<?xml version="1.0" encoding="utf-8"?>
<export-example>
  <doc>
    <id>1537</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>76</pageFirst>
    <pageLast>79</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume/>
    <type>article</type>
    <publisherName>Trialog publishers</publisherName>
    <publisherPlace>München</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-05-22</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Transformation lernen</title>
    <parentTitle language="deu">Transforming Cities</parentTitle>
    <subTitle language="deu">Der Masterstudiengang Urbane Zukunft an der Fachhochschule Potsdam</subTitle>
    <identifier type="issn">2366-7281</identifier>
    <author>Michael Prytula</author>
    <author>Tobias Schröder</author>
    <author>Marian Dörk</author>
    <author>Michael Ortgiese</author>
    <author>Antje Michel</author>
    <author>Heike Neuroth</author>
    <author>Janina Lehmann</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Stadtgestaltung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Stadtklima</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Stadtökologie</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Stadtgrün</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Hausbegrünung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Ausbildung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fachhochschule</value>
    </subject>
    <collection role="ddc" number="690">Hausbau, Bauhandwerk</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1538</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>227</pageFirst>
    <pageLast>236</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Staatliche Museen zu Berlin - Preussischer Kulturbesitz</publisherName>
    <publisherPlace>Berlin</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-05-22</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Museale Bestände im Web</title>
    <abstract language="deu">Museen erweitern ihr Vermittlungsangebot immer mehr über die physische Einrichtung hinaus, u.a. durch die Bereitstellung Digitaler Sammlungen im Web. Digitale Sammlungen zeichnen sich dadurch aus, dass die in ihnen gezeigten Objekte speziell für das Web aufbereitet und präsentiert werden. Der Anspruch besteht dabei darin, die Gesamtheit der musealen Sammlungen zur Verfügung zu stellen. Um diese umfassenden Datensätze zugänglich und ein Schlendern durch die Bestände zu ermöglichen, wird innerhalb der Digitalen Sammlungen zunehmend ein sogenannter Explore-Modus angeboten. Auf der Basis einer Untersuchung des Begriffes der Exploration wurden im Rahmen dieser Arbeit acht bekannte Museen im Hinblick auf die Explore-Modi ihrer Digitalen Sammlungen miteinander verglichen und analysiert. Es wurde eine dreiteilige Methode mit dem Namen Reverse Information Architecture entwickelt, um die folgende Frage zu beantworten: Wie manifestiert sich die Funktion der Exploration in der Struktur und den Interface-Elementen der &#13;
Digitalen Sammlungen? Mit der entwickelten Methode wird der Inhalt der Websites analysiert, um zu untersuchen, inwiefern Konzepte der Exploration in den Digitalen Sammlungen umgesetzt werden.</abstract>
    <parentTitle language="deu">EVA Berlin 2016 : elektronische Medien &amp; Kunst, Kultur und Historie : Konferenzband : 23. Berliner Veranstaltung der internationalen EVA-Serie</parentTitle>
    <subTitle language="deu">Eine Untersuchung von acht digitalen Sammlungen</subTitle>
    <identifier type="isbn">978-3-88609-784-5</identifier>
    <author>Viktoria Brüggemann</author>
    <author>Sarah Kreiseler</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Museum</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Objektdokumentation</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digital</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Recherche</value>
    </subject>
    <collection role="ddc" number="060">Verbände, Organisationen, Museen</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1539</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-05-22</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Staged Analysis</title>
    <abstract language="eng">In this paper we examine the concept of staged analysis through a case study on visualizing urban mobility exhibited in a public gallery space. Recently, many cities introduced bike-sharing in order to promote cycling among locals and visitors. We explore how citizens can be guided from evocative impressions of bicycling flows to comparative analysis of three bike-sharing systems. The main aim for visualizations in exhibition contexts is to encourage a shift from temporary interest to deeper insight into a complex phenomenon. To pursue this ambition we introduce cf. city flows, a comparative visualization environment of urban bike mobility designed to help citizens casually analyze three bike-sharing systems in the context of a public exhibition space. Multiple large screens show the space of flows in bike-sharing for three selected world cities: Berlin, London, and New York. Bike journeys are represented in three geospatial visualizations designed to be progressively more analytical, from animated trails to small-multiple glyphs. In this paper, we describe our design concept and process, the exhibition setup, and discuss some of the insights visitors gained while interacting with the visualizations.</abstract>
    <subTitle language="eng">From Evocative to Comparative Visualizations of Urban Mobility</subTitle>
    <note>VISAP’16: Metamorphoses, Baltimore, Maryland, October 23th-28th, 2016. (Proceedings of the IEEE VIS Arts Program, VISAP)</note>
    <author>Till Nagel</author>
    <author>Christopher Pietsch</author>
    <author>Marian Dörk</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Bike-sharing</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Storytelling</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Stadtgestaltung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mobilität</value>
    </subject>
    <collection role="ddc" number="600">Technik, Medizin, angewandte Wissenschaften</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1540</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-05-22</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Visualizing the spatiality in fictional narratives</title>
    <abstract language="eng">This work is part of ongoing research on the visualization of spatial relationships in fictional works. Our aim is to arrive at aesthetic representations of fictional narratives set in actual places such as cities. Novel City Maps offers two map views, one inspired by transit maps and the other by conventional street maps. The former uses the aesthetic of abstract transit maps to reveal the co-occurrence structures between important places in a story. The street map view is designed as a spatial fingerprint of a novel by highlighting the places occurring often in the story.</abstract>
    <note>Workshop on Visualization for the Digital Humanities at IEEE VIS, 2016</note>
    <author>Jan-Erik Stange</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationsvisualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Geovisualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Literatur</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Humanwissenschaften</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digital</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1541</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>199</pageFirst>
    <pageLast>213</pageLast>
    <pageNumber/>
    <edition/>
    <issue>2</issue>
    <volume/>
    <type>article</type>
    <publisherName>Graphentis-Verl.</publisherName>
    <publisherPlace>München</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-05-22</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Linking Structure, Texture and Context in a Visualization of Historical Drawings by Frederick William IV (1795-1861)</title>
    <abstract language="eng">In this article we present a case study on digital representation of the art historical research and metadata brought together for a scientific collection catalogue by the Prussian Palaces and Gardens Foundation Berlin-Brandenburg. The resulting interface aims at linking the structure and texture of a collection of drawings by Frederick William IV of Prussia (1795–1861) with additional contextual information. The article describes the context of the larger research project and presents the resulting visualization and interaction techniques specifically designed for dynamic exploration along time and subjects.</abstract>
    <parentTitle language="eng">International Journal for Digital Art History</parentTitle>
    <identifier type="issn">2363-5401</identifier>
    <identifier type="urn">urn:nbn:de:bsz:16-dah-335306</identifier>
    <identifier type="doi">10.11588/dah.2016.2.33530</identifier>
    <author>Katrin Glinka</author>
    <author>Christopher Pietsch</author>
    <author>Carsten Dilba</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Information</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Metadaten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fallstudie</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kunstgeschichte</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Katalog</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Benutzerschnittstelle</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1548</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>263</pageFirst>
    <pageLast>266</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>nisaba verlag</publisherName>
    <publisherPlace>Duisburg</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-05-23</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Emosaic – Visualisierung von Emotionen in Texten durch Farbumwandlung zur Analyse und Exploration</title>
    <abstract language="deu">Das computergestützte Extrahieren und Visualisieren von Emotionen in Texten ist eine etablierte Technik des “Distant Reading”. Die generelle Stimmung eines Textes kann schnell erfasst werden ohne den gesamten Text lesen zu müssen. Da Emotionen sehr komplex und die Eigenschaften zwischen verschiedenen Emotionen fließend sind, ist die visuelle Charakterisierung von Emotionen schwierig. Wir stellen Emosaic  vor, ein Online-Tool welches Emotionen aus benutzerdefinierten Texten filtert und durch systematische und nachvollziehbare Farbumwandlung zur Exploration und Analyse innerhalb einer interaktiven Visualisierung bereitstellt. Die durch drei Dimensionen beschreibbaren Emotionen werden dabei in klar definierte Farbparameter übersetzt. Ein von uns entwickelter öffentlich zugänglicher Web- Prototyp ( vgl. Geuder et al. 2014-) zeigt anhand interaktiver Visualisierungen erste Analyse- und Explorationsmöglichkeiten dieser Methode.</abstract>
    <parentTitle language="deu">DHd 2016 : Modellierung - Vernetzung - Visualisierung : die Digital Humanities als fächerübergreifendes Forschungsparadigma : Konferenzabstracts : Universität Leipzig, 7. bis 12. März 2016</parentTitle>
    <identifier type="isbn">978-3-941379-05-3</identifier>
    <author>Martin von Lupin</author>
    <author>Philipp Geuder</author>
    <author>Marie-Claire Leidinger</author>
    <author>Tobias Schröder</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Geisteswissenschaften</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digital</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Text</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Emotion</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Farbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Farbzuweisung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Farbübersetzung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1553</id>
    <completedYear/>
    <publishedYear>2017</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>209</pageFirst>
    <pageLast>210</pageLast>
    <pageNumber/>
    <edition/>
    <issue>2</issue>
    <volume>50</volume>
    <type>article</type>
    <publisherName>MIT Press</publisherName>
    <publisherPlace>Cambridge, Mass.</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-05-23</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Culturagraphy</title>
    <abstract language="eng">Culturegraphy visualizes the exchange of cultural information over time. Treating cultural works as nodes and influences as directed edges, the visualization of these cultural networks can provide new insights into the rich interconnections of cultural development such as that seen in movie references. All findings reported in this article were made through a process that involved network scientists, a media theorist and a sociologist; the role that visualization can play in bridging scientific communities was central to this work. The visualizations were in fact the result of a process to bring researchers from different disciplines together. While traditionally physicists have used different methods than those used by media theorists or sociologists, physicists are increasingly asking questions similar to those asked by media theorists or sociologists as they study the dynamics in networks. Visualization can serve as a common language that brings fields together and identifies the differences between them but that also has its own idiosyncratic views.</abstract>
    <parentTitle language="eng">Leonardo</parentTitle>
    <identifier type="doi">10.1162/LEON_a_01230</identifier>
    <identifier type="issn">1530-9282</identifier>
    <author>Kim Albrecht</author>
    <author>Marian Dörk</author>
    <author>Boris Müller</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Graphische Datenverarbeitung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kultur</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationsnetz</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1588</id>
    <completedYear/>
    <publishedYear>2014</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>41</pageFirst>
    <pageLast>48</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>ACM</publisherName>
    <publisherPlace>New York, NY</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-06-07</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Visual Filter</title>
    <abstract language="eng">Network log files often need to be investigated manually for suspicious activity. The huge amount of log lines complicates maintaining an overview, navigation and quick pattern identification. We propose a system that uses an interactive visualization, a visual filter, representing the whole log in an overview, allowing to navigate and make context-preserving subselections with the visualization and in this way reducing the time and effort for security experts needed to identify patterns in the log file. This explorative interactive visualization is combined with focused querying to search for known suspicious terms that are then highlighted in the visualization and the log file itself.</abstract>
    <parentTitle language="eng">Proceedings of the Eleventh Workshop on Visualization for Cyber Security (VizSec '14)</parentTitle>
    <subTitle language="eng">Graphical Exploration of Network Security Log Files</subTitle>
    <identifier type="doi">10.1145/2671491.2671503</identifier>
    <identifier type="isbn">978-1-4503-2826-5</identifier>
    <author>Jan-Erik Stange</author>
    <author>Johannes Landstorfer</author>
    <author>Marian Dörk</author>
    <author>Reto Wettach</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Computergrafik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Rechnernetz</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mensch-Maschine-Schnittstelle</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Datensicherung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mustererkennung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1570</id>
    <completedYear/>
    <publishedYear>2014</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>lecture</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-06-01</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Culturegraphy  - Visualizing Cultural Network Dynamics</title>
    <abstract language="eng">Culturegraphy visualizes cultural information exchange over time. Treating cultural works as nodes and influences as directed edges, the visualization of these cultural networks can provide new insights into the rich interconnections of cultural development. The graphics represent complex relationships of movie references by combining macro views summarizing 100 years of movie influences with micro views providing a close-up look at the embedding of individual movies. The macro view shows the rise of the self-referential character of postmodern cinema, while the micro level illustrates differences between individual movies, when they were referenced and by whom. The visualizations provide views that are closer to the real complexity of the relationships than aggregated views or rankings could do.</abstract>
    <note>Arts, Humanities, and Complex Networks — 5th Leonardo satellite symposium at NetSci2014</note>
    <author>Kim Albrecht</author>
    <author>Boris Müller</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kultur</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Film</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Vernetzung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1577</id>
    <completedYear/>
    <publishedYear>2014</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>735</pageFirst>
    <pageLast>741</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>IDEALS</publisherName>
    <publisherPlace>Urbana-Champaign, Ill.</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-06-06</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Exploring the Promises and Potentials of Visual Archive Interfaces</title>
    <abstract language="eng">A photo archive contains diverse narratives that only get partially exposed in digital interfaces. In this paper we explore a potential framework for archivists and designers to create photo archive interfaces that are sensitive to the ethos and social context of its content. We outline our approach to engaging with archival projects and present the results of a pilot workshop, which raised a range of complex questions about the design of visual interfaces. Our aim is to practically and conceptually expand how a visual interface would let a visitor access, explore, and interpret the contents of an archive. To do this we are interested in the different associations that people weave between the artefacts of an archive.</abstract>
    <parentTitle language="eng">iConference Berlin 2014 : breaking down walls ; culture, context, computing ; proceedings, March 4 - 7, 2014</parentTitle>
    <identifier type="doi">10.9776/14348</identifier>
    <identifier type="isbn">0-9884900-1-3</identifier>
    <author>Ko-le Chen</author>
    <author>Marian Dörk</author>
    <author>Martyn Dade-Robertson</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fotografie</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Archiv</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digital</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Schnittstelle</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1578</id>
    <completedYear/>
    <publishedYear>2014</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>729</pageFirst>
    <pageLast>734</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>IDEALS</publisherName>
    <publisherPlace>Urbana-Champaign, Ill.</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-06-06</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Visually Exploring Books along their Subject Headings</title>
    <abstract language="eng">We present a visualization of subject headings that typically accompany books as flat textual metadata. The purpose of the visualization is twofold: first to expose the implicit structure in subject headings as an overview of a library collection and second to present a visual web of keywords to invite exploration of books. Taking a tag cloud as a starting point, the visualization extends it to a networked tag cloud that respects the hierarchy that is implicit in subject headings. By allowing an information seeker to successively build a subject filter, while seeing the results at each step, we hope to improve the searcher’s orientation in a comprehensive book collection.</abstract>
    <parentTitle language="eng">iConference Berlin 2014 : breaking down walls ; culture, context, computing ; proceedings, March 4 - 7, 2014</parentTitle>
    <identifier type="doi">10.9776/14347</identifier>
    <identifier type="isbn">0-9884900-1-3</identifier>
    <author>Cody Coljee-Gray</author>
    <author>Marian Dörk</author>
    <author>Sheelagh Carpendale</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationstheorie</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationsverhalten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Inhaltserschließung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Schlagwort</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Social Tagging</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Recherche</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Bibliotheksbestand</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1579</id>
    <completedYear/>
    <publishedYear>2014</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1535</pageFirst>
    <pageLast>1544</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>ACM</publisherName>
    <publisherPlace>New York, NY</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-06-07</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Monadic Exploration</title>
    <abstract language="eng">Monadic exploration is a new approach to interacting with relational information spaces that challenges the distinction between the whole and its parts. Building on the work of sociologists Gabriel Tarde and Bruno Latour we turn to the concept of the monad as a useful lens on online communities and collections that expands the possibility for creating meaning in their navigation. While existing interfaces tend to emphasize either the structure of the whole or details of a part, monadic exploration brings these opposing perspectives closer together in continuous movements between partially overlapping points of view. We present a visualization that reflects a given node's relative position within a network using radial displacements and visual folding. To investigate the potential of monadic exploration we report on an iterative design process of a web-based visualization of a highly cross-referenced book and its six-month deployment.</abstract>
    <parentTitle language="eng">CHI 2014 : one of a CHInd ; The 32nd Annual ACM Conference on Human Factors in Computing Systems, conference proceedings, Toronto, Canada, April 26 - May 1</parentTitle>
    <subTitle language="eng">Seeing the Whole Through Its Parts</subTitle>
    <identifier type="doi">10.1145/2556288.2557083</identifier>
    <identifier type="isbn">978-1-4503-2473-1</identifier>
    <author>Marian Dörk</author>
    <author>Rob Comber</author>
    <author>Martyn Dade-Robertson</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationstheorie</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationsverhalten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Humanfaktor</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Philosophie</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1581</id>
    <completedYear/>
    <publishedYear>2014</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>73</pageFirst>
    <pageLast>82</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>IEEE</publisherName>
    <publisherPlace>Piscataway, NJ</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-06-07</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Weaving a Carpet from Log Entries</title>
    <abstract language="eng">We created a pixel map for multivariate data based on an analysis of the needs of network security engineers. Parameters of a log record are shown as pixels and these pixels are stacked to represent a record. This allows a broad view of a data set on one screen while staying very close to the raw data and to expose common and rare patterns of user behavior through the visualization itself (the "Carpet"). Visualizations that immediately point to areas of suspicious activity without requiring extensive filtering, help network engineers investigating unknown computer security incidents. Most of them, however, have limited knowledge of advanced visualization techniques, while many designers and data scientists are unfamiliar with computer security topics. To bridge this gap, we developed visualizations together with engineers, following a co-creative process. We will show how we explored the scope of the engineers' tasks and how we jointly developed ideas and designs. Our expert evaluation indicates that this visualization helps to scan large parts of log files quickly and to define areas of interest for closer inspection.</abstract>
    <parentTitle language="eng">2014 IEEE Conference on Visual Analytics Science and Technology (VAST) : 25 - 31 Oct. [i.e. 9 - 14 November] 2014, Paris, France</parentTitle>
    <subTitle language="eng">A Network Security Visualization Built with Co-Creation</subTitle>
    <identifier type="doi">10.1109/VAST.2014.7042483</identifier>
    <author>Johannes Landstorfer</author>
    <author>Ivo Herrmann</author>
    <author>Jan-Erik Stange</author>
    <author>Marian Dörk</author>
    <author>Reto Wettach</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Rechnernetz</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Datensicherung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationstheorie</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1562</id>
    <completedYear/>
    <publishedYear>2015</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>9</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-05-31</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Archival Liveness</title>
    <abstract language="eng">We present "archival liveness" as a concept in design and the Digital Humanities and describe its development within a Research Through Design process. Working with a newly acquired archive of contemporary poetry we produced designs that both manifested and "geared in to" [Durrant 2011] [Gurwitsch 1979] the temporal rhythms of the work and infrastructure of archiving. Drawing on user-centred work with participants, often poets themselves, we focused on marginalia as a material feature of the archive, developing a drawing machine and live Twitter bot. Our work addresses institutional concerns for outreach and engagement while also acknowledging and exploiting the inevitably incomplete or live character of archival collections. For designers working with digital archives, we demonstrate the pragmatic and critical value of liveness as a focus of the design process.</abstract>
    <parentTitle language="eng">Digital Humanities Quarterly</parentTitle>
    <subTitle language="eng">Designing with Collections Before and During Cataloguing and Digitization</subTitle>
    <identifier type="issn">1938-4122</identifier>
    <author>Tom Schofield</author>
    <author>David Kirk</author>
    <author>Telmo Amaral</author>
    <author>Marian Dörk</author>
    <author>Mitchell Whitelaw</author>
    <author>Guy Schofield</author>
    <author>Thomas Ploetz</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Geisteswissenschaften</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digital</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Design</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digitalisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Archivierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1563</id>
    <completedYear/>
    <publishedYear>2015</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>21</pageFirst>
    <pageLast>27</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>arthistoricum.net</publisherName>
    <publisherPlace>Heidelberg</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-05-31</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Museum im Display</title>
    <abstract language="deu">Im Rückgriff auf Ausstellungspraktiken im Museum stellt der Artikel Bezüge zwischen Erkenntnissen aus der Visualisierungsforschung und der Rezeption von Museumssammlungen in einem Ausstellungsdisplay her. Besondere Beachtung finden hierbei Makro- und Mikroperspektiven auf Sammlungen und Darstellungen im (digitalen) Display eines Museums. Visualisierungen können einen offenen und explorativen Zugang zu den digitalisierten Beständen bieten, der eher den Ausstellungs- und Vermittlungsaktivitäten des Museums entspricht oder diese ergänzt. Dabei werden die Potenziale der digitalen Präsentation herausgearbeitet und Anhand von Use Cases aus der Forschung illustriert, welche Ansätze in der facettierten und „kuratierten“ Inszenierung von Sammlungen umgesetzt werden können.</abstract>
    <parentTitle language="eng">EVA Berlin 2015 : elektronische Medien &amp; Kunst, Kultur, Historie : Konferenzband : 22. Berliner Veranstaltung der internationalen EVA-Serie</parentTitle>
    <subTitle language="deu">Visualisierung kultureller Sammlungen (Vikus)</subTitle>
    <identifier type="doi">10.11588/arthistoricum.157.197</identifier>
    <identifier type="isbn">978-3-88609-773-9</identifier>
    <author>Katrin Glinka</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Museum</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Objektdokumentation</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Elektronische Medien</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1564</id>
    <completedYear/>
    <publishedYear>2015</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber>3</pageNumber>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-06-01</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Are there networks in maps?</title>
    <abstract language="eng">Shifted Maps proposes a novel visualization method to generate personal geovisualizations of individual movement data. The resulting visual appearance can be characterized as a map network  consisting of visited places and their connections. The visited places are shown as circular map extracts scaled according to the time spent there and the movements between the places are represented as edges between the places. A key feature of the Shifted Maps visualization is the possibility to explore the data in three different arrangements based on geo-spatial position, travel time, and frequency of movements. By combining map and network visualizations of movement data, it becomes possible to analyze and compare spatial and temporal topologies.</abstract>
    <subTitle language="eng">An experimental visualization of personal movement data</subTitle>
    <note>Paper at IEEE VIS Personal Visualization Workshop, Oct 2015</note>
    <author>Heike Otten</author>
    <author>Lennart Hildebrandt</author>
    <author>Till Nagel</author>
    <author>Marian Dörk</author>
    <author>Boris Müller</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Geographie</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Landkarte</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Vernetzung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fortbewegung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1565</id>
    <completedYear/>
    <publishedYear>2016</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>629</pageFirst>
    <pageLast>638</pageLast>
    <pageNumber/>
    <edition/>
    <issue>1</issue>
    <volume>22</volume>
    <type>article</type>
    <publisherName>IEEE</publisherName>
    <publisherPlace>New York, NY</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-06-01</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Probing Projections</title>
    <abstract language="eng">We introduce a set of integrated interaction techniques to interpret and interrogate dimensionality-reduced data. Projection techniques generally aim to make a high-dimensional information space visible in form of a planar layout. However, the meaning of the resulting data projections can be hard to grasp. It is seldom clear why elements are placed far apart or close together and  the inevitable approximation errors of any projection technique are not exposed to the viewer. Previous research on dimensionality reduction focuses on the efficient generation of data projections, interactive customisation of the model, and comparison of different projection techniques. There has been only little research on how the visualization resulting from data projection is interacted with. We contribute the concept of probing as an integrated approach to interpreting the meaning and quality of visualizations and propose a set of interactive methods to examine dimensionality-reduced data as well as the projection itself. The methods let viewers see approximation errors, question the positioning of elements, compare them to each other, and visualize the influence of data dimensions on the projection space. We created a web-based system implementing these methods, and report on findings from an evaluation with data analysts using the prototype to examine multidimensional datasets.</abstract>
    <parentTitle language="eng">IEEE transactions on visualization and computer graphics</parentTitle>
    <subTitle language="eng">Interaction Techniques for Interpreting Arrangements and Errors of Dimensionality Reductions</subTitle>
    <identifier type="doi">10.1109/TVCG.2015.2467717</identifier>
    <identifier type="issn">1941-0506</identifier>
    <author>Julian Stahnke</author>
    <author>Marian Dörk</author>
    <author>Boris Müller</author>
    <author>Andreas Thom</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationswissenschaft</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Interaktive Medien</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mehrdimensionalität</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1566</id>
    <completedYear/>
    <publishedYear>2015</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>105</pageFirst>
    <pageLast>117</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Werner Hülsbusch</publisherName>
    <publisherPlace>Glückstadt</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-06-01</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Visualising the »Un-seen«</title>
    <abstract language="eng">In recent years, access to cultural heritage has been closely connected to digitisation. We argue the case for recognising this digital shift as an opportunity to create interfaces to cultural heritage that are, first of all, more inviting to the public. Secondly, we want to encourage critical approaches towards the representation of cultural production and allow for alternative or even conflicting narratives and interpretations to surface. We present related work, use cases, and concepts for visualisations and interfaces that invite the reconsideration of modes of categorisation, presentation and clustering. Our intent is to develop ways to scrutinise modes of exclusion, carry out critical evaluations and pursue interventional strategies. We discuss the specific potential of visualisation, annotation and dynamic expansion of digital cultural collections. Building on critical approaches in human-computer interaction, visualisation and cultural theories, we explore how the interface could be a means of reflection, critique and inclusion.</abstract>
    <parentTitle language="deu">Kultur und Informatik - Cross Media</parentTitle>
    <subTitle language="eng">Towards Critical Approaches and Strategies  of Inclusion in Digital Cultural Heritage Interfaces</subTitle>
    <identifier type="isbn">978-3-86488-082-7</identifier>
    <author>Katrin Glinka</author>
    <author>Sebastian Meier</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digitalisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mensch-Maschine-Schnittstelle</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>1568</id>
    <completedYear/>
    <publishedYear>2015</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>83</pageFirst>
    <pageLast>94</pageLast>
    <pageNumber/>
    <edition/>
    <issue>1</issue>
    <volume>10</volume>
    <type>article</type>
    <publisherName>Edinburgh Univ. Press</publisherName>
    <publisherPlace>Edinburgh</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2017-06-01</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">WordWanderer</title>
    <abstract language="eng">Text visualisations provide visual representations of documents or small corpora with the primary aim of supporting language analysis. We are interested in developing a more playful approach to language that can be characterised by the notion of wandering as an open-ended movement. To support such a casual form of engagement with text, we designed the WordWanderer system: a visualisation technique that extends tag clouds into a navigational interface for text. The tool supports the gradual movement between word ‘context views’, which represent the words that co-occur in the vicinity of the selected word, and word-‘comparison views’, which arrange words based on their association strengths between two selected words. We report on the encouraging feedback from a ten-day deployment of the interface and present promising directions for future design and research.</abstract>
    <parentTitle language="eng">Corpora : corpus-based language learning, language processing and linguistics</parentTitle>
    <subTitle language="eng">A Navigational Approach to Text Visualisation</subTitle>
    <identifier type="doi">10.3366/cor.2015.0067</identifier>
    <identifier type="issn">1749-5032</identifier>
    <author>Marian Dörk</author>
    <author>Dawn Knight</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Textanalyse</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationsgehalt</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Linguistik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Geisteswissenschaften</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digitalisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>2499</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>77</pageFirst>
    <pageLast>87</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>39</volume>
    <type>article</type>
    <publisherName>Wiley-Blackwell</publisherName>
    <publisherPlace>Oxford</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>2020-07-18</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Reading Traces: Scalable Exploration in Elastic Visualizations of Cultural Heritage Data</title>
    <abstract language="eng">Through a design study, we develop an approach to data exploration that utilizes elastic visualizations designed to support varying degrees of detail and abstraction. Examining the notions of scalability and elasticity in interactive visualizations, we introduce a visualization of personal reading traces such as marginalia or markings inside the reference library of German realist author Theodor Fontane. To explore such a rich and extensive collection, meaningful visual forms of abstraction and detail are as important as the transitions between those states. Following a growing research interest in the role of fluid interactivity and animations between views, we are particularly interested in the potential of carefully designed transitions and consistent representations across scales. The resulting prototype addresses humanistic research questions about the interplay of distant and close reading with visualization research on continuous navigation along several granularity levels, using scrolling as one of the main interaction mechanisms. In addition to presenting the design process and resulting prototype, we present findings from a qualitative evaluation of the tool, which suggest that bridging between distant and close views can enhance exploration, but that transitions between views need to be crafted very carefully to facilitate comprehension.</abstract>
    <parentTitle language="eng">Computer Graphics Forum</parentTitle>
    <identifier type="doi">10.1111/cgf.13964</identifier>
    <identifier type="urn">urn:nbn:de:kobv:525-24992</identifier>
    <enrichment key="opus.import.date">2020-12-07T14:02:58+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">deepgreen</enrichment>
    <enrichment key="opus.import.file">attachment; filename=deposit.zip</enrichment>
    <enrichment key="opus.import.checksum">a01c4ec6ead4388ee6e4f79e0e82e894</enrichment>
    <author>Mark-Jan Bludau</author>
    <author>Viktoria Brüggemann</author>
    <author>A. Busch</author>
    <author>Marian Dörk</author>
    <subject>
      <language>eng</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fontane, Theodor</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="ddc" number="020">Bibliotheks- und Informationswissenschaften</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-fhpotsdam/files/2499/CGF_CGF13964.pdf</file>
  </doc>
  <doc>
    <id>2865</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>6.02</pageFirst>
    <pageLast>6.13</pageLast>
    <pageNumber/>
    <edition/>
    <issue>5</issue>
    <volume>2020</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>Heidelberg</publisherPlace>
    <creatingCorporation>Heidelberg University Library</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-08-11</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">The close-up cloud : visualizing details of image collections in dynamic overviews</title>
    <abstract language="eng">This paper introduces a visualization technique designed to uncover iconographic patterns prevalent within a collection while at the same time allowing close viewing of these particular details. Challenging an institutionalized understanding of overview and detail as inherently opposed, the intention of this research is to develop a visualization method that accounts for the iconographic abundance of a collection and encourages its casual exploration. Expanding digitization efforts have led to a growing number of rich cultural heritage datasets that are successively being published online. At the same time scholars are exploring the potential of computational methods to expand the scale and scope of art history. In this context, data visualization is often equated with a distanced perspective diminishing the intricate and intriguing details of individual artifacts. In collaboration with a museum of applied and decorative arts, we have devised a novel interface concept for the exploration of image collections such as historical glass plate negatives. Inspired by photographic plates on a light table, the resulting Close-up Cloud translates the art historical method of close viewing into the digital by combining it with a dynamic representation of quantitative iconographic patterns across an entire image collection.</abstract>
    <parentTitle language="eng">International Journal for Digital Art History</parentTitle>
    <identifier type="doi">10.11588/dah.2020.5.72039</identifier>
    <identifier type="issn">2363-5401</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Pauline Junginger</author>
    <author>Dennis Osterdorf</author>
    <author>Barbara Avila Vissirini</author>
    <author>Anastasia Voloshina</author>
    <author>Timo Hausmann</author>
    <author>Sarah Kreiseler</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Benutzeroberfläche</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fotografie</value>
    </subject>
    <collection role="ddc" number="060">Verbände, Organisationen, Museen</collection>
    <collection role="ddc" number="770">Fotografie, Computerkunst</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2863</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>66</pageFirst>
    <pageLast>79</pageLast>
    <pageNumber/>
    <edition/>
    <issue>19</issue>
    <volume>19</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace/>
    <creatingCorporation>University of Massachusetts Dartmouth</creatingCorporation>
    <contributingCorporation>University of Rhode Island</contributingCorporation>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-08-11</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Categorizing queer identities : an analysis of archival practices using the concept of boundary objects</title>
    <abstract language="eng">In this paper, we present a field study that examines the development, application and maintenance of classification systems and controlled vocabularies in three archives documenting lesbian, trans* and queer-feminist histories. Queer archives face the challenge of documenting identities that are inherently characterized by embracing fluidity and ambiguity. Thus, queer identities are diametrically opposed to archival procedures of unambiguous classification. At the same time, queer activism relies partly on coherent identity categories in order to be able to act politically. We examine the pragmatic solutions that queer archives establish when dealing with tensions between those requirements. Our goal is to contribute to the ongoing discussions about the ethical dimensions of classification practices. Following the work of Geoffrey C. Bowker and Susan Leigh Star (1999) we use the concept of boundary objects as a central theoretical foundation of our research. This concept allows for tracing the negotiations and decision-making processes that influenced the creation of a specific classification system. Through conducting semi-structured interviews with staff members of queer archives in Germany we collected data about their efforts to archive the history of queer communities. Although there are initiatives developing metadata standards for queer identities, these standards are only used to a limited extent by the queer archives we examined. Rather, those archives established individual strategies for categorizing objects that are rooted in their specific history. We argue that classification systems and controlled vocabularies themselves can be understood as artifacts documenting the history of queer movements.</abstract>
    <parentTitle language="eng">Journal of Feminist Scholarship</parentTitle>
    <identifier type="doi">10.23860/jfs.2021.19.05</identifier>
    <identifier type="issn">2158-6179</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Pauline Junginger</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>LGBT</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Archiv</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Grenzobjekt</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Systematik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Klassifikation</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Metadaten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Identität</value>
    </subject>
    <collection role="ddc" number="020">Bibliotheks- und Informationswissenschaften</collection>
    <collection role="institutes" number="">FB4 Design</collection>
  </doc>
  <doc>
    <id>2866</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>299</pageFirst>
    <pageLast>315</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Transcript</publisherName>
    <publisherPlace>Bielefeld</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Infrastructure as digital tools and knowledge practices</title>
    <abstract language="deu">Scholz, da Costa Oliveira und Dörk widmen sich in ihrem Beitrag Erfahrungen mit digitalen Werkzeugen im Kontext ethnologischer Sammlungen sowie den Herausforderungen, die sich bei der Berücksichtigung unterschiedlicher Wissenspraktiken in der Zusammenarbeit mit Heritage Communities stellen. Ausgehend von dem Projekt Sharing Knowledge (2014-2020), das im Ethnologischen Museum (Staatliche Museen zu Berlin/ Stiftung Preußischer Kulturbesitz) stattfand, wird argumentiert, dass die Trägheit von Infrastrukturen und die Erforschung ihrer Funktionsweise - d.h. die Entschlüsselung der Meistererzählungen und Ausschlussmechanismen hinter musealen Wissenspraktiken - entscheidende Schlüssel darstellen zur Entwicklung von Werkzeugen und Taktiken, um eben diese Trägheit zu umgehen und zu untergraben. Während der erste Teil des Papiers dem Beispielprojekt kritische Aufmerksamkeit schenkt, schlägt der zweite Teil neue Methoden vor, um Infrastrukturen zu entwickeln, die Relationalität und Pluralität zulassen.</abstract>
    <parentTitle language="mul">Digitalisierung ethnologischer Sammlungen : Perspektiven aus Theorie und Praxis</parentTitle>
    <subTitle language="eng">Connecting the Ethnologisches Museum Berlin with amazonian indigenous communities</subTitle>
    <identifier type="doi">10.14361/9783839457900-017</identifier>
    <identifier type="isbn">978-3-8376-5790-6</identifier>
    <identifier type="issn">2702-9026</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Andrea Scholz</author>
    <author>Thiago da Costa Oliveira</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kooperation</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Indigenes Volk</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Amazonastiefland</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Ethnologisches Museum (Körperschaft)</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Entkolonialisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Datenbank</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digitalisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="ddc" number="060">Verbände, Organisationen, Museen</collection>
    <collection role="institutes" number="">FB4 Design</collection>
  </doc>
  <doc>
    <id>2660</id>
    <completedYear/>
    <publishedYear>2017</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>39</pageFirst>
    <pageLast>47</pageLast>
    <pageNumber/>
    <edition/>
    <issue>1</issue>
    <volume>23</volume>
    <type>article</type>
    <publisherName>John Benjamins Publishing</publisherName>
    <publisherPlace>Amsterdam</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-11</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">One view is not enough High-level visualizations of a large cultural collection</title>
    <abstract language="eng">As cultural institutions are digitizing their artifacts and interlinking their collections, new opportunities emerge to engage with cultural heritage. However, it is the often comprehensive and complex nature of collections that can make it difficult to grasp their distribution and extent across a variety of dimensions. After a brief introduction to the research area of collection visualizations, this paper presents a design study visualizing an aggregated collection from diverse cultural institutions in Germany. We detail our iterative design process leading to prototypical implementations of four stylistically and functionally coordinated visualizations, each one focusing on different facets of the collection.</abstract>
    <parentTitle language="eng">Information Design Journal</parentTitle>
    <identifier type="doi">10.1075/idj.23.1.06dor</identifier>
    <identifier type="issn">1569-979X</identifier>
    <identifier type="urn">urn:nbn:de:kobv:525-26609</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Marian Dörk</author>
    <author>Christopher Pietsch</author>
    <author>Gabriel Credico</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Sammlung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturgut</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digital Humanities</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visual Analytics</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-fhpotsdam/files/2660/doerk.pdf</file>
  </doc>
  <doc>
    <id>2652</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>25</pageLast>
    <pageNumber/>
    <edition/>
    <issue>2</issue>
    <volume>4</volume>
    <type>article</type>
    <publisherName>Open Library of Humanities</publisherName>
    <publisherPlace>Cambridge</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-10</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Off the Grid</title>
    <abstract language="eng">This research explores the merit of alternative arrangements of cultural artifacts to expose the aesthetic abundance of a cultural collection. The conventional display of museum objects in online interfaces tends to neglect the physical gestalt of the collection. For example, coins typically end up in tabular grids of thumbnail pages in online collections mimicking their rigid placement in storage drawers of a depot and glass cabinets in exhibitions. The overall aim behind this research was to devise visualizations that do justice to the material and semantic richness of an entire collection, while providing a casual mode of access that is inviting to people with no background in numismatics. To do this, we undertook an iterative design process, which involved a close collaboration with numismaticians and playful ideation with actual coins. Carefully negotiating expert knowledge and lay curiosity, the resulting visualization represents the collection’s dimensions using thousands of thumbnails as visual data points. The coins can be arranged into various layouts such as piles representing, for example, metal types, or streams visualizing the ebb and flow of coins over the centuries. In the interface, one can play with the coins in a manner that would be unthinkable in a physical exhibition and that has not been tried in a digital display. The article reports on the overall research and design process of this project, the resulting interface concept and prototype, and the feedback received during two evaluations.</abstract>
    <parentTitle language="eng">Open Library of Humanities</parentTitle>
    <subTitle language="eng">Visualizing a Numismatic Collection as Dynamic Piles and Streams</subTitle>
    <identifier type="doi">10.16995/olh.280</identifier>
    <identifier type="urn">urn:nbn:de:kobv:525-26527</identifier>
    <identifier type="issn">2056-6700</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Flavio Gortana</author>
    <author>Franziska von Tenspolde</author>
    <author>Daniela Guhlmann</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Exponat</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Numismatik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Graphische Benutzeroberfläche</value>
    </subject>
    <collection role="ddc" number="730">Bildhauerkunst, Keramik, Metallkunst</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-fhpotsdam/files/2652/Gortana.pdf</file>
  </doc>
  <doc>
    <id>2657</id>
    <completedYear/>
    <publishedYear>2017</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>884</pageFirst>
    <pageLast>895</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Association for Computing Machinery</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-10</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Memory Dialogue</title>
    <abstract language="eng">With the proliferation of personal and social computing there is an increased interest in the field of human-computer interaction to support people's memory practises. Yet, there is only a limited understanding of the role of artefacts in the social dynamics in memory. With memory dialogue, we introduce a methodology for exploring artefact-based memory sharing. Participants created physical or digital memory artefacts, exchanged them, and reflected on the process. Our qualitative findings show how this method can help uncover the complexity of shared memory. Participants largely chose bonding experiences and created artefacts as conversation starters about differences in their memories.</abstract>
    <parentTitle language="eng">CHI EA '17: Proceedings of the 2017 CHI Conference Extended Abstracts on Human Factors in Computing Systems</parentTitle>
    <subTitle language="eng">Exploring Artefact-Based Memory Sharing</subTitle>
    <identifier type="isbn">978-1-4503-4656-6</identifier>
    <identifier type="doi">10.1145/3027063.3052756</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Stephanie Neumann</author>
    <author>Richard Banks</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Gedächtnisleistung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Gedächtniskonsolidierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Gedächtnistest</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Semantisches Gedächtnis</value>
    </subject>
    <collection role="ddc" number="150">Psychologie</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2644</id>
    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>10</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Institute of Electrical and Electronics Engineers (IEEE)</publisherName>
    <publisherPlace>Berlin</publisherPlace>
    <creatingCorporation>Institute of Electrical and Electronics Engineers (IEEE)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-10</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Shifted Maps</title>
    <abstract language="eng">We present a hybrid visualization technique that integrates maps into network visualizations to reveal and analyze diverse topologies in geospatial movement data. With the rise of GPS tracking in various contexts such as smartphones and vehicles there has been a drastic increase in geospatial data being collect for personal reflection and organizational optimization. The generated movement datasets contain both geographical and temporal information, from which rich relational information can be derived. Common map visualizations perform especially well in revealing basic spatial patterns, but pay less attention to more nuanced relational properties. In contrast, network visualizations represent the specific topological structure of a dataset through the visual connections of nodes and their positioning. So far there has been relatively little research on combining these two approaches. Shifted Maps aims to bring maps and network visualizations together as equals. The visualization of places shown as circular map extracts and movements between places shown as edges, can be analyzed in different network arrangements, which reveal spatial and temporal topologies of movement data. We implemented a web-based prototype and report on challenges and opportunities about a novel network layout of places gathered during a qualitative evaluation.</abstract>
    <parentTitle language="eng">2018 IEEE VIS Arts Program</parentTitle>
    <subTitle language="eng">Revealing spatio-temporal topologies in movement data</subTitle>
    <identifier type="isbn">978-1-7281-2805-4</identifier>
    <identifier type="doi">10.1109/VISAP45312.2018.9046054</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Heike Otten</author>
    <author>Lennart Hildebrand</author>
    <author>Till Nagel</author>
    <author>Marian Dörk</author>
    <author>Boris Müller</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Karte</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>GPS</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Bewegung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="ddc" number="910">Geografie, Reisen</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2825</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>173</pageFirst>
    <pageLast>184</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>kopaed</publisherName>
    <publisherPlace>München</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-07-19</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">PKKB : Postdigitale Kunstpraktiken</title>
    <abstract language="deu">Das interdisziplinäre Forschungsvorhaben widmet sich postdigitalen Kulturszenen, die an der Schnittstelle von Kunst, Bildung und Technologie innovative Formate ästhetischer Aneignung, Produktion und Vermittlung hervorbringen. Gemeint sind künstlerische Praktiken, die die Computertechnik zum Ausgangspunkt nehmen, um durch sie bedingte und über sie hinausgehende Fragestellungen ästhetisch neu zu verhandeln. Ausgangspunkt ist die postdigitale Beobachtung, dass Algorithmen und Daten die Gesellschaft längst durchziehen, unsere Verhältnisse zur sozialen und materiellen Welt zunehmend über digitale Repräsentationen vermitteln und die Komplexität ihrer technologischen Konstituierung unsichtbar wird (Bolter/Gruisin 1999; Cramer 2015; Berry/Dieter 2015; Contreras-Koterbay/Mirocha 2016). Vor diesem Hintergrund erlauben Kunstpraktiken, die mit digitalen Methoden generiert, aber nicht notwendigerweise digital vermittelt werden, in besonderem Maße Prozesse der Digitalisierung kritisch zu reflektieren und so die Beziehungen zwischen digitalen und physischen Räumen nicht aus dem Blick zu verlieren, sondern aktiv mitzugestalten. Dennoch finden sie in der Kulturellen Bildung (KuBi), deren Zielgruppen kaum Bewusstsein für das künstlerische und kritische Potenzial digitaler Formate haben, bislang wenig Berücksichtigung. Es scheint, als ob postdigitaler Kunst über die Altersgruppen hinweg ein hohes Maß an Affirmation von Digitalisierungsprozessen zugesprochen wird. Im Kontrast hierzu veranschaulichen prominente Vertreterinnen und Vertreter, wie digitale Methoden produktiv eingesetzt werden, um kritische Fragen zur Digitalisierung zu artikulieren (Bridle 2013). Hervorzuheben ist die Reflexionsfähigkeit medienimmanenter Ausdrucksformen postdigitaler Kunst, die eine rezeptive und kreative Auseinandersetzung mit ihrer soziotechnischen Spezifik ermöglicht, wenngleich sie im Kunstverständnis der jüngeren Generation kaum eine Rolle spielen (Meyer 2010, Seitz 2013a; Rat für Kulturelle Bildung 2015a). Es fehlt die notwendige Grundlagenforschung, um eine angemessene Anwendung postdigitalen Kunstschaffens für verschiedene Zielgruppen der KuBi zu ermöglichen. In dem folgenden Beitrag umreißen wir kurz den Status Quo der KuBi, reflektieren wesentliche Entwicklungslinien postdigitaler Kunst und formulieren Ansprüche für transdisziplinäre Forschung an deren Schnittmenge.</abstract>
    <parentTitle language="deu">Forschung zur Digitalisierung in der Kulturellen Bildung</parentTitle>
    <identifier type="isbn">978-3-86736-522-2</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Judith Ackermann</author>
    <author>Marian Dörk</author>
    <author>Hanne Seitz</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturpädagogik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digitalisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Ästhetik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Transdisziplinarität</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Postdigital</value>
    </subject>
    <collection role="ddc" number="370">Bildung und Erziehung</collection>
    <collection role="institutes" number="">FB1 Sozial- und Bildungswissenschaften</collection>
    <collection role="institutes" number="">FB4 Design</collection>
  </doc>
  <doc>
    <id>2756</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>ii17</pageFirst>
    <pageLast>ii29</pageLast>
    <pageNumber/>
    <edition/>
    <issue>Supplement 2</issue>
    <volume>36</volume>
    <type>article</type>
    <publisherName>Oxford University Press</publisherName>
    <publisherPlace>Oxford</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-04-20</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Relational perspectives as situated visualizations of art collections</title>
    <abstract language="eng">With relational perspectives, we examine the potential of traversing cultural collections along the richness of individual facets and relations through the process of developing an exploration-centered visualization. Cultural collections can contain thousands of artifacts, of which each typically possesses a diverse set of properties and individual facets constituting a unique relationship to the rest of the collection. Therefore, to create an appropriate representation of the complex data of each underlying artifact, oftentimes, it is not only interesting to get an overview of the entire collection from one perspective, but to explore the specific context of an artifact and the various relations it may have to other items. To investigate the potential of relational perspectives, we selected an art collection as a particularly promising case study. By following and reporting from a collaborative and iterative design process with an art museum, we developed a web interface that contrasts a collection overview with three situated visualizations each exposing a different kind of relational perspective on the art collection from an artifact.</abstract>
    <parentTitle language="eng">Digital Scholarship in the Humanities</parentTitle>
    <identifier type="doi">10.1093/llc/fqab003</identifier>
    <identifier type="issn">1477-4615</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <author>Frank Heidmann</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturelle Einrichtung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digitalisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Graphische Benutzeroberfläche</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digital Humanities</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2618</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>217</pageFirst>
    <pageLast>235</pageLast>
    <pageNumber/>
    <edition/>
    <issue>1</issue>
    <volume>4</volume>
    <type>article</type>
    <publisherName>De Gruyter Saur</publisherName>
    <publisherPlace>Berlin</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-08</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Co-Designing Visualizations for Information Seeking and Knowledge Management</title>
    <abstract language="eng">Creativity is a crucial factor in finding novel and useful visualization and interaction techniques, but its emergence is contingent on the right conditions. The focus of visualization research has traditionally been on techniques, and to a lesser degree on the process of creating them with domain experts and end users. This paper focuses on the collaborative design of visualizations for information seeking and knowledge management. The difficult, yet common challenge in any visualization project is to find meaningful visual representations and useful interaction techniques to carry out complex analysis tasks. The unique difficulty for preparing co-design activities for visualization lies in the gap between the abstract nature of data and the concrete form of visual representations. To bridge this gap, our co-design framework for visualization places particular emphasis on actors, activities, and artifacts as categories that expand the focus of visualization design beyond the traditional triad of users, tasks, and data. Drawing from general co-design principles, the framework is developed and validated during the course of two case studies in the context of information management systems and library collection databases. Based on observed patterns during the case studies, practical tactics provide advice on carrying out co-design in information visualization.</abstract>
    <parentTitle language="eng">Open Information Science</parentTitle>
    <identifier type="doi">10.1515/opis-2020-0102</identifier>
    <identifier type="issn">2451-1781</identifier>
    <identifier type="urn">urn:nbn:de:kobv:525-26188</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Marian Dörk</author>
    <author>Boris Müller</author>
    <author>Jan-Erik Stange</author>
    <author>Johannes Herseni</author>
    <author>Katja Dittrich</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Information Visualization</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Co-design</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Methodologie</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Wissensmanagement</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationsverhalten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mensch-Maschine-Kommunikation</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
    <file>https://opus4.kobv.de/opus4-fhpotsdam/files/2618/10.1515_opis-2020-0102.pdf</file>
  </doc>
  <doc>
    <id>2596</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>12</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume>2021</volume>
    <type>conferenceobject</type>
    <publisherName>Association for Computing Machinery</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-07</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">The Public Life of Data</title>
    <abstract language="eng">This research investigates how people engage with data visualizations when commenting on the social platform Reddit. There has been considerable research on collaborative sensemaking with visualizations and the personal relation of people with data. Yet, little is known about how public audiences without specific expertise and shared incentives openly express their thoughts, feelings, and insights in response to data visualizations. Motivated by the extensive social exchange around visualizations in online communities, this research examines characteristics and motivations of people’s reactions to posts featuring visualizations. Following a Grounded Theory approach, we study 475 reactions from the /r/dataisbeautiful community, identify ten distinguishable reaction types, and consider their contribution to the discourse. A follow-up survey with 168 Reddit users clarified their intentions to react. Our results help understand the role of personal perspectives on data and inform future interfaces that integrate audience reactions into visualizations to foster a public discourse about data.</abstract>
    <parentTitle language="eng">CHI Conference on Human Factors in Computing Systems (CHI ’21)</parentTitle>
    <subTitle language="eng">Investigating Reactions to Visualizations on Reddit</subTitle>
    <identifier type="doi">10.1145/3411764.3445720</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Tobias Kauer</author>
    <author>Arran Ridley</author>
    <author>Marian Dörk</author>
    <author>Benjamin Bach</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>data visualization</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>reddit</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>personal data</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Personenbezogenen Daten</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2595</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>523</pageFirst>
    <pageLast>537</pageLast>
    <pageNumber>15</pageNumber>
    <edition/>
    <issue/>
    <volume>2021</volume>
    <type>conferenceobject</type>
    <publisherName>Association for Computing Machinery</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-07</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">I/O Bits</title>
    <abstract language="eng">We present I/O Bits, a prototype personal informatics system that explores the potential for user-driven and situated self-tracking. With simple tactile inputs and small e-paper visualizations, I/O Bits are dedicated physical devices that allow individuals to track and visualize different kinds of personal activities in-situ. This is in contrast to most self-tracking systems, which automate data collection, centralize information displays, or integrate into multi-purpose devices like smartwatches or mobile phones. We report findings from an e-paper visualization workshop and a prototype deployment where participants constructed their own I/O Bits and used them to track a range of personal data. Based on these experiences, we contribute insights and opportunities for situated and user-driven personal informatics.</abstract>
    <parentTitle language="eng">Designing Interactive Systems Conference 2021 (DIS ’21)</parentTitle>
    <subTitle language="eng">User-Driven, Situated, and Dedicated Self-Tracking</subTitle>
    <identifier type="doi">10.1145/3461778.3462138</identifier>
    <identifier type="isbn">978-1-4503-8476-6</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Kendra Wannamaker</author>
    <author>Sandeep Kollannur</author>
    <author>Marian Dörk</author>
    <author>Wesley Willett</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Personal Data/Tracking</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Visualization</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Ambient Devices</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Ubiquitous Computing</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Internet der Dinge</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2567</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>13</pageFirst>
    <pageLast>24</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>40</volume>
    <type>article</type>
    <publisherName>Wiley</publisherName>
    <publisherPlace>Oxford</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2021-10-15</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Topography of Violence</title>
    <abstract language="eng">Based on a collaborative visualization design process involving sensitive historical data and historiographical expertise, we investigate the relevance of ethical principles in visualization design. While fundamental ethical norms like truthfulness and accuracy are already well-described and common goals in visualization design, datasets that are accompanied by specific ethical concerns need to be processed and visualized with an additional level of carefulness and thought. There has been little research on adequate visualization design incorporating such considerations. To address this gap we present insights from Topography of Violence, a visualization project with the Jewish Museum Berlin that focuses on a dataset of more than 4,500 acts of violence against Jews in Germany between 1930 and 1938. Drawing from the joint project, we develop an approach to the visualization of sensitive data, which features both conceptual and procedural considerations for visualization design. Our findings provide value for both visualization researchers and practitioners by highlighting challenges and opportunities for ethical data visualization.</abstract>
    <parentTitle language="eng">Computer Graphics Forum</parentTitle>
    <subTitle language="eng">Considerations for Ethical and Collaborative Visualization Design</subTitle>
    <additionalTitle language="deu">Topographie der Gewalt: Überlegungen zum ethischen und kollaborativen Visualisierungsdesign</additionalTitle>
    <identifier type="doi">10.1111/cgf.14285</identifier>
    <identifier type="issn">1467-8659</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Fabian Ehmel</author>
    <author>Viktoria Brüggemann</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Ethik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Bewertung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2369</id>
    <completedYear/>
    <publishedYear>2015</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>212</pageFirst>
    <pageLast>217</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Mensch und Buch Verlag</publisherName>
    <publisherPlace>Berlin</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2019-05-23</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Urbane Komplexität verstehen - Das Institut für angewandte Forschung Urbane Zukunft</title>
    <parentTitle language="deu">Research Day 2015 Stadt der Zukunft : Tagungsband - 21.04.2015 / Beuth Hochschule für Technik Berlin</parentTitle>
    <identifier type="isbn">978-3-86387-595-4</identifier>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">true</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Christina Schade</author>
    <author>Marian Dörk</author>
    <author>Katrin Glinka</author>
    <author>Matthias Hauff</author>
    <author>Harald A. Mieg</author>
    <author>Michael Prytula</author>
    <author>Jens Rauenbusch</author>
    <author>Tobias Schröder</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fachhochschule</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Lehre</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Forschung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Hochschuldidaktik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Entdeckendes Lernen</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Stadt</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Strukturwandel</value>
    </subject>
    <collection role="ddc" number="370">Bildung und Erziehung</collection>
    <collection role="ddc" number="710">Landschaftsgestaltung, Raumplanung</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>2341</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>2311</pageFirst>
    <pageLast>2330</pageLast>
    <pageNumber/>
    <edition/>
    <issue>6</issue>
    <volume>25</volume>
    <type>article</type>
    <publisherName>IEEE</publisherName>
    <publisherPlace>New York, NY</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2019-05-03</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Visualization of Cultural Heritage Collection Data</title>
    <parentTitle language="eng">IEEE Transactions on Visualization and Computer Graphics</parentTitle>
    <subTitle language="eng">State of the Art and Future Challenges</subTitle>
    <identifier type="doi">10.1109/TVCG.2018.2830759</identifier>
    <identifier type="issn">1941-0506</identifier>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Florian Windhager</author>
    <author>Paolo Federico</author>
    <author>Günther Schreder</author>
    <author>Katrin Glinka</author>
    <author>Marian Dörk</author>
    <author>Silvia Miksch</author>
    <author>Eva Mayr</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Informationswissenschaft, allgemeine Werke</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>2864</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>115</pageFirst>
    <pageLast>123</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>bookpart</type>
    <publisherName>Deutsches Museum Verlag</publisherName>
    <publisherPlace>München</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-08-11</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Zwischen Distanz und Nähe : Formen der Betrachtung und Bewegung in (digitalen) Sammlungen</title>
    <parentTitle language="deu">Das digitale Objekt : Zwischen Depot und Internet</parentTitle>
    <identifier type="isbn">978-3-948808-00-6</identifier>
    <identifier type="issn">2365-9149</identifier>
    <identifier type="url">https://www.deutsches-museum.de/museum/verlag/publikation/das-digitale-objekt</identifier>
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    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY-SA - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Viktoria Brüggemann</author>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digitalisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Museum</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Virtuelles Museum</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="060">Verbände, Organisationen, Museen</collection>
    <collection role="ddc" number="300">Sozialwissenschaften, Soziologie</collection>
    <collection role="institutes" number="">FB4 Design</collection>
  </doc>
  <doc>
    <id>3255</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>16</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>14</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>USA</publisherPlace>
    <creatingCorporation>Association for Computers and the Humanities</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">The Fold</title>
    <abstract language="eng">We propose the philosophical notion of the fold as an evocative vocabulary for the design and critique of interactive data visualizations. An expanding range of application areas, such as digital art history and literary studies, illustrates the potential of data visualization for research and education in the humanities. Coinciding with the increasing currency of data as evidence in the humanities, this research addresses a growing interest in data visualization for visual analysis and argumentation. For example, cultural collection visualizations promise a range of possibilities for visual and interactive representations of digital cultural heritage, used both for free exploration and focused research. Based on the concept of the fold, prominently advanced by Gilles Deleuze, this paper outlines a critical framework that draws attention towards the complexity of the underlying data. The fold offers a way to analyze and conceptualize visualizations through the lens of three integrated operations: explication, implication, and complication. It is an opportunity to think of interactive visualizations as portals into coherent, elastic, and ultimately infinite information spaces. Accordingly, it rejects the separation between interactivity and visual encoding and draws attention to the transitions between multiple states of a visualization. We identify design patterns of the fold in data visualizations, devise a framework for the critical interpretation of interactivity in data visualization, and demonstrate the implications for the digital humanities.</abstract>
    <parentTitle language="eng">Digital humanities quarterly : DHQ</parentTitle>
    <subTitle language="eng">Rethinking Interactivity in Data Visualization</subTitle>
    <identifier type="issn">1938-4122</identifier>
    <identifier type="url">http://www.digitalhumanities.org/dhq/vol/14/3/000487/000487.html</identifier>
    <enrichment key="opus.import.date">2023-10-20T12:33:57+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
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    <licence>Creative Commons - CC BY-ND - Namensnennung - Keine Bearbeitungen 4.0 International</licence>
    <author>Viktoria Brüggemann</author>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Wortschatz</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Deleuze, Gilles</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3271</id>
    <completedYear/>
    <publishedYear>2019</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>27</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>13</volume>
    <type>article</type>
    <publisherName>Association for Computers and the Humanities</publisherName>
    <publisherPlace>USA</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Narrelations</title>
    <abstract language="eng">We present findings from interdisciplinary research at the intersection between literary studies, information visualization, and interface design. Despite a growing interest in text visualization among literary scholars, so far, narrative visualizations are not designed to support the particular tasks involved in narratological analysis and often fail to reveal nuanced narratological features. One major outcome of our iterative research and design process is Narrelations, a novel visualization technique specifically suited for analyzing and interpreting narrative levels of a story and temporal aspects of its narrative representation. The visualization provides an overview of the nesting and distribution of narrative levels, integrates the representation of temporal phenomena, and facilitates the examination of correlations between these aspects. With this research we explore how collaboratively designed visual encodings and interaction techniques may allow for an insightful analysis at a high level coupled with a close inspection of text passages. We discuss prior work relevant to our research objectives and explain the specific characteristics of narrative levels and temporal aspects of narrative representation. After describing the research process and design principles, we apply the visualization on a test corpus of eight annotated German short stories and demonstrate its heuristic value for literary analyses and interpretations. In particular, we explore the intricate connections between the literary content of the novellas and their narrative form.</abstract>
    <parentTitle language="eng">Digital humanities quarterly : DHQ</parentTitle>
    <subTitle language="eng">Visualizing Narrative Levels and their Correlations with Temporal Phenomena</subTitle>
    <identifier type="issn">1938-4122</identifier>
    <identifier type="url">http://digitalhumanities.org:8081/dhq/vol/13/3/000414/000414.html</identifier>
    <enrichment key="opus.import.date">2023-10-27T11:43:37+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Hannah Schwan</author>
    <author>Janina Jacke</author>
    <author>Rabea Kleymann</author>
    <author>Jan-Erik Stange</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Literaturwissenschaft</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Erzähltechnik</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3252</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>124</pageFirst>
    <pageLast>149</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Wien</publisherPlace>
    <creatingCorporation>Universität Wien</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Graph Technologies for the Analysis of Historical Social Networks Using Heterogeneous Data Sources</title>
    <abstract language="eng">Over the last decades, cultural heritage institutions have provided extensive machine-readable data, such as bibliographic and archival metadata, full-text collections, and authority records containing multitudes of implicit and explicit statements about the social relations between various types of entities. In this paper, we discuss how approaches to the creation and operation of advanced research infrastructure for historical network analysis (HNA) based on heterogeneous data sources from cultural heritage institutions can be examined and evaluated. Based on our interdisciplinary research, we describe challenges and strategies with a special focus on the issue of data processing, sketch out the advantages of human-centered project design in the form of a preliminary co-design workshop, and present an iterative approach to data visualization.</abstract>
    <parentTitle language="eng">Graph Technologies in the Humanities</parentTitle>
    <identifier type="issn">1613-0073</identifier>
    <identifier type="url">https://ceur-ws.org/Vol-3110/paper7.pdf</identifier>
    <enrichment key="opus.import.date">2023-10-17T11:12:58+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
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    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Sina Menzel</author>
    <author>Mark-Jan Bludau</author>
    <author>Elena Leitner</author>
    <author>Marian Dörk</author>
    <author>Julián Moreno-Schneider</author>
    <author>Vivien Petras</author>
    <author>Georg Rehm</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Datenverarbeitung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3247</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>1</pageFirst>
    <pageLast>3</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Hamburg</publisherPlace>
    <creatingCorporation>Verband Digital Humanities im deutschsprachigen Raum e.V.</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">SoNAR (IDH)</title>
    <parentTitle language="deu">DHd 2020 Spielräume: Digital Humanities zwischen Modellierung und Interpretation</parentTitle>
    <subTitle language="deu">Datenschnittstellen für historische Netzwerkanalyse</subTitle>
    <identifier type="doi">10.5281/zenodo.4621862</identifier>
    <enrichment key="opus.import.date">2023-10-16T12:23:52+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <author>Heiner Fangerau</author>
    <author>Thorsten Halling</author>
    <author>Elena Leitner</author>
    <author>Sina Menzel</author>
    <author>Gerhard Müller</author>
    <author>Vivien Petras</author>
    <author>Georg Rehm</author>
    <author>Clemens Neudecker</author>
    <author>David Zellhiefer</author>
    <author>Julian Moreno Schneider</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Soziale Netzwerkanalyse</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Optische Zeichenerkennung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Named Entity Recognition</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3246</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>1</pageFirst>
    <pageLast>4</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Hamburg</publisherPlace>
    <creatingCorporation>Verband Digital Humanities im deutschsprachigen Raum e.V.</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Die Falte</title>
    <parentTitle language="deu">DHd 2020 Spielräume: Digital Humanities zwischen Modellierung und Interpretation</parentTitle>
    <subTitle language="deu">Ein Denkraum für interaktive und kritische Datenvisualisierungen</subTitle>
    <identifier type="doi">10.5281/zenodo.4621888</identifier>
    <enrichment key="opus.import.date">2023-10-12T14:52:43+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
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    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Viktoria Brüggemann</author>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Interaktion</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Philosophie</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2597</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>126</pageFirst>
    <pageLast>130</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>IEEE</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation>The Institute of Electrical and Electronics Engineers (IEEE)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-03-07</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Unravelling the Human Perspective and Considerations for Urban Data Visualization</title>
    <abstract language="eng">Effective use of data is an essential asset to modern cities. Visualization as a tool for analysis, exploration, and communication has become a driving force in the task of unravelling our complex urban fabrics. This paper outlines the findings from a series of three workshops from 2018-2020 bringing together experts in urban data visualization with the aim of exploring multidisciplinary perspectives from the human-centric lens. Based on the rich and detailed workshop discussions identifying challenges and opportunities for urban data visualization research, we outline major human-centric themes and considerations fundamental for CityVis design and introduce a framework for an urban visualization design space.</abstract>
    <parentTitle language="eng">2021 IEEE 14th Pacific Visualization Symposium (PacificVis)</parentTitle>
    <identifier type="doi">10.1109/PacificVis52677.2021.00024</identifier>
    <identifier type="isbn">978-1-6654-3931-2</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Sarah Goodwin</author>
    <author>Sebastian Meier</author>
    <author>Lyn Bartram</author>
    <author>Alex Godwin</author>
    <author>Till Nagel</author>
    <author>Marian Dörk</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Human-centered computing</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Interaction design</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Individuelle Datenverarbeitung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3158</id>
    <completedYear/>
    <publishedYear>2020</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber>9</pageNumber>
    <edition/>
    <issue/>
    <volume/>
    <type>workingpaper</type>
    <publisherName>Cornell University</publisherName>
    <publisherPlace/>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2023-08-10</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Emosaic: Visualizing Affective Content of Text at Varying Granularity</title>
    <abstract language="eng">This paper presents Emosaic, a tool for visualizing the emotional tone of text documents, considering multiple dimensions of emotion and varying levels of semantic granularity. Emosaic is grounded in psychological research on the relationship between language, affect, and color perception. We capitalize on an established three-dimensional model of human emotion: valence (good, nice vs. bad, awful), arousal (calm, passive vs. exciting, active) and dominance (weak, controlled vs. strong, in control). Previously, multi-dimensional models of emotion have been used rarely in visualizations of textual data, due to the perceptual challenges involved. Furthermore, until recently most text visualizations remained at a high level, precluding closer engagement with the deep semantic content of the text. Informed by empirical studies, we introduce a color mapping that translates any point in three-dimensional affective space into a unique color. Emosaic uses affective dictionaries of words annotated with the three emotional parameters of the valence-arousal-dominance model to extract emotional meanings from texts and then assigns to them corresponding color parameters of the hue-saturation-brightness color space. This approach of mapping emotion to color is aimed at helping readers to more easily grasp the emotional tone of the text. Several features of Emosaic allow readers to interactively explore the affective content of the text in more detail; e.g., in aggregated form as histograms, in sequential form following the order of text, and in detail embedded into the text display itself. Interaction techniques have been included to allow for filtering and navigating of text and visualizations.</abstract>
    <parentTitle language="eng">arxiv.org</parentTitle>
    <identifier type="doi">10.48550/arXiv.2002.10096</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Philipp Geuder</author>
    <author>Marie-Claire Leidinger</author>
    <author>Martin von Lupin</author>
    <author>Marian Dörk</author>
    <author>Tobias Schröder</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mensch-Maschine-Kommunikation</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Digital</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Text</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Emotion</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Farbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Farbzuweisung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Farbübersetzung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
  </doc>
  <doc>
    <id>3501</id>
    <completedYear/>
    <publishedYear>2024</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1246</pageFirst>
    <pageLast>1256</pageLast>
    <pageNumber/>
    <edition/>
    <issue>1</issue>
    <volume>21</volume>
    <type>article</type>
    <publisherName>Institute of Electrical and Electronics Engineers (IEEE)</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Discursive Patinas</title>
    <abstract language="eng">This paper presents discursive patinas, a technique to visualize discussions onto data visualizations, inspired by how people leave traces in the physical world. While data visualizations are widely discussed in online communities and social media, comments tend to be displayed separately from the visualization and we lack ways to relate these discussions back to the content of the visualization, e.g., to situate comments, explain visual patterns, or question assumptions. In our visualization annotation interface, users can designate areas within the visualization. Discursive patinas are made of overlaid visual marks (anchors), attached to textual comments with category labels, likes, and replies. By coloring and styling the anchors, a meta visualization emerges, showing what and where people comment and annotate the visualization. These patinas show regions of heavy discussions, recent commenting activity, and the distribution of questions, suggestions, or personal stories. We ran workshops with 90 students, domain experts, and visualization researchers to study how people use anchors to discuss visualizations and how patinas influence people's understanding of the discussion. Our results show that discursive patinas improve the ability to navigate discussions and guide people to comments that help understand, contextualize, or scrutinize the visualization. We discuss the potential of anchors and patinas to support discursive engagements, including critical readings of visualizations, design feedback, and feminist approaches to data visualization.</abstract>
    <parentTitle language="eng">IEEE transactions on visualization and computer graphics</parentTitle>
    <subTitle language="eng">Anchoring Discussions in Data Visualizations</subTitle>
    <identifier type="issn">1077-2626</identifier>
    <identifier type="doi">10.1109/TVCG.2024.3456334</identifier>
    <enrichment key="opus.import.date">2024-09-20T11:40:59+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>Tobias Kauer</author>
    <author>Derya Akbaba</author>
    <author>Marian Dörk</author>
    <author>Benjamin Bach</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Annotation</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Diskussion</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3065</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>4039</pageFirst>
    <pageLast>4054</pageLast>
    <pageNumber/>
    <edition/>
    <issue>7</issue>
    <volume>30</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation>Institute of Electrical and Electronics Engineers (IEEE)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2023-03-30</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Attitudinal effects of data visualizations and illustrations in data stories</title>
    <abstract language="eng">Journalism has become more data-driven and inherently visual in recent years. Photographs, illustrations, infographics, data visualizations, and general images help convey complex topics to a wide audience. The way that visual artifacts influence how readers form an opinion beyond the text is an important issue to research, but there are few works about this topic. In this context, we research the persuasive, emotional and memorable dimensions of data visualizations and illustrations in journalistic storytelling for long-form articles. We conducted a user study and compared the effects which data visualizations and illustrations have on changing attitude towards a presented topic. While visual representations are usually studied along one dimension, in this experimental study, we explore the effects on readers' attitudes along three: persuasion, emotion, and information retention. By comparing different versions of the same article, we observe how attitudes differ based on the visual stimuli present, and how they are perceived when combined. Results indicate that the narrative using only data visualization elicits a stronger emotional impact than illustration-only visual support, as well as a significant change in the initial attitude about the topic. Our findings contribute to a growing body of literature on how visual artifacts may be used to inform and influence public opinion and debate. We present ideas for future work to generalize the results beyond the domain studied, the water crisis.</abstract>
    <parentTitle language="eng">IEEE Transactions on Visualization and Computer Graphics</parentTitle>
    <identifier type="doi">10.1109/TVCG.2023.3248319</identifier>
    <identifier type="issn">1077-2626</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Manuela Garretón</author>
    <author>Francesca Morini</author>
    <author>Pablo Celhay</author>
    <author>Marian Dörk</author>
    <author>Denis Parra</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Journalismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Illustration</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Informationsspeicherung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2909</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>465</pageFirst>
    <pageLast>483</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>11</volume>
    <type>article</type>
    <publisherName>Routledge, Taylor &amp; Francis Group</publisherName>
    <publisherPlace>London</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-11-03</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Sensing what’s new : considering ethics when using sensor data in journalistic practices</title>
    <abstract language="eng">As data are becoming increasingly central to journalistic practice, a number of technology-driven approaches are emerging among data journalists. This article focuses on sensor journalism, which brings new practical and ethical concerns to journalism. By interviewing and working with data journalists and journalism scholars, we analyze the new technological and ethical challenges that sensors bring to journalism. The results contribute to the knowledge on how data journalists implicitly embed ethical values into their everyday work. Furthermore, they suggest that general ethical values are revisited and extended by the influence of sensors.</abstract>
    <parentTitle language="eng">Digital Journalism</parentTitle>
    <identifier type="doi">10.1080/21670811.2022.2134161</identifier>
    <identifier type="issn">2167-082X</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Francesca Morini</author>
    <author>Marian Dörk</author>
    <author>Ester Appelgren</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Journalismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Ethik</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Datenanalyse</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Sensor</value>
    </subject>
    <collection role="ddc" number="070">Publizistische Medien, Journalismus, Verlagswesen</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3315</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>11</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>preprint</type>
    <publisherName>Institute of Electrical and Electronics Engineers (IEEE)</publisherName>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">From shock to shift</title>
    <abstract language="eng">We present a multi-dimensional, multi-level, and multi-channel approach to data visualization for the purpose of constructive climate journalism. Data visualization has assumed a central role in environmental journalism and is often used in data stories to convey the dramatic consequences of climate change and other ecological crises. However, the emphasis on the catastrophic impacts of climate change tends to induce feelings of fear, anxiety, and apathy in readers. Climate mitigation, adaptation, and protection—all highly urgent in the face of the climate crisis—are at risk of being overlooked. These topics are more difficult to communicate as they are hard to convey on varying levels of locality, involve multiple interconnected sectors, and need to be mediated across various channels from the printed newspaper to social media platforms. So far, there has been little research on data visualization to enhance affective engagement with data about climate protection as part of solution-oriented reporting of climate change. With this research we characterize the unique challenges of constructive climate journalism for data visualization and share findings from a research and design study in collaboration with a national newspaper in Germany. Using the affordances and aesthetics of travel postcards, we present Klimakarten, a data journalism project on the progress of climate protection at multiple spatial scales (from national to local), across five key sectors (agriculture, buildings, energy, mobility, and waste), and for print and online use. The findings from quantitative and qualitative analysis of reader feedback confirm our overall approach and suggest implications for future work.</abstract>
    <parentTitle language="eng">IEEE transactions on visualization and computer graphics</parentTitle>
    <subTitle language="eng">Data visualization for constructive climate journalism</subTitle>
    <identifier type="issn">1077-2626</identifier>
    <identifier type="doi">10.1109/TVCG.2023.3327185</identifier>
    <enrichment key="opus.import.date">2023-12-20T16:08:20+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Francesca Morini</author>
    <author>Anna Eschenbacher</author>
    <author>Johanna Hartmann</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Erzählen</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Journalismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Klimaänderung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Meteorologie</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="ddc" number="070">Publizistische Medien, Journalismus, Verlagswesen</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3314</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>333</pageFirst>
    <pageLast>338</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Cottbus</publisherPlace>
    <creatingCorporation>Brandenburgische Technische Universität Cottbus-Senftenberg (BTU)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Tracing and Telling</title>
    <abstract language="eng">Cultural collections have transcended the boundaries of physical showcases and storage cabinets, evolving into intricate digital webs of interconnected data. The research project Restaging Fashion aimed to expand the possibilities for experiencing the linkages in digitized cultural heritage, focusing on the visualization of collection holdings related to the history of garments. Through graph-based narratives, the project investigated the complex interplay between the linear – and at times tentative – art historical discourses and the non-linear explorations of associated cultural heritage data. The resulting visualizations have been designed with the aim to allow for curated and dynamic exploration of the collection along research essays and their interrelated graphs.</abstract>
    <parentTitle language="eng">EVA BERLIN 2023</parentTitle>
    <subTitle language="eng">Exploring collection holdings through graph-based narratives</subTitle>
    <identifier type="isbn">978-3-88609-891-0</identifier>
    <enrichment key="opus.import.date">2023-12-20T15:35:07+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>Sabine de Günther</author>
    <author>Giacomo Nanni</author>
    <author>Ilias Kyriazis</author>
    <author>Linda Freyberg</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Sammlung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Mode</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3248</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>2</pageLast>
    <pageNumber/>
    <edition/>
    <issue>6</issue>
    <volume/>
    <type>article</type>
    <publisherName>Copernicus Publications</publisherName>
    <publisherPlace>Göttingen</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">A Contemporary Nolli Map</title>
    <abstract language="eng">More than 250 years ago, Giovanni Battista Nolli, an Italian architect, engineer and cartographer, was concerned with how and where space is or is not publicly accessible. In his map 'La nuova topografia di Roma Comasco', he mapped publicly accessible interior and exterior spaces of Rome with an impressively high level of detail as a figure-ground map. Since Nolli’s time, both the character and diversity of public spaces as well as cartographic technology have changed. This research project aims to adapt some ideas behind Nolli’s map for today’s circumstances on the basis of open data, and seeks to develop methods for processing volunteered geographical information from OpenStreetMap (OSM) to identify, categorize, and map public spaces based on thematic and geometric information.</abstract>
    <parentTitle language="eng">Abstracts of the ICA</parentTitle>
    <subTitle language="eng">Using OpenStreetMap Data to Represent Urban Public Spaces</subTitle>
    <identifier type="issn">2570-2106</identifier>
    <identifier type="doi">10.5194/ica-abs-6-223-2023</identifier>
    <enrichment key="opus.import.date">2023-10-16T12:49:25+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Ester Scheck</author>
    <author>Andrea Binn</author>
    <author>Marian Dörk</author>
    <author>Florian Ledermann</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>OpenStreetMap</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Öffentlicher Raum</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Geoinformationssystem</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="open_access_fhp" number="">Gold Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3251</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>297</pageFirst>
    <pageLast>309</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>42</volume>
    <type>article</type>
    <publisherName>Wiley-Blackwell</publisherName>
    <publisherPlace>Oxford</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Unfolding Edges</title>
    <abstract language="eng">Existing work on visualizing multivariate graphs is primarily concerned with representing the attributes of nodes. Even though edges are the constitutive elements of networks, there have been only few attempts to visualize attributes of edges. In this work, we focus on the critical importance of edge attributes for interpreting network visualizations and building trust in the underlying data. We propose 'unfolding of edges' as an interactive approach to integrate multivariate edge attributes dynamically into existing node-link diagrams. Unfolding edges is an in-situ approach that gradually transforms basic links into detailed representations of the associated edge attributes. This approach extends focus+context, semantic zoom, and animated transitions for network visualizations to accommodate edge details on-demand without cluttering the overall graph layout. We explore the design space for the unfolding of edges, which covers aspects of making space for the unfolding, of actually representing the edge context, and of navigating between edges. To demonstrate the utility of our approach, we present two case studies in the context of historical network analysis and computational social science. For these, web-based prototypes were implemented based on which we conducted interviews with domain experts. The experts' feedback suggests that the proposed unfolding of edges is a useful tool for exploring rich edge information of multivariate graphs.</abstract>
    <parentTitle language="eng">Computer Graphics Forum</parentTitle>
    <subTitle language="eng">Adding Context to Edges in Multivariate Graph Visualization</subTitle>
    <identifier type="issn">0167-7055</identifier>
    <identifier type="doi">10.1111/cgf.14831</identifier>
    <enrichment key="opus.import.date">2023-10-16T14:06:59+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <author>Christian Tominski</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Node-Link Diagram</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Computational Social Science</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3242</id>
    <completedYear/>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>1</pageFirst>
    <pageLast>5</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Hamburg</publisherPlace>
    <creatingCorporation>Verband Digital Humanities im deutschsprachigen Raum e.V.</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Was sehe ich? Visualisierungsstrategien für Datentransparenz in der Historischen Netzwerkanalyse</title>
    <abstract language="deu">Die Historische Netzwerkanalyse (HNA) hat sich zu einem etablierten Forschungsfeld entwickelt. Zu ihren wichtigsten methodischen Herausforderungen gehört die Suggestionskraft von Visualisierungen. Die Transparenz bezüglich der Datenquellen ist daher für die HNA sowohl bei selbst erhobenen als auch bei sekundär genutzten Daten Voraussetzung, will sie geisteswissenschaftlichen Kriterien der Nachprüfbarkeit und Nachvollziehbarkeit von Interpretationen erfüllen. Dieser Beitrag beschreibt und diskutiert – aufbauend auf einem iterativen und durch Workshops sowie einer Nutzer*innenstudie begleiteten Forschungsprozess – vier Designziele zur Verwirklichung einer solchen Transparenz: 1) Aufnahme und Kommunikation von Datenprovenienzen, 2) Dokumentation vorausgegangener Prozesse, 3) Offenhaltung der Interpretierbarkeit der Daten und 4) Unterstützung von Folgeforschung. Anschließend werden beispielhafte Umsetzungsstrategien in Form von Prototypen präsentiert.</abstract>
    <parentTitle language="deu">DHd2022 : Kulturen des digitalen Gedächtnisses</parentTitle>
    <identifier type="doi">10.5281/zenodo.6327931</identifier>
    <enrichment key="opus.import.date">2023-10-12T13:25:35+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Mark-Jan Bludau</author>
    <author>Thorsten Halling</author>
    <author>Eva Maria Holly</author>
    <author>Jasmin Wieloch</author>
    <author>Hannes Schnaitter</author>
    <author>Sandra Balck</author>
    <author>Melina Plakidis</author>
    <author>Georg Rehm</author>
    <author>Heiner Fangerau</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Historische Netzwerkanalyse</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Diamond Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3243</id>
    <completedYear/>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>1</pageFirst>
    <pageLast>5</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName/>
    <publisherPlace>Hamburg</publisherPlace>
    <creatingCorporation>Verband Digital Humanities im deutschsprachigen Raum e.V.</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="deu">Von der Wolke zum Pfad</title>
    <abstract language="deu">Die in den letzten Jahren entstandenen explorativen Visualisierungen musealer Sammlungen widmen sich zumeist einzelnen Sammlungen, welche oft einer spezifischen Systematik folgen und eine geringe Vielfalt an Objektgattungen und Attributen aufweisen. Das hier vorgestellte Forschungsprojekt stellte sich die Frage, wie verschiedene, in sich heterogene, Sammlungen miteinander verknüpft, visualisiert und exploriert werden können, ohne die Unterschiede zwischen ihnen zu nivellieren. Dazu wurden im Rahmen einer Forschungskooperation mit den Staatlichen Museen zu Berlin die Bestände aus dem 19. Jahrhundert der Alten Nationalgalerie sowie des Museums Europäischer Kulturen ausgewählt. Das Ziel war es, übergreifende Zusammenhänge und Resonanzen zwischen den Sammlungen aufzugreifen und dynamische, interaktive Arrangements zu entwickeln, welche die assoziative Exploration von Beständen anregen. Das Ergebnis ist ein interaktiver Prototyp, der eine globale Übersicht in Form einer annotierten Wolke mit der lokalen Perspektive eines auf Ähnlichkeiten basierten Pfads verknüpft.</abstract>
    <parentTitle language="deu">DHd2022 : Kulturen des digitalen Gedächtnisses</parentTitle>
    <subTitle language="deu">Visuelle und assoziative Exploration zweier kultureller Sammlungen</subTitle>
    <identifier type="doi">10.5281/zenodo.6327939</identifier>
    <enrichment key="opus.import.date">2023-10-12T13:30:12+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Viktoria Brüggemann</author>
    <author>Mark-Jan Bludau</author>
    <author>Christopher Pietsch</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Sammlung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Maschinelles Lernen</value>
    </subject>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="open_access_fhp" number="">Diamond Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>2912</id>
    <completedYear/>
    <publishedYear>2022</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber/>
    <edition/>
    <issue>11</issue>
    <volume>27</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>Chicago</publisherPlace>
    <creatingCorporation>University of Illinois Chicago Library</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-11-09</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Disclosure as a critical-feminist design practice for Web-based data stories</title>
    <abstract language="eng">We present findings from design research on disclosure at the intersection of data visualization, digital storytelling, and feminism. While there is an increased awareness of power structures in data science, computing, and design, there is little design research to confront these. This work explores the potential of disclosing context information of data stories, i.e., digital storytelling formats utilizing data visualizations, to enable critical-feminist readings of and reflections on these stories. Drawing from a growing body of feminist scholarship in human-computer interaction, data science, and beyond, we identify key aspects and forms of disclosure for embedding them into visual data story interfaces. We devise and validate these aspects and forms within a case study: a Web-based scrollytelling article explaining the feminist concept of intersectionality using a combination of animated illustration, data visualization, and text. With this work, we demonstrate and discuss the potentials and pitfalls of disclosure practices in data storytelling.</abstract>
    <parentTitle language="eng">First Monday</parentTitle>
    <identifier type="doi">10.5210/fm.v27i11.12712</identifier>
    <identifier type="issn">1396-0466</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Creative Commons - CC BY-NC-SA - Namensnennung - Nicht kommerziell -  Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Hannah Schwan</author>
    <author>Jonas Arndt</author>
    <author>Marian Dörk</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Data stories</value>
    </subject>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Web-based scrollytelling</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Publizität</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kontext</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Feminismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Erzählen</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="open_access_fhp" number="">Diamond Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3499</id>
    <completedYear/>
    <publishedYear>2021</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>17</pageFirst>
    <pageLast>19</pageLast>
    <pageNumber>3</pageNumber>
    <edition/>
    <issue/>
    <volume/>
    <type>conferenceobject</type>
    <publisherName>Eurographics Association</publisherName>
    <publisherPlace>Niederlande</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Unfolding Edges for Exploring Multivariate Edge Attributes in Graphs</title>
    <abstract language="eng">With this research we present an approach to network visualization that expands the capabilities for visual encoding and interactive exploration through edges in node-link diagrams. Compared to the various possibilities for visual and interactive properties of nodes, there are few techniques for interactive visualization of multivariate edge attributes in node-link diagrams. Visualization of edge attributes is oftentimes limited by occlusion and space issues of methods that globally encode attributes in a node-link diagram for all edges, not sufficiently exploiting the potential of interaction. Building up on existing techniques for edge encoding and interaction, we propose 'Unfolding Edges' as an exemplary use of an on-demand detail enhancing approach for exploration of multivariate edge attributes.</abstract>
    <parentTitle language="eng">21st Eurographics Conference on Visualization</parentTitle>
    <identifier type="doi">10.2312/evp.20211070</identifier>
    <identifier type="isbn">978-3-03868-143-4</identifier>
    <enrichment key="opus.import.date">2024-09-05T12:14:27+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <author>Christian Tominski</author>
    <subject>
      <language>eng</language>
      <type>uncontrolled</type>
      <value>Interaktionsdesign</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Graph</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Human-centered Design</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3689</id>
    <completedYear/>
    <publishedYear>2025</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>1</pageFirst>
    <pageLast>19</pageLast>
    <pageNumber/>
    <edition/>
    <issue>36</issue>
    <volume>19</volume>
    <type>article</type>
    <publisherName>HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen</publisherName>
    <publisherPlace>Dresden</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Granularities of Dispersion and Materiality</title>
    <abstract language="deu">Bedeutungsvolle und sensible digitale Darstellungen für kulturelle Sammlungen zu finden, erfordert eine umsichtige Umsetzung und Zusammenarbeit, von der Datenmodellierung und Katalogisierung bis zur Ideenfindung und Entwicklung von Prototypen. In unserem Beitrag berichten wir von unserer designorientierten Forschung, die sich mit der Visualisierung eines Fotoarchivs über die jüdische Diaspora befasst. Mit dem Ziel, eine Webplattform zu schaffen, die vielfältige explorative und narrative Erlebnisse bietet, reflektieren wir die Verwendung digitaler und analoger Methoden für visuelle Sammlungen, insbesondere für eine Sammlung des jüdischen Kulturerbes.</abstract>
    <abstract language="eng">Finding evocative and sensitive digital representations for cultural heritage collections requires careful implementation and collaboration, encompassing data modeling, cataloging, ideation and prototyping. In this article, we present design-oriented research focused on visualizing a photo archive about the Jewish diaspora. Our aim is to create a web platform that offers multiple exploratory and narrative experiences. We reflect on our approach, which involves both digital and analog methods, emphasizing the affordances of visual cultural heritage and the unique characteristics of a Jewish heritage collection.</abstract>
    <parentTitle language="deu">Medaon : Magazin für Jüdisches Leben in Forschung und Bildung</parentTitle>
    <subTitle language="eng">Visualizing a Photo Archive about the Jewish Diaspora</subTitle>
    <identifier type="issn">1866-069X</identifier>
    <identifier type="url">https://www.medaon.de/de/artikel/granularities-of-dispersion-and-materiality-visualizing-a-photo-archive-about-the-jewish-diaspora/</identifier>
    <enrichment key="opus.import.date">2025-07-21T12:38:12+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <enrichment key="opus.doi.autoCreate">false</enrichment>
    <enrichment key="opus.urn.autoCreate">false</enrichment>
    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>Viktoria Brüggemann</author>
    <author>Mark-Jan Bludau</author>
    <author>Sarah Kreiseler</author>
    <author>Silvia Casavola</author>
    <author>Jona Pomerance</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Diaspora &lt;Religion&gt;</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Fotoarchiv</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Judentum</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kulturerbe</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Bronze Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3621</id>
    <completedYear/>
    <publishedYear>2025</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>17</pageFirst>
    <pageLast>31</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>45</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation>Institute of Electrical and Electronics Engineers (IEEE)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Towards Collective Storytelling</title>
    <abstract language="eng">This work investigates personal perspectives in visualization annotations as devices for collective data-driven storytelling. Inspired by existing efforts in critical cartography, we show how people share personal memories in a visualization of COVID-19 data and how comments by other visualization readers influence the reading and understanding of visualizations. Analyzing interaction logs, reader surveys, visualization annotations, and interviews, we find that reader annotations help other viewers relate to other people's stories and reflect on their own experiences. Further, we found that annotations embedded directly into the visualization can serve as social traces guiding through a visualization and help readers contextualize their own stories. With that, they supersede the attention paid to data encodings and become the main focal point of the visualization.</abstract>
    <parentTitle language="eng">IEEE Computer Graphics and Applications</parentTitle>
    <subTitle language="eng">Investigating Audience Annotations in Data Visualizations</subTitle>
    <identifier type="issn">0272-1716</identifier>
    <identifier type="issn">1558-1756</identifier>
    <identifier type="doi">10.1109/MCG.2025.3547944</identifier>
    <enrichment key="opus.import.date">2025-03-26T10:00:03+00:00</enrichment>
    <enrichment key="opus.source">sword</enrichment>
    <enrichment key="opus.import.user">hisres</enrichment>
    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Tobias Kauer</author>
    <author>Marian Dörk</author>
    <author>Benjamin Bach</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Annotation</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>COVID-19</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Data Mining</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kartografie</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Künstliche Intelligenz</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Soziales Netzwerk</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Hybrid Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3165</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>99</pageFirst>
    <pageLast>110</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>42</volume>
    <type>conferenceobject</type>
    <publisherName>Wiley-Blackwell</publisherName>
    <publisherPlace>Oxford</publisherPlace>
    <creatingCorporation/>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Data Stories of Water</title>
    <abstract language="eng">We present a methodology for making sense of the communicative role of data visualizations in journalistic storytelling and share findings from surveying water-related data stories. Data stories are a genre of long-form journalism that integrate text, data visualization, and other visual expressions (e.g., photographs, illustrations, videos) for the purpose of data-driven storytelling. In the last decade, a considerable number of data stories about a wide range of topics have been published worldwide. Authors use a variety of techniques to make complex phenomena comprehensible and use visualizations as communicative devices that shape the understanding of a given topic. Despite the popularity of data stories, we, as scholars, still lack a methodological framework for assessing the communicative role of visualizations in data stories. To this extent, we draw from data journalism, visual culture, and multimodality studies to propose an interpretative framework in six stages. The process begins with the analysis of content blocks and framing elements and ends with the identification of dimensions, patterns, and relationships between textual and visual elements. The framework is put to the test by analyzing 17 data stories about water-related issues. Our observations from the survey illustrate how data visualizations can shape the framing of complex topics.</abstract>
    <parentTitle language="deu">Computer graphics forum</parentTitle>
    <subTitle language="eng">Studying the Communicative Role of Data Visualizations within Long‐form Journalism</subTitle>
    <identifier type="doi">10.1111/cgf.14815</identifier>
    <identifier type="issn">1467-8659</identifier>
    <enrichment key="opus.source">publish</enrichment>
    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>M. Garreton</author>
    <author>Francesca Morini</author>
    <author>D. Paz Moyano</author>
    <author>G.-C. Grün</author>
    <author>D. Parra</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Journalismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Erzählen</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Methode</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>uncontrolled</type>
      <value>Datengeschichte</value>
    </subject>
    <collection role="ddc" number="700">Künste und Unterhaltung</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
  </doc>
  <doc>
    <id>3705</id>
    <completedYear/>
    <publishedYear>2025</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>58</pageFirst>
    <pageLast>72</pageLast>
    <pageNumber/>
    <edition/>
    <issue>3</issue>
    <volume>45</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>New York</publisherPlace>
    <creatingCorporation>Institute of Electrical and Electronics Engineers (IEEE)</creatingCorporation>
    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
    <publishedDate>--</publishedDate>
    <thesisDateAccepted>--</thesisDateAccepted>
    <title language="eng">Critical Interactivity</title>
    <abstract language="eng">We propose critical interactivity as a concept to study and design the dynamic and transitory aspects of data visualizations. Theoretically, interactivity is often described as the means to support analytical tasks, while in practice, it encompasses the techniques that alter visual representations. These notions are a useful starting point to study the role of interactivity in critical engagements with data visualizations. At the core of critical interactivity is the negotiation of authority and agency: authority as authors provide structure and context, and agency as viewers navigate and interpret the data on their own terms. This raises the critical question: who has the power to control the visualization? Drawing from four case studies in science communication, art history, anthropology, and climate advocacy, we examine how critical interactivity links exploration and narration. We reflect on the effort involved in preparing data and propose design strategies for implementing critical interactivity in data  visualization.</abstract>
    <parentTitle language="eng">IEEE Computer Graphics and Applications</parentTitle>
    <subTitle language="eng">Exploration and Narration in Data Visualization</subTitle>
    <identifier type="issn">0272-1716</identifier>
    <identifier type="issn">1558-1756</identifier>
    <identifier type="doi">10.1109/MCG.2025.3544684</identifier>
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    <licence>Creative Commons - CC BY-NC-ND - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International</licence>
    <author>Francesca Morini</author>
    <author>Manuela Gerretón</author>
    <author>Jona Pomerance</author>
    <author>Nadia Zeissig</author>
    <author>Sabine de Günther</author>
    <author>Marian Dörk</author>
    <author>Fidel Thomet</author>
    <author>Linda Freyberg</author>
    <author>Ilias Kyriazis</author>
    <author>Andrea Scholz</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Interaktive Medien</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Wissenschaftskommunikation</value>
    </subject>
    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="institutes" number="">FB4 Design</collection>
    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
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    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
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    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
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    <completedYear/>
    <publishedYear>2018</publishedYear>
    <thesisYearAccepted/>
    <language>deu</language>
    <pageFirst>11</pageFirst>
    <pageLast>16</pageLast>
    <pageNumber/>
    <edition/>
    <issue>1</issue>
    <volume>2018</volume>
    <type>article</type>
    <publisherName/>
    <publisherPlace>Leipzig ; Frankfurt am Main</publisherPlace>
    <creatingCorporation>Deutsche Nationalbibliothek</creatingCorporation>
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    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>2022-08-11</completedDate>
    <publishedDate>--</publishedDate>
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    <title language="deu">Die bibliografischen Daten der Deutschen Nationalbibliothek entfalten</title>
    <abstract language="deu">Wie sieht die Zukunft der Recherche in digitalen Bibliothekskatalogen aus? Wie können umfangreiche und heterogene Sammlungsbestände mit Hilfe von Datenvisualisierungen besser zugänglich gemacht werden? Kann man durch eine digitale Bibliothek flanieren und dabei den Bestand auf ganz neue Art entdecken? Diese Fragen standen im Zentrum eines Forschungsprojekts, das ein interdisziplinäres Team von Forscherinnen und Forschern des Urban Complexity Lab der FHP im vergangenen Jahr in Kooperation mit der DNB durchgeführt hat. Dieser Artikel stellt das Hauptergebnis des Projekts vor: DNBVIS, der Prototyp eines experimentellen Kataloginterfaces. Anschließend werden die Vorgehensweise und wichtigsten Erkenntnisse des Projekts zusammengefasst.</abstract>
    <identifier type="url">https://d-nb.info/1154315215</identifier>
    <identifier type="issn">0936-1138</identifier>
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    <licence>Creative Commons - CC BY-SA - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0 International</licence>
    <author>Viktoria Brüggemann</author>
    <author>Katja Dittrich</author>
    <author>Marian Dörk</author>
    <author>Johannes Herseni</author>
    <author>Jens Rauenbusch</author>
    <author>Fidel Thomet</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Bibliografische Daten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Deutsche Nationalbibliothek</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Forschungsprojekt</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Graphische Benutzeroberfläche</value>
    </subject>
    <collection role="ddc" number="020">Bibliotheks- und Informationswissenschaften</collection>
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  <doc>
    <id>3671</id>
    <completedYear/>
    <publishedYear>2025</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst/>
    <pageLast/>
    <pageNumber>26</pageNumber>
    <edition/>
    <issue>3</issue>
    <volume>44</volume>
    <type>article</type>
    <publisherName>Wiley-Blackwell</publisherName>
    <publisherPlace>Oxford</publisherPlace>
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    <contributingCorporation/>
    <belongsToBibliography>1</belongsToBibliography>
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    <title language="eng">Fluidly Revealing Information</title>
    <abstract language="eng">Revealing relevant information on demand is an essential requirement for visual data exploration. In this state-of-the-art report, we review and classify techniques that are inspired by the physical metaphor of un/folding to reveal relevant information or, conversely, to reduce irrelevant information in data visualizations. Similar to focus+context approaches, un/foldable visualizations transform the visual data representation, often between different granularities, in an integrated manner while preserving the overall context. This typically involves switching between different visibility states of data elements or adjusting the graphical abstraction linked by gradual display transitions. We analyze a literature corpus of 101 visualization techniques specifically with respect to their use of the un/folding metaphor. In particular, we consider the type of data, the focus scope and the effect scope, the number of un/folding states, the transformation type, and the controllability and interaction directness of un/folding. The collection of un/foldables is available as an online catalog that includes classic focus+context, semantic zooming, and multi-scale visualizations as well as contemporary un/foldable visualizations. From our literature analysis, we further extract families of un/folding techniques, summarize empirical findings to date, and identify promising research directions for un/foldable data visualization.</abstract>
    <parentTitle language="eng">Computer Graphics Forum</parentTitle>
    <subTitle language="eng">A Survey of Un/foldable Data Visualizations</subTitle>
    <identifier type="issn">0167-7055</identifier>
    <identifier type="doi">10.1111/cgf.70152</identifier>
    <identifier type="urn">urn:nbn:de:kobv:525-36719</identifier>
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    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Mark-Jan Bludau</author>
    <author>Marian Dörk</author>
    <author>Stefan Bruckner</author>
    <author>Christian Tominski</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Falten</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
    </subject>
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  <doc>
    <id>3237</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
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    <publisherName/>
    <publisherPlace>Graz</publisherPlace>
    <creatingCorporation>Zentrum für Informationsmodellierung - Austrian Centre for Digital Humanities</creatingCorporation>
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    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
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    <title language="eng">"The research is happening in the text fields"</title>
    <abstract language="eng">This contribution explores the instructive tensions between art-historical research and semantic data modeling. While the potential of LOD-applications is obvious in terms of standardization and precision some aspects of research may not be formally represented. Therefore we propose to bridge LOD and full text descriptions through information visualization.</abstract>
    <parentTitle language="eng">Book of Abstracts : Digital Humanities 2023</parentTitle>
    <subTitle language="eng">Are Linked Open Data and Art History a good match?</subTitle>
    <identifier type="doi">10.5281/zenodo.8107731</identifier>
    <enrichment key="opus.import.date">2023-10-10T15:39:22+00:00</enrichment>
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    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Giacomo Nanni</author>
    <author>Linda Freyberg</author>
    <author>Sabine de Günther</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Linked Data</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Kunst</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Geschichte</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Museum</value>
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    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
    <collection role="ddc" number="700">Künste</collection>
    <collection role="institutes" number="">FB4 Design</collection>
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    <collection role="open_access_fhp" number="">Diamond Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
  </doc>
  <doc>
    <id>3770</id>
    <completedYear/>
    <publishedYear>2025</publishedYear>
    <thesisYearAccepted/>
    <language>eng</language>
    <pageFirst>51</pageFirst>
    <pageLast>72</pageLast>
    <pageNumber/>
    <edition/>
    <issue/>
    <volume>5</volume>
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    <publisherName>arthistoricum.net</publisherName>
    <publisherPlace>Heidelberg</publisherPlace>
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    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
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    <title language="eng">Conceptual Analogues: Coming to Terms with Data Visualisation</title>
    <abstract language="eng">Humanist data visualisation can make a profound contribution to stimu.ate a form of curiosity that recognizes and appreciates the entangled shimmer of the world.</abstract>
    <parentTitle language="eng">Interface Critique</parentTitle>
    <identifier type="issn">2570-0472</identifier>
    <identifier type="issn">2570-0480</identifier>
    <identifier type="doi">10.11588/ic.2025.1.113533</identifier>
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    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
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      <value>Feminismus</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Flaneur</value>
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    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Humanismus</value>
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      <language>deu</language>
      <type>swd</type>
      <value>Kommunikationsdesign</value>
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      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
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    <collection role="ddc" number="000">Informatik, Wissen, Systeme</collection>
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    <collection role="Import" number="import">Import</collection>
    <collection role="institutes" number="">Urban Complexity Lab (UCLAB)</collection>
    <collection role="open_access_fhp" number="">Diamond Open Access</collection>
    <thesisPublisher>Fachhochschule Potsdam</thesisPublisher>
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  <doc>
    <id>3797</id>
    <completedYear/>
    <publishedYear>2023</publishedYear>
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    <language>eng</language>
    <pageFirst>33</pageFirst>
    <pageLast>37</pageLast>
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    <publisherName/>
    <publisherPlace>Belgien</publisherPlace>
    <creatingCorporation>State of the Map Europe</creatingCorporation>
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    <belongsToBibliography>1</belongsToBibliography>
    <completedDate>--</completedDate>
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    <title language="eng">Mapping public space in urban neighbourhoods using OpenStreetMap data</title>
    <parentTitle language="eng">Proceedings of OSM Science 2023</parentTitle>
    <identifier type="doi">10.5281/zenodo.10443326</identifier>
    <enrichment key="opus.import.date">2026-02-26T10:07:31+00:00</enrichment>
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    <licence>Creative Commons - CC BY - Namensnennung 4.0 International</licence>
    <author>Ester Scheck</author>
    <author>Florian Ledermann</author>
    <author>Andrea Binn</author>
    <author>Marian Dörk</author>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Geoinformationssystem</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>OpenStreetMap</value>
    </subject>
    <subject>
      <language>deu</language>
      <type>swd</type>
      <value>Öffentlicher Raum</value>
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    <collection role="institutes" number="">Inst. für angewandte Forschung Urbane Zukunft (IaF)</collection>
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    <pageNumber>5</pageNumber>
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    <publisherPlace>Niederlande</publisherPlace>
    <creatingCorporation>Eurographics Association</creatingCorporation>
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    <belongsToBibliography>1</belongsToBibliography>
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    <title language="eng">Inflecting Data Visualizations for Web-based Scrollytelling</title>
    <abstract language="eng">We propose the idea of inflections as a method for capturing and conveying interpretative interactions with data visualizations. Aiming to narrow the gap between data analysis and story authoring, inflections are subtle modulations of a visualization's graphical attributes that guide attention, highlight important patterns, and embed communicative cues. By parameterizing view changes and annotations in visualizations, authors can embed insights from their data analysis into story segments and connect them with the respective visualization states. This paper presents the general concept and a technical architecture supporting inflectable data visualizations. By leveraging native web technologies and established visualization conventions, we propose a flexible and extensible approach to inflecting visualizations that link exploratory data analysis and data-driven storytelling.</abstract>
    <parentTitle language="eng">EuroVis 2025 Short Papers</parentTitle>
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    <author>Theresa Eingartner</author>
    <author>Johanna Drucker</author>
    <author>Marian Dörk</author>
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      <language>deu</language>
      <type>swd</type>
      <value>Visualisierung</value>
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    <subject>
      <language>deu</language>
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      <value>Website</value>
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    <belongsToBibliography>1</belongsToBibliography>
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    <title language="eng">Textarium: Entangling Annotation, Abstraction and Argument</title>
    <abstract language="eng">We present a web-based environment that connects annotation, abstraction, and argumentation during the interpretation of text. As a visual interface for scholarly reading and writing, Textarium combines human analysis with lightweight computational processing to bridge close and distant reading practices. Readers can highlight text, group keywords into concepts, and embed these observations as anchors in essays. The interface renders these interpretive actions as parameterized visualization states. Through a speculative design process of co-creative and iterative prototyping, we developed a reading-writing approach that makes interpretive processes transparent and shareable within digital narratives.</abstract>
    <parentTitle language="eng">2025 IEEE Workshop on Visualization for the Digital Humanities (VIS4DH)</parentTitle>
    <identifier type="isbn">979-8-3315-8037-7</identifier>
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    <licence>Keine öffentliche Lizenz - es gilt das deutsche Urheberrecht</licence>
    <author>Philipp Proff</author>
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      <value>Annotation</value>
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