TY - CHAP A1 - Gerling, Winfried ED - Steimer, A. Kristina ED - Paganini, Claudia ED - Filipović, Alexander T1 - Environmental Selfies BT - GoPros Selbstbilder einer komplexen Umwelt T2 - Das Selbst im Blick N2 - Der Text widmet sich dem Zusammenwirken von Menschen und sensorisch-fotografischen Technologien unter den Bedingungen ubiquitärer vernetzer Rechenmaschinen. Als Beispiel dient die GoPro, die als singulärer Teil dieser Kultur eine besondere Form des Selfies hervorgebracht hat: das Environmental Selfie. Diese Art des Selfies entsteht aus einer Perspektive der Begleitung, die immer auch ein Bild des gesamten Environments ist, in dem es produziert wird. So werden Bilder eines Environments erzeugt, das sich selbst "fotografiert" bzw. "sieht". Hier ist den sensorielle fotografische Apparat so wichtig wie die Akteur:innen und der Einfluss von Umwelt (Natur), Hardware, Software und Netzwerken, die diese Produktion ermöglichen. KW - GoPro KW - Selfie KW - Smartphone KW - Umwelt Y1 - 2023 SN - 978-3-8487-8550-6 U6 - https://doi.org/10.5771/9783748929116-77 SP - 77 EP - 96 PB - Nomos CY - Baden-Baden ER - TY - CHAP A1 - Gerling, Winfried A1 - Krautkrämer, Florian ED - Gerling, Winfried ED - Krautkrämer, Florian T1 - Looking at a Versatile Movement BT - An Introduction to the Book and the Camera T2 - Versatile camcorders KW - Action-Fotografie KW - Medienwissenschaft KW - GoPro Y1 - 2021 SN - 978-3-86599-461-5 U6 - https://doi.org/10.25969/mediarep/19386 SP - 9 EP - 26 PB - Kadmos CY - Berlin ER - TY - CHAP A1 - Gerling, Winfried A1 - Möring, Sebastian A1 - De Mutiis, Marco ED - Gerling, Winfried ED - Möring, Sebastian ED - De Mutiis, Marco T1 - Introduction T2 - Screen Images KW - Medienwissenschaft Y1 - 2023 SN - 978-3-86599-535-3 U6 - https://doi.org/10.55309/c3ie61k5 SP - 11 EP - 42 PB - Kadmos CY - Berlin ER - TY - CHAP A1 - Dieckmann, Stefanie A1 - Gerling, Winfried ED - Diekmann, Stefanie ED - Gerling, Winfried T1 - Einleitung T2 - Freeze Frames KW - Freeze-Frame KW - Einleitung Y1 - 2010 SN - 978-3-8394-1363-0 U6 - https://doi.org/10.14361/9783839413630-intro SP - 7 EP - 10 PB - transcript Verlag CY - Bielefeld ER - TY - CHAP A1 - Gerling, Winfried ED - Gerling, Winfried ED - Krautkrämer, Florian T1 - GoPro Hero Camera Technology BT - The Production of the Companion View T2 - Versatile camcorders KW - Camcorder KW - Body-Cam KW - Action-Fotografie KW - Medienwissenschaft Y1 - 2021 SN - 978-3-86599-461-5 U6 - https://doi.org/10.25969/mediarep/19386 SP - 27 EP - 44 PB - Kadmos CY - Berlin ER - TY - JOUR A1 - Gerling, Winfried T1 - Photography in the Digital BT - Screenshot and in-game photography JF - Photographies N2 - Photography in the digitally created or digitized reality is an everyday activity that is rarely discussed in the context of photographic debates. This refers to practices such as in-game photography or, simpler yet, the screenshot. The paper focuses on their history, the specific status and materiality of these images of screens. Their (hi)story begins with screen image photography of measured data on cathode ray tubes and the photographic capture of x-ray screens. Screenshots and in-game photography can be seen throughout this context but they are cameraless and can therefore be understood and discussed within a long history of experimental photographic practices. Should we speak here at all of photography? If so, what is their photographic specificity? Which image of reality do they provide us? KW - Screenshot KW - Medienwissenschaft KW - Bildschirm Y1 - 2018 U6 - https://doi.org/10.1080/17540763.2018.1445013 SN - 1754-0763 SN - 1754-0771 VL - 11 IS - 2-3 SP - 149 EP - 167 PB - Routledge, Taylor & Francis CY - London ER - TY - CHAP A1 - Gerling, Winfried ED - Eckel, Julia ED - Ruchatz, Jens ED - Wirth, Sabine T1 - Be a Hero BT - Self-Shoots at the Edge of the Abyss T2 - Exploring the Selfie N2 - A tendency has developed in recent times toward a close connection of the (photo) apparatus and the body. The GoPro, the “world’s most versatile camera,” as stated in the developer’s self-description, is often worn attached to the body, is held at a moderate distance from the body by means of a selfie stick, or is firmly mounted on helmets and sporting equipment. Regarding these cameras, a whole array of practices and technologies has evolved that strongly promote “self-shooting.” Thus, a new genre of the self-image has arisen: images of skaters, surfers, fliers, fallers, and the fallen, all capturing themselves in all circumstances up until death; it seems that the camera itself creates the risk to fall. This chapter focuses on the relationship of aesthetics, body, and apparatus that can be traced back to early examples of “falling photographers” and that is nowadays so impressively exemplified by the GoPro technique and its usage. Additionally, the text deals with the general leveling of the difference between the moving image (video) and the still image (photography) within the digital realm, specifically via the unification of both, technologies and practices, in one apparatus—like the GoPro. KW - Camcorder KW - Body-Cam KW - Action-Fotografie KW - Medienwissenschaft KW - Selfie Y1 - 2018 SN - 978-3-319-57949-8 U6 - https://doi.org/10.1007/978-3-319-57949-8_12 SP - 261 EP - 283 PB - Palgrave Macmillan CY - Wiesbaden ER - TY - JOUR A1 - Gerling, Winfried A1 - Krautkrämer, Florian T1 - Zeitlupe JF - Zeitschrift für Medienwissenschaft KW - Zeitlupe KW - Bewegtes Bild Y1 - 2024 U6 - https://doi.org/10.25969/mediarep/22006 SN - 2296-4126 VL - 16 IS - 30 SP - 131 EP - 133 PB - transcript Verlag CY - Bielefeld ER -