@techreport{WillersDeckertWeber2015, author = {Willers, Christoph and Deckert, Carsten and Weber, Torsten}, title = {eFood in Deutschland - K{\"a}ufertypen in einem Potenzialmarkt}, publisher = {F{\"o}rdergesellschaft Produktmarketing}, address = {Berlin}, year = {2015}, abstract = {Die Studie des Competence Center Food \& Retail (CCFR) der Cologne Business School (CBS) ermittelt Erfolgsfaktoren, Konsumententypen und Handlungsempfehlungen f{\"u}r den Online-Handel mit Lebensmitteln in Deutschland. Grundlage der vorliegenden Studie ist eine im Sommer 2014 durchgef{\"u}hrte onlinebasierte Verbraucherbefragung zum Thema „Online-Kauf von Lebensmitteln".}, language = {de} } @techreport{DeckertSchererNyssenGuillen2015, author = {Deckert, Carsten and Scherer, Anke and Nyssen Guill{\´e}n, Viola}, title = {Cultural Impacts on National Innovativeness - Links between the GLOBE Cultural Dimensions and the GII and IUS Innovation Indexes}, series = {CBD Working Paper Series}, volume = {1}, journal = {CBD Working Paper Series}, publisher = {Cologne Business School}, address = {K{\"o}ln}, organization = {Cologne Business School}, year = {2015}, abstract = {The working paper at hand assumes that differences of innovativeness of different countries can be explained to a certain extent by cultural differences. Thus, the paper deals with the research question of which cultural dimensions have an influence on national innovativeness. Previous research mainly uses the Hofstede-dimensions to describe cultural differences and often focuses on single parameters to describe national innovativeness (e.g. number of patents per capita). This paper, instead, uses the dimensions of the GLOBE-study which builds on the findings of Hofstede but is more up-to-date and comprehensive and uses two innovation indexes - the Global Innovation Index (GII) and the Innovation Union Scoreboard (IUS) - to describe national innovativeness. The authors use correlation analysis to find relationships between the GLOBEdimensions and the innovation indexes. They find positive correlations of innovativeness (both indexes) to Future Orientation (practice scale), Gender Egalitarianism (value scale), Human Orientation (value scale) and Uncertainty Avoidance (practice scale) as well as negative correlations to In-Group Collectivism (practice scale), Future Orientation (value scale) and Uncertainty Avoidance (value scale). Some of the findings are contrary to existing hypotheses, e.g. only a weak negative correlation of Power Distance to one of the indexes. Furthermore the findings show significant differences between practice scales and value scales, especially concerning Future Orientation and Uncertainty Avoidance which deserve further examination. Overall it can be concluded that culture has an impact on national innovativeness. The different cultural dimensions of the GLOBE-study show a multi-faceted interrelationship between culture and innovation. To come to a concise answer for the question which dimensions affect national innovativeness in which way additional research will be necessary.}, language = {en} } @techreport{Deckert2015, author = {Deckert, Carsten}, title = {Tensions in Creativity - Using the Value Square to Model Individual Creativity}, series = {CBD Working Paper Series}, volume = {2}, journal = {CBD Working Paper Series}, publisher = {Cologne Business School}, address = {K{\"o}ln}, organization = {Cologne Business School}, url = {http://nbn-resolving.de/urn:nbn:de:hbz:due62-opus-18209}, year = {2015}, abstract = {The definition of individual creativity is based on a tension between novelty on the one side and usefulness respectively appropriateness on the other side. The paper explores how this tension pervades the stage and componential theories of creativity. To achieve this, the so called value square ("Wertequadrat") developed by Helwig (1967) and Schulz von Thun (1998)is used which balances a value with its countervalue to analyze creativity. The author identifies tensions of action and inaction, expertise and mindfulness, precision and ambiguity as well as immersion and detachment permeating the creative process and the components of creativity. As a conclusion a morphological box for creativity is presented which allows one to show which combination of characteristics of the tensions support different stages of creativity. Furthermore implications for development and time management are discussed.}, language = {en} }