TY - CHAP A1 - Jamaikina, Jelena T1 - Forschung und Entwicklung an der Fachhochschule Potsdam T2 - Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. Juni 1995 T2 - Research and development at the Potsdam Polytechnic KW - Fachhochschule Potsdam KW - Design KW - Ausbildung KW - Studium KW - Management KW - Drittmittel KW - Designinitiative Brandenburg-Berlin e V. Y1 - 1995 SN - 3-928710-27-3 SP - 212 EP - 219 PB - Westermann-Kommunikation CY - Ingelheim ER - TY - CHAP A1 - Funke, Rainer T1 - Designhochschulen - Märchenstuben? T2 - Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995 T2 - Design schools - fairy tale worlds KW - Design KW - Fachhochschule Potsdam KW - Ausbildung Y1 - 1995 SN - 3-928710-27-3 SP - 15 EP - 25 PB - Westermann-Kommunikation CY - Ingelheim ER - TY - CHAP A1 - Morat, Paul A1 - Schwerdtfeger, Aaron A1 - Feucht, Max Emanuel A1 - Heidmann, Frank ED - Yamashta, Naomi ED - Evers, Vanessa ED - Yatani, Koji ED - Ding, Xianghua T1 - Der Trog BT - Prototype for an embodied contactless Breath-To-Water-Interface T2 - CHI EA '25 : Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems N2 - Der Trog is a prototype for a contactless, embodied breath-to-water interface, exploring the potential of Artificial Intelligence as a mediator to facilitate emotional and sensory interactions with nature. By tracking respiration via thermal image analysis and translating it into wave patterns on a water surface, the installation provides a tangible experience translating the user’s corporal rhythm onto a natural material. The present research project investigates whether such interactions can help bridging the gap between environmental knowledge and action within the ecological crisis, encouraging holistic empathy for nature. Der Trog aims to inspire new perceptions of our connection to natural elements, advocating for sustainable behaviour through meaningful, embodied encounters with the environment. KW - Künstliche Intelligenz KW - Maschinelles Sehen KW - Nachhaltigkeit Y1 - 2025 SN - 979-8-4007-1395-8 U6 - https://doi.org/10.1145/3706599.3721173 SP - 1 EP - 5 CY - New York ER - TY - CHAP A1 - Windhager, Florian A1 - Abdul-Rahman, Alfie A1 - Bludau, Mark-Jan A1 - Hengesbach, Nicole A1 - Lamqaddam, Houda A1 - Meirelles, Isabel A1 - Speckmann, Bettina A1 - Corell, Michael T1 - Complexity as Design Material BT - Position Paper T2 - 2024 IEEE Evaluation and Beyond - Methodological Approaches for Visualization : BELIV 2024 N2 - Complexity is often seen as a inherent negative in information design, with the job of the designer being to reduce or eliminate complexity, and with principles like Tufte's “data-ink ratio” or “chartjunk” to operationalize mimimalism and simplicity in visualizations. However, in this position paper, we call for a more expansive view of complexity as a design material, like color or texture or shape: an element of information design that can be used in many ways, many of which are beneficial to the goals of using data to understand the world around us. We describe complexity as a phenomenon that occurs not just in visual design but in every aspect of the sensemaking process, from data collection to interpretation. For each of these stages, we present examples of ways that these various forms of complexity can be used (or abused) in visualization design. We ultimately call on the visualization community to build a more nuanced view of complexity, to look for places to usefully integrate complexity in multiple stages of the design process, and, even when the goal is to reduce complexity, to look for the non-visual forms of complexity that may have otherwise been overlooked. KW - Komplexität KW - Mediendesign KW - Visualisierung Y1 - 2024 SN - 979-8-3315-2846-1 U6 - https://doi.org/10.1109/BELIV64461.2024.00013 SP - 71 EP - 80 PB - Institute of Electrical and Electronics Engineers (IEEE) CY - New York ER - TY - JOUR A1 - Matzner, Nils A1 - Thiel-Woznica, Marcel A1 - Tost, Jordi A1 - Weller, Kevin T1 - Prototypes as Future Artifacts of Today BT - Towards Prototyping Alternative Futures JF - On_culture : the open journal for the study of culture N2 - The design of sociotechnical futures relies on institutionalized visions but also on material artifacts. In this context, prototypes are a materialized means of exploration of potential futures. This article explores interdependencies between irritations by prototypes and critical/speculative design and argues that prototypes problematize a balance between feasibility and their potential for irritation, i.e. being incited to act differently by a prototype that does not fit into familiar practices (e.g. flying cars). We investigate the significance of the feasibility-irritation tension, first, by analyzing two case studies of prototypes from urban mobility as examples of technical feasibility in marketing and testing environments, and second, by contrasting them to the notion of prototypes as deliberately irritating artifacts within critical and speculative design practices. We offer a perspective for understanding their transformative potential. Our discussion shows how prototypes, as they are used in speculative design, might open new negotiation spaces instead of limiting futures to what seems feasible. New, irritating prototypes highlight a contingency, which is necessary to openly discussing feasible and fictional futures together. KW - Mobilität KW - Prototyp KW - Zukunft Y1 - 2024 U6 - https://doi.org/10.22029/oc.2023.1353 SN - 2366-4142 IS - 15 PB - Justus-Liebig-Universität Gießen CY - Gießen ER - TY - BOOK A1 - Bette, Michael A1 - Thiessen-Schneider, Gudrun T1 - Michael Bette - Kunstverein Grafschaft Bentheim, Neuenhaus 25.4. - 21.6.1998 BT - Brandenburgische Kunstsammlungen Cottbus 10.1. - 28.2.1999 KW - Kunst KW - Malerei KW - Sammlung Y1 - 1998 SN - 3-922805-63-9 PB - Kunstverein Grafschaft Bentheim CY - Neuenhaus ER - TY - INPR A1 - Morini, Francesca A1 - Eschenbacher, Anna A1 - Hartmann, Johanna A1 - Dörk, Marian T1 - From shock to shift BT - Data visualization for constructive climate journalism T2 - IEEE transactions on visualization and computer graphics N2 - We present a multi-dimensional, multi-level, and multi-channel approach to data visualization for the purpose of constructive climate journalism. Data visualization has assumed a central role in environmental journalism and is often used in data stories to convey the dramatic consequences of climate change and other ecological crises. However, the emphasis on the catastrophic impacts of climate change tends to induce feelings of fear, anxiety, and apathy in readers. Climate mitigation, adaptation, and protection—all highly urgent in the face of the climate crisis—are at risk of being overlooked. These topics are more difficult to communicate as they are hard to convey on varying levels of locality, involve multiple interconnected sectors, and need to be mediated across various channels from the printed newspaper to social media platforms. So far, there has been little research on data visualization to enhance affective engagement with data about climate protection as part of solution-oriented reporting of climate change. With this research we characterize the unique challenges of constructive climate journalism for data visualization and share findings from a research and design study in collaboration with a national newspaper in Germany. Using the affordances and aesthetics of travel postcards, we present Klimakarten, a data journalism project on the progress of climate protection at multiple spatial scales (from national to local), across five key sectors (agriculture, buildings, energy, mobility, and waste), and for print and online use. The findings from quantitative and qualitative analysis of reader feedback confirm our overall approach and suggest implications for future work. KW - Erzählen KW - Journalismus KW - Visualisierung KW - Klimaänderung KW - Meteorologie Y1 - 2023 U6 - https://doi.org/10.1109/TVCG.2023.3327185 SN - 1077-2626 SP - 1 EP - 11 PB - Institute of Electrical and Electronics Engineers (IEEE) CY - New York ER - TY - CHAP A1 - de Günther, Sabine A1 - Nanni, Giacomo A1 - Kyriazis, Ilias A1 - Freyberg, Linda A1 - Dörk, Marian ED - Lengyel, Dominik ED - Bienert, Andreas T1 - Tracing and Telling BT - Exploring collection holdings through graph-based narratives T2 - EVA BERLIN 2023 N2 - Cultural collections have transcended the boundaries of physical showcases and storage cabinets, evolving into intricate digital webs of interconnected data. The research project Restaging Fashion aimed to expand the possibilities for experiencing the linkages in digitized cultural heritage, focusing on the visualization of collection holdings related to the history of garments. Through graph-based narratives, the project investigated the complex interplay between the linear – and at times tentative – art historical discourses and the non-linear explorations of associated cultural heritage data. The resulting visualizations have been designed with the aim to allow for curated and dynamic exploration of the collection along research essays and their interrelated graphs. KW - Sammlung KW - Visualisierung KW - Mode Y1 - 2023 SN - 978-3-88609-891-0 SP - 333 EP - 338 CY - Cottbus ER - TY - JOUR A1 - Scheck, Ester A1 - Binn, Andrea A1 - Dörk, Marian A1 - Ledermann, Florian T1 - A Contemporary Nolli Map BT - Using OpenStreetMap Data to Represent Urban Public Spaces JF - Abstracts of the ICA N2 - More than 250 years ago, Giovanni Battista Nolli, an Italian architect, engineer and cartographer, was concerned with how and where space is or is not publicly accessible. In his map 'La nuova topografia di Roma Comasco', he mapped publicly accessible interior and exterior spaces of Rome with an impressively high level of detail as a figure-ground map. Since Nolli’s time, both the character and diversity of public spaces as well as cartographic technology have changed. This research project aims to adapt some ideas behind Nolli’s map for today’s circumstances on the basis of open data, and seeks to develop methods for processing volunteered geographical information from OpenStreetMap (OSM) to identify, categorize, and map public spaces based on thematic and geometric information. KW - OpenStreetMap KW - Öffentlicher Raum KW - Geoinformationssystem Y1 - 2023 U6 - https://doi.org/10.5194/ica-abs-6-223-2023 SN - 2570-2106 IS - 6 SP - 1 EP - 2 PB - Copernicus Publications CY - Göttingen ER - TY - JOUR A1 - Meier, Sebastian A1 - Bogucka, Edyta P. A1 - Ledermann, Florian A1 - Roth, Robert E. A1 - Słomska-Przech, Katarzyna A1 - Vörös, Fanni T1 - Opportunities and Challenges for the Next Generation of Cartographers JF - Abstracts of the ICA N2 - Developing the next generation of cartographers is essential to sustaining and expanding the mission of the International Cartographic Association. Students and early-career professionals today learn cartographic design alongside a diverse array of conceptual and technical competencies, such as data science, human-computer interaction, information visualization, and machine learning. Accordingly, the next generation of cartographers often are working at the forefront of the discipline, actively reshaping what cartography is and can be. KW - Kartograf KW - International Cartographic Association Y1 - 2023 U6 - https://doi.org/10.5194/ica-abs-6-162-2023 SN - 2570-2106 IS - 6 SP - 1 EP - 3 PB - Copernicus Publications CY - Göttingen ER -