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  <doc>
    <id>2909</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>465</pageFirst>
    <pageLast>483</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>11</volume>
    <type>article</type>
    <publisherName>Routledge, Taylor &amp; Francis Group</publisherName>
    <publisherPlace>London</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-11-03</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Sensing what’s new : considering ethics when using sensor data in journalistic practices</title>
    <abstract language="eng">As data are becoming increasingly central to journalistic practice, a number of technology-driven approaches are emerging among data journalists. This article focuses on sensor journalism, which brings new practical and ethical concerns to journalism. By interviewing and working with data journalists and journalism scholars, we analyze the new technological and ethical challenges that sensors bring to journalism. The results contribute to the knowledge on how data journalists implicitly embed ethical values into their everyday work. Furthermore, they suggest that general ethical values are revisited and extended by the influence of sensors.</abstract>
    <parentTitle language="eng">Digital Journalism</parentTitle>
    <identifier type="doi">10.1080/21670811.2022.2134161</identifier>
    <identifier type="issn">2167-082X</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Francesca Morini</author>
    <author>Marian Dörk</author>
    <author>Ester Appelgren</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Journalismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Ethik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Datenanalyse</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Sensor</value>
    </subject>
    <collection role="ddc" number="070">Publizistische Medien, Journalismus, Verlagswesen</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3315</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>11</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>preprint</type>
    <publisherName>Institute of Electrical and Electronics Engineers (IEEE)</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">From shock to shift</title>
    <abstract language="eng">We present a multi-dimensional, multi-level, and multi-channel approach to data visualization for the purpose of constructive climate journalism. Data visualization has assumed a central role in environmental journalism and is often used in data stories to convey the dramatic consequences of climate change and other ecological crises. However, the emphasis on the catastrophic impacts of climate change tends to induce feelings of fear, anxiety, and apathy in readers. Climate mitigation, adaptation, and protection—all highly urgent in the face of the climate crisis—are at risk of being overlooked. These topics are more difficult to communicate as they are hard to convey on varying levels of locality, involve multiple interconnected sectors, and need to be mediated across various channels from the printed newspaper to social media platforms. So far, there has been little research on data visualization to enhance affective engagement with data about climate protection as part of solution-oriented reporting of climate change. With this research we characterize the unique challenges of constructive climate journalism for data visualization and share findings from a research and design study in collaboration with a national newspaper in Germany. Using the affordances and aesthetics of travel postcards, we present Klimakarten, a data journalism project on the progress of climate protection at multiple spatial scales (from national to local), across five key sectors (agriculture, buildings, energy, mobility, and waste), and for print and online use. The findings from quantitative and qualitative analysis of reader feedback confirm our overall approach and suggest implications for future work.</abstract>
    <parentTitle language="eng">IEEE transactions on visualization and computer graphics</parentTitle>
    <subTitle language="eng">Data visualization for constructive climate journalism</subTitle>
    <identifier type="issn">1077-2626</identifier>
    <identifier type="doi">10.1109/TVCG.2023.3327185</identifier>
    <enrichment key="opus.import.date">2023-12-20T16:08:20+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Francesca Morini</author>
    <author>Anna Eschenbacher</author>
    <author>Johanna Hartmann</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Erzählen</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Journalismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Klimaänderung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Meteorologie</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="ddc" number="070">Publizistische Medien, Journalismus, Verlagswesen</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3314</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>333</pageFirst>
    <pageLast>338</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Cottbus</publisherPlace>
    <creatingCorporation>Brandenburgische Technische Universität Cottbus-Senftenberg (BTU)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Tracing and Telling</title>
    <abstract language="eng">Cultural collections have transcended the boundaries of physical showcases and storage cabinets, evolving into intricate digital webs of interconnected data. The research project Restaging Fashion aimed to expand the possibilities for experiencing the linkages in digitized cultural heritage, focusing on the visualization of collection holdings related to the history of garments. Through graph-based narratives, the project investigated the complex interplay between the linear – and at times tentative – art historical discourses and the non-linear explorations of associated cultural heritage data. The resulting visualizations have been designed with the aim to allow for curated and dynamic exploration of the collection along research essays and their interrelated graphs.</abstract>
    <parentTitle language="eng">EVA BERLIN 2023</parentTitle>
    <subTitle language="eng">Exploring collection holdings through graph-based narratives</subTitle>
    <identifier type="isbn">978-3-88609-891-0</identifier>
    <enrichment key="opus.import.date">2023-12-20T15:35:07+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>Sabine de Günther</author>
    <author>Giacomo Nanni</author>
    <author>Ilias Kyriazis</author>
    <author>Linda Freyberg</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Sammlung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mode</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3248</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>2</pageLast>
    <pageNumber/>
    <edition/>
    <issue>6</issue>
    <volume/>
    <type>article</type>
    <publisherName>Copernicus Publications</publisherName>
    <publisherPlace>Göttingen</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">A Contemporary Nolli Map</title>
    <abstract language="eng">More than 250 years ago, Giovanni Battista Nolli, an Italian architect, engineer and cartographer, was concerned with how and where space is or is not publicly accessible. In his map 'La nuova topografia di Roma Comasco', he mapped publicly accessible interior and exterior spaces of Rome with an impressively high level of detail as a figure-ground map. Since Nolli’s time, both the character and diversity of public spaces as well as cartographic technology have changed. This research project aims to adapt some ideas behind Nolli’s map for today’s circumstances on the basis of open data, and seeks to develop methods for processing volunteered geographical information from OpenStreetMap (OSM) to identify, categorize, and map public spaces based on thematic and geometric information.</abstract>
    <parentTitle language="eng">Abstracts of the ICA</parentTitle>
    <subTitle language="eng">Using OpenStreetMap Data to Represent Urban Public Spaces</subTitle>
    <identifier type="issn">2570-2106</identifier>
    <identifier type="doi">10.5194/ica-abs-6-223-2023</identifier>
    <enrichment key="opus.import.date">2023-10-16T12:49:25+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Ester Scheck</author>
    <author>Andrea Binn</author>
    <author>Marian Dörk</author>
    <author>Florian Ledermann</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>OpenStreetMap</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Öffentlicher Raum</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Geoinformationssystem</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="open_access_fhp" number="">Gold Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3251</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>297</pageFirst>
    <pageLast>309</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>42</volume>
    <type>article</type>
    <publisherName>Wiley-Blackwell</publisherName>
    <publisherPlace>Oxford</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Unfolding Edges</title>
    <abstract language="eng">Existing work on visualizing multivariate graphs is primarily concerned with representing the attributes of nodes. Even though edges are the constitutive elements of networks, there have been only few attempts to visualize attributes of edges. In this work, we focus on the critical importance of edge attributes for interpreting network visualizations and building trust in the underlying data. We propose 'unfolding of edges' as an interactive approach to integrate multivariate edge attributes dynamically into existing node-link diagrams. Unfolding edges is an in-situ approach that gradually transforms basic links into detailed representations of the associated edge attributes. This approach extends focus+context, semantic zoom, and animated transitions for network visualizations to accommodate edge details on-demand without cluttering the overall graph layout. We explore the design space for the unfolding of edges, which covers aspects of making space for the unfolding, of actually representing the edge context, and of navigating between edges. To demonstrate the utility of our approach, we present two case studies in the context of historical network analysis and computational social science. For these, web-based prototypes were implemented based on which we conducted interviews with domain experts. The experts' feedback suggests that the proposed unfolding of edges is a useful tool for exploring rich edge information of multivariate graphs.</abstract>
    <parentTitle language="eng">Computer Graphics Forum</parentTitle>
    <subTitle language="eng">Adding Context to Edges in Multivariate Graph Visualization</subTitle>
    <identifier type="issn">0167-7055</identifier>
    <identifier type="doi">10.1111/cgf.14831</identifier>
    <enrichment key="opus.import.date">2023-10-16T14:06:59+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <author>Christian Tominski</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Node-Link Diagram</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Computational Social Science</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3242</id>
    <completedYear/>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>1</pageFirst>
    <pageLast>5</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Hamburg</publisherPlace>
    <creatingCorporation>Verband Digital Humanities im deutschsprachigen Raum e.V.</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Was sehe ich? Visualisierungsstrategien für Datentransparenz in der Historischen Netzwerkanalyse</title>
    <abstract language="deu">Die Historische Netzwerkanalyse (HNA) hat sich zu einem etablierten Forschungsfeld entwickelt. Zu ihren wichtigsten methodischen Herausforderungen gehört die Suggestionskraft von Visualisierungen. Die Transparenz bezüglich der Datenquellen ist daher für die HNA sowohl bei selbst erhobenen als auch bei sekundär genutzten Daten Voraussetzung, will sie geisteswissenschaftlichen Kriterien der Nachprüfbarkeit und Nachvollziehbarkeit von Interpretationen erfüllen. Dieser Beitrag beschreibt und diskutiert – aufbauend auf einem iterativen und durch Workshops sowie einer Nutzer*innenstudie begleiteten Forschungsprozess – vier Designziele zur Verwirklichung einer solchen Transparenz: 1) Aufnahme und Kommunikation von Datenprovenienzen, 2) Dokumentation vorausgegangener Prozesse, 3) Offenhaltung der Interpretierbarkeit der Daten und 4) Unterstützung von Folgeforschung. Anschließend werden beispielhafte Umsetzungsstrategien in Form von Prototypen präsentiert.</abstract>
    <parentTitle language="deu">DHd2022 : Kulturen des digitalen Gedächtnisses</parentTitle>
    <identifier type="doi">10.5281/zenodo.6327931</identifier>
    <enrichment key="opus.import.date">2023-10-12T13:25:35+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Mark-Jan Bludau</author>
    <author>Thorsten Halling</author>
    <author>Eva Maria Holly</author>
    <author>Jasmin Wieloch</author>
    <author>Hannes Schnaitter</author>
    <author>Sandra Balck</author>
    <author>Melina Plakidis</author>
    <author>Georg Rehm</author>
    <author>Heiner Fangerau</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Historische Netzwerkanalyse</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Diamond Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3243</id>
    <completedYear/>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>1</pageFirst>
    <pageLast>5</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Hamburg</publisherPlace>
    <creatingCorporation>Verband Digital Humanities im deutschsprachigen Raum e.V.</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Von der Wolke zum Pfad</title>
    <abstract language="deu">Die in den letzten Jahren entstandenen explorativen Visualisierungen musealer Sammlungen widmen sich zumeist einzelnen Sammlungen, welche oft einer spezifischen Systematik folgen und eine geringe Vielfalt an Objektgattungen und Attributen aufweisen. Das hier vorgestellte Forschungsprojekt stellte sich die Frage, wie verschiedene, in sich heterogene, Sammlungen miteinander verknüpft, visualisiert und exploriert werden können, ohne die Unterschiede zwischen ihnen zu nivellieren. Dazu wurden im Rahmen einer Forschungskooperation mit den Staatlichen Museen zu Berlin die Bestände aus dem 19. Jahrhundert der Alten Nationalgalerie sowie des Museums Europäischer Kulturen ausgewählt. Das Ziel war es, übergreifende Zusammenhänge und Resonanzen zwischen den Sammlungen aufzugreifen und dynamische, interaktive Arrangements zu entwickeln, welche die assoziative Exploration von Beständen anregen. Das Ergebnis ist ein interaktiver Prototyp, der eine globale Übersicht in Form einer annotierten Wolke mit der lokalen Perspektive eines auf Ähnlichkeiten basierten Pfads verknüpft.</abstract>
    <parentTitle language="deu">DHd2022 : Kulturen des digitalen Gedächtnisses</parentTitle>
    <subTitle language="deu">Visuelle und assoziative Exploration zweier kultureller Sammlungen</subTitle>
    <identifier type="doi">10.5281/zenodo.6327939</identifier>
    <enrichment key="opus.import.date">2023-10-12T13:30:12+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Viktoria Brüggemann</author>
    <author>Mark-Jan Bludau</author>
    <author>Christopher Pietsch</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Sammlung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Maschinelles Lernen</value>
    </subject>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="open_access_fhp" number="">Diamond Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2912</id>
    <completedYear/>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue>11</issue>
    <volume>27</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>Chicago</publisherPlace>
    <creatingCorporation>University of Illinois Chicago Library</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-11-09</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Disclosure as a critical-feminist design practice for Web-based data stories</title>
    <abstract language="eng">We present findings from design research on disclosure at the intersection of data visualization, digital storytelling, and feminism. While there is an increased awareness of power structures in data science, computing, and design, there is little design research to confront these. This work explores the potential of disclosing context information of data stories, i.e., digital storytelling formats utilizing data visualizations, to enable critical-feminist readings of and reflections on these stories. Drawing from a growing body of feminist scholarship in human-computer interaction, data science, and beyond, we identify key aspects and forms of disclosure for embedding them into visual data story interfaces. We devise and validate these aspects and forms within a case study: a Web-based scrollytelling article explaining the feminist concept of intersectionality using a combination of animated illustration, data visualization, and text. With this work, we demonstrate and discuss the potentials and pitfalls of disclosure practices in data storytelling.</abstract>
    <parentTitle language="eng">First Monday</parentTitle>
    <identifier type="doi">10.5210/fm.v27i11.12712</identifier>
    <identifier type="issn">1396-0466</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Hannah Schwan</author>
    <author>Jonas Arndt</author>
    <author>Marian Dörk</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Data stories</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Web-based scrollytelling</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Publizität</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kontext</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Feminismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Erzählen</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="open_access_fhp" number="">Diamond Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3499</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>17</pageFirst>
    <pageLast>19</pageLast>
    <pageNumber>3</pageNumber>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Eurographics Association</publisherName>
    <publisherPlace>Niederlande</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Unfolding Edges for Exploring Multivariate Edge Attributes in Graphs</title>
    <abstract language="eng">With this research we present an approach to network visualization that expands the capabilities for visual encoding and interactive exploration through edges in node-link diagrams. Compared to the various possibilities for visual and interactive properties of nodes, there are few techniques for interactive visualization of multivariate edge attributes in node-link diagrams. Visualization of edge attributes is oftentimes limited by occlusion and space issues of methods that globally encode attributes in a node-link diagram for all edges, not sufficiently exploiting the potential of interaction. Building up on existing techniques for edge encoding and interaction, we propose 'Unfolding Edges' as an exemplary use of an on-demand detail enhancing approach for exploration of multivariate edge attributes.</abstract>
    <parentTitle language="eng">21st Eurographics Conference on Visualization</parentTitle>
    <identifier type="doi">10.2312/evp.20211070</identifier>
    <identifier type="isbn">978-3-03868-143-4</identifier>
    <enrichment key="opus.import.date">2024-09-05T12:14:27+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <author>Christian Tominski</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Interaktionsdesign</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Graph</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Human-centered Design</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3689</id>
    <completedYear/>
    <publishedYear>2025</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>19</pageLast>
    <pageNumber/>
    <edition/>
    <issue>36</issue>
    <volume>19</volume>
    <type>article</type>
    <publisherName>HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen</publisherName>
    <publisherPlace>Dresden</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Granularities of Dispersion and Materiality</title>
    <abstract language="deu">Bedeutungsvolle und sensible digitale Darstellungen für kulturelle Sammlungen zu finden, erfordert eine umsichtige Umsetzung und Zusammenarbeit, von der Datenmodellierung und Katalogisierung bis zur Ideenfindung und Entwicklung von Prototypen. In unserem Beitrag berichten wir von unserer designorientierten Forschung, die sich mit der Visualisierung eines Fotoarchivs über die jüdische Diaspora befasst. Mit dem Ziel, eine Webplattform zu schaffen, die vielfältige explorative und narrative Erlebnisse bietet, reflektieren wir die Verwendung digitaler und analoger Methoden für visuelle Sammlungen, insbesondere für eine Sammlung des jüdischen Kulturerbes.</abstract>
    <abstract language="eng">Finding evocative and sensitive digital representations for cultural heritage collections requires careful implementation and collaboration, encompassing data modeling, cataloging, ideation and prototyping. In this article, we present design-oriented research focused on visualizing a photo archive about the Jewish diaspora. Our aim is to create a web platform that offers multiple exploratory and narrative experiences. We reflect on our approach, which involves both digital and analog methods, emphasizing the affordances of visual cultural heritage and the unique characteristics of a Jewish heritage collection.</abstract>
    <parentTitle language="deu">Medaon : Magazin für Jüdisches Leben in Forschung und Bildung</parentTitle>
    <subTitle language="eng">Visualizing a Photo Archive about the Jewish Diaspora</subTitle>
    <identifier type="issn">1866-069X</identifier>
    <identifier type="url">https://www.medaon.de/de/artikel/granularities-of-dispersion-and-materiality-visualizing-a-photo-archive-about-the-jewish-diaspora/</identifier>
    <enrichment key="opus.import.date">2025-07-21T12:38:12+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>Viktoria Brüggemann</author>
    <author>Mark-Jan Bludau</author>
    <author>Sarah Kreiseler</author>
    <author>Silvia Casavola</author>
    <author>Jona Pomerance</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Diaspora &lt;Religion&gt;</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fotoarchiv</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Judentum</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Bronze Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3621</id>
    <completedYear/>
    <publishedYear>2025</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>17</pageFirst>
    <pageLast>31</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>45</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation>Institute of Electrical and Electronics Engineers (IEEE)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Towards Collective Storytelling</title>
    <abstract language="eng">This work investigates personal perspectives in visualization annotations as devices for collective data-driven storytelling. Inspired by existing efforts in critical cartography, we show how people share personal memories in a visualization of COVID-19 data and how comments by other visualization readers influence the reading and understanding of visualizations. Analyzing interaction logs, reader surveys, visualization annotations, and interviews, we find that reader annotations help other viewers relate to other people's stories and reflect on their own experiences. Further, we found that annotations embedded directly into the visualization can serve as social traces guiding through a visualization and help readers contextualize their own stories. With that, they supersede the attention paid to data encodings and become the main focal point of the visualization.</abstract>
    <parentTitle language="eng">IEEE Computer Graphics and Applications</parentTitle>
    <subTitle language="eng">Investigating Audience Annotations in Data Visualizations</subTitle>
    <identifier type="issn">0272-1716</identifier>
    <identifier type="issn">1558-1756</identifier>
    <identifier type="doi">10.1109/MCG.2025.3547944</identifier>
    <enrichment key="opus.import.date">2025-03-26T10:00:03+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Tobias Kauer</author>
    <author>Marian Dörk</author>
    <author>Benjamin Bach</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Annotation</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>COVID-19</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Data Mining</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kartografie</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Künstliche Intelligenz</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Soziales Netzwerk</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3165</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>99</pageFirst>
    <pageLast>110</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>42</volume>
    <type>conferenceobject</type>
    <publisherName>Wiley-Blackwell</publisherName>
    <publisherPlace>Oxford</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Data Stories of Water</title>
    <abstract language="eng">We present a methodology for making sense of the communicative role of data visualizations in journalistic storytelling and share findings from surveying water-related data stories. Data stories are a genre of long-form journalism that integrate text, data visualization, and other visual expressions (e.g., photographs, illustrations, videos) for the purpose of data-driven storytelling. In the last decade, a considerable number of data stories about a wide range of topics have been published worldwide. Authors use a variety of techniques to make complex phenomena comprehensible and use visualizations as communicative devices that shape the understanding of a given topic. Despite the popularity of data stories, we, as scholars, still lack a methodological framework for assessing the communicative role of visualizations in data stories. To this extent, we draw from data journalism, visual culture, and multimodality studies to propose an interpretative framework in six stages. The process begins with the analysis of content blocks and framing elements and ends with the identification of dimensions, patterns, and relationships between textual and visual elements. The framework is put to the test by analyzing 17 data stories about water-related issues. Our observations from the survey illustrate how data visualizations can shape the framing of complex topics.</abstract>
    <parentTitle language="deu">Computer graphics forum</parentTitle>
    <subTitle language="eng">Studying the Communicative Role of Data Visualizations within Long‐form Journalism</subTitle>
    <identifier type="doi">10.1111/cgf.14815</identifier>
    <identifier type="issn">1467-8659</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>M. Garreton</author>
    <author>Francesca Morini</author>
    <author>D. Paz Moyano</author>
    <author>G.-C. Grün</author>
    <author>D. Parra</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Journalismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Erzählen</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Methode</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Datengeschichte</value>
    </subject>
    <collection role="ddc" number="700">Künste und Unterhaltung</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
  </doc>
  <doc>
    <id>3705</id>
    <completedYear/>
    <publishedYear>2025</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>58</pageFirst>
    <pageLast>72</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>45</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation>Institute of Electrical and Electronics Engineers (IEEE)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Critical Interactivity</title>
    <abstract language="eng">We propose critical interactivity as a concept to study and design the dynamic and transitory aspects of data visualizations. Theoretically, interactivity is often described as the means to support analytical tasks, while in practice, it encompasses the techniques that alter visual representations. These notions are a useful starting point to study the role of interactivity in critical engagements with data visualizations. At the core of critical interactivity is the negotiation of authority and agency: authority as authors provide structure and context, and agency as viewers navigate and interpret the data on their own terms. This raises the critical question: who has the power to control the visualization? Drawing from four case studies in science communication, art history, anthropology, and climate advocacy, we examine how critical interactivity links exploration and narration. We reflect on the effort involved in preparing data and propose design strategies for implementing critical interactivity in data  visualization.</abstract>
    <parentTitle language="eng">IEEE Computer Graphics and Applications</parentTitle>
    <subTitle language="eng">Exploration and Narration in Data Visualization</subTitle>
    <identifier type="issn">0272-1716</identifier>
    <identifier type="issn">1558-1756</identifier>
    <identifier type="doi">10.1109/MCG.2025.3544684</identifier>
    <enrichment key="opus.import.date">2025-08-08T10:39:03+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Francesca Morini</author>
    <author>Manuela Gerretón</author>
    <author>Jona Pomerance</author>
    <author>Nadia Zeissig</author>
    <author>Sabine de Günther</author>
    <author>Marian Dörk</author>
    <author>Fidel Thomet</author>
    <author>Linda Freyberg</author>
    <author>Ilias Kyriazis</author>
    <author>Andrea Scholz</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Interaktive Medien</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Wissenschaftskommunikation</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2867</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>11</pageFirst>
    <pageLast>16</pageLast>
    <pageNumber/>
    <edition/>
    <issue>1</issue>
    <volume>2018</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>Leipzig ; Frankfurt am Main</publisherPlace>
    <creatingCorporation>Deutsche Nationalbibliothek</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-08-11</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Die bibliografischen Daten der Deutschen Nationalbibliothek entfalten</title>
    <abstract language="deu">Wie sieht die Zukunft der Recherche in digitalen Bibliothekskatalogen aus? Wie können umfangreiche und heterogene Sammlungsbestände mit Hilfe von Datenvisualisierungen besser zugänglich gemacht werden? Kann man durch eine digitale Bibliothek flanieren und dabei den Bestand auf ganz neue Art entdecken? Diese Fragen standen im Zentrum eines Forschungsprojekts, das ein interdisziplinäres Team von Forscherinnen und Forschern des Urban Complexity Lab der FHP im vergangenen Jahr in Kooperation mit der DNB durchgeführt hat. Dieser Artikel stellt das Hauptergebnis des Projekts vor: DNBVIS, der Prototyp eines experimentellen Kataloginterfaces. Anschließend werden die Vorgehensweise und wichtigsten Erkenntnisse des Projekts zusammengefasst.</abstract>
    <identifier type="url">https://d-nb.info/1154315215</identifier>
    <identifier type="issn">0936-1138</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY-SA - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Viktoria Brüggemann</author>
    <author>Katja Dittrich</author>
    <author>Marian Dörk</author>
    <author>Johannes Herseni</author>
    <author>Jens Rauenbusch</author>
    <author>Fidel Thomet</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Bibliografische Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Deutsche Nationalbibliothek</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Forschungsprojekt</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Graphische Benutzeroberfläche</value>
    </subject>
    <collection role="ddc" number="020">Bibliotheks- und Informationswissenschaften</collection>
    <collection role="institutes" number="">FB4 Design</collection>
  </doc>
  <doc>
    <id>3671</id>
    <completedYear/>
    <publishedYear>2025</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber>26</pageNumber>
    <edition/>
    <issue>3</issue>
    <volume>44</volume>
    <type>article</type>
    <publisherName>Wiley-Blackwell</publisherName>
    <publisherPlace>Oxford</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Fluidly Revealing Information</title>
    <abstract language="eng">Revealing relevant information on demand is an essential requirement for visual data exploration. In this state-of-the-art report, we review and classify techniques that are inspired by the physical metaphor of un/folding to reveal relevant information or, conversely, to reduce irrelevant information in data visualizations. Similar to focus+context approaches, un/foldable visualizations transform the visual data representation, often between different granularities, in an integrated manner while preserving the overall context. This typically involves switching between different visibility states of data elements or adjusting the graphical abstraction linked by gradual display transitions. We analyze a literature corpus of 101 visualization techniques specifically with respect to their use of the un/folding metaphor. In particular, we consider the type of data, the focus scope and the effect scope, the number of un/folding states, the transformation type, and the controllability and interaction directness of un/folding. The collection of un/foldables is available as an online catalog that includes classic focus+context, semantic zooming, and multi-scale visualizations as well as contemporary un/foldable visualizations. From our literature analysis, we further extract families of un/folding techniques, summarize empirical findings to date, and identify promising research directions for un/foldable data visualization.</abstract>
    <parentTitle language="eng">Computer Graphics Forum</parentTitle>
    <subTitle language="eng">A Survey of Un/foldable Data Visualizations</subTitle>
    <identifier type="issn">0167-7055</identifier>
    <identifier type="doi">10.1111/cgf.70152</identifier>
    <identifier type="urn">urn:nbn:de:kobv:525-36719</identifier>
    <enrichment key="opus.import.date">2025-05-28T07:44:04+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <author>Stefan Bruckner</author>
    <author>Christian Tominski</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Falten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-fhpotsdam/files/3671/Bludau_CGF_2025.pdf</file>
  </doc>
  <doc>
    <id>3237</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>2</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Graz</publisherPlace>
    <creatingCorporation>Zentrum für Informationsmodellierung - Austrian Centre for Digital Humanities</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
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    <title language="eng">"The research is happening in the text fields"</title>
    <abstract language="eng">This contribution explores the instructive tensions between art-historical research and semantic data modeling. While the potential of LOD-applications is obvious in terms of standardization and precision some aspects of research may not be formally represented. Therefore we propose to bridge LOD and full text descriptions through information visualization.</abstract>
    <parentTitle language="eng">Book of Abstracts : Digital Humanities 2023</parentTitle>
    <subTitle language="eng">Are Linked Open Data and Art History a good match?</subTitle>
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    <author>Giacomo Nanni</author>
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    <title language="eng">Conceptual Analogues: Coming to Terms with Data Visualisation</title>
    <abstract language="eng">Humanist data visualisation can make a profound contribution to stimu.ate a form of curiosity that recognizes and appreciates the entangled shimmer of the world.</abstract>
    <parentTitle language="eng">Interface Critique</parentTitle>
    <identifier type="issn">2570-0472</identifier>
    <identifier type="issn">2570-0480</identifier>
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    <author>Marian Dörk</author>
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      <value>Feminismus</value>
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    <subject>
      <language>deu</language>
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      <value>Flaneur</value>
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    <subject>
      <language>deu</language>
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    <publishedYear>2023</publishedYear>
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    <creatingCorporation>State of the Map Europe</creatingCorporation>
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    <title language="eng">Mapping public space in urban neighbourhoods using OpenStreetMap data</title>
    <parentTitle language="eng">Proceedings of OSM Science 2023</parentTitle>
    <identifier type="doi">10.5281/zenodo.10443326</identifier>
    <enrichment key="opus.import.date">2026-02-26T10:07:31+00:00</enrichment>
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    <author>Ester Scheck</author>
    <author>Florian Ledermann</author>
    <author>Andrea Binn</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
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      <value>Geoinformationssystem</value>
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    <subject>
      <language>deu</language>
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      <value>OpenStreetMap</value>
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      <value>Öffentlicher Raum</value>
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    <title language="eng">Inflecting Data Visualizations for Web-based Scrollytelling</title>
    <abstract language="eng">We propose the idea of inflections as a method for capturing and conveying interpretative interactions with data visualizations. Aiming to narrow the gap between data analysis and story authoring, inflections are subtle modulations of a visualization's graphical attributes that guide attention, highlight important patterns, and embed communicative cues. By parameterizing view changes and annotations in visualizations, authors can embed insights from their data analysis into story segments and connect them with the respective visualization states. This paper presents the general concept and a technical architecture supporting inflectable data visualizations. By leveraging native web technologies and established visualization conventions, we propose a flexible and extensible approach to inflecting visualizations that link exploratory data analysis and data-driven storytelling.</abstract>
    <parentTitle language="eng">EuroVis 2025 Short Papers</parentTitle>
    <identifier type="doi">10.2312/evs.20251088</identifier>
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    <author>Theresa Eingartner</author>
    <author>Johanna Drucker</author>
    <author>Marian Dörk</author>
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      <language>deu</language>
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      <value>Visualisierung</value>
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      <language>deu</language>
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      <value>Website</value>
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    <publishedYear>2025</publishedYear>
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    <pageFirst>14</pageFirst>
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    <publisherPlace>New York</publisherPlace>
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    <belongsToBibliography>1</belongsToBibliography>
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    <title language="eng">Textarium: Entangling Annotation, Abstraction and Argument</title>
    <abstract language="eng">We present a web-based environment that connects annotation, abstraction, and argumentation during the interpretation of text. As a visual interface for scholarly reading and writing, Textarium combines human analysis with lightweight computational processing to bridge close and distant reading practices. Readers can highlight text, group keywords into concepts, and embed these observations as anchors in essays. The interface renders these interpretive actions as parameterized visualization states. Through a speculative design process of co-creative and iterative prototyping, we developed a reading-writing approach that makes interpretive processes transparent and shareable within digital narratives.</abstract>
    <parentTitle language="eng">2025 IEEE Workshop on Visualization for the Digital Humanities (VIS4DH)</parentTitle>
    <identifier type="isbn">979-8-3315-8037-7</identifier>
    <identifier type="doi">10.1109/VIS4DH69385.2025.00007</identifier>
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    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>Philipp Proff</author>
    <author>Marian Dörk</author>
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      <value>Annotation</value>
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      <value>Anwendungssoftware</value>
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