The End of Human Dominance

  • The concern underlying the teaching initiative described in this chapter is an effort to promote greater public and student engagement in contemplating and designing sustainable futures for the planet. This approach emphasizes the diverse dimensions that can shape these sustainable futures and aims to cultivate creative thinking in response to current and anticipated challenges. In this context, the chapter introduces the pedagogical methodology of Xtopias, which serves as a vehicle for creative thought through “future visioning exercises.” The specific Xtopia explored in detail in this chapter revolves around the concept of the “end of human dominance.” Architecture and urban design students utilized this concept to envision sustainable future scenarios and facilitate public engagement in discussions surrounding these potential futures. Taking inspiration from the R.E.M. song “It's the End of the World as We Know It,” this Xtopia encouraged reflection on the potential end of an era and posed the question to students: “How could theThe concern underlying the teaching initiative described in this chapter is an effort to promote greater public and student engagement in contemplating and designing sustainable futures for the planet. This approach emphasizes the diverse dimensions that can shape these sustainable futures and aims to cultivate creative thinking in response to current and anticipated challenges. In this context, the chapter introduces the pedagogical methodology of Xtopias, which serves as a vehicle for creative thought through “future visioning exercises.” The specific Xtopia explored in detail in this chapter revolves around the concept of the “end of human dominance.” Architecture and urban design students utilized this concept to envision sustainable future scenarios and facilitate public engagement in discussions surrounding these potential futures. Taking inspiration from the R.E.M. song “It's the End of the World as We Know It,” this Xtopia encouraged reflection on the potential end of an era and posed the question to students: “How could the world look if humans lived in greater symbiosis with other creatures?” As a means of fostering creative visions of a sustainable future, this methodology welcomes serious, humorous, and experimental speculations on urban projects from students. It aims to train the human mind to think creatively about the effects, consequences, and responses to climate change. Moreover, the project specifically discussed here involved the creation of public exhibitions described as interactive stations, which aimed to engage the public in the creative thought process. This methodology is viewed as an interdisciplinary example of transformative learning that explores the relationship between humans and nature. It encompasses a range of complementary activities, including interactive presentations, self-knowledge exercises, group brainstorming, and excursions. By describing the Xtopia methodology, the chapter presents another instance of creative pedagogical responses to the challenge of teaching and engaging students with the climate issues they will confront as future professionals.zeige mehrzeige weniger

Metadaten exportieren

Weitere Dienste

Suche bei Google Scholar
Metadaten
Verfasserangaben:Jasmin JossinORCIDGND, Myriel Milicevic, Ida-Maria Sommerfeldt, Annette Voigt
DOI:https://doi.org/10.4324/9781003495444-10
ISBN:9781003495444
Titel des übergeordneten Werkes (Englisch):Teaching Design for Sustainable Futures : Community, Construction, and Creativity
Untertitel (Englisch):Transformative University Courses
Verlag:Routledge, Taylor & Francis
Verlagsort:London
Herausgeber*in:Lina Ahmad, Marco Sosa
Dokumentart:Teil eines Buches (Kapitel)
Sprache:Englisch
Jahr der Erstveröffentlichung:2025
Veröffentlichende Institution:Fachhochschule Potsdam
Datum der Freischaltung:24.02.2026
GND-Schlagwort:Ausstellung; Hochschule; Klimaänderung; Lehre; Nachhaltigkeit; Stadtplanung
Erste Seite:95
Letzte Seite:112
Fachbereiche und Zentrale Einrichtungen:FB4 Design
DDC-Klassifikation:000 Informatik, Informationswissenschaft, allgemeine Werke / 000 Informatik, Wissen, Systeme
Lizenz (Deutsch): Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht
Einverstanden ✔
Diese Webseite verwendet technisch erforderliche Session-Cookies. Durch die weitere Nutzung der Webseite stimmen Sie diesem zu. Unsere Datenschutzerklärung finden Sie hier.