@article{deBanffyHallHill2017, author = {de B{\´a}nffy-Hall, Alicia and Hill, Burkhard}, title = {Community Music: Eine Einf{\"u}hrung}, series = {KULTURELLE BILDUNG ONLINE}, journal = {KULTURELLE BILDUNG ONLINE}, publisher = {Bundesakademie f{\"u}r Kulturelle Bildung}, doi = {10.25529/92552.79}, year = {2017}, language = {de} } @inproceedings{WillinghamGerardYerichuketal.2018, author = {Willingham, Lee and Gerard, Yun and Yerichuk, Deanna and de B{\´a}nffy-Hall, Alicia}, title = {Community Music in Higher Education : Addressing Excellence (Standards) and Inclusivity (Accessibility)}, series = {Proceedings of the XV International Seminar of the ISME Commission on Community Music Activity Tbilisi State University, Tbilisi, Georgia 10th-14th}, booktitle = {Proceedings of the XV International Seminar of the ISME Commission on Community Music Activity Tbilisi State University, Tbilisi, Georgia 10th-14th}, editor = {Camlin, Dave}, address = {Tbilisi, Georgia}, pages = {262 -- 297}, year = {2018}, language = {en} } @techreport{deBanffyHallHaakSchulenburgEberhard2021, author = {de B{\´a}nffy-Hall, Alicia and Haak-Schulenburg, Marion and Eberhard, Daniel Mark}, title = {Community Music}, publisher = {Deutsches Musikinformationszentrum}, organization = {Deutsches Musikinformationszentrum}, year = {2021}, language = {de} } @article{deBanffyHallHill2017, author = {de B{\´a}nffy-Hall, Alicia and Hill, Burkhard}, title = {Community Music: Eine Einf{\"u}hrung}, series = {kubi-online}, journal = {kubi-online}, year = {2017}, language = {de} } @article{DeckertNiemann2021, author = {Deckert, Carsten and Niemann, J{\"o}rg}, title = {Management des Innovationsportfolios: Portfolio-Matrizen zumManagement von Innovationsprojekten}, series = {WiSt - Wirtschaftswissenschaftliches Studium}, volume = {50}, journal = {WiSt - Wirtschaftswissenschaftliches Studium}, number = {11}, publisher = {Beck}, doi = {10.15358/0340-1650-2021-11-59}, pages = {59 -- 64}, year = {2021}, language = {de} } @article{SenthurAnandRameshKumaretal.2022, author = {Senthur, N.S. and Anand, C and Ramesh Kumar, M and Elumalai, P.V. and Shajahan, Mohamed Iqbal and Benim, Ali Cemal and Nasr, Emad Abouel and Hussein, H.M.A. and Parthasarathy, M.}, title = {Influence of cobalt chromium nanoparticles in homogeneous charge compression ignition engine operated with citronella oil}, series = {Energy Science \& Engineering}, volume = {10}, journal = {Energy Science \& Engineering}, number = {4}, publisher = {Wiley}, issn = {2050-0505}, doi = {10.1002/ese3.1088}, pages = {1251 -- 1263}, year = {2022}, language = {en} } @article{Hoerner2015, author = {H{\"o}rner, Fernand}, title = {La flexibilit{\´e} historique de l'aura : de Walter Benjamin {\`a} Radiohead}, series = {Communication \& Langages}, volume = {2}, journal = {Communication \& Langages}, number = {184}, publisher = {cairn-int.info}, organization = {cairn-int.info}, doi = {10.4074/S0336150015012041}, pages = {61 -- 77}, year = {2015}, language = {fr} } @article{Hoerner2012, author = {H{\"o}rner, Fernand}, title = {„Was liegt daran wer spricht": Genderinszenierung durch Vielstimmigkeit im Musikvideo „Kiss" von Prince}, series = {Freiburger Zeitschrift f{\"u}r Geschlechterstudien}, volume = {18}, journal = {Freiburger Zeitschrift f{\"u}r Geschlechterstudien}, number = {1}, publisher = {Barabara Budrich}, organization = {Barabara Budrich}, doi = {10.25595/59}, pages = {53 -- 71}, year = {2012}, abstract = {Am Musikvideo „Kiss" von Prince and the Revolution (1986) werden exemplarisch verschiedene Verfahren beleuchtet, wie Gender durch „Stimme" im konkreten und abstrakten Sinn auf ambivalente Weise inszeniert wird. Michael Bachtins Metapher der fremden Stimme f{\"u}r das intertexuelle Verweisgeflecht von Sprache im Allgemeinen und Literatur im Besonderen wird hier sowohl im {\"u}bertragenen als auch im w{\"o}rtlichen Sinne verwendet und auf audiovisuelle Musikformate {\"u}bertragen. Das Spiel mit Gender entsteht durch eine komplexe Verwebung von intertextuellen und intermedialen Verweisen auf andere Liedtexte, Filme, Gesangstraditionen, Subkulturen etc. Dabei wird vestiment{\"a}res Cross-Dressing mit gesanglichem Cross-Dressing kombiniert.}, language = {de} } @article{Hoerner2012, author = {H{\"o}rner, Fernand}, title = {Kaufhaus-Punk auf youtube. Mediale Kontrolle zwischen Musiker und Fans am Beispiel von Jan Delay}, series = {Mediale Kontrolle unter Beobachtung}, volume = {1}, journal = {Mediale Kontrolle unter Beobachtung}, number = {1}, publisher = {medialekontrolle.de}, doi = {10.25969/mediarep/13772}, pages = {1 -- 13}, year = {2012}, language = {de} } @article{Hoerner2018, author = {H{\"o}rner, Fernand}, title = {K{\"u}nstlerische Forschung zwischen Sprache und {\"A}sthetik}, series = {w/k. Zwischen Wissenschaft und Kunst}, journal = {w/k. Zwischen Wissenschaft und Kunst}, publisher = {Wissenschaft Kunst}, year = {2018}, language = {de} }