TY - CHAP A1 - Nagel, Till A1 - Pietsch, Christopher A1 - Dörk, Marian T1 - Staged Analysis BT - From Evocative to Comparative Visualizations of Urban Mobility N2 - In this paper we examine the concept of staged analysis through a case study on visualizing urban mobility exhibited in a public gallery space. Recently, many cities introduced bike-sharing in order to promote cycling among locals and visitors. We explore how citizens can be guided from evocative impressions of bicycling flows to comparative analysis of three bike-sharing systems. The main aim for visualizations in exhibition contexts is to encourage a shift from temporary interest to deeper insight into a complex phenomenon. To pursue this ambition we introduce cf. city flows, a comparative visualization environment of urban bike mobility designed to help citizens casually analyze three bike-sharing systems in the context of a public exhibition space. Multiple large screens show the space of flows in bike-sharing for three selected world cities: Berlin, London, and New York. Bike journeys are represented in three geospatial visualizations designed to be progressively more analytical, from animated trails to small-multiple glyphs. In this paper, we describe our design concept and process, the exhibition setup, and discuss some of the insights visitors gained while interacting with the visualizations. KW - Bike-sharing KW - Storytelling KW - Stadtgestaltung KW - Visualisierung KW - Mobilität Y1 - 2016 N1 - VISAP’16: Metamorphoses, Baltimore, Maryland, October 23th-28th, 2016. (Proceedings of the IEEE VIS Arts Program, VISAP) ER - TY - JOUR A1 - Glinka, Katrin A1 - Pietsch, Christopher A1 - Dilba, Carsten A1 - Dörk, Marian T1 - Linking Structure, Texture and Context in a Visualization of Historical Drawings by Frederick William IV (1795-1861) JF - International Journal for Digital Art History N2 - In this article we present a case study on digital representation of the art historical research and metadata brought together for a scientific collection catalogue by the Prussian Palaces and Gardens Foundation Berlin-Brandenburg. The resulting interface aims at linking the structure and texture of a collection of drawings by Frederick William IV of Prussia (1795–1861) with additional contextual information. The article describes the context of the larger research project and presents the resulting visualization and interaction techniques specifically designed for dynamic exploration along time and subjects. KW - Information KW - Visualisierung KW - Metadaten KW - Fallstudie KW - Kunstgeschichte KW - Katalog KW - Benutzerschnittstelle Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:bsz:16-dah-335306 SN - 2363-5401 IS - 2 SP - 199 EP - 213 PB - Graphentis-Verl. CY - München ER - TY - JOUR A1 - Dörk, Marian A1 - Pietsch, Christopher A1 - Credico, Gabriel T1 - One view is not enough High-level visualizations of a large cultural collection JF - Information Design Journal N2 - As cultural institutions are digitizing their artifacts and interlinking their collections, new opportunities emerge to engage with cultural heritage. However, it is the often comprehensive and complex nature of collections that can make it difficult to grasp their distribution and extent across a variety of dimensions. After a brief introduction to the research area of collection visualizations, this paper presents a design study visualizing an aggregated collection from diverse cultural institutions in Germany. We detail our iterative design process leading to prototypical implementations of four stylistically and functionally coordinated visualizations, each one focusing on different facets of the collection. KW - Visualisierung KW - Sammlung KW - Kulturgut KW - Digital Humanities KW - Visual Analytics Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:525-26609 SN - 1569-979X VL - 23 IS - 1 SP - 39 EP - 47 PB - John Benjamins Publishing CY - Amsterdam ER - TY - JOUR A1 - Rodighiero, Dario A1 - Derry, Lins A1 - Duhaime, Douglas A1 - Kruguer, Jordan A1 - Mueller, Maximilian C. A1 - Pietsch, Christopher A1 - Schnapp, Jeffrey T. A1 - Steward, Jeff T1 - Surprise machines : revealing Harvard Art Museums’ image collection JF - Information Design Journal N2 - Surprise Machines is a project of experimental museology that sets out to visualize the entire image collection of the Harvard Art Museums, with a view to opening up unexpected vistas on more than 200,000 objects usually inaccessible to visitors. The project is part of the exhibition organized by metaLAB (at) Harvard entitled Curatorial A(i)gents and explores the limits of artificial intelligence to display a large set of images and create surprise among visitors. To achieve this feeling of surprise, a choreographic interface was designed to connect the audience’s movement with several unique views of the collection. KW - Künstliche Intelligenz KW - Digitales Archiv KW - Museumskunde KW - Netzwerk KW - Visualisierung Y1 - 2022 U6 - https://doi.org/10.1075/idj.22013.rod SN - 1569-979X VL - 27 IS - 1 SP - 21 EP - 34 PB - John Benjamins Publishing Company CY - Amsterdam ER - TY - CHAP A1 - Brüggemann, Viktoria A1 - Bludau, Mark-Jan A1 - Pietsch, Christopher A1 - Dörk, Marian T1 - Von der Wolke zum Pfad BT - Visuelle und assoziative Exploration zweier kultureller Sammlungen T2 - DHd2022 : Kulturen des digitalen Gedächtnisses N2 - Die in den letzten Jahren entstandenen explorativen Visualisierungen musealer Sammlungen widmen sich zumeist einzelnen Sammlungen, welche oft einer spezifischen Systematik folgen und eine geringe Vielfalt an Objektgattungen und Attributen aufweisen. Das hier vorgestellte Forschungsprojekt stellte sich die Frage, wie verschiedene, in sich heterogene, Sammlungen miteinander verknüpft, visualisiert und exploriert werden können, ohne die Unterschiede zwischen ihnen zu nivellieren. Dazu wurden im Rahmen einer Forschungskooperation mit den Staatlichen Museen zu Berlin die Bestände aus dem 19. Jahrhundert der Alten Nationalgalerie sowie des Museums Europäischer Kulturen ausgewählt. Das Ziel war es, übergreifende Zusammenhänge und Resonanzen zwischen den Sammlungen aufzugreifen und dynamische, interaktive Arrangements zu entwickeln, welche die assoziative Exploration von Beständen anregen. Das Ergebnis ist ein interaktiver Prototyp, der eine globale Übersicht in Form einer annotierten Wolke mit der lokalen Perspektive eines auf Ähnlichkeiten basierten Pfads verknüpft. KW - Visualisierung KW - Sammlung KW - Maschinelles Lernen Y1 - 2022 U6 - https://doi.org/10.5281/zenodo.6327939 SP - 1 EP - 5 CY - Hamburg ER -