<?xml version="1.0" encoding="utf-8"?>
<export-example>
  <doc>
    <id>1566</id>
    <completedYear/>
    <publishedYear>2015</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>105</pageFirst>
    <pageLast>117</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Werner Hülsbusch</publisherName>
    <publisherPlace>Glückstadt</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-06-01</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Visualising the »Un-seen«</title>
    <abstract language="eng">In recent years, access to cultural heritage has been closely connected to digitisation. We argue the case for recognising this digital shift as an opportunity to create interfaces to cultural heritage that are, first of all, more inviting to the public. Secondly, we want to encourage critical approaches towards the representation of cultural production and allow for alternative or even conflicting narratives and interpretations to surface. We present related work, use cases, and concepts for visualisations and interfaces that invite the reconsideration of modes of categorisation, presentation and clustering. Our intent is to develop ways to scrutinise modes of exclusion, carry out critical evaluations and pursue interventional strategies. We discuss the specific potential of visualisation, annotation and dynamic expansion of digital cultural collections. Building on critical approaches in human-computer interaction, visualisation and cultural theories, we explore how the interface could be a means of reflection, critique and inclusion.</abstract>
    <parentTitle language="deu">Kultur und Informatik - Cross Media</parentTitle>
    <subTitle language="eng">Towards Critical Approaches and Strategies  of Inclusion in Digital Cultural Heritage Interfaces</subTitle>
    <identifier type="isbn">978-3-86488-082-7</identifier>
    <author>Katrin Glinka</author>
    <author>Sebastian Meier</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digitalisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mensch-Maschine-Schnittstelle</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>2499</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>77</pageFirst>
    <pageLast>87</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>39</volume>
    <type>article</type>
    <publisherName>Wiley-Blackwell</publisherName>
    <publisherPlace>Oxford</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>2020-07-18</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Reading Traces: Scalable Exploration in Elastic Visualizations of Cultural Heritage Data</title>
    <abstract language="eng">Through a design study, we develop an approach to data exploration that utilizes elastic visualizations designed to support varying degrees of detail and abstraction. Examining the notions of scalability and elasticity in interactive visualizations, we introduce a visualization of personal reading traces such as marginalia or markings inside the reference library of German realist author Theodor Fontane. To explore such a rich and extensive collection, meaningful visual forms of abstraction and detail are as important as the transitions between those states. Following a growing research interest in the role of fluid interactivity and animations between views, we are particularly interested in the potential of carefully designed transitions and consistent representations across scales. The resulting prototype addresses humanistic research questions about the interplay of distant and close reading with visualization research on continuous navigation along several granularity levels, using scrolling as one of the main interaction mechanisms. In addition to presenting the design process and resulting prototype, we present findings from a qualitative evaluation of the tool, which suggest that bridging between distant and close views can enhance exploration, but that transitions between views need to be crafted very carefully to facilitate comprehension.</abstract>
    <parentTitle language="eng">Computer Graphics Forum</parentTitle>
    <identifier type="doi">10.1111/cgf.13964</identifier>
    <identifier type="urn">urn:nbn:de:kobv:525-24992</identifier>
    <enrichment key="opus.import.date">2020-12-07T14:02:58+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">deepgreen</enrichment>
    <enrichment key="opus.import.file">attachment; filename=deposit.zip</enrichment>
    <enrichment key="opus.import.checksum">a01c4ec6ead4388ee6e4f79e0e82e894</enrichment>
    <author>Mark-Jan Bludau</author>
    <author>Viktoria Brüggemann</author>
    <author>A. Busch</author>
    <author>Marian Dörk</author>
    <subject>
      <language>eng</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fontane, Theodor</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="ddc" number="020">Bibliotheks- und Informationswissenschaften</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-fhpotsdam/files/2499/CGF_CGF13964.pdf</file>
  </doc>
  <doc>
    <id>2865</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>6.02</pageFirst>
    <pageLast>6.13</pageLast>
    <pageNumber/>
    <edition/>
    <issue>5</issue>
    <volume>2020</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>Heidelberg</publisherPlace>
    <creatingCorporation>Heidelberg University Library</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-08-11</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">The close-up cloud : visualizing details of image collections in dynamic overviews</title>
    <abstract language="eng">This paper introduces a visualization technique designed to uncover iconographic patterns prevalent within a collection while at the same time allowing close viewing of these particular details. Challenging an institutionalized understanding of overview and detail as inherently opposed, the intention of this research is to develop a visualization method that accounts for the iconographic abundance of a collection and encourages its casual exploration. Expanding digitization efforts have led to a growing number of rich cultural heritage datasets that are successively being published online. At the same time scholars are exploring the potential of computational methods to expand the scale and scope of art history. In this context, data visualization is often equated with a distanced perspective diminishing the intricate and intriguing details of individual artifacts. In collaboration with a museum of applied and decorative arts, we have devised a novel interface concept for the exploration of image collections such as historical glass plate negatives. Inspired by photographic plates on a light table, the resulting Close-up Cloud translates the art historical method of close viewing into the digital by combining it with a dynamic representation of quantitative iconographic patterns across an entire image collection.</abstract>
    <parentTitle language="eng">International Journal for Digital Art History</parentTitle>
    <identifier type="doi">10.11588/dah.2020.5.72039</identifier>
    <identifier type="issn">2363-5401</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Pauline Junginger</author>
    <author>Dennis Osterdorf</author>
    <author>Barbara Avila Vissirini</author>
    <author>Anastasia Voloshina</author>
    <author>Timo Hausmann</author>
    <author>Sarah Kreiseler</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Benutzeroberfläche</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fotografie</value>
    </subject>
    <collection role="ddc" number="060">Verbände, Organisationen, Museen</collection>
    <collection role="ddc" number="770">Fotografie, Computerkunst</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2652</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>25</pageLast>
    <pageNumber/>
    <edition/>
    <issue>2</issue>
    <volume>4</volume>
    <type>article</type>
    <publisherName>Open Library of Humanities</publisherName>
    <publisherPlace>Cambridge</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-10</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Off the Grid</title>
    <abstract language="eng">This research explores the merit of alternative arrangements of cultural artifacts to expose the aesthetic abundance of a cultural collection. The conventional display of museum objects in online interfaces tends to neglect the physical gestalt of the collection. For example, coins typically end up in tabular grids of thumbnail pages in online collections mimicking their rigid placement in storage drawers of a depot and glass cabinets in exhibitions. The overall aim behind this research was to devise visualizations that do justice to the material and semantic richness of an entire collection, while providing a casual mode of access that is inviting to people with no background in numismatics. To do this, we undertook an iterative design process, which involved a close collaboration with numismaticians and playful ideation with actual coins. Carefully negotiating expert knowledge and lay curiosity, the resulting visualization represents the collection’s dimensions using thousands of thumbnails as visual data points. The coins can be arranged into various layouts such as piles representing, for example, metal types, or streams visualizing the ebb and flow of coins over the centuries. In the interface, one can play with the coins in a manner that would be unthinkable in a physical exhibition and that has not been tried in a digital display. The article reports on the overall research and design process of this project, the resulting interface concept and prototype, and the feedback received during two evaluations.</abstract>
    <parentTitle language="eng">Open Library of Humanities</parentTitle>
    <subTitle language="eng">Visualizing a Numismatic Collection as Dynamic Piles and Streams</subTitle>
    <identifier type="doi">10.16995/olh.280</identifier>
    <identifier type="urn">urn:nbn:de:kobv:525-26527</identifier>
    <identifier type="issn">2056-6700</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Flavio Gortana</author>
    <author>Franziska von Tenspolde</author>
    <author>Daniela Guhlmann</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Exponat</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Numismatik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Graphische Benutzeroberfläche</value>
    </subject>
    <collection role="ddc" number="730">Bildhauerkunst, Keramik, Metallkunst</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-fhpotsdam/files/2652/Gortana.pdf</file>
  </doc>
  <doc>
    <id>2341</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>2311</pageFirst>
    <pageLast>2330</pageLast>
    <pageNumber/>
    <edition/>
    <issue>6</issue>
    <volume>25</volume>
    <type>article</type>
    <publisherName>IEEE</publisherName>
    <publisherPlace>New York, NY</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2019-05-03</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Visualization of Cultural Heritage Collection Data</title>
    <parentTitle language="eng">IEEE Transactions on Visualization and Computer Graphics</parentTitle>
    <subTitle language="eng">State of the Art and Future Challenges</subTitle>
    <identifier type="doi">10.1109/TVCG.2018.2830759</identifier>
    <identifier type="issn">1941-0506</identifier>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Florian Windhager</author>
    <author>Paolo Federico</author>
    <author>Günther Schreder</author>
    <author>Katrin Glinka</author>
    <author>Marian Dörk</author>
    <author>Silvia Miksch</author>
    <author>Eva Mayr</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>3252</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>124</pageFirst>
    <pageLast>149</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Wien</publisherPlace>
    <creatingCorporation>Universität Wien</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Graph Technologies for the Analysis of Historical Social Networks Using Heterogeneous Data Sources</title>
    <abstract language="eng">Over the last decades, cultural heritage institutions have provided extensive machine-readable data, such as bibliographic and archival metadata, full-text collections, and authority records containing multitudes of implicit and explicit statements about the social relations between various types of entities. In this paper, we discuss how approaches to the creation and operation of advanced research infrastructure for historical network analysis (HNA) based on heterogeneous data sources from cultural heritage institutions can be examined and evaluated. Based on our interdisciplinary research, we describe challenges and strategies with a special focus on the issue of data processing, sketch out the advantages of human-centered project design in the form of a preliminary co-design workshop, and present an iterative approach to data visualization.</abstract>
    <parentTitle language="eng">Graph Technologies in the Humanities</parentTitle>
    <identifier type="issn">1613-0073</identifier>
    <identifier type="url">https://ceur-ws.org/Vol-3110/paper7.pdf</identifier>
    <enrichment key="opus.import.date">2023-10-17T11:12:58+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Sina Menzel</author>
    <author>Mark-Jan Bludau</author>
    <author>Elena Leitner</author>
    <author>Marian Dörk</author>
    <author>Julián Moreno-Schneider</author>
    <author>Vivien Petras</author>
    <author>Georg Rehm</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Datenverarbeitung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3689</id>
    <completedYear/>
    <publishedYear>2025</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>19</pageLast>
    <pageNumber/>
    <edition/>
    <issue>36</issue>
    <volume>19</volume>
    <type>article</type>
    <publisherName>HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen</publisherName>
    <publisherPlace>Dresden</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Granularities of Dispersion and Materiality</title>
    <abstract language="deu">Bedeutungsvolle und sensible digitale Darstellungen für kulturelle Sammlungen zu finden, erfordert eine umsichtige Umsetzung und Zusammenarbeit, von der Datenmodellierung und Katalogisierung bis zur Ideenfindung und Entwicklung von Prototypen. In unserem Beitrag berichten wir von unserer designorientierten Forschung, die sich mit der Visualisierung eines Fotoarchivs über die jüdische Diaspora befasst. Mit dem Ziel, eine Webplattform zu schaffen, die vielfältige explorative und narrative Erlebnisse bietet, reflektieren wir die Verwendung digitaler und analoger Methoden für visuelle Sammlungen, insbesondere für eine Sammlung des jüdischen Kulturerbes.</abstract>
    <abstract language="eng">Finding evocative and sensitive digital representations for cultural heritage collections requires careful implementation and collaboration, encompassing data modeling, cataloging, ideation and prototyping. In this article, we present design-oriented research focused on visualizing a photo archive about the Jewish diaspora. Our aim is to create a web platform that offers multiple exploratory and narrative experiences. We reflect on our approach, which involves both digital and analog methods, emphasizing the affordances of visual cultural heritage and the unique characteristics of a Jewish heritage collection.</abstract>
    <parentTitle language="deu">Medaon : Magazin für Jüdisches Leben in Forschung und Bildung</parentTitle>
    <subTitle language="eng">Visualizing a Photo Archive about the Jewish Diaspora</subTitle>
    <identifier type="issn">1866-069X</identifier>
    <identifier type="url">https://www.medaon.de/de/artikel/granularities-of-dispersion-and-materiality-visualizing-a-photo-archive-about-the-jewish-diaspora/</identifier>
    <enrichment key="opus.import.date">2025-07-21T12:38:12+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>Viktoria Brüggemann</author>
    <author>Mark-Jan Bludau</author>
    <author>Sarah Kreiseler</author>
    <author>Silvia Casavola</author>
    <author>Jona Pomerance</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Diaspora &lt;Religion&gt;</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fotoarchiv</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Judentum</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Bronze Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
</export-example>
