@inproceedings{HammHoernerSteffens2024, author = {Hamm, Jill and H{\"o}rner, Fernand and Steffens, Jochen}, title = {Smartphone-Nutzung bei Live-Konzerten: Zwischen Erlebnis und Mediatisierung [Abstract]}, series = {40. Jahrestagung der Deutschen Gesellschaft f{\"u}r Musikpsychologie Digitalisierung in der Musikpsychologie 6.-8. September 2024: Programm und Abstracts}, booktitle = {40. Jahrestagung der Deutschen Gesellschaft f{\"u}r Musikpsychologie Digitalisierung in der Musikpsychologie 6.-8. September 2024: Programm und Abstracts}, address = {Freiburg}, organization = {Gesellschaft f{\"u}r Musikpsychologie e.V.}, pages = {52 -- 53}, year = {2024}, subject = {Live-Auftritt}, language = {de} } @incollection{Hoerner2016, author = {H{\"o}rner, Fernand}, title = {Seine Unterschiede: Kulturkritische Ans{\"a}tze bei Bourdieu}, series = {Kulturkritik und das Popul{\"a}re in der Musik}, volume = {Popul{\"a}re Kultur und Musik, Bd. 18}, booktitle = {Kulturkritik und das Popul{\"a}re in der Musik}, editor = {H{\"o}rner, Fernand}, publisher = {Waxmann}, address = {M{\"u}nster, New York}, url = {http://nbn-resolving.de/urn:nbn:de:hbz:due62-opus-50433}, publisher = {Hochschule D{\"u}sseldorf}, pages = {85 -- 115}, year = {2016}, language = {de} } @incollection{Hoerner2020, author = {H{\"o}rner, Fernand}, title = {What a Shame: Celebrity Culture und narzisstische Selbstbespiegelung am Beispiel eines Musikvideos}, series = {Die Kommunikation und ihre Technologien}, booktitle = {Die Kommunikation und ihre Technologien}, editor = {Deiters, Wolfgang and Geisler, Stefan and H{\"o}rner, Fernand and Knaup, Anna Katharina}, publisher = {transcript}, isbn = {9783839448670}, doi = {10.1515/9783839448670-006}, url = {http://nbn-resolving.de/urn:nbn:de:hbz:due62-opus-50423}, publisher = {Hochschule D{\"u}sseldorf}, pages = {101 -- 118}, year = {2020}, subject = {Musikvideo}, language = {de} } @incollection{Hoerner2025, author = {H{\"o}rner, Fernand}, title = {All the same? Transgression and reproduction of stereotypes in Stromae's song B{\^a}tard and music video Tous les m{\^e}mes}, series = {Music Video and Transcultural Imaginaries: Media - Aesthetics - Social Utopia}, volume = {Popul{\"a}re Kultur und Musik, Band 44}, booktitle = {Music Video and Transcultural Imaginaries: Media - Aesthetics - Social Utopia}, editor = {Dreckmann, Kathrin and Jost, Christofer and Schramm, Bastian}, publisher = {Waxmann}, address = {M{\"u}nster}, isbn = {978-3-8188-0009-3}, pages = {105 -- 122}, year = {2025}, subject = {Musikvideo}, language = {de} } @article{Hoerner2010, author = {H{\"o}rner, Fernand}, title = {»ICH WEIß NOCH GENAU, WIE DAS ALLES BEGANN.« SAMPLING ALS KULTURELLE TEILHABE}, series = {Samples: Open Access Journal f{\"u}r Popular Music Studies}, volume = {9}, journal = {Samples: Open Access Journal f{\"u}r Popular Music Studies}, publisher = {Arbeitskreis Studium Popul{\"a}rer Musik e.V.}, address = {Dortmund}, issn = {1612-8001}, doi = {10.22029/jlupub-828}, url = {http://nbn-resolving.de/urn:nbn:de:hebis:26-opus-84026}, year = {2010}, subject = {Popmusik}, language = {de} } @article{Hoerner2015, author = {H{\"o}rner, Fernand}, title = {La flexibilit{\´e} historique de l'aura : de Walter Benjamin {\`a} Radiohead}, series = {Communication \& langages}, volume = {184}, journal = {Communication \& langages}, number = {2}, publisher = {SEDES}, address = {Paris}, issn = {0336-1500}, doi = {10.3917/comla.184.0061}, pages = {61 -- 77}, year = {2015}, abstract = {Cet article analyse la place de la musique dans l'essai de Benjamin L'œuvre d'art {\`a} l'{\´e}poque de sa reproductibilit{\´e} technique et sa relation avec la notion d'aura. Si les exemples donn{\´e}s par Benjamin sont pour la plupart photographiques et cin{\´e}matographiques, la musique joue un r{\^o}le « subliminal » essentiel dans son approche de la reproductibilit{\´e} technique. Une historicisation de l'objet musical s'impose car le rapport de contradiction entre reproduction et aura varie. {\`A} quoi tient « l'aura » de l'œuvre en dehors du contexte d'un concert, sous une forme reproduite, que le support soit un vinyle, un CD ou un MP3 ? La revendication de l'aura des œuvres dans les arts reproductibles interpelle. Dans le champ des musiques enregistr{\´e}es, les strat{\´e}gies du groupe Radiohead illustrent ce ph{\´e}nom{\`e}ne de r{\´e}-auratisation, par le vinyle, par le concert, par le CD, voire, par l'argent pay{\´e} pour {\´e}couter un titre. L'article analyse en d{\´e}tail les paradoxes de cette flexibilit{\´e} auratique.}, language = {fr} } @article{Hoerner2019, author = {H{\"o}rner, Fernand}, title = {Artistic Research between Language and Aesthetics}, series = {w/k - Zwischen Wissenschaft und Kunst}, journal = {w/k - Zwischen Wissenschaft und Kunst}, publisher = {Peter Tepe}, address = {D{\"u}sseldorf}, issn = {2628-1465}, doi = {10.55597/e3914}, url = {http://nbn-resolving.de/urn:nbn:de:hbz:due62-opus-49858}, year = {2019}, abstract = {Is artistic research more than a utopia and what exactly is artistic research? This question will be explored here in the course of three articles. The first examines the relationship between science and art, and thus also with language and aesthetics. The central question concerns, first of all, how aesthetic and language-based cognition relate to one another and what this might signify for artistic research.}, subject = {K{\"u}nstlerische Forschung}, language = {en} } @article{Hoerner2020, author = {H{\"o}rner, Fernand}, title = {Die k{\"u}nstlerische Forschung an Universit{\"a}ten}, series = {w/k - zwischen Wissenschaft \& Kunst}, journal = {w/k - zwischen Wissenschaft \& Kunst}, publisher = {Peter Tepe}, address = {D{\"u}sseldorf}, issn = {2628-1465}, doi = {10.55597/d14381}, url = {http://nbn-resolving.de/urn:nbn:de:hbz:due62-opus-49749}, year = {2020}, abstract = {Die Ergebnisse einer Recherche zur Frage „An welchen deutschen Universit{\"a}ten hat bislang eine Institutionalisierung der k{\"u}nstlerischen Forschung stattgefunden?" werden mitgeteilt.}, subject = {K{\"u}nstlerische Forschung}, language = {de} } @incollection{Hoerner2015, author = {H{\"o}rner, Fernand}, title = {Gallien in Gefahr: Die Einflussangst des Asterix oder Harold Bloom goes Pop}, series = {Die amerikanischen G{\"o}tter: Transatlantische Prozesse in der deutschsprachigen Literatur und Popkultur seit 1945}, volume = {linguae \& litterae, Bd. 46}, booktitle = {Die amerikanischen G{\"o}tter: Transatlantische Prozesse in der deutschsprachigen Literatur und Popkultur seit 1945}, editor = {H{\"o}ppner, Stefan and Kreienbrock, J{\"o}rg}, publisher = {De Gruyter}, address = {Berlin}, isbn = {9783110307542}, doi = {10.1515/9783110346893.209}, url = {http://nbn-resolving.de/urn:nbn:de:hbz:due62-opus-49936}, publisher = {Hochschule D{\"u}sseldorf}, pages = {209 -- 232}, year = {2015}, language = {de} } @incollection{Hoerner2019, author = {H{\"o}rner, Fernand}, title = {Analysing the voice in popular music with categories of "voice"}, series = {Systematische Musikwissenschaft}, booktitle = {Systematische Musikwissenschaft}, publisher = {Springer Nature}, address = {Wiesbaden}, isbn = {9783658252526}, issn = {2570-0367}, doi = {10.1007/978-3-658-25253-3_22}, pages = {235 -- 247}, year = {2019}, language = {en} }