TY - JOUR A1 - Beecham, R. A1 - Rooney, C. A1 - Meier, S. A1 - Dykes, J. A1 - Slingsby, A A1 - Turkay, C. A1 - Wood, J. A1 - Wood, B. L. A1 - Wong, W. T1 - Faceted Views of Varying Emphasis (FaVVEs) BT - a framework for visualising multi-perspective small multiples JF - Computer Graphics Forum N2 - Many datasets have multiple perspectives – for example space, time and description – and often analysts are required to study these multiple perspectives concurrently. This concurrent analysis becomes difficult when data are grouped and split into small multiples for comparison. A design challenge is thus to provide representations that enable multiple perspectives, split into small multiples, to be viewed simultaneously in ways that neither clutter nor overload. We present a design framework that allows us to do this. We claim that multi-perspective comparison across small multiples may be possible by superimposing perspectives on one another rather than juxtaposing those perspectives side-by-side. This approach defies conventional wisdom and likely results in visual and informational clutter. For this reason we propose designs at three levels of abstraction for each perspective. By flexibly varying the abstraction level, certain perspectives can be brought into, or out of, focus. We evaluate our framework through laboratory-style user tests. We find that superimposing, rather than juxtaposing, perspective views has little effect on performance of a low-level comparison task. We reflect on the user study and its design to further identify analysis situations for which our framework may be desirable. Although the user study findings were insufficiently discriminating, we believe our framework opens up a new design space for multi-perspective visual analysis. KW - Visualisierung KW - Raum-Zeit KW - Abstraktionsebene KW - Studie KW - Analyse Y1 - 2016 U6 - https://doi.org/10.1111/cgf.12900 SN - 1467-8659 VL - 35 IS - 3 SP - 241 EP - 249 PB - Wiley-Blackwell CY - Oxford ER - TY - JOUR A1 - Bludau, Mark-Jan A1 - Dörk, Marian A1 - Bruckner, Stefan A1 - Tominski, Christian T1 - Fluidly Revealing Information BT - A Survey of Un/foldable Data Visualizations JF - Computer Graphics Forum N2 - Revealing relevant information on demand is an essential requirement for visual data exploration. In this state-of-the-art report, we review and classify techniques that are inspired by the physical metaphor of un/folding to reveal relevant information or, conversely, to reduce irrelevant information in data visualizations. Similar to focus+context approaches, un/foldable visualizations transform the visual data representation, often between different granularities, in an integrated manner while preserving the overall context. This typically involves switching between different visibility states of data elements or adjusting the graphical abstraction linked by gradual display transitions. We analyze a literature corpus of 101 visualization techniques specifically with respect to their use of the un/folding metaphor. In particular, we consider the type of data, the focus scope and the effect scope, the number of un/folding states, the transformation type, and the controllability and interaction directness of un/folding. The collection of un/foldables is available as an online catalog that includes classic focus+context, semantic zooming, and multi-scale visualizations as well as contemporary un/foldable visualizations. From our literature analysis, we further extract families of un/folding techniques, summarize empirical findings to date, and identify promising research directions for un/foldable data visualization. KW - Falten KW - Visualisierung Y1 - 2025 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:525-36719 SN - 0167-7055 VL - 44 IS - 3 PB - Wiley-Blackwell CY - Oxford ER - TY - JOUR A1 - Bludau, Mark-Jan A1 - Dörk, Marian A1 - Heidmann, Frank T1 - Relational perspectives as situated visualizations of art collections JF - Digital Scholarship in the Humanities N2 - With relational perspectives, we examine the potential of traversing cultural collections along the richness of individual facets and relations through the process of developing an exploration-centered visualization. Cultural collections can contain thousands of artifacts, of which each typically possesses a diverse set of properties and individual facets constituting a unique relationship to the rest of the collection. Therefore, to create an appropriate representation of the complex data of each underlying artifact, oftentimes, it is not only interesting to get an overview of the entire collection from one perspective, but to explore the specific context of an artifact and the various relations it may have to other items. To investigate the potential of relational perspectives, we selected an art collection as a particularly promising case study. By following and reporting from a collaborative and iterative design process with an art museum, we developed a web interface that contrasts a collection overview with three situated visualizations each exposing a different kind of relational perspective on the art collection from an artifact. KW - Kulturelle Einrichtung KW - Digitalisierung KW - Visualisierung KW - Graphische Benutzeroberfläche KW - Digital Humanities Y1 - 2021 U6 - https://doi.org/10.1093/llc/fqab003 SN - 1477-4615 VL - 36 IS - Supplement 2 SP - ii17 EP - ii29 PB - Oxford University Press CY - Oxford ER - TY - JOUR A1 - Bludau, Mark-Jan A1 - Dörk, Marian A1 - Tominski, Christian T1 - Unfolding Edges BT - Adding Context to Edges in Multivariate Graph Visualization JF - Computer Graphics Forum N2 - Existing work on visualizing multivariate graphs is primarily concerned with representing the attributes of nodes. Even though edges are the constitutive elements of networks, there have been only few attempts to visualize attributes of edges. In this work, we focus on the critical importance of edge attributes for interpreting network visualizations and building trust in the underlying data. We propose 'unfolding of edges' as an interactive approach to integrate multivariate edge attributes dynamically into existing node-link diagrams. Unfolding edges is an in-situ approach that gradually transforms basic links into detailed representations of the associated edge attributes. This approach extends focus+context, semantic zoom, and animated transitions for network visualizations to accommodate edge details on-demand without cluttering the overall graph layout. We explore the design space for the unfolding of edges, which covers aspects of making space for the unfolding, of actually representing the edge context, and of navigating between edges. To demonstrate the utility of our approach, we present two case studies in the context of historical network analysis and computational social science. For these, web-based prototypes were implemented based on which we conducted interviews with domain experts. The experts' feedback suggests that the proposed unfolding of edges is a useful tool for exploring rich edge information of multivariate graphs. KW - Node-Link Diagram KW - Visualisierung KW - Computational Social Science Y1 - 2023 U6 - https://doi.org/10.1111/cgf.14831 SN - 0167-7055 VL - 42 IS - 3 SP - 297 EP - 309 PB - Wiley-Blackwell CY - Oxford ER - TY - CHAP A1 - Bludau, Mark-Jan A1 - Dörk, Marian A1 - Tominski, Christian ED - Byska, Jan ED - Jänicke, Stefan ED - Schmidt, Johanna T1 - Unfolding Edges for Exploring Multivariate Edge Attributes in Graphs T2 - 21st Eurographics Conference on Visualization N2 - With this research we present an approach to network visualization that expands the capabilities for visual encoding and interactive exploration through edges in node-link diagrams. Compared to the various possibilities for visual and interactive properties of nodes, there are few techniques for interactive visualization of multivariate edge attributes in node-link diagrams. Visualization of edge attributes is oftentimes limited by occlusion and space issues of methods that globally encode attributes in a node-link diagram for all edges, not sufficiently exploiting the potential of interaction. Building up on existing techniques for edge encoding and interaction, we propose 'Unfolding Edges' as an exemplary use of an on-demand detail enhancing approach for exploration of multivariate edge attributes. KW - Interaktionsdesign KW - Graph KW - Human-centered Design KW - Visualisierung Y1 - 2021 SN - 978-3-03868-143-4 U6 - https://doi.org/10.2312/evp.20211070 SP - 17 EP - 19 PB - Eurographics Association CY - Niederlande ER - TY - CHAP A1 - Bludau, Mark-Jan A1 - Halling, Thorsten A1 - Holly, Eva Maria A1 - Wieloch, Jasmin A1 - Schnaitter, Hannes A1 - Balck, Sandra A1 - Plakidis, Melina A1 - Rehm, Georg A1 - Fangerau, Heiner A1 - Dörk, Marian T1 - Was sehe ich? Visualisierungsstrategien für Datentransparenz in der Historischen Netzwerkanalyse T2 - DHd2022 : Kulturen des digitalen Gedächtnisses N2 - Die Historische Netzwerkanalyse (HNA) hat sich zu einem etablierten Forschungsfeld entwickelt. Zu ihren wichtigsten methodischen Herausforderungen gehört die Suggestionskraft von Visualisierungen. Die Transparenz bezüglich der Datenquellen ist daher für die HNA sowohl bei selbst erhobenen als auch bei sekundär genutzten Daten Voraussetzung, will sie geisteswissenschaftlichen Kriterien der Nachprüfbarkeit und Nachvollziehbarkeit von Interpretationen erfüllen. Dieser Beitrag beschreibt und diskutiert – aufbauend auf einem iterativen und durch Workshops sowie einer Nutzer*innenstudie begleiteten Forschungsprozess – vier Designziele zur Verwirklichung einer solchen Transparenz: 1) Aufnahme und Kommunikation von Datenprovenienzen, 2) Dokumentation vorausgegangener Prozesse, 3) Offenhaltung der Interpretierbarkeit der Daten und 4) Unterstützung von Folgeforschung. Anschließend werden beispielhafte Umsetzungsstrategien in Form von Prototypen präsentiert. KW - Visualisierung KW - Historische Netzwerkanalyse Y1 - 2022 U6 - https://doi.org/10.5281/zenodo.6327931 SP - 1 EP - 5 CY - Hamburg ER - TY - JOUR A1 - Bruhn, Thomas A1 - Meier, Sebastian A1 - Lawrence, Mark G. T1 - Interactive network visualization on the integration of mindsets and sustainability : creating conditions for emergence through a relational narrative JF - Innovation : The European Journal of Social Science Research N2 - Transdisciplinary research processes often involve the integration of knowledge and stakeholders from various backgrounds. Here, we introduce the story of the research project AMA (A Mindset for the Anthropocene) on the role of mindsets in the context of sustainability and present an interactive visualization tool that we developed for stakeholder mapping and research communication. Through this platform, we provide access and navigation to everyone interested in this field of research and we have simultaneously created a channel for all stakeholders to co-create content. Here, we describe the design and functionalities of the platform and the participatory way it was developed as part of our stakeholder engagement. We discuss upon how such a design allows for reflection of potential biases in transdisciplinary research processes and simultaneously catalyzing self-organization in stakeholder networks. KW - Stakeholder KW - Nachhaltigkeit KW - Transdisziplinarität KW - Visualisierung KW - Datenbank Y1 - 2022 U6 - https://doi.org/10.1080/13511610.2022.2101987 SN - 1351-1610 VL - 36 IS - 1 SP - 71 EP - 84 PB - Routledge, Taylor & Francis Group CY - London ER - TY - JOUR A1 - Brüggemann, Viktoria A1 - Bludau, Mark-Jan A1 - Dörk, Marian T1 - The Fold BT - Rethinking Interactivity in Data Visualization JF - Digital humanities quarterly : DHQ N2 - We propose the philosophical notion of the fold as an evocative vocabulary for the design and critique of interactive data visualizations. An expanding range of application areas, such as digital art history and literary studies, illustrates the potential of data visualization for research and education in the humanities. Coinciding with the increasing currency of data as evidence in the humanities, this research addresses a growing interest in data visualization for visual analysis and argumentation. For example, cultural collection visualizations promise a range of possibilities for visual and interactive representations of digital cultural heritage, used both for free exploration and focused research. Based on the concept of the fold, prominently advanced by Gilles Deleuze, this paper outlines a critical framework that draws attention towards the complexity of the underlying data. The fold offers a way to analyze and conceptualize visualizations through the lens of three integrated operations: explication, implication, and complication. It is an opportunity to think of interactive visualizations as portals into coherent, elastic, and ultimately infinite information spaces. Accordingly, it rejects the separation between interactivity and visual encoding and draws attention to the transitions between multiple states of a visualization. We identify design patterns of the fold in data visualizations, devise a framework for the critical interpretation of interactivity in data visualization, and demonstrate the implications for the digital humanities. KW - Visualisierung KW - Daten KW - Wortschatz KW - Deleuze, Gilles Y1 - 2020 UR - http://www.digitalhumanities.org/dhq/vol/14/3/000487/000487.html SN - 1938-4122 VL - 14 IS - 3 SP - 1 EP - 16 CY - USA ER - TY - CHAP A1 - Brüggemann, Viktoria A1 - Bludau, Mark-Jan A1 - Dörk, Marian ED - Schöch, Christof T1 - Die Falte BT - Ein Denkraum für interaktive und kritische Datenvisualisierungen T2 - DHd 2020 Spielräume: Digital Humanities zwischen Modellierung und Interpretation KW - Visualisierung KW - Interaktion KW - Philosophie Y1 - 2020 U6 - https://doi.org/10.5281/zenodo.4621888 SP - 1 EP - 4 CY - Hamburg ER - TY - JOUR A1 - Brüggemann, Viktoria A1 - Bludau, Mark-Jan A1 - Kreiseler, Sarah A1 - Casavola, Silvia A1 - Pomerance, Jona A1 - Dörk, Marian T1 - Granularities of Dispersion and Materiality BT - Visualizing a Photo Archive about the Jewish Diaspora JF - Medaon : Magazin für Jüdisches Leben in Forschung und Bildung N2 - Bedeutungsvolle und sensible digitale Darstellungen für kulturelle Sammlungen zu finden, erfordert eine umsichtige Umsetzung und Zusammenarbeit, von der Datenmodellierung und Katalogisierung bis zur Ideenfindung und Entwicklung von Prototypen. In unserem Beitrag berichten wir von unserer designorientierten Forschung, die sich mit der Visualisierung eines Fotoarchivs über die jüdische Diaspora befasst. Mit dem Ziel, eine Webplattform zu schaffen, die vielfältige explorative und narrative Erlebnisse bietet, reflektieren wir die Verwendung digitaler und analoger Methoden für visuelle Sammlungen, insbesondere für eine Sammlung des jüdischen Kulturerbes. N2 - Finding evocative and sensitive digital representations for cultural heritage collections requires careful implementation and collaboration, encompassing data modeling, cataloging, ideation and prototyping. In this article, we present design-oriented research focused on visualizing a photo archive about the Jewish diaspora. Our aim is to create a web platform that offers multiple exploratory and narrative experiences. We reflect on our approach, which involves both digital and analog methods, emphasizing the affordances of visual cultural heritage and the unique characteristics of a Jewish heritage collection. KW - Diaspora KW - Fotoarchiv KW - Judentum KW - Kulturerbe KW - Visualisierung Y1 - 2025 UR - https://www.medaon.de/de/artikel/granularities-of-dispersion-and-materiality-visualizing-a-photo-archive-about-the-jewish-diaspora/ SN - 1866-069X VL - 19 IS - 36 SP - 1 EP - 19 PB - HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen CY - Dresden ER - TY - CHAP A1 - de Günther, Sabine A1 - Nanni, Giacomo A1 - Kyriazis, Ilias A1 - Freyberg, Linda A1 - Dörk, Marian ED - Lengyel, Dominik ED - Bienert, Andreas T1 - Tracing and Telling BT - Exploring collection holdings through graph-based narratives T2 - EVA BERLIN 2023 N2 - Cultural collections have transcended the boundaries of physical showcases and storage cabinets, evolving into intricate digital webs of interconnected data. The research project Restaging Fashion aimed to expand the possibilities for experiencing the linkages in digitized cultural heritage, focusing on the visualization of collection holdings related to the history of garments. Through graph-based narratives, the project investigated the complex interplay between the linear – and at times tentative – art historical discourses and the non-linear explorations of associated cultural heritage data. The resulting visualizations have been designed with the aim to allow for curated and dynamic exploration of the collection along research essays and their interrelated graphs. KW - Sammlung KW - Visualisierung KW - Mode Y1 - 2023 SN - 978-3-88609-891-0 SP - 333 EP - 338 CY - Cottbus ER - TY - JOUR A1 - Dörk, Marian T1 - Conceptual Analogues: Coming to Terms with Data Visualisation JF - Interface Critique N2 - Humanist data visualisation can make a profound contribution to stimu.ate a form of curiosity that recognizes and appreciates the entangled shimmer of the world. KW - Feminismus KW - Flaneur KW - Humanismus KW - Kommunikationsdesign KW - Visualisierung Y1 - 2025 U6 - https://doi.org/10.11588/ic.2025.1.113533 SN - 2570-0472 SN - 2570-0480 VL - 5 SP - 51 EP - 72 PB - arthistoricum.net CY - Heidelberg ER - TY - JOUR A1 - Dörk, Marian A1 - Pietsch, Christopher A1 - Credico, Gabriel T1 - One view is not enough High-level visualizations of a large cultural collection JF - Information Design Journal N2 - As cultural institutions are digitizing their artifacts and interlinking their collections, new opportunities emerge to engage with cultural heritage. However, it is the often comprehensive and complex nature of collections that can make it difficult to grasp their distribution and extent across a variety of dimensions. After a brief introduction to the research area of collection visualizations, this paper presents a design study visualizing an aggregated collection from diverse cultural institutions in Germany. We detail our iterative design process leading to prototypical implementations of four stylistically and functionally coordinated visualizations, each one focusing on different facets of the collection. KW - Visualisierung KW - Sammlung KW - Kulturgut KW - Digital Humanities KW - Visual Analytics Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:525-26609 SN - 1569-979X VL - 23 IS - 1 SP - 39 EP - 47 PB - John Benjamins Publishing CY - Amsterdam ER - TY - CHAP A1 - Eingartner, Theresa A1 - Drucker, Johanna A1 - Dörk, Marian ED - El-Assady, Mennatallah ED - Ottley, Alvitta ED - Tominksi, Christian T1 - Inflecting Data Visualizations for Web-based Scrollytelling T2 - EuroVis 2025 Short Papers N2 - We propose the idea of inflections as a method for capturing and conveying interpretative interactions with data visualizations. Aiming to narrow the gap between data analysis and story authoring, inflections are subtle modulations of a visualization's graphical attributes that guide attention, highlight important patterns, and embed communicative cues. By parameterizing view changes and annotations in visualizations, authors can embed insights from their data analysis into story segments and connect them with the respective visualization states. This paper presents the general concept and a technical architecture supporting inflectable data visualizations. By leveraging native web technologies and established visualization conventions, we propose a flexible and extensible approach to inflecting visualizations that link exploratory data analysis and data-driven storytelling. KW - Visualisierung KW - Website Y1 - 2025 U6 - https://doi.org/10.2312/evs.20251088 CY - Niederlande ER - TY - JOUR A1 - Garretón, Manuela A1 - Morini, Francesca A1 - Celhay, Pablo A1 - Dörk, Marian A1 - Parra, Denis T1 - Attitudinal effects of data visualizations and illustrations in data stories JF - IEEE Transactions on Visualization and Computer Graphics N2 - Journalism has become more data-driven and inherently visual in recent years. Photographs, illustrations, infographics, data visualizations, and general images help convey complex topics to a wide audience. The way that visual artifacts influence how readers form an opinion beyond the text is an important issue to research, but there are few works about this topic. In this context, we research the persuasive, emotional and memorable dimensions of data visualizations and illustrations in journalistic storytelling for long-form articles. We conducted a user study and compared the effects which data visualizations and illustrations have on changing attitude towards a presented topic. While visual representations are usually studied along one dimension, in this experimental study, we explore the effects on readers' attitudes along three: persuasion, emotion, and information retention. By comparing different versions of the same article, we observe how attitudes differ based on the visual stimuli present, and how they are perceived when combined. Results indicate that the narrative using only data visualization elicits a stronger emotional impact than illustration-only visual support, as well as a significant change in the initial attitude about the topic. Our findings contribute to a growing body of literature on how visual artifacts may be used to inform and influence public opinion and debate. We present ideas for future work to generalize the results beyond the domain studied, the water crisis. KW - Journalismus KW - Visualisierung KW - Illustration KW - Informationsspeicherung Y1 - 2023 U6 - https://doi.org/10.1109/TVCG.2023.3248319 SN - 1077-2626 VL - 30 IS - 7 SP - 4039 EP - 4054 CY - New York ER - TY - RPRT A1 - Geuder, Philipp A1 - Leidinger, Marie-Claire A1 - Lupin, Martin von A1 - Dörk, Marian A1 - Schröder, Tobias T1 - Emosaic: Visualizing Affective Content of Text at Varying Granularity T2 - arxiv.org N2 - This paper presents Emosaic, a tool for visualizing the emotional tone of text documents, considering multiple dimensions of emotion and varying levels of semantic granularity. Emosaic is grounded in psychological research on the relationship between language, affect, and color perception. We capitalize on an established three-dimensional model of human emotion: valence (good, nice vs. bad, awful), arousal (calm, passive vs. exciting, active) and dominance (weak, controlled vs. strong, in control). Previously, multi-dimensional models of emotion have been used rarely in visualizations of textual data, due to the perceptual challenges involved. Furthermore, until recently most text visualizations remained at a high level, precluding closer engagement with the deep semantic content of the text. Informed by empirical studies, we introduce a color mapping that translates any point in three-dimensional affective space into a unique color. Emosaic uses affective dictionaries of words annotated with the three emotional parameters of the valence-arousal-dominance model to extract emotional meanings from texts and then assigns to them corresponding color parameters of the hue-saturation-brightness color space. This approach of mapping emotion to color is aimed at helping readers to more easily grasp the emotional tone of the text. Several features of Emosaic allow readers to interactively explore the affective content of the text in more detail; e.g., in aggregated form as histograms, in sequential form following the order of text, and in detail embedded into the text display itself. Interaction techniques have been included to allow for filtering and navigating of text and visualizations. KW - Mensch-Maschine-Kommunikation KW - Digital KW - Visualisierung KW - Text KW - Emotion KW - Farbe KW - Farbzuweisung KW - Farbübersetzung Y1 - 2020 U6 - https://doi.org/10.48550/arXiv.2002.10096 PB - Cornell University ER - TY - CHAP A1 - Goodwin, Sarah A1 - Meier, Sebastian A1 - Bartram, Lyn A1 - Godwin, Alex A1 - Nagel, Till A1 - Dörk, Marian T1 - Unravelling the Human Perspective and Considerations for Urban Data Visualization T2 - 2021 IEEE 14th Pacific Visualization Symposium (PacificVis) N2 - Effective use of data is an essential asset to modern cities. Visualization as a tool for analysis, exploration, and communication has become a driving force in the task of unravelling our complex urban fabrics. This paper outlines the findings from a series of three workshops from 2018-2020 bringing together experts in urban data visualization with the aim of exploring multidisciplinary perspectives from the human-centric lens. Based on the rich and detailed workshop discussions identifying challenges and opportunities for urban data visualization research, we outline major human-centric themes and considerations fundamental for CityVis design and introduce a framework for an urban visualization design space. KW - Human-centered computing KW - Interaction design KW - Individuelle Datenverarbeitung KW - Visualisierung Y1 - 2021 SN - 978-1-6654-3931-2 U6 - https://doi.org/10.1109/PacificVis52677.2021.00024 SP - 126 EP - 130 PB - IEEE CY - New York ER - TY - CHAP A1 - Heidmann, Frank A1 - Meier, Anita A1 - Matthies, Denys J.C. T1 - A brief Survey on Understanding the Interaction between Human and Technology at the Task of Pedestrian Navigation T2 - Proceedings of the International Summer School on Visual Computing 2015 : August 17-21, 2015 in Rostock, Germany KW - Bilderzeugung KW - Visualisierung KW - Bildanalyse KW - Bildinformatik KW - Mensch-Maschine-Kommunikation Y1 - 2015 SN - 978-3-8396-0960-6 SP - 135 EP - 140 PB - Fraunhofer CY - Stuttgart ER - TY - RPRT A1 - Heidmann, Frank A1 - Thom, Andreas A1 - Meier, Sebastian T1 - Wachstumskern Potenzial : MSNI - Mobile Semantische Navigation und Information, Teilprojekt 3: Nutzerschnittstellen und Content-Visualisierung. Projekt-Schlussbericht ; Berichtslaufzeit: 02/12 bis 01/14 KW - Mobiles Internet KW - Benutzeroberfläche KW - Semantisches Netz KW - Visualisierung KW - Navigation Y1 - 2014 U6 - https://doi.org/10.2314/GBV:834735105 PB - FHP, FB Design CY - Potsdam ER - TY - BOOK A1 - Heinicker, Paul T1 - Anderes Visualisieren BT - Zur Kritik der Datengestaltung N2 - Ob Corona-Pandemie oder Klimawandel – Datenbilder sind zu einem zentralen Bestandteil gesellschaftlicher Diskurse geworden. Doch gerade ihre Anschaulichkeit verstellt den Blick auf die Komplexität von Bildprozessen. Was zeigen Datenvisualisierungen und was verschweigen sie? Und vonn wem und wie werden Daten visualisiert? Paul Heinicker formuliert eine Kritik an der abbildungsgetriebenen Kultur der Datenvisualisierung und entwickelt alternative Modelle, die sich näher an den produktionstheoretischen Realitäten der Datengestaltung orientieren – wozu auch die Beschreibung eigener Visualisierungspraktiken gehört. Dabei zeigt sich: Anderes Visualisieren realisiert sich im Dazwischen von Theorie und Praxis. KW - Daten KW - Digital Humanities KW - Kritik KW - Visualisierung Y1 - 2024 SN - 978-3-8394-7482-2 U6 - https://doi.org/10.14361/9783839474822 PB - transcript Verlag CY - Bielefeld ER -