JF - Journal of the 3D-Forum Society N2 - In today’s market research mechanisms multi modal technologies are significant tools to perform flexible and price efficient studies for not only consumer products but also consumer goods. Current appraisal mechanisms in combination with applied computer graphics can improve the assessment of a product’s launch in the very early design phase or an innovation process. The combination of online questionnaires, Virtual Reality (VR) applications and a database management system offers a powerful tool to let a consumer judge products as well as innovated goods even without having produced a single article. In this paper we present an approach of consumer good studies consisting of common as well as interactive VR product presentations and online questionnaires bases on a bidirectional database management solution to configure and manage numerous studies, virtual sets, goods and participants in an effective way to support the estimation of the received data. Non-programmers can create their test environment including a VR scenario very quickly without any effort. Within the extensive knowledge of consumer goods, marketing instruments can be defined to shorten and improve the rollout process in the early product stages. KW - virtual environments KW - databases KW - marketing studies KW - FHD KW - VSVR Y1 - 2005 VL - 19 IS - 4 SP - 95 EP - 101 ER - TY - JOUR A1 - Juttner, Carsten A1 - Herder, Jens T1 - Lighting an Interactive Scene in Real-time with a GPU and Video Textures JF - Journal of the 3D-Forum Society N2 - The presentation of virtual environments in real time has always been a demanding task. Specially designed graphics hardware is necessary to deal with the large amounts of data these applications typically produce. For several years the chipsets that were used allowed only simple lighting models and fixed algorithms. But recent development has produced new graphics processing units (GPUs) that are much faster and more programmable than their predecessors. This paper presents an approach to take advantage of these new features. It uses a video texture as part of the lighting calculations for the passenger compartment of a virtual train and was run on the GPU of a recent PC graphics card. The task was to map the varying illumination of a filmed landscape onto the virtual objects and also onto another video texture (showing two passengers), thereby enhancing the realism of the scene. KW - graphics processing unit KW - shader programming KW - video textures KW - virtual prototyping KW - FHD KW - VSVR Y1 - 2006 VL - 20 IS - 1 SP - 22 EP - 28 ER - TY - JOUR A1 - Struchholz, Holger A1 - Herder, Jens A1 - Leckschat, Dieter T1 - Sound radiation simulation of musical instruments based on interpolation and filtering of multi-channel recordings JF - Journal of the 3D-Forum Society N2 - With the virtual environment developed here, the characteristic sound radiation patterns of musical instruments can be experienced in real-time. The user may freely move around a musical instrument, thereby receiving acoustic and visual feedback in real-time. The perception of auditory and visual effects is intensified by the combination of acoustic and visual elements, as well as the option of user interaction. The simulation of characteristic sound radiation patterns is based on interpolating the intensities of a multichannel recording and offers a near-natural mapping of the sound radiation patterns. Additionally, a simple filter has been developed, enabling the qualitative simulation of an instrument’s characteristic sound radiation patterns to be easily implemented within real-time 3D applications. Both methods of simulating sound radiation patterns have been evaluated for a saxophone with respect to their functionality and validity by means of spectral analysis and an auditory experiment. KW - sound radiation pattern KW - audio interpolation KW - audio filtering KW - FHD KW - VSVR Y1 - 2006 VL - 20 IS - 1 SP - 41 EP - 47 ER - TY - CHAP A1 - Garbe, Katharina A1 - Herbst, Iris A1 - Herder, Jens T1 - Spatial Audio for Augmented Reality T2 - 10th International Conference on Human and Computer N2 - Using spatial audio successfully for augmented reality (AR) applications is a challenge, but is awarded with an improved user experience. Thus, we have extended the AR/VR framework \sc Morgan with spatial audio to improve users orientation in an AR application. In this paper, we investigate the users’ capability to localize and memorize spatial sounds (registered with virtual or real objects). We discuss two scenarios. In the first scenario, the user localizes only sound sources and in the second scenario the user memorizes the location of audio-visual objects. Our results reflect spatial audio performance within the application domain and show which technology pitfalls still exist. Finally, we provide design recommendations for spatial audio AR environments. KW - spatial audio KW - augmented reality KW - sound interaction KW - FHD KW - VSVR Y1 - 2007 SP - 53 EP - 58 CY - Düsseldorf, Aizu-Wakamatsu ER - TY - CHAP A1 - Herder, Jens A1 - Neider, Christian A1 - Kinuwaki, Shinichi T1 - HDR-based lighting estimation for virtual studio (TV) environments T2 - 10th International Conference on Human and Computer N2 - Two high dynamic range HDR environments maps based on video streams from fish-eye lens cameras are used for generating virtual lights in a virtual set renderer. The task of realistic virtual light setup of scenes using captured environment maps might be eased as well as visual quality improves. We discuss the light setting problem for virtual studio tv productions which have mixed scenes of real objects, actors, virtual objects and virtual backgrounds. Benefits of hdr interactive light control are that the real light in the studio does not have to be remodeled and the artistic impression by using the light in the studio is also captured. An analysis of system requirements identifies technical challenges. We discuss the properties of a prototype system including test production. KW - HDR environment maps KW - light interaction KW - tracking KW - virtual set environments KW - Virtual (TV) Studio KW - video processing KW - FHD KW - VSVR Y1 - 2007 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-16665 SP - 111 EP - 117 CY - Düsseldorf, Aizu-Wakamatsu ER - TY - CHAP A1 - Herder, Jens A1 - Wilke, Michael A1 - Heimbach, Julia A1 - Göbel, Sebastian A1 - Marinos, Dionysios T1 - Simple Actor Tracking for Virtual TV Studios Using a Photonic Mixing Device T2 - 12th International Conference on Human and Computer N2 - Virtual TV studios use actor tracking systems for resolving the occlusion of computer graphics and studio camera image. The actor tracking delivers the distance between actor and studio camera. We deploy a photonic mixing device, which captures a depth map and a luminance image at low resolution. The renderer engines gets one depth value per actor using the OSC protocol. We describe the actor recognition algorithm based on the luminance image and the depth value calculation. We discuss technical issues like noise and calibration. KW - actor tracking KW - photonic mixing device KW - virtual studio KW - video processing KW - FHD KW - VSVR Y1 - 2009 CY - Hamamatsu / Aizu-Wakamatsu / Düsseldorf ER - TY - JOUR A1 - Herder, Jens T1 - Sound Spatialization Framework: An Audio Toolkit for Virtual Environments JF - Journal of the 3D-Forum Society N2 - The Sound Spatialization Framework is a C++ toolkit and development environment for providing advanced sound spatialization for virtual reality and multimedia applications. The Sound Spatialization Framework provides many powerful display and user-interface features not found in other sound spatialization software packages. It provides facilities that go beyond simple sound source spatialization: visualization and editing of the soundscape, multiple sinks, clustering of sound sources, monitoring and controlling resource management, support for various spatialization backends, and classes for MIDI animation and handling. Keywords: sound spatialization, resource management, virtual environments, spatial sound authoring, user interface design, human-machine interfaces KW - sound spatialization KW - resource management KW - virtual environments KW - spatial sound authoring KW - user interface design KW - human-machine interfaces Y1 - 1998 VL - 12 IS - 3 SP - 17 EP - 22 ER - TY - CHAP A1 - Ryskeldiev, Bektur A1 - Cohen, Michael A1 - Herder, Jens T1 - Applying rotational tracking and photospherical imagery to immersive mobile telepresence and live video streaming groupware T2 - Proceeding SA '17 SIGGRAPH Asia 2017 Mobile Graphics & Interactive Applications, Article No. 5 N2 - Mobile live video streaming is becoming an increasingly popular form of interaction both in social media and remote collaboration scenarios. However, in most cases the streamed video does not take mobile devices' spatial data into account (e.g., the viewers do not know the spatial orientation of a streamer), or use such data only in specific scenarios (e.g., to navigate around a spherical video stream). KW - spatial media KW - rotational tracking KW - mixed reality KW - live streaming KW - social media KW - telepresence KW - mobile computing KW - groupware KW - photospherical imagery Y1 - 2017 UR - https://dl.acm.org/citation.cfm?doid=3132787.3132813 SN - 978-1-4503-5410-3 U6 - https://doi.org/10.1145/3132787.3132813 PB - ACM CY - New York ER - TY - CHAP A1 - Wöldecke, Björn A1 - Vierjahn, Tom A1 - Flasko, Matthias A1 - Herder, Jens A1 - Geiger, Christian T1 - Steering actors through a virtual set employing vibro-tactile feedback T2 - TEI '09 Proceedings of the 3rd International Conference on Tangible and Embedded Interaction N2 - Actors in virtual studio productions are faced with the challenge that they have to interact with invisible virtual objects because these elements are rendered separately and combined with the real image later in the production process. Virtual sets typically use static virtual elements or animated objects with predefined behavior so that actors can practice their performance and errors can be corrected in the post production. With the demand for inexpensive live recording and interactive TV productions, virtual objects will be dynamically rendered at arbitrary positions that cannot be predicted by the actor. Perceptive aids have to be employed to support a natural interaction with these objects. In our work we study the effect of haptic feedback for a simple form of interaction. Actors are equipped with a custom built haptic belt and get vibrotactile feedback during a small navigational task (path following). We present a prototype of a wireless vibrotactile feedback device and a small framework for evaluating haptic feedback in a virtual set environment. Results from an initial pilot study indicate that vibrotactile feedback is a suitable non-visual aid for interaction that is at least comparable to audio-visual alternatives used in virtual set productions. KW - tactile feedback KW - interaction in virtual sets KW - navigation aids KW - FHD KW - VSVR KW - Virtual (TV) Studio Y1 - 2009 UR - https://dl.acm.org/citation.cfm?id=1517703 SN - 978-1-60558-493-5 U6 - https://doi.org/10.1145/1517664.1517703 SP - 169 EP - 174 PB - ACM CY - New York ER - TY - CHAP A1 - Vierjahn, Tom A1 - Wöldecke, Björn A1 - Geiger, Christian A1 - Herder, Jens T1 - Improved Direction Signalization Technique Employing Vibrotactile Feedback T2 - 11th Virtual Reality International Conference, VRIC'2009 N2 - Vibrotactile feedback via body-worn vibrating belts is a common means of direction signalization - e.g. for navigational tasks. Consequently such feedback devices are used to guide blind or visually impaired people but can also be used to support other wayfinding tasks - for instance, guiding actors in virtual studio productions. Recent effort has been made to simplify this task by integrating vibrotactile feedback into virtual studio applications. In this work we evaluate the accuracy of an improved direction signalization technique, utilizing a body-worn vibrotactile belt with a limited number of tactors, and compare it to other work. The results from our user study indicate that it is possible to signalize different directions accurately, even with a small number of tactors spaced by 90°. KW - tactile feedback KW - direction signalization KW - wayfinding KW - human factors KW - FHD KW - VSVR Y1 - 2009 SN - 2-9515730-8-1 SP - 1 EP - 8 ER - TY - CHAP A1 - Geiger, Christian A1 - Herder, Jens A1 - Göbel, Sebastian A1 - Heinze, Christin A1 - Marinos, Dionysios T1 - Design and Virtual Studio Presentation of a Traditional Archery Simulator T2 - Proceedings of the Entertainment Interfaces Track 2010 at Interaktive Kulturen, Duisburg, Germany, September 12-15, 2010 N2 - In this paper we describe the design of a virtual reality simulator for traditional intuitive archery. Traditional archers aim without a target figure. Good shooting results require an excellent body-eye coordination that allows the user to perform identical movements when drawing the bow. Our simulator provides a virtual archery experience and supports the user to learn and practice the motion sequence of traditional archery in a virtual environment. We use an infrared tracking system to capture the user’s movements in order to correct his movement. To provide a realistic haptic feedback a real bow is used as interaction device. Our system provides a believable user experience and supports the user to learn how to shoot in the traditional way. Following a user-centered iterative design approach we developed a number of prototypes and evaluated them for refinement in sequent iteration cycles. For illustration purposes we created a short video clip in our virtual studio about this project that presents the main ideas in an informative yet entertaining way. KW - vr archery KW - 3D interaction KW - interactive sport simulation KW - user experience KW - user-centered design KW - Lehre KW - VSVR KW - Virtual Reality Y1 - 2010 UR - https://dl.gi.de/handle/20.500.12116/7385;jsessionid=149F7CDB1184309727393899BD806939 UR - http://ceur-ws.org/Vol-634/Entertainment-Interfaces-Proceedings03.pdf SP - 37 EP - 44 CY - Duisburg ER - TY - CHAP A1 - Klapdohr, Monika A1 - Wöldecke, Björn A1 - Marinos, Dionysios A1 - Herder, Jens A1 - Geiger, Christian A1 - Vonolfen, Wolfgang T1 - Vibrotactile Pitfalls: Arm Guidance for Moderators in Virtual TV Studios T2 - HC '10 Proceedings of the 13th International Conference on Humans and Computers N2 - For this study, an experimental vibrotactile feedback system was developed to help actors with the task of moving their arm to a certain place in a virtual tv studio under live conditions. Our intention is to improve interaction with virtual objects in a virtual set, which are usually not directly visible to the actor, but only on distant displays. Vibrotactile feedback might improve the appearance on tv because an actor is able to look in any desired direction (camera or virtual object) or to read text on a teleprompter while interacting with a virtual object. Visual feedback in a virtual studio lacks spatial relation to the actor, which impedes the adjustment of the desired interaction. The five tactors of the implemented system which are mounted on the tracked arm give additional information like collision, navigation and activation. The user study for the developed system shows that the duration for reaching a certain target is much longer in case no visual feedback is given, but the accuracy is similar. In this study, subjects reported that an activation signal indicating the arrival at the target of a drag & drop task was helpful. In this paper, we discuss the problems we encountered while developing such a vibrotactile display. Keeping these pitfalls in mind could lead to better feedback systems for actors in virtual studio environments. KW - vibrotactile feedback KW - Virtual (TV) Studio KW - augmented reality KW - FHD KW - VSVR Y1 - 2010 UR - https://dl.acm.org/citation.cfm?id=1994506 SP - 72 EP - 80 PB - University of Aizu Press CY - Aizu-Wakamatsu ER - TY - CHAP A1 - Ayten, Hüseyin A1 - Herder, Jens A1 - Vonolfen, Wolfgang T1 - Visual Acceptance Evaluation of Soft Shadow Algorithms for Virtual TV Studios T2 - HC '10 Proceedings of the 13th International Conference on Humans and Computers N2 - Shadows in computer graphics are an important rendering aspect for spatial objects. For realtime computer applications such as games, it is essential to represent shadows as accurate as possible. Also, various tv stations work with virtual studio systems instead of real studio sets. Especially for those systems, a realistic impression of the rendered and mixed scene is important. One challenge, hence, is the creation of a natural shadow impression. This paper presents the results of an empirical study to compare the performance and quality of different shadow mapping methods. For this test, a prototype studio renderer was developed. A percentage closer filter (pcf) with a number of specific resolutions is used to minimize the aliasing issue. More advanced algorithms which generate smooth shadows like the percentage closer soft shadow (pcss) method as well as the variance shadow maps (vsm) method are analysed. Different open source apis are used to develop the virtual studio renderer, giving the benefit of permanent enhancement. The Ogre 3D graphic engine is used to implement the rendering system, benefiting from various functions and plugins. The transmission of the tracking data is accomplished with the vrpn server/client and the Intersense api. The different shadow algorithms are compared in a virtual studio environment which also casts real shadows and thus gives a chance for a direct comparison throughout the empirical user study. The performance is measured in frames per secon KW - Virtual (TV) Studio KW - soft shadow KW - realtime rendering KW - augmented reality KW - algorithmus KW - FHD KW - experimentation KW - verification KW - VSVR Y1 - 2010 UR - https://dl.acm.org/citation.cfm?id=1994505 SP - 66 EP - 71 PB - University of Aizu Press CY - Aizu-Wakamatsu ER - TY - CHAP A1 - Herder, Jens A1 - Brosda, Constantin A1 - Djuderija, Sascha A1 - Drochtert, Daniel A1 - Genc, Ömer A1 - Joeres, Stephan A1 - Kellerberg, Patrick A1 - Looschen, Simon A1 - Geiger, Christian A1 - Wöldecke, Björn T1 - TouchPlanVS - A Tangible Multitouch Planning System for Virtual TV Studio Productions T2 - 2011 IEEE Symposium on 3D User Interfaces (3DUI) N2 - This article presents a new approach of integrating tangible user feedback in todays virtual TV studio productions. We describe a tangible multitouch planning system, enabling multiple users to prepare and customize scene flow and settings. Users can collaboratively view and interact with virtual objects by using a tangible user interface on a shared multitouch surface. The in a 2D setting created TV scenes are simultaneously rendered on an external monitor, using a production/target renderer in 3D. Thereby the user experiences a closer reproduction of a final production. Subsequently, users are able to join together the scenes into one complex plot. Within the developing process, a video prototype of the system shows the user interaction and enables early reviews and evaluations. The requirement analysis is based on expert interviews. KW - augmented KW - virtual realities KW - multimedia information systems KW - FHD KW - VSVR KW - Virtual (TV) Studio Y1 - 2011 UR - https://ieeexplore.ieee.org/document/5759226 SN - 978-1-4577-0064-4 U6 - https://doi.org/10.1109/3DUI.2011.5759226 SP - 103 EP - 104 PB - IEEE CY - Singapore ER - TY - CHAP A1 - Wöldecke, Björn A1 - Marinos, Dionysios A1 - Pogscheba, Patrick A1 - Geiger, Christian A1 - Herder, Jens A1 - Schwirten, Tobias T1 - radarTHEREMIN - Creating Musical Expressions in a Virtual Studio Environment T2 - 2011 IEEE International Symposium on VR Innovation N2 - In this paper we describe a prototypical system for live musical performance in a virtual studio environment. The performer stands in front of the studio camera and interacts with an infrared-laser-based multi-touch device. The final TV image shows the performer interacting with a virtual screen which is augmented in front of herself. To overcome the problem of the performer not seeing this virtual screen in reality, we use a special hexagonal grid to facilitate the performer's awareness of this novel Theremin-like virtual musical instrument. KW - multi-point interfaces KW - musical expression KW - virtual studio KW - VSVR KW - Virtual (TV) Studio Y1 - 2011 UR - https://ieeexplore.ieee.org/document/5759671 SN - 978-1-4577-0055-2 U6 - https://doi.org/10.1109/ISVRI.2011.5759671 SP - 345 EP - 346 PB - IEEE CY - Singapore ER - TY - CHAP A1 - Flasko, Matthias A1 - Pogscheba, Patrick A1 - Herder, Jens A1 - Vonolfen, Wolfgang T1 - Heterogeneous binocular camera-tracking in a Virtual Studio T2 - 8. Workshop Virtuelle und Erweiterte Realität der GI-Fachgruppe VR/AR N2 - This paper presents a tracking of parts of a human body in a virtual TV studio environment. The tracking is based on a depth camera and a HD studio camera and aims at a realistic interaction between the actor and the computer generated environment. Stereo calibration methods are used to match corresponding pixels of both cameras (HD color and depth image). Hence the images were rectified and column aligned. The disparity is used to correct the depth image pixel by pixel. This image registration results in row and column aligned images where ghost regions are in the depth image resulting from occlusion. Both images are used to generate foreground masks with chroma and depth keying. The color image is taken for skin color segmentation to determine and distinguish the actor’s hands and face. In the depth image the flesh colored regions were used to determine their spatial position. The extracted positions were augmented by virtual objects. The scene is rendered correctly with virtual camera parameters which were calculated from the camera calibration parameters. Generated computer graphics with alpha value are combined with the HD color images. This compositing shows interaction with augmented objects for verification. The additional depth information results in changing the size of objects next to the hands when the actor moves around. KW - virtual studio KW - camera-tracking KW - VSVR Y1 - 2011 CY - Wedel ER - TY - CHAP A1 - Marinos, Dionysios A1 - Geiger, Christian A1 - Herder, Jens T1 - Large-Area Moderator Tracking and Demonstrational Configuration of Position Based Interactions for Virtual Studio T2 - EuroITV '12 Proceedings of the 10th European Conference on Interactive TV and Video N2 - In this paper we introduce a system for tracking persons walking or standing on a large planar surface and for using the acquired data to easily configure position based interactions for virtual studio productions. The tracking component of the system, radarTRACK, is based on a laser scanner device capable of delivering interaction points on a large configurable plane. By using the device on the floor it is possible to use the delivered data to detect feet positions and derive the position and orientation of one or more users in real time. The second component of the system, named OscCalibrator, allows for the easy creation of multidimensional linear mappings between input and output parameters and the routing of OSC messages within a single modular design environment. We demonstrate the use of our system to flexibly create position-based interactions in a virtual studio environment. KW - body tracking KW - OSC mapping KW - virtual studio interaction KW - measurement KW - design KW - reliability KW - experimentation KW - human factors KW - VSVR KW - Virtual (TV) Studio Y1 - 2012 UR - https://dl.acm.org/citation.cfm?id=2325639 SN - 978-1-4503-1107-6 U6 - https://doi.org/10.1145/2325616.2325639 SP - 105 EP - 114 PB - ACM CY - New York ER - TY - CHAP A1 - Brosda, Constantin A1 - Daemen, Jeff A1 - Djuderija, Sascha A1 - Joeres, Stephan A1 - Langer, Oleg A1 - Schweitzer, Andre A1 - Wilhelm, Andreas A1 - Herder, Jens T1 - TouchPlanVS Lite - A Tablet-based Tangible Multitouch Planning System for Virtual TV Studio Productions T2 - Proceedings of the 2012 Joint International Conference on Human-Centered Computer Environments N2 - This paper presents a mobile approach of integrating tangible user feedback in today’s virtual TV studio productions. We describe a tangible multitouch planning system, enabling a single user to prepare and customize scene flow and settings. Users can view and interact with virtual objects by using a tangible user interface on a capacitive multitouch surface. In a 2D setting created TV scenes are simultaneously rendered as separate view using a production/target renderer in 3D. Thereby the user experiences a closer reproduction of a final production and set assets can be reused. Subsequently, a user can arrange scenes on a timeline while maintaining different versions/sequences. The system consists of a tablet and a workstation, which does all application processing and rendering. The tablet is just an interface connected via wireless LAN. KW - virtual studio KW - planning tools KW - tangibles KW - capacitive touch screens KW - application streaming KW - VSVR KW - Virtual (TV) Studio Y1 - 2012 UR - https://dl.acm.org/citation.cfm?doid=2160749.2160764 SN - 978-1-4503-1191-5 SP - 64 EP - 67 PB - ACM CY - New York ER - TY - CHAP A1 - Ludwig, Philipp A1 - Büchel, Joachim A1 - Herder, Jens A1 - Vonolfen, Wolfgang T1 - InEarGuide - A Navigation and Interaction Feedback System using In Ear Headphones for Virtual TV Studio Productions T2 - 9. Workshop Virtuelle und Erweiterte Realität der GI-Fachgruppe VR/AR N2 - This paper presents an approach to integrate non-visual user feedback in today's virtual tv studio productions. Since recent studies showed that systems providing vibro-tactile feedback are not sufficient for replacing the common visual feedback, we developed an audio-based solution using an in ear headphone system, enabling a talent to move, avoid and point to virtual objects in a blue or green box. The system consists of an optical head tracking system, a wireless in ear monitor system and a workstation, which performs all application and audio processing. Using head related transfer functions, the talent gets directional and distance cues. Past research showed, that generating reflections of the sounds and simulating the acoustics of the virtual room helps the listener to conceive the acoustical feedback, we included this technique as well. In a user study with 15 participants the performance of the system was evaluated. KW - Navigation KW - virtual TV KW - erweiterte Realität KW - VSVR KW - Virtual (TV) Studio Y1 - 2012 CY - Düsseldorf ER - TY - CHAP A1 - Daemen, Jeff A1 - Haufs-Brusberg, Peter A1 - Herder, Jens T1 - Markerless Actor Tracking for Virtual (TV) Studio Applications T2 - 2013 International Joint Conference on Awareness Science and Technology & Ubi-Media Computing (iCAST 2013 & UMEDIA 2013) N2 - Virtual (tv) studios gain much more acceptance through improvements in computer graphics and camera tracking. Still commercial studios cannot have full interaction between actors and virtual scene because actors data are not completely digital available as well as the feedback for actors is still not sufficient. Markerless full body tracking might revolutionize virtual studio technology as it allows better interaction between real and virtual world. This article reports about using a markerless actor tracking in a virtual studio with a tracking volume of nearly 40 cubic meter enabling up to three actors within the green box. The tracking is used for resolving the occlusion between virtual objects and actors so that the Tenderer can output automatically a mask for virtual objects in the foreground in case the actor is behind. It is also used for triggering functions scripted within the Tenderer engine, which are attached to virtual objects, starting any kind of action (e.g., animation). Last but not least the system is used for controlling avatars within the virtual set. All tracking and rendering is done within a studio frame rate of 50 Hz with about 3 frames delay. The markerless actor tracking within virtual studios is evaluated by experts using an interview approach. The statistical evaluation is based on a questionnaire. KW - Cameras KW - Tracking KW - TV KW - Skeleton KW - Engines KW - Delays KW - Production KW - VSVR KW - Virtual (TV) Studio Y1 - 2013 UR - https://ieeexplore.ieee.org/document/6765544 SN - 978-1-4799-2364-9 U6 - https://doi.org/10.1109/ICAwST.2013.6765544 SP - 790 EP - 795 PB - IEEE CY - Aizu-Wakamatsu ER - TY - CHAP A1 - Becker, Thomas A1 - Herder, Jens T1 - Cost effective tangibles using fiducials for infrared multi-touch frames T2 - 15th International Conference on Human and Computer N2 - The late immersion of multi-touch sensitive displays enables the use of tangibles on multi-touch screens. There a several wide spread and/or sophisticated solutions to fulfill this need but they seem to have some flaws. One popular system at the time of writing is an overlay frame that can be placed on a normal display with the corresponding size. The frame creates a grid with infrared light emitting diodes. The disruption of this grid can be detected and messages with the positions are sent via usb to a connected computer. This system is quite robust in matters of ambient light insensitivity and also fast to calibrate. Unfortunately it is not created with the recognition of tangibles in mind and printed patterns can not be resolved. This article summarizes an attempt to create fiducials that are recognized by an infrared multi-touch frame as fingers. Those false fingers are checked by a software for known patterns. Once a known pattern (= fiducial) has been recognized its position and orientation are send with the finger positions towards the interactive software. The usability is tested with an example application where tangibles and finger touches are used in combination. KW - low cost multi-touch infrared overlay frame KW - fiducial tangible recognition KW - FHD Y1 - 2012 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-16011 UR - http://vsvr.medien.hs-duesseldorf.de/publications/hc2012-fiducials-abstract.html N1 - Copyright 2012 University of Aizu Press CY - Hamamatsu/Aizu-Wakamatsu/Duesseldorf ER - TY - CHAP A1 - Herder, Jens A1 - Büntig, Fabian A1 - Daemen, Jeff A1 - Lang, Jaroslaw A1 - Lück, Florian A1 - Säger, Mitja A1 - Sörensen, Roluf A1 - Hermanni, Markus A1 - Vonolfen, Wolfgang T1 - Subtle Animations using Talent Tracking in a Virtual (TV) Studio T2 - 17th International Conference on Human and Computer N2 - Markerless talent tracking is widely used for interactions and animations within virtual environments. In a virtual (tv) studio talents could be overburden by interaction tasks because camera and text require extensive attention. We take a look into animations and inter- actions within a studio, which do not require any special attention or learning. We show the generation of an artificial shadow from a talent, which ease the keying process, where separation of real shadows from the background is a difficult task. We also demonstrate animations of footsteps and dust. Furthermore, capturing talents’ height can also be used to adjust the parameters of elements in the virtual environment, like the position and scaling of a virtual display. In addition to the talents, a rigid body was tracked as placeholder for graphics, easing the interaction tasks for a talent. Two test productions show the possibilities, which subtle animations offer. In the second production, the rendering was improved (shadows, filtering, normal maps, ...) and instead of using the rigid body to move an object (a flag), the animation was only controlled by the hand’s position. KW - talent tracking KW - virtual studios KW - realtime animations KW - FHD KW - Virtual (TV) Studio Y1 - 2014 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:hbz:due62-opus-16009 UR - http://vsvr.medien.hs-duesseldorf.de/publications/hc2014-subtle-animations-abstract.html CY - Hamamatsu/Aizu-Wakamatsu/Duesseldorf ER - TY - CHAP A1 - Baranowski, Artur A1 - Utzig, Sebastian A1 - Fischer, Philipp A1 - Gerndt, Andreas A1 - Herder, Jens ED - Herder, Jens ED - Geiger, Christian ED - Dörner, Ralf ED - Grimm, Paul T1 - 3D spacecraft configuration using immersive AR technology T2 - Workshop Proceedings / Tagungsband: Virtuelle und Erweiterte Realität – 15. Workshop der GI-Fachgruppe VR/AR N2 - In this paper we propose an integrated immersive augmented reality solution for a software tool supporting spacecraft design and verification. The spacecraft design process relies on expertise in many domains, such as thermal and structural engineering. The various subsystems of a spacecraft are highly interdependent and have differing requirements and constraints. In this context, interactive visualizations play an important role in making expert knowledge accessible. Recent immersive display technologies offer new ways of presenting and interacting with computer-generated content. Possibilities and challenges for spacecraft configuration employing these technologies are explored and discussed. A user interface design for an application using the Microsoft HoloLens is proposed. To this end, techniques for selecting a spacecraft component and manipulating its position and orientation in 3D space are developed and evaluated. Thus, advantages and limitations of this approach to spacecraft configuration are revealed and discussed. KW - spacecraft configuration KW - human computer interaction KW - augmented reality KW - 3D user interfaces KW - HoloLens Y1 - 2018 UR - http://vsvr.medien.hs-duesseldorf.de/publications/gi-vrar2018-ar-space/ SN - 978-3-8440-6215-1 U6 - https://doi.org/10.2370/9783844062151 SP - 71 EP - 82 PB - Shaker Verlag CY - Herzogenrath ER - TY - CHAP A1 - Ryskeldiev, Bektur A1 - Ochiai, Yoichi A1 - Cohen, Michael A1 - Herder, Jens T1 - Distributed Metaverse: Creating Decentralized Blockchain-based Model for Peer-to-peer Sharing of Virtual Spaces for Mixed Reality Applications T2 - Proceedings of the 9th Augmented Human International Conference N2 - Mixed reality telepresence is becoming an increasingly popular form of interaction in social and collaborative applications. We are interested in how created virtual spaces can be archived, mapped, shared, and reused among different applications. Therefore, we propose a decentralized blockchain-based peer-to-peer model of distribution, with virtual spaces represented as blocks. We demonstrate the integration of our system in a collaborative mixed reality application and discuss the benefits and limitations of our approach. KW - Blockchain KW - Groupware KW - Mixed Reality KW - Mobile Computing KW - Photospherical Imagery Y1 - 2018 UR - http://vsvr.medien.hs-duesseldorf.de/publications/ah2018-blockchain-streamspace-abstract.html SN - 978-1-4503-5415-8 U6 - https://doi.org/10.1145/3174910.3174952 SP - 7 EP - 9 PB - ACM ER - TY - CHAP A1 - Ladwig, Philipp A1 - Herder, Jens A1 - Geiger, Christian T1 - Towards Precise, Fast and Comfortable Immersive Polygon Mesh Modelling: Capitalising the Results of Past Research and Analysing the Needs of Professionals T2 - ICAT-EGVE 2017 - International Conference on Artificial Reality and Telexistence and Eurographics Symposium on Virtual Environments N2 - More than three decades of ongoing research in immersive modelling has revealed many advantages of creating objects in virtual environments. Even though there are many benefits, the potential of immersive modelling has only been partly exploited due to unresolved problems such as ergonomic problems, numerous challenges with user interaction and the inability to perform exact, fast and progressive refinements. This paper explores past research, shows alternative approaches and proposes novel interaction tools for pending problems. An immersive modelling application for polygon meshes is created from scratch and tested by professional users of desktop modelling tools, such as Autodesk Maya, in order to assess the efficiency, comfort and speed of the proposed application with direct comparison to professional desktop modelling tools. KW - Human-centered computing KW - Virtual reality KW - Interaction techniques KW - Interaction design process and methods KW - Information systems Y1 - 2017 UR - http://vsvr.medien.hs-duesseldorf.de/publications/egve2017-mod-abstract.html U6 - https://doi.org/10.2312/egve.20171360 SP - 22 EP - 24 PB - The Eurographics Association ER - TY - CHAP A1 - Ballester Ripoll, Marina A1 - Herder, Jens A1 - Ladwig, Philipp A1 - Vermeegen, Kai ED - Pfeiffer, Thies ED - Fröhlich, Julia ED - Kruse, Rolf T1 - Comparison of two Gesture Recognition Sensors for Virtual TV Studios T2 - GI-VRAR, Workshop Proceedings / Tagungsband: Virtuelle und Erweiterte Realität – 13. Workshop der GI-Fachgruppe VR/AR, N2 - In order to improve the interactivity between users and computers, recent technologies focus on incorporating gesture recognition into interactive systems. The aim of this article is to evaluate the effectiveness of using a Myo control armband and the Kinect 2 for recognition of gestures in order to interact with virtual objects in a weather report scenario. The Myo armband has an inertial measurement unit and is able to read electrical activity produced by skeletal muscles, which can be recognized as gestures, which are trained by machine learning. A Kinect sensor was used to build up a dataset which contains motion recordings of 8 different gestures and was also build up by a gesture training machine learning algorithm. Both input methods, the Kinect 2 and the Myo armband, were evaluated with the same interaction patterns in a user study, which allows a direct comparison and reveals benefits and limits of each technique. KW - Gesture recognition KW - Interaction KW - Kinect KW - Myo KW - Virtual (TV) Studio KW - Lehre Y1 - 2016 UR - http://vsvr.medien.hs-duesseldorf.de/publications/gi-vrar2016-gesture-abstract.html SN - 978-3-8440-4718-9 PB - Shaker Verlag CY - Herzogenrath ER - TY - CHAP A1 - Daemen, Jeff A1 - Herder, Jens A1 - Koch, Cornelius A1 - Ladwig, Philipp A1 - Wiche, Roman A1 - Wilgen, Kai T1 - Semi-Automatic Camera and Switcher Control for Live Broadcast T2 - TVX '16 Proceedings of the ACM International Conference on Interactive Experiences for TV and Online Video, Chicago, Illinois, USA — June 22 - 24, 2016 N2 - Live video broadcasting requires a multitude of professional expertise to enable multi-camera productions. Robotic systems allow the automation of common and repeated tracking shots. However, predefined camera shots do not allow quick adjustments when required due to unpredictable events. We introduce a modular automated robotic camera control and video switch system, based on fundamental cinematographic rules. The actors' positions are provided by a markerless tracking system. In addition, sound levels of actors' lavalier microphones are used to analyse the current scene. An expert system determines appropriate camera angles and decides when to switch from one camera to another. A test production was conducted to observe the developed prototype in a live broadcast scenario and served as a video-demonstration for an evaluation. KW - automated robotic camera system KW - actor tracking KW - switcher control KW - scene analysis KW - film rules KW - automated shot control KW - Virtual (TV) Studio Y1 - 2016 UR - http://vsvr.medien.hs-duesseldorf.de/publications/tvx2016-rob-abstract.html SN - 978-1-4503-4067-0 U6 - https://doi.org/10.1145/2932206.2933559 SP - 129 EP - 134 PB - ACM CY - New York ER - TY - CHAP A1 - Burga, Jose A1 - Daemen, Jeff A1 - Djuderija, Sascha A1 - Gnehr, Maren A1 - Goossens, Lars A1 - Hartz, Sven A1 - Haufs-Brusberg, Peter A1 - Herder, Jens A1 - Ibrahim, Mohammed A1 - Koop, Nikolas A1 - Leske, Christophe A1 - Meyer, Laurid A1 - Müller, Antje A1 - Salgert, Björn A1 - Schroeder, Richard A1 - Thiele, Simon T1 - Four Metamorphosis States in a Distributed Virtual (TV) Studio: Human, Cyborg, Avatar, and Bot T2 - 10th International Conference on Visual Media Production (CVMP 2013), London N2 - The major challenge in virtual studio technology is the interaction between the actor and virtual objects. Within a distributed live production, two locally separated markerless tracking systems where used simultaneously alongside a virtual studio. The production was based on a fully tracked actor, cyborg (half actor, half graphics), avatar, and a bot. All participants could interact and throw a virtual disc. This setup is compared and mapped to Milgram’s continuum and technical challenges are described. KW - TV KW - Distributed Virtual KW - Studio KW - Human KW - Cyborg KW - Avatar KW - Bot KW - VSVR Y1 - 2013 CY - London ER -