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  <doc>
    <id>2660</id>
    <completedYear/>
    <publishedYear>2017</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>39</pageFirst>
    <pageLast>47</pageLast>
    <pageNumber/>
    <edition/>
    <issue>1</issue>
    <volume>23</volume>
    <type>article</type>
    <publisherName>John Benjamins Publishing</publisherName>
    <publisherPlace>Amsterdam</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-11</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">One view is not enough High-level visualizations of a large cultural collection</title>
    <abstract language="eng">As cultural institutions are digitizing their artifacts and interlinking their collections, new opportunities emerge to engage with cultural heritage. However, it is the often comprehensive and complex nature of collections that can make it difficult to grasp their distribution and extent across a variety of dimensions. After a brief introduction to the research area of collection visualizations, this paper presents a design study visualizing an aggregated collection from diverse cultural institutions in Germany. We detail our iterative design process leading to prototypical implementations of four stylistically and functionally coordinated visualizations, each one focusing on different facets of the collection.</abstract>
    <parentTitle language="eng">Information Design Journal</parentTitle>
    <identifier type="doi">10.1075/idj.23.1.06dor</identifier>
    <identifier type="issn">1569-979X</identifier>
    <identifier type="urn">urn:nbn:de:kobv:525-26609</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Marian Dörk</author>
    <author>Christopher Pietsch</author>
    <author>Gabriel Credico</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Sammlung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturgut</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digital Humanities</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visual Analytics</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-fhpotsdam/files/2660/doerk.pdf</file>
  </doc>
  <doc>
    <id>2652</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>25</pageLast>
    <pageNumber/>
    <edition/>
    <issue>2</issue>
    <volume>4</volume>
    <type>article</type>
    <publisherName>Open Library of Humanities</publisherName>
    <publisherPlace>Cambridge</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-10</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Off the Grid</title>
    <abstract language="eng">This research explores the merit of alternative arrangements of cultural artifacts to expose the aesthetic abundance of a cultural collection. The conventional display of museum objects in online interfaces tends to neglect the physical gestalt of the collection. For example, coins typically end up in tabular grids of thumbnail pages in online collections mimicking their rigid placement in storage drawers of a depot and glass cabinets in exhibitions. The overall aim behind this research was to devise visualizations that do justice to the material and semantic richness of an entire collection, while providing a casual mode of access that is inviting to people with no background in numismatics. To do this, we undertook an iterative design process, which involved a close collaboration with numismaticians and playful ideation with actual coins. Carefully negotiating expert knowledge and lay curiosity, the resulting visualization represents the collection’s dimensions using thousands of thumbnails as visual data points. The coins can be arranged into various layouts such as piles representing, for example, metal types, or streams visualizing the ebb and flow of coins over the centuries. In the interface, one can play with the coins in a manner that would be unthinkable in a physical exhibition and that has not been tried in a digital display. The article reports on the overall research and design process of this project, the resulting interface concept and prototype, and the feedback received during two evaluations.</abstract>
    <parentTitle language="eng">Open Library of Humanities</parentTitle>
    <subTitle language="eng">Visualizing a Numismatic Collection as Dynamic Piles and Streams</subTitle>
    <identifier type="doi">10.16995/olh.280</identifier>
    <identifier type="urn">urn:nbn:de:kobv:525-26527</identifier>
    <identifier type="issn">2056-6700</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Flavio Gortana</author>
    <author>Franziska von Tenspolde</author>
    <author>Daniela Guhlmann</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Exponat</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Numismatik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Graphische Benutzeroberfläche</value>
    </subject>
    <collection role="ddc" number="730">Bildhauerkunst, Keramik, Metallkunst</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-fhpotsdam/files/2652/Gortana.pdf</file>
  </doc>
  <doc>
    <id>2657</id>
    <completedYear/>
    <publishedYear>2017</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>884</pageFirst>
    <pageLast>895</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Association for Computing Machinery</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-10</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Memory Dialogue</title>
    <abstract language="eng">With the proliferation of personal and social computing there is an increased interest in the field of human-computer interaction to support people's memory practises. Yet, there is only a limited understanding of the role of artefacts in the social dynamics in memory. With memory dialogue, we introduce a methodology for exploring artefact-based memory sharing. Participants created physical or digital memory artefacts, exchanged them, and reflected on the process. Our qualitative findings show how this method can help uncover the complexity of shared memory. Participants largely chose bonding experiences and created artefacts as conversation starters about differences in their memories.</abstract>
    <parentTitle language="eng">CHI EA '17: Proceedings of the 2017 CHI Conference Extended Abstracts on Human Factors in Computing Systems</parentTitle>
    <subTitle language="eng">Exploring Artefact-Based Memory Sharing</subTitle>
    <identifier type="isbn">978-1-4503-4656-6</identifier>
    <identifier type="doi">10.1145/3027063.3052756</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Stephanie Neumann</author>
    <author>Richard Banks</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Gedächtnisleistung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Gedächtniskonsolidierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Gedächtnistest</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Semantisches Gedächtnis</value>
    </subject>
    <collection role="ddc" number="150">Psychologie</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2644</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>10</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Institute of Electrical and Electronics Engineers (IEEE)</publisherName>
    <publisherPlace>Berlin</publisherPlace>
    <creatingCorporation>Institute of Electrical and Electronics Engineers (IEEE)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-10</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Shifted Maps</title>
    <abstract language="eng">We present a hybrid visualization technique that integrates maps into network visualizations to reveal and analyze diverse topologies in geospatial movement data. With the rise of GPS tracking in various contexts such as smartphones and vehicles there has been a drastic increase in geospatial data being collect for personal reflection and organizational optimization. The generated movement datasets contain both geographical and temporal information, from which rich relational information can be derived. Common map visualizations perform especially well in revealing basic spatial patterns, but pay less attention to more nuanced relational properties. In contrast, network visualizations represent the specific topological structure of a dataset through the visual connections of nodes and their positioning. So far there has been relatively little research on combining these two approaches. Shifted Maps aims to bring maps and network visualizations together as equals. The visualization of places shown as circular map extracts and movements between places shown as edges, can be analyzed in different network arrangements, which reveal spatial and temporal topologies of movement data. We implemented a web-based prototype and report on challenges and opportunities about a novel network layout of places gathered during a qualitative evaluation.</abstract>
    <parentTitle language="eng">2018 IEEE VIS Arts Program</parentTitle>
    <subTitle language="eng">Revealing spatio-temporal topologies in movement data</subTitle>
    <identifier type="isbn">978-1-7281-2805-4</identifier>
    <identifier type="doi">10.1109/VISAP45312.2018.9046054</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Heike Otten</author>
    <author>Lennart Hildebrand</author>
    <author>Till Nagel</author>
    <author>Marian Dörk</author>
    <author>Boris Müller</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Karte</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>GPS</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Bewegung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="ddc" number="910">Geografie, Reisen</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2825</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>173</pageFirst>
    <pageLast>184</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>kopaed</publisherName>
    <publisherPlace>München</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-07-19</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">PKKB : Postdigitale Kunstpraktiken</title>
    <abstract language="deu">Das interdisziplinäre Forschungsvorhaben widmet sich postdigitalen Kulturszenen, die an der Schnittstelle von Kunst, Bildung und Technologie innovative Formate ästhetischer Aneignung, Produktion und Vermittlung hervorbringen. Gemeint sind künstlerische Praktiken, die die Computertechnik zum Ausgangspunkt nehmen, um durch sie bedingte und über sie hinausgehende Fragestellungen ästhetisch neu zu verhandeln. Ausgangspunkt ist die postdigitale Beobachtung, dass Algorithmen und Daten die Gesellschaft längst durchziehen, unsere Verhältnisse zur sozialen und materiellen Welt zunehmend über digitale Repräsentationen vermitteln und die Komplexität ihrer technologischen Konstituierung unsichtbar wird (Bolter/Gruisin 1999; Cramer 2015; Berry/Dieter 2015; Contreras-Koterbay/Mirocha 2016). Vor diesem Hintergrund erlauben Kunstpraktiken, die mit digitalen Methoden generiert, aber nicht notwendigerweise digital vermittelt werden, in besonderem Maße Prozesse der Digitalisierung kritisch zu reflektieren und so die Beziehungen zwischen digitalen und physischen Räumen nicht aus dem Blick zu verlieren, sondern aktiv mitzugestalten. Dennoch finden sie in der Kulturellen Bildung (KuBi), deren Zielgruppen kaum Bewusstsein für das künstlerische und kritische Potenzial digitaler Formate haben, bislang wenig Berücksichtigung. Es scheint, als ob postdigitaler Kunst über die Altersgruppen hinweg ein hohes Maß an Affirmation von Digitalisierungsprozessen zugesprochen wird. Im Kontrast hierzu veranschaulichen prominente Vertreterinnen und Vertreter, wie digitale Methoden produktiv eingesetzt werden, um kritische Fragen zur Digitalisierung zu artikulieren (Bridle 2013). Hervorzuheben ist die Reflexionsfähigkeit medienimmanenter Ausdrucksformen postdigitaler Kunst, die eine rezeptive und kreative Auseinandersetzung mit ihrer soziotechnischen Spezifik ermöglicht, wenngleich sie im Kunstverständnis der jüngeren Generation kaum eine Rolle spielen (Meyer 2010, Seitz 2013a; Rat für Kulturelle Bildung 2015a). Es fehlt die notwendige Grundlagenforschung, um eine angemessene Anwendung postdigitalen Kunstschaffens für verschiedene Zielgruppen der KuBi zu ermöglichen. In dem folgenden Beitrag umreißen wir kurz den Status Quo der KuBi, reflektieren wesentliche Entwicklungslinien postdigitaler Kunst und formulieren Ansprüche für transdisziplinäre Forschung an deren Schnittmenge.</abstract>
    <parentTitle language="deu">Forschung zur Digitalisierung in der Kulturellen Bildung</parentTitle>
    <identifier type="isbn">978-3-86736-522-2</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Judith Ackermann</author>
    <author>Marian Dörk</author>
    <author>Hanne Seitz</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturpädagogik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digitalisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Ästhetik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Transdisziplinarität</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Postdigital</value>
    </subject>
    <collection role="ddc" number="370">Bildung und Erziehung</collection>
    <collection role="institutes" number="">FB1 Sozial- und Bildungswissenschaften</collection>
    <collection role="institutes" number="">FB4 Design</collection>
  </doc>
  <doc>
    <id>2756</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>ii17</pageFirst>
    <pageLast>ii29</pageLast>
    <pageNumber/>
    <edition/>
    <issue>Supplement 2</issue>
    <volume>36</volume>
    <type>article</type>
    <publisherName>Oxford University Press</publisherName>
    <publisherPlace>Oxford</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-04-20</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Relational perspectives as situated visualizations of art collections</title>
    <abstract language="eng">With relational perspectives, we examine the potential of traversing cultural collections along the richness of individual facets and relations through the process of developing an exploration-centered visualization. Cultural collections can contain thousands of artifacts, of which each typically possesses a diverse set of properties and individual facets constituting a unique relationship to the rest of the collection. Therefore, to create an appropriate representation of the complex data of each underlying artifact, oftentimes, it is not only interesting to get an overview of the entire collection from one perspective, but to explore the specific context of an artifact and the various relations it may have to other items. To investigate the potential of relational perspectives, we selected an art collection as a particularly promising case study. By following and reporting from a collaborative and iterative design process with an art museum, we developed a web interface that contrasts a collection overview with three situated visualizations each exposing a different kind of relational perspective on the art collection from an artifact.</abstract>
    <parentTitle language="eng">Digital Scholarship in the Humanities</parentTitle>
    <identifier type="doi">10.1093/llc/fqab003</identifier>
    <identifier type="issn">1477-4615</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <author>Frank Heidmann</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturelle Einrichtung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digitalisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Graphische Benutzeroberfläche</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digital Humanities</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2618</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>217</pageFirst>
    <pageLast>235</pageLast>
    <pageNumber/>
    <edition/>
    <issue>1</issue>
    <volume>4</volume>
    <type>article</type>
    <publisherName>De Gruyter Saur</publisherName>
    <publisherPlace>Berlin</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-08</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Co-Designing Visualizations for Information Seeking and Knowledge Management</title>
    <abstract language="eng">Creativity is a crucial factor in finding novel and useful visualization and interaction techniques, but its emergence is contingent on the right conditions. The focus of visualization research has traditionally been on techniques, and to a lesser degree on the process of creating them with domain experts and end users. This paper focuses on the collaborative design of visualizations for information seeking and knowledge management. The difficult, yet common challenge in any visualization project is to find meaningful visual representations and useful interaction techniques to carry out complex analysis tasks. The unique difficulty for preparing co-design activities for visualization lies in the gap between the abstract nature of data and the concrete form of visual representations. To bridge this gap, our co-design framework for visualization places particular emphasis on actors, activities, and artifacts as categories that expand the focus of visualization design beyond the traditional triad of users, tasks, and data. Drawing from general co-design principles, the framework is developed and validated during the course of two case studies in the context of information management systems and library collection databases. Based on observed patterns during the case studies, practical tactics provide advice on carrying out co-design in information visualization.</abstract>
    <parentTitle language="eng">Open Information Science</parentTitle>
    <identifier type="doi">10.1515/opis-2020-0102</identifier>
    <identifier type="issn">2451-1781</identifier>
    <identifier type="urn">urn:nbn:de:kobv:525-26188</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Marian Dörk</author>
    <author>Boris Müller</author>
    <author>Jan-Erik Stange</author>
    <author>Johannes Herseni</author>
    <author>Katja Dittrich</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Information Visualization</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Co-design</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Methodologie</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Wissensmanagement</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationsverhalten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mensch-Maschine-Kommunikation</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-fhpotsdam/files/2618/10.1515_opis-2020-0102.pdf</file>
  </doc>
  <doc>
    <id>2596</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>12</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume>2021</volume>
    <type>conferenceobject</type>
    <publisherName>Association for Computing Machinery</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-07</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">The Public Life of Data</title>
    <abstract language="eng">This research investigates how people engage with data visualizations when commenting on the social platform Reddit. There has been considerable research on collaborative sensemaking with visualizations and the personal relation of people with data. Yet, little is known about how public audiences without specific expertise and shared incentives openly express their thoughts, feelings, and insights in response to data visualizations. Motivated by the extensive social exchange around visualizations in online communities, this research examines characteristics and motivations of people’s reactions to posts featuring visualizations. Following a Grounded Theory approach, we study 475 reactions from the /r/dataisbeautiful community, identify ten distinguishable reaction types, and consider their contribution to the discourse. A follow-up survey with 168 Reddit users clarified their intentions to react. Our results help understand the role of personal perspectives on data and inform future interfaces that integrate audience reactions into visualizations to foster a public discourse about data.</abstract>
    <parentTitle language="eng">CHI Conference on Human Factors in Computing Systems (CHI ’21)</parentTitle>
    <subTitle language="eng">Investigating Reactions to Visualizations on Reddit</subTitle>
    <identifier type="doi">10.1145/3411764.3445720</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Tobias Kauer</author>
    <author>Arran Ridley</author>
    <author>Marian Dörk</author>
    <author>Benjamin Bach</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>data visualization</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>reddit</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>personal data</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Personenbezogenen Daten</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2595</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>523</pageFirst>
    <pageLast>537</pageLast>
    <pageNumber>15</pageNumber>
    <edition/>
    <issue/>
    <volume>2021</volume>
    <type>conferenceobject</type>
    <publisherName>Association for Computing Machinery</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-07</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">I/O Bits</title>
    <abstract language="eng">We present I/O Bits, a prototype personal informatics system that explores the potential for user-driven and situated self-tracking. With simple tactile inputs and small e-paper visualizations, I/O Bits are dedicated physical devices that allow individuals to track and visualize different kinds of personal activities in-situ. This is in contrast to most self-tracking systems, which automate data collection, centralize information displays, or integrate into multi-purpose devices like smartwatches or mobile phones. We report findings from an e-paper visualization workshop and a prototype deployment where participants constructed their own I/O Bits and used them to track a range of personal data. Based on these experiences, we contribute insights and opportunities for situated and user-driven personal informatics.</abstract>
    <parentTitle language="eng">Designing Interactive Systems Conference 2021 (DIS ’21)</parentTitle>
    <subTitle language="eng">User-Driven, Situated, and Dedicated Self-Tracking</subTitle>
    <identifier type="doi">10.1145/3461778.3462138</identifier>
    <identifier type="isbn">978-1-4503-8476-6</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Kendra Wannamaker</author>
    <author>Sandeep Kollannur</author>
    <author>Marian Dörk</author>
    <author>Wesley Willett</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Personal Data/Tracking</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Visualization</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Ambient Devices</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Ubiquitous Computing</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Internet der Dinge</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2567</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>13</pageFirst>
    <pageLast>24</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>40</volume>
    <type>article</type>
    <publisherName>Wiley</publisherName>
    <publisherPlace>Oxford</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2021-10-15</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Topography of Violence</title>
    <abstract language="eng">Based on a collaborative visualization design process involving sensitive historical data and historiographical expertise, we investigate the relevance of ethical principles in visualization design. While fundamental ethical norms like truthfulness and accuracy are already well-described and common goals in visualization design, datasets that are accompanied by specific ethical concerns need to be processed and visualized with an additional level of carefulness and thought. There has been little research on adequate visualization design incorporating such considerations. To address this gap we present insights from Topography of Violence, a visualization project with the Jewish Museum Berlin that focuses on a dataset of more than 4,500 acts of violence against Jews in Germany between 1930 and 1938. Drawing from the joint project, we develop an approach to the visualization of sensitive data, which features both conceptual and procedural considerations for visualization design. Our findings provide value for both visualization researchers and practitioners by highlighting challenges and opportunities for ethical data visualization.</abstract>
    <parentTitle language="eng">Computer Graphics Forum</parentTitle>
    <subTitle language="eng">Considerations for Ethical and Collaborative Visualization Design</subTitle>
    <additionalTitle language="deu">Topographie der Gewalt: Überlegungen zum ethischen und kollaborativen Visualisierungsdesign</additionalTitle>
    <identifier type="doi">10.1111/cgf.14285</identifier>
    <identifier type="issn">1467-8659</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Fabian Ehmel</author>
    <author>Viktoria Brüggemann</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Ethik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Bewertung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2369</id>
    <completedYear/>
    <publishedYear>2015</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>212</pageFirst>
    <pageLast>217</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Mensch und Buch Verlag</publisherName>
    <publisherPlace>Berlin</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2019-05-23</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Urbane Komplexität verstehen - Das Institut für angewandte Forschung Urbane Zukunft</title>
    <parentTitle language="deu">Research Day 2015 Stadt der Zukunft : Tagungsband - 21.04.2015 / Beuth Hochschule für Technik Berlin</parentTitle>
    <identifier type="isbn">978-3-86387-595-4</identifier>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">true</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Christina Schade</author>
    <author>Marian Dörk</author>
    <author>Katrin Glinka</author>
    <author>Matthias Hauff</author>
    <author>Harald A. Mieg</author>
    <author>Michael Prytula</author>
    <author>Jens Rauenbusch</author>
    <author>Tobias Schröder</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fachhochschule</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Lehre</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Forschung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Hochschuldidaktik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Entdeckendes Lernen</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Stadt</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Strukturwandel</value>
    </subject>
    <collection role="ddc" number="370">Bildung und Erziehung</collection>
    <collection role="ddc" number="710">Landschaftsgestaltung, Raumplanung</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>2341</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>2311</pageFirst>
    <pageLast>2330</pageLast>
    <pageNumber/>
    <edition/>
    <issue>6</issue>
    <volume>25</volume>
    <type>article</type>
    <publisherName>IEEE</publisherName>
    <publisherPlace>New York, NY</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2019-05-03</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Visualization of Cultural Heritage Collection Data</title>
    <parentTitle language="eng">IEEE Transactions on Visualization and Computer Graphics</parentTitle>
    <subTitle language="eng">State of the Art and Future Challenges</subTitle>
    <identifier type="doi">10.1109/TVCG.2018.2830759</identifier>
    <identifier type="issn">1941-0506</identifier>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Florian Windhager</author>
    <author>Paolo Federico</author>
    <author>Günther Schreder</author>
    <author>Katrin Glinka</author>
    <author>Marian Dörk</author>
    <author>Silvia Miksch</author>
    <author>Eva Mayr</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>2864</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>115</pageFirst>
    <pageLast>123</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Deutsches Museum Verlag</publisherName>
    <publisherPlace>München</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-08-11</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Zwischen Distanz und Nähe : Formen der Betrachtung und Bewegung in (digitalen) Sammlungen</title>
    <parentTitle language="deu">Das digitale Objekt : Zwischen Depot und Internet</parentTitle>
    <identifier type="isbn">978-3-948808-00-6</identifier>
    <identifier type="issn">2365-9149</identifier>
    <identifier type="url">https://www.deutsches-museum.de/museum/verlag/publikation/das-digitale-objekt</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY-SA - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Viktoria Brüggemann</author>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digitalisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Museum</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Virtuelles Museum</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="060">Verbände, Organisationen, Museen</collection>
    <collection role="ddc" number="300">Sozialwissenschaften, Soziologie</collection>
    <collection role="institutes" number="">FB4 Design</collection>
  </doc>
  <doc>
    <id>3255</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>16</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>14</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>USA</publisherPlace>
    <creatingCorporation>Association for Computers and the Humanities</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">The Fold</title>
    <abstract language="eng">We propose the philosophical notion of the fold as an evocative vocabulary for the design and critique of interactive data visualizations. An expanding range of application areas, such as digital art history and literary studies, illustrates the potential of data visualization for research and education in the humanities. Coinciding with the increasing currency of data as evidence in the humanities, this research addresses a growing interest in data visualization for visual analysis and argumentation. For example, cultural collection visualizations promise a range of possibilities for visual and interactive representations of digital cultural heritage, used both for free exploration and focused research. Based on the concept of the fold, prominently advanced by Gilles Deleuze, this paper outlines a critical framework that draws attention towards the complexity of the underlying data. The fold offers a way to analyze and conceptualize visualizations through the lens of three integrated operations: explication, implication, and complication. It is an opportunity to think of interactive visualizations as portals into coherent, elastic, and ultimately infinite information spaces. Accordingly, it rejects the separation between interactivity and visual encoding and draws attention to the transitions between multiple states of a visualization. We identify design patterns of the fold in data visualizations, devise a framework for the critical interpretation of interactivity in data visualization, and demonstrate the implications for the digital humanities.</abstract>
    <parentTitle language="eng">Digital humanities quarterly : DHQ</parentTitle>
    <subTitle language="eng">Rethinking Interactivity in Data Visualization</subTitle>
    <identifier type="issn">1938-4122</identifier>
    <identifier type="url">http://www.digitalhumanities.org/dhq/vol/14/3/000487/000487.html</identifier>
    <enrichment key="opus.import.date">2023-10-20T12:33:57+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY-ND - Namensnennung - Keine Bearbeitungen 4.0 International</licence>
    <author>Viktoria Brüggemann</author>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Wortschatz</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Deleuze, Gilles</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3271</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>27</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>13</volume>
    <type>article</type>
    <publisherName>Association for Computers and the Humanities</publisherName>
    <publisherPlace>USA</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Narrelations</title>
    <abstract language="eng">We present findings from interdisciplinary research at the intersection between literary studies, information visualization, and interface design. Despite a growing interest in text visualization among literary scholars, so far, narrative visualizations are not designed to support the particular tasks involved in narratological analysis and often fail to reveal nuanced narratological features. One major outcome of our iterative research and design process is Narrelations, a novel visualization technique specifically suited for analyzing and interpreting narrative levels of a story and temporal aspects of its narrative representation. The visualization provides an overview of the nesting and distribution of narrative levels, integrates the representation of temporal phenomena, and facilitates the examination of correlations between these aspects. With this research we explore how collaboratively designed visual encodings and interaction techniques may allow for an insightful analysis at a high level coupled with a close inspection of text passages. We discuss prior work relevant to our research objectives and explain the specific characteristics of narrative levels and temporal aspects of narrative representation. After describing the research process and design principles, we apply the visualization on a test corpus of eight annotated German short stories and demonstrate its heuristic value for literary analyses and interpretations. In particular, we explore the intricate connections between the literary content of the novellas and their narrative form.</abstract>
    <parentTitle language="eng">Digital humanities quarterly : DHQ</parentTitle>
    <subTitle language="eng">Visualizing Narrative Levels and their Correlations with Temporal Phenomena</subTitle>
    <identifier type="issn">1938-4122</identifier>
    <identifier type="url">http://digitalhumanities.org:8081/dhq/vol/13/3/000414/000414.html</identifier>
    <enrichment key="opus.import.date">2023-10-27T11:43:37+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Hannah Schwan</author>
    <author>Janina Jacke</author>
    <author>Rabea Kleymann</author>
    <author>Jan-Erik Stange</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Literaturwissenschaft</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Erzähltechnik</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3252</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>124</pageFirst>
    <pageLast>149</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Wien</publisherPlace>
    <creatingCorporation>Universität Wien</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Graph Technologies for the Analysis of Historical Social Networks Using Heterogeneous Data Sources</title>
    <abstract language="eng">Over the last decades, cultural heritage institutions have provided extensive machine-readable data, such as bibliographic and archival metadata, full-text collections, and authority records containing multitudes of implicit and explicit statements about the social relations between various types of entities. In this paper, we discuss how approaches to the creation and operation of advanced research infrastructure for historical network analysis (HNA) based on heterogeneous data sources from cultural heritage institutions can be examined and evaluated. Based on our interdisciplinary research, we describe challenges and strategies with a special focus on the issue of data processing, sketch out the advantages of human-centered project design in the form of a preliminary co-design workshop, and present an iterative approach to data visualization.</abstract>
    <parentTitle language="eng">Graph Technologies in the Humanities</parentTitle>
    <identifier type="issn">1613-0073</identifier>
    <identifier type="url">https://ceur-ws.org/Vol-3110/paper7.pdf</identifier>
    <enrichment key="opus.import.date">2023-10-17T11:12:58+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Sina Menzel</author>
    <author>Mark-Jan Bludau</author>
    <author>Elena Leitner</author>
    <author>Marian Dörk</author>
    <author>Julián Moreno-Schneider</author>
    <author>Vivien Petras</author>
    <author>Georg Rehm</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Datenverarbeitung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3247</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>1</pageFirst>
    <pageLast>3</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Hamburg</publisherPlace>
    <creatingCorporation>Verband Digital Humanities im deutschsprachigen Raum e.V.</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">SoNAR (IDH)</title>
    <parentTitle language="deu">DHd 2020 Spielräume: Digital Humanities zwischen Modellierung und Interpretation</parentTitle>
    <subTitle language="deu">Datenschnittstellen für historische Netzwerkanalyse</subTitle>
    <identifier type="doi">10.5281/zenodo.4621862</identifier>
    <enrichment key="opus.import.date">2023-10-16T12:23:52+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <author>Heiner Fangerau</author>
    <author>Thorsten Halling</author>
    <author>Elena Leitner</author>
    <author>Sina Menzel</author>
    <author>Gerhard Müller</author>
    <author>Vivien Petras</author>
    <author>Georg Rehm</author>
    <author>Clemens Neudecker</author>
    <author>David Zellhiefer</author>
    <author>Julian Moreno Schneider</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Soziale Netzwerkanalyse</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Optische Zeichenerkennung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Named Entity Recognition</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3246</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>1</pageFirst>
    <pageLast>4</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Hamburg</publisherPlace>
    <creatingCorporation>Verband Digital Humanities im deutschsprachigen Raum e.V.</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Die Falte</title>
    <parentTitle language="deu">DHd 2020 Spielräume: Digital Humanities zwischen Modellierung und Interpretation</parentTitle>
    <subTitle language="deu">Ein Denkraum für interaktive und kritische Datenvisualisierungen</subTitle>
    <identifier type="doi">10.5281/zenodo.4621888</identifier>
    <enrichment key="opus.import.date">2023-10-12T14:52:43+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Viktoria Brüggemann</author>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Interaktion</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Philosophie</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2597</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>126</pageFirst>
    <pageLast>130</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>IEEE</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation>The Institute of Electrical and Electronics Engineers (IEEE)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-07</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Unravelling the Human Perspective and Considerations for Urban Data Visualization</title>
    <abstract language="eng">Effective use of data is an essential asset to modern cities. Visualization as a tool for analysis, exploration, and communication has become a driving force in the task of unravelling our complex urban fabrics. This paper outlines the findings from a series of three workshops from 2018-2020 bringing together experts in urban data visualization with the aim of exploring multidisciplinary perspectives from the human-centric lens. Based on the rich and detailed workshop discussions identifying challenges and opportunities for urban data visualization research, we outline major human-centric themes and considerations fundamental for CityVis design and introduce a framework for an urban visualization design space.</abstract>
    <parentTitle language="eng">2021 IEEE 14th Pacific Visualization Symposium (PacificVis)</parentTitle>
    <identifier type="doi">10.1109/PacificVis52677.2021.00024</identifier>
    <identifier type="isbn">978-1-6654-3931-2</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Sarah Goodwin</author>
    <author>Sebastian Meier</author>
    <author>Lyn Bartram</author>
    <author>Alex Godwin</author>
    <author>Till Nagel</author>
    <author>Marian Dörk</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Human-centered computing</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Interaction design</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Individuelle Datenverarbeitung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3158</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber>9</pageNumber>
    <edition/>
    <issue/>
    <volume/>
    <type>workingpaper</type>
    <publisherName>Cornell University</publisherName>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2023-08-10</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Emosaic: Visualizing Affective Content of Text at Varying Granularity</title>
    <abstract language="eng">This paper presents Emosaic, a tool for visualizing the emotional tone of text documents, considering multiple dimensions of emotion and varying levels of semantic granularity. Emosaic is grounded in psychological research on the relationship between language, affect, and color perception. We capitalize on an established three-dimensional model of human emotion: valence (good, nice vs. bad, awful), arousal (calm, passive vs. exciting, active) and dominance (weak, controlled vs. strong, in control). Previously, multi-dimensional models of emotion have been used rarely in visualizations of textual data, due to the perceptual challenges involved. Furthermore, until recently most text visualizations remained at a high level, precluding closer engagement with the deep semantic content of the text. Informed by empirical studies, we introduce a color mapping that translates any point in three-dimensional affective space into a unique color. Emosaic uses affective dictionaries of words annotated with the three emotional parameters of the valence-arousal-dominance model to extract emotional meanings from texts and then assigns to them corresponding color parameters of the hue-saturation-brightness color space. This approach of mapping emotion to color is aimed at helping readers to more easily grasp the emotional tone of the text. Several features of Emosaic allow readers to interactively explore the affective content of the text in more detail; e.g., in aggregated form as histograms, in sequential form following the order of text, and in detail embedded into the text display itself. Interaction techniques have been included to allow for filtering and navigating of text and visualizations.</abstract>
    <parentTitle language="eng">arxiv.org</parentTitle>
    <identifier type="doi">10.48550/arXiv.2002.10096</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Philipp Geuder</author>
    <author>Marie-Claire Leidinger</author>
    <author>Martin von Lupin</author>
    <author>Marian Dörk</author>
    <author>Tobias Schröder</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mensch-Maschine-Kommunikation</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digital</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Text</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Emotion</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Farbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Farbzuweisung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Farbübersetzung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>3501</id>
    <completedYear/>
    <publishedYear>2024</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1246</pageFirst>
    <pageLast>1256</pageLast>
    <pageNumber/>
    <edition/>
    <issue>1</issue>
    <volume>21</volume>
    <type>article</type>
    <publisherName>Institute of Electrical and Electronics Engineers (IEEE)</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Discursive Patinas</title>
    <abstract language="eng">This paper presents discursive patinas, a technique to visualize discussions onto data visualizations, inspired by how people leave traces in the physical world. While data visualizations are widely discussed in online communities and social media, comments tend to be displayed separately from the visualization and we lack ways to relate these discussions back to the content of the visualization, e.g., to situate comments, explain visual patterns, or question assumptions. In our visualization annotation interface, users can designate areas within the visualization. Discursive patinas are made of overlaid visual marks (anchors), attached to textual comments with category labels, likes, and replies. By coloring and styling the anchors, a meta visualization emerges, showing what and where people comment and annotate the visualization. These patinas show regions of heavy discussions, recent commenting activity, and the distribution of questions, suggestions, or personal stories. We ran workshops with 90 students, domain experts, and visualization researchers to study how people use anchors to discuss visualizations and how patinas influence people's understanding of the discussion. Our results show that discursive patinas improve the ability to navigate discussions and guide people to comments that help understand, contextualize, or scrutinize the visualization. We discuss the potential of anchors and patinas to support discursive engagements, including critical readings of visualizations, design feedback, and feminist approaches to data visualization.</abstract>
    <parentTitle language="eng">IEEE transactions on visualization and computer graphics</parentTitle>
    <subTitle language="eng">Anchoring Discussions in Data Visualizations</subTitle>
    <identifier type="issn">1077-2626</identifier>
    <identifier type="doi">10.1109/TVCG.2024.3456334</identifier>
    <enrichment key="opus.import.date">2024-09-20T11:40:59+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>Tobias Kauer</author>
    <author>Derya Akbaba</author>
    <author>Marian Dörk</author>
    <author>Benjamin Bach</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Annotation</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Diskussion</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3065</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>4039</pageFirst>
    <pageLast>4054</pageLast>
    <pageNumber/>
    <edition/>
    <issue>7</issue>
    <volume>30</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation>Institute of Electrical and Electronics Engineers (IEEE)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2023-03-30</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Attitudinal effects of data visualizations and illustrations in data stories</title>
    <abstract language="eng">Journalism has become more data-driven and inherently visual in recent years. Photographs, illustrations, infographics, data visualizations, and general images help convey complex topics to a wide audience. The way that visual artifacts influence how readers form an opinion beyond the text is an important issue to research, but there are few works about this topic. In this context, we research the persuasive, emotional and memorable dimensions of data visualizations and illustrations in journalistic storytelling for long-form articles. We conducted a user study and compared the effects which data visualizations and illustrations have on changing attitude towards a presented topic. While visual representations are usually studied along one dimension, in this experimental study, we explore the effects on readers' attitudes along three: persuasion, emotion, and information retention. By comparing different versions of the same article, we observe how attitudes differ based on the visual stimuli present, and how they are perceived when combined. Results indicate that the narrative using only data visualization elicits a stronger emotional impact than illustration-only visual support, as well as a significant change in the initial attitude about the topic. Our findings contribute to a growing body of literature on how visual artifacts may be used to inform and influence public opinion and debate. We present ideas for future work to generalize the results beyond the domain studied, the water crisis.</abstract>
    <parentTitle language="eng">IEEE Transactions on Visualization and Computer Graphics</parentTitle>
    <identifier type="doi">10.1109/TVCG.2023.3248319</identifier>
    <identifier type="issn">1077-2626</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Manuela Garretón</author>
    <author>Francesca Morini</author>
    <author>Pablo Celhay</author>
    <author>Marian Dörk</author>
    <author>Denis Parra</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Journalismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Illustration</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationsspeicherung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2909</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>465</pageFirst>
    <pageLast>483</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>11</volume>
    <type>article</type>
    <publisherName>Routledge, Taylor &amp; Francis Group</publisherName>
    <publisherPlace>London</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-11-03</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Sensing what’s new : considering ethics when using sensor data in journalistic practices</title>
    <abstract language="eng">As data are becoming increasingly central to journalistic practice, a number of technology-driven approaches are emerging among data journalists. This article focuses on sensor journalism, which brings new practical and ethical concerns to journalism. By interviewing and working with data journalists and journalism scholars, we analyze the new technological and ethical challenges that sensors bring to journalism. The results contribute to the knowledge on how data journalists implicitly embed ethical values into their everyday work. Furthermore, they suggest that general ethical values are revisited and extended by the influence of sensors.</abstract>
    <parentTitle language="eng">Digital Journalism</parentTitle>
    <identifier type="doi">10.1080/21670811.2022.2134161</identifier>
    <identifier type="issn">2167-082X</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Francesca Morini</author>
    <author>Marian Dörk</author>
    <author>Ester Appelgren</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Journalismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Ethik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Datenanalyse</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Sensor</value>
    </subject>
    <collection role="ddc" number="070">Publizistische Medien, Journalismus, Verlagswesen</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3315</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>11</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>preprint</type>
    <publisherName>Institute of Electrical and Electronics Engineers (IEEE)</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">From shock to shift</title>
    <abstract language="eng">We present a multi-dimensional, multi-level, and multi-channel approach to data visualization for the purpose of constructive climate journalism. Data visualization has assumed a central role in environmental journalism and is often used in data stories to convey the dramatic consequences of climate change and other ecological crises. However, the emphasis on the catastrophic impacts of climate change tends to induce feelings of fear, anxiety, and apathy in readers. Climate mitigation, adaptation, and protection—all highly urgent in the face of the climate crisis—are at risk of being overlooked. These topics are more difficult to communicate as they are hard to convey on varying levels of locality, involve multiple interconnected sectors, and need to be mediated across various channels from the printed newspaper to social media platforms. So far, there has been little research on data visualization to enhance affective engagement with data about climate protection as part of solution-oriented reporting of climate change. With this research we characterize the unique challenges of constructive climate journalism for data visualization and share findings from a research and design study in collaboration with a national newspaper in Germany. Using the affordances and aesthetics of travel postcards, we present Klimakarten, a data journalism project on the progress of climate protection at multiple spatial scales (from national to local), across five key sectors (agriculture, buildings, energy, mobility, and waste), and for print and online use. The findings from quantitative and qualitative analysis of reader feedback confirm our overall approach and suggest implications for future work.</abstract>
    <parentTitle language="eng">IEEE transactions on visualization and computer graphics</parentTitle>
    <subTitle language="eng">Data visualization for constructive climate journalism</subTitle>
    <identifier type="issn">1077-2626</identifier>
    <identifier type="doi">10.1109/TVCG.2023.3327185</identifier>
    <enrichment key="opus.import.date">2023-12-20T16:08:20+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Francesca Morini</author>
    <author>Anna Eschenbacher</author>
    <author>Johanna Hartmann</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Erzählen</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Journalismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Klimaänderung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Meteorologie</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="ddc" number="070">Publizistische Medien, Journalismus, Verlagswesen</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
</export-example>
