@inproceedings{NeefHummel2000, author = {Neef, Matthias and Hummel, Dietrich}, title = {Euler solutions for a finite-span flapping wing}, series = {"Fixed, flapping and rotary wing vehicles at very low Reynolds numbers, Notre Dame, Indiana, USA}, booktitle = {"Fixed, flapping and rotary wing vehicles at very low Reynolds numbers, Notre Dame, Indiana, USA}, year = {2000}, language = {en} } @article{Moebius2000, author = {M{\"o}bius, Michael Uwe}, title = {Elektronische Zeitschriften im Bibliotheks- und Informationswesen}, series = {BIBLIOTHEK Forschung und Praxis}, volume = {24}, journal = {BIBLIOTHEK Forschung und Praxis}, number = {3}, publisher = {De Gruyter}, doi = {10.1515/bfup.2000.348}, year = {2000}, language = {de} } @article{Diedrich2000, author = {Diedrich, Andreas}, title = {Wenn der Bankbesuch zum Erlebnis wird}, series = {Bankmagazin}, volume = {49}, journal = {Bankmagazin}, number = {3}, publisher = {Springer}, doi = {10.1007/bf03229078}, pages = {12 -- 15}, year = {2000}, language = {de} } @article{HonnoSuzukiHerder2000, author = {Honno, Kuniaki and Suzuki, Kenji and Herder, Jens}, title = {Distance and Room Effects Control for the PSFC, an Auditory Display using a Loudspeaker Array}, series = {Journal of the 3D-Forum Society}, volume = {14}, journal = {Journal of the 3D-Forum Society}, number = {4}, pages = {146 -- 151}, year = {2000}, abstract = {The Pioneer Sound Field Controller (PSFC), a loudspeaker array system, features realtime configuration of an entire sound field, including sound source direction, virtual distance, and context of simulated environment (room characteristics: room size and liveness) for each of two sound sources. In the PSFC system, there is no native parameter to specify the distance between the sound source and sound sink (listener) and also no function to control it directrly. This paper suggests the method to control virtual distance using basic parameters: volume, room size and liveness. The implementation of distance cue is an important aspect of 3D sounds. Virtual environments supporting room effects like reverberation not only gain realism but also provide additional information to users about surrounding space. The context switch of different aural attributes is done by using an API of the Sound Spatialization Framework. Therefore, when the sound sink move through two rooms, like a small bathroom and a large living room, the context of the sink switches and different sound is obtained.}, language = {en} } @incollection{SuzukiNishojiHerder2000, author = {Suzuki, Kenji and Nishoji, Yuji and Herder, Jens}, title = {Implementation of Aural Attributes for Simulation of Room Effects in Virtual Environments}, series = {ACM Multimedia 2000}, booktitle = {ACM Multimedia 2000}, publisher = {ACM}, address = {Los Angeles}, pages = {439 -- 441}, year = {2000}, abstract = {The audio design for virtual environments includes simulation of acoustical room properties besides specifing sound sources and sinks and their behavior. Virtual environments supporting room reverberation not only gain realism but also provide additional information to the user about surrounding space. Catching the different sound properties by the different spaces requires partitioning the space by the properties of aural spaces. We define soundscape and aural attributes as an application and multimedia content interface. Calculated data on an abstract level is sent to spatialization backends. Part of this research was the implementation of a device driver for the Roland Sound Space Processor. This device not only directionalizes sound sources, but also controls room effects like reverberation.}, language = {en} } @inproceedings{Herder2000, author = {Herder, Jens}, title = {Challenges of Virtual Sets: From Broadcasting to Interactive Media}, series = {Seventh International Workshop on Human}, booktitle = {Seventh International Workshop on Human}, publisher = {University of Aizu}, address = {Aizu-Wakamatsu}, pages = {13 -- 17}, year = {2000}, abstract = {Virtual sets have evolved from computer-generated, prerendered 2D backgrounds to realtime, responsive 3D computer graphics and are nowadays standard repertoire of broadcasting divisions. The graphics, which are combined with real video feed becoming moresophisticated, real looking and more responsive. We will look at the recent developments and suggest further developments like integration of spatial audio into the studio production and generating interactive media streams. Educational institutes recognize the demands of the rising media industry and established new courses on media technology like the Duesseldorf University of Applied Sciences.}, language = {en} } @article{HerderYamazaki2000, author = {Herder, Jens and Yamazaki, Yasuhiro}, title = {A Chatspace Deploying Spatial Audio for Enhanced Conferencing}, series = {Journal of the 3D-Forum Society}, volume = {15}, journal = {Journal of the 3D-Forum Society}, number = {1}, year = {2000}, language = {en} } @inproceedings{HonnoSuzukiHerder2000, author = {Honno, Kuniaki and Suzuki, Kenji and Herder, Jens}, title = {Distance and Room Effects Control for the PSFC, an Auditory Display using a Loudspeaker Array}, series = {Third International Conference on Human and Computer}, booktitle = {Third International Conference on Human and Computer}, publisher = {University of Aizu}, address = {Aizu-Wakamatsu}, pages = {71 -- 76}, year = {2000}, abstract = {The Pioneer Sound Field Controller (PSFC), a loudspeaker array system, features realtime configuration of an entire sound field,including sound source direction, virtual distance, and context of simulated environment (room characteristics: room size and liveness)for each of two sound sources. In the PSFC system, there is no native parameter to specify the distance between the sound source and sound sink (listener) and also no function to control it directrly. This paper suggests the method to control virtual distance using basic parameters: volume, room size and liveness. The implementation of distance cue is an important aspect of 3D sounds. Virtual environments supporting room effects like reverberation not only gain realism but also provide additional information to users about surrounding space. The context switch of different aural attributes is done by using an API of the Sound Spatialization Framework. Therefore, when the sound sink move through two rooms, like a small bathroom and a large living room, the context of the sink switches and different sound is obtained.}, language = {en} } @misc{Herder2000, author = {Herder, Jens}, title = {Interactive Sound Spatialization - a Primer}, series = {MM News, University of Aizu Multimedia Center}, volume = {8}, journal = {MM News, University of Aizu Multimedia Center}, pages = {8 -- 12}, year = {2000}, abstract = {Sound spatialization is a technology which puts sound into the three dimensional space, so that it has a perceivable direction and distance. Interactive means mutually or reciprocally active. Interaction is when one action (e.g., user moves mouse) has direct or immediate influence to other actions (e.g., processing by a computer: graphics change in size). Based on this definition an introduction to sound reproduction using DVD and virtual environments is given and illustrated by applications (e.g., virtual converts).}, language = {mul} } @inproceedings{YamazakiHerder2000, author = {Yamazaki, Yasuhiro and Herder, Jens}, title = {Exploring Spatial Audio Conferencing Functionality in Multiuser Virtual Environments}, series = {The Third International Conference on Collaborative Virtual Environments}, booktitle = {The Third International Conference on Collaborative Virtual Environments}, publisher = {ACM}, address = {San Francisco}, pages = {207 -- 208}, year = {2000}, abstract = {A chatspace was developed that allows conversation with 3D sound using networked streaming in a shared virtual environment. The system provides an interface to advanced audio features, such as a "whisper function" for conveying a confided audio stream. This study explores the use of spatial audio to enhance a user's experience in multiuser virtual environments.}, language = {en} }