000 Informatik, Wissen, Systeme
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Künstliche-Intelligenz-Systeme beeinflussen fundamental die Bildungslandschaft und werden voraussichtlich immer relevanter werden. Besonders das Large Language Model ChatGPT hat zu einer tiefgreifenden Perturbation der Hochschullandschaft geführt. Auch im Studium der Sozialen Arbeit hat ChatGPT Einzug gehalten und Hochschulangehörige stehen vor der Herausforderung, einen adäquaten Umgang damit zu entwickeln. Ein wesentlicher Ausgangspunkt, um einen Umgang mit solchen Systemen zu entwickeln, kann in einer Beschreibung des aktuellen Nutzungsverhaltens von Studierenden zu finden sein. Die vorliegende quantitative Studie widmete sich dieser Aufgabe und bietet einen solchen Ausgangspunkt konkret für das Studienfeld der Sozialen Arbeit. Es wurden deutschlandweit und semesterübergreifend 875 Sozialarbeitstudierende verschiedener Hochschulen zu ihrem Nutzungsverhalten von ChatGPT befragt. Neben dem Nutzungsverhalten wurden in der Studie auch die Bewertung des KI-Tools, dessen Thematisierung im Studium und die Technikaffinität der Studierenden erhoben. Die Ergebnisse der vorliegenden Forschung zeigen eine hohe Nutzung des Tools mit über 80% und betonen somit die Relevanz einer Thematisierung im Studium der Sozialen Arbeit zur Nutzung von KI-Tools wie ChatGPT und bieten eine Grundlage für zukünftige Forschungen sowie didaktische Innovationen.
Interfacing with power
(2017)
Drawing connections
(2018)
An/Leiten
(2017)
Carrying Computerization
(2018)
Durch und über Computer
(2019)
Einleitung : Interface
(2021)
From shock to shift
(2023)
We present a multi-dimensional, multi-level, and multi-channel approach to data visualization for the purpose of constructive climate journalism. Data visualization has assumed a central role in environmental journalism and is often used in data stories to convey the dramatic consequences of climate change and other ecological crises. However, the emphasis on the catastrophic impacts of climate change tends to induce feelings of fear, anxiety, and apathy in readers. Climate mitigation, adaptation, and protection—all highly urgent in the face of the climate crisis—are at risk of being overlooked. These topics are more difficult to communicate as they are hard to convey on varying levels of locality, involve multiple interconnected sectors, and need to be mediated across various channels from the printed newspaper to social media platforms. So far, there has been little research on data visualization to enhance affective engagement with data about climate protection as part of solution-oriented reporting of climate change. With this research we characterize the unique challenges of constructive climate journalism for data visualization and share findings from a research and design study in collaboration with a national newspaper in Germany. Using the affordances and aesthetics of travel postcards, we present Klimakarten, a data journalism project on the progress of climate protection at multiple spatial scales (from national to local), across five key sectors (agriculture, buildings, energy, mobility, and waste), and for print and online use. The findings from quantitative and qualitative analysis of reader feedback confirm our overall approach and suggest implications for future work.
Tracing and Telling
(2023)
Cultural collections have transcended the boundaries of physical showcases and storage cabinets, evolving into intricate digital webs of interconnected data. The research project Restaging Fashion aimed to expand the possibilities for experiencing the linkages in digitized cultural heritage, focusing on the visualization of collection holdings related to the history of garments. Through graph-based narratives, the project investigated the complex interplay between the linear – and at times tentative – art historical discourses and the non-linear explorations of associated cultural heritage data. The resulting visualizations have been designed with the aim to allow for curated and dynamic exploration of the collection along research essays and their interrelated graphs.
In November 2022, the US company OpenAI launched its chatbot ChatGPT built on top of its large language models (LLMs). “This chatbot has redefined the standards of artificial intelligence, proving that machines can indeed ‘learn’ the complexities of human language and interaction”, urteilte Forbes in May 2023.
As new trends constantly emerge worldwide, such as ChatGPT, it is necessary to approach the promotion of these tools to the broader population in an appropriate manner. New technologies and artificial intelligence tools simultaneously offer enhanced functionality but also the potential for misuse, such as plagiarism. Therefore, in the home countries of the authors, various discussions have been initiated at numerous universities and other organisations over the years regarding the advantages and disadvantages of these tools and how to best utilize them. It will be important for university teachers to actively integrate tools such as ChatGPT into their teaching and to critically reflect on the necessary competences for the use of such a chatbot. To achieve such learning objectives, the first step is to understand how ChatGPT works and how it can be used. In the following, the focus is on one such application, namely how ChatGPT can be used in cultural marketing.
Digital qualifiziertes Personal ist die Grundlage für eine zukunftsfähige Wissenschaftslandschaft. Die Omnipräsenz von digitalen Daten und Informationen, von Tools für Kommunikation und Kollaboration stellt nicht nur Wissenschaft und Forschung vor neue Herausforderungen, sondern die gesamte Gesellschaft. Überall bedarf es digitaler Kompetenzen, um mit den Möglichkeiten der digitalen Transformation bewusst und mündig umgehen zu können. Hier bietet die Informationswissenschaft gemeinsam mit der Informatik als Basiswissenschaft für alle Wissenschaften Ansätze und Lösungen, so zum Beispiel im Bereich Data Science und Data Stewardship. Basierend auf einem Diskussionspapier (Attallah et al., 2020) widmeten sich 19 Expert*innen im Kontext eines Interview-Podcasts der AG 6 „Digital qualifiziertes Personal“ der Allianz der Wissenschaftsorganisationen diesem komplexen Thema. Die 15 durchgeführten (Doppel-) Interviews bildeten die Basis für die Datengrundlage und wurden explorativ und softwaregestützt qualitativ analysiert. Ziel war die ergebnisoffene, aber möglichst umfängliche Abbildung und Analyse der von den Expert*innen angesprochenen Handlungsfelder, um unter anderem folgende Forschungsfragen beantworten zu können: Welche Kompetenzen werden für die digitale Qualifikation in den Wissenschaftsorganisationen benötigt? Welche Möglichkeiten und Verantwortlichkeiten für eine Kompetenzvermittlung gibt es? Welchen Beitrag können die Informationswissenschaften leisten?
People Who Stare at Screens
(2023)
Video Conferencing
(2023)
The COVID-19 pandemic has reorganized existing methods of exchange, turning comparatively marginal technologies into the new normal. Multipoint videoconferencing in particular has become a favored means for web-based forms of remote communication and collaboration without physical copresence. Taking the recent mainstreaming of videoconferencing as its point of departure, this anthology examines the complex mediality of this new form of social interaction. Connecting theoretical reflection with material case studies, the contributors question practices, politics and aesthetics of videoconferencing and the specific meanings it acquires in different historical, cultural and social contexts.
Reflecting on the history and development of the knowledge management discipline from an academic and applied research perspective, this chapter will outline the KM essentials as core of the discipline and open questions to be addressed in the future. Secondly, the author will discuss in particular the role of KM within organizational practice in regard to the overall societal challenges all organizations are facing today globally. Thirdly, the chapter will provide an outlook of the discipline in the light of future developments and suggests some research topics to be addressed by interdisciplinary KM research in the future. Beside on drawing on more than 35 years of experience in the KM field, this contribution will profit from previous research undertaken on the future of KM (2002 and 2012), contributions to guidelines and standards for KM (e.g., CEN, DIN, ISO), as well as from working with European Fortune 500 companies over the past 25 years.
Narrelations
(2019)
We present findings from interdisciplinary research at the intersection between literary studies, information visualization, and interface design. Despite a growing interest in text visualization among literary scholars, so far, narrative visualizations are not designed to support the particular tasks involved in narratological analysis and often fail to reveal nuanced narratological features. One major outcome of our iterative research and design process is Narrelations, a novel visualization technique specifically suited for analyzing and interpreting narrative levels of a story and temporal aspects of its narrative representation. The visualization provides an overview of the nesting and distribution of narrative levels, integrates the representation of temporal phenomena, and facilitates the examination of correlations between these aspects. With this research we explore how collaboratively designed visual encodings and interaction techniques may allow for an insightful analysis at a high level coupled with a close inspection of text passages. We discuss prior work relevant to our research objectives and explain the specific characteristics of narrative levels and temporal aspects of narrative representation. After describing the research process and design principles, we apply the visualization on a test corpus of eight annotated German short stories and demonstrate its heuristic value for literary analyses and interpretations. In particular, we explore the intricate connections between the literary content of the novellas and their narrative form.
The Fold
(2020)
We propose the philosophical notion of the fold as an evocative vocabulary for the design and critique of interactive data visualizations. An expanding range of application areas, such as digital art history and literary studies, illustrates the potential of data visualization for research and education in the humanities. Coinciding with the increasing currency of data as evidence in the humanities, this research addresses a growing interest in data visualization for visual analysis and argumentation. For example, cultural collection visualizations promise a range of possibilities for visual and interactive representations of digital cultural heritage, used both for free exploration and focused research. Based on the concept of the fold, prominently advanced by Gilles Deleuze, this paper outlines a critical framework that draws attention towards the complexity of the underlying data. The fold offers a way to analyze and conceptualize visualizations through the lens of three integrated operations: explication, implication, and complication. It is an opportunity to think of interactive visualizations as portals into coherent, elastic, and ultimately infinite information spaces. Accordingly, it rejects the separation between interactivity and visual encoding and draws attention to the transitions between multiple states of a visualization. We identify design patterns of the fold in data visualizations, devise a framework for the critical interpretation of interactivity in data visualization, and demonstrate the implications for the digital humanities.
Graph Technologies for the Analysis of Historical Social Networks Using Heterogeneous Data Sources
(2020)
Over the last decades, cultural heritage institutions have provided extensive machine-readable data, such as bibliographic and archival metadata, full-text collections, and authority records containing multitudes of implicit and explicit statements about the social relations between various types of entities. In this paper, we discuss how approaches to the creation and operation of advanced research infrastructure for historical network analysis (HNA) based on heterogeneous data sources from cultural heritage institutions can be examined and evaluated. Based on our interdisciplinary research, we describe challenges and strategies with a special focus on the issue of data processing, sketch out the advantages of human-centered project design in the form of a preliminary co-design workshop, and present an iterative approach to data visualization.