@article{Pinkert, author = {Pinkert, Ute}, title = {Performance und Lehre : Eine vielstimmige Erinnerung}, series = {Korrespondenzen : Zeitschrift f{\"u}r Theaterp{\"a}dagogik}, journal = {Korrespondenzen : Zeitschrift f{\"u}r Theaterp{\"a}dagogik}, number = {34}, publisher = {Schibri-Verl.}, address = {Milow}, issn = {0941-2107}, pages = {59 -- 62}, subject = {Beobachtung}, language = {de} } @incollection{Binas, author = {Binas, Eckehard}, title = {Wiedergeburt des Banalen}, series = {Schreiben auf Wasser : Performative Verfahren in Kunst Wissenschaft und Bildung}, booktitle = {Schreiben auf Wasser : Performative Verfahren in Kunst Wissenschaft und Bildung}, editor = {Seitz, Hanne}, publisher = {Klartext}, address = {Bonn}, isbn = {3-88474-800-9}, pages = {36 -- 44}, subject = {Wort}, language = {de} } @incollection{Seitz, author = {Seitz, Hanne}, title = {here be dragons}, series = {Schreiben auf Wasser : Performative Verfahren in Kunst, Wissenschaft und Bildung}, booktitle = {Schreiben auf Wasser : Performative Verfahren in Kunst, Wissenschaft und Bildung}, editor = {Seitz, Hanne}, publisher = {Klartext}, address = {Bonn}, isbn = {3-88474-800-9}, pages = {225 -- 241}, subject = {Performance }, language = {de} } @incollection{Seitz, author = {Seitz, Hanne}, title = {Auf des Messers Schneide : Formen theatraler Grenz{\"u}berschreitungen}, series = {Netkids und Theater : Studien zum Verh{\"a}ltnis von Jugend, Theater und neuen Medien}, booktitle = {Netkids und Theater : Studien zum Verh{\"a}ltnis von Jugend, Theater und neuen Medien}, publisher = {Peter Lang}, address = {Frankfurt / Main}, isbn = {3-631-37917-X}, pages = {159 -- 170}, subject = {Performance}, language = {de} } @book{LindauerMueller, author = {Lindauer, Armin and M{\"u}ller, Betina}, title = {Experimentelle Gestaltung}, publisher = {Niggli}, address = {Sulgen}, isbn = {978-3-7212-0912-9}, pages = {424}, subject = {Kunst}, language = {de} } @incollection{LissekSchuetz, author = {Lissek-Sch{\"u}tz, Ellen}, title = {Kulturfinanzierung in privater Hand}, series = {Kulturfinanzierung : Sponsoring, Fundraising, Public-Private-Partnership}, booktitle = {Kulturfinanzierung : Sponsoring, Fundraising, Public-Private-Partnership}, editor = {Heinze, Thomas}, publisher = {Lit}, address = {M{\"u}nster}, isbn = {3-8258-4344-0}, pages = {217 -- 246}, subject = {Public Private Partnership}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Emotions : the key of motivation in the experience society}, series = {Proceedings of the first international conference on design \& emotion. Organized by Department of Industrial Design, School of Industrial Design Engineering, Delft University of Technology, 3, 4 and 5 November 1999, Delft, the Netherlands}, booktitle = {Proceedings of the first international conference on design \& emotion. Organized by Department of Industrial Design, School of Industrial Design Engineering, Delft University of Technology, 3, 4 and 5 November 1999, Delft, the Netherlands}, editor = {Hekkert, P.,}, address = {Delft}, isbn = {90-9013288-0}, pages = {31 -- 37}, subject = {Design}, language = {en} } @article{Michaelsen, author = {Michaelsen, Hans}, title = {Wie den Meubeln der Glanz zu erhalten ist}, series = {Zeitschrift f{\"u}r Kunsttechnologie und Konservierung}, volume = {13}, journal = {Zeitschrift f{\"u}r Kunsttechnologie und Konservierung}, number = {2}, publisher = {Werner}, address = {Worms}, issn = {0931-7198}, pages = {317 -- 336}, subject = {M{\"o}bel}, language = {de} } @incollection{Seitz, author = {Seitz, Hanne}, title = {Vom Sprung ins Dazwischen oder Schubkraft Zeit : Gedankensplitter zum performativen Verfahren}, series = {Symposium Theatertheorie}, booktitle = {Symposium Theatertheorie}, address = {Berlin}, isbn = {3-9806218-3-9}, pages = {55 -- 62}, subject = {Zeit}, language = {de} } @incollection{Seitz, author = {Seitz, Hanne}, title = {„Gehen wir leise hindurch, damit sie aufwachen, die Worte"}, series = {Entwicklungen und Perspektiven der Spiel- und Theaterp{\"a}dagogik}, booktitle = {Entwicklungen und Perspektiven der Spiel- und Theaterp{\"a}dagogik}, publisher = {Schibri}, address = {Berlin}, isbn = {978-3-933978-83-7}, pages = {219 -- 230}, subject = {Theaterp{\"a}dagogik}, language = {de} } @incollection{Seitz, author = {Seitz, Hanne}, title = {Ver-R{\"u}ckungen}, series = {Rahmen aufs Spiel setzen : FrauenKunstP{\"a}dagogik}, booktitle = {Rahmen aufs Spiel setzen : FrauenKunstP{\"a}dagogik}, publisher = {Helmer}, address = {K{\"o}nigstein/Taunus}, isbn = {978-3-89741-052-7}, pages = {96 -- 105}, subject = {Kunstwissenschaft}, language = {de} } @incollection{Laue, author = {Laue, Steffen}, title = {Klimaeinfl{\"u}sse auf die Kristallisation von Salzen in Grotten und Krypten}, series = {Wandmalereien in Krypten, Grotten, Katakomben : zur Konservierung gefasster Oberfl{\"a}chen in umweltgesch{\"a}digten R{\"a}umen; Internationale Tagung des Deutschen Nationalkomitees von ICOMOS in Zusammenarbeit mit dem Landesamt f{\"u}r Denkmalpflege und Arch{\"a}ologie Sachsen-Anhalt und der Hochschule f{\"u}r Bildende K{\"u}nste Dresden, Quedlinburg, Palais Salfeldt, 3. bis 6. November 2011}, booktitle = {Wandmalereien in Krypten, Grotten, Katakomben : zur Konservierung gefasster Oberfl{\"a}chen in umweltgesch{\"a}digten R{\"a}umen; Internationale Tagung des Deutschen Nationalkomitees von ICOMOS in Zusammenarbeit mit dem Landesamt f{\"u}r Denkmalpflege und Arch{\"a}ologie Sachsen-Anhalt und der Hochschule f{\"u}r Bildende K{\"u}nste Dresden, Quedlinburg, Palais Salfeldt, 3. bis 6. November 2011}, publisher = {Imhof}, address = {Petersberg}, isbn = {978-3-86568-984-9}, pages = {61 -- 68}, subject = {Wandmalerei}, language = {de} } @incollection{Laue, author = {Laue, Steffen}, title = {Untersuchungen zur Schadensdynamik l{\"o}slicher Salze am Beispiel des Chores im Freiberger Dom}, series = {Praxisorientierte Forschung in der Denkmalpflege - 10 Jahre IDK : Beitr{\"a}ge der Fachtagung am 19. September 2006 in Halle (Saale) anl{\"a}sslich des 10j{\"a}hrigen Jubil{\"a}ums vom Institut f{\"u}r Diagnostik und Konservierung an Denkmalen in Sachsen und Sachsen-Anhalt e.V.}, booktitle = {Praxisorientierte Forschung in der Denkmalpflege - 10 Jahre IDK : Beitr{\"a}ge der Fachtagung am 19. September 2006 in Halle (Saale) anl{\"a}sslich des 10j{\"a}hrigen Jubil{\"a}ums vom Institut f{\"u}r Diagnostik und Konservierung an Denkmalen in Sachsen und Sachsen-Anhalt e.V.}, publisher = {Institut f{\"u}r Diagnostik und Konservierung an Denkmalen in Sachsen und Sachsen-Anhalt e.V.}, address = {Dresden}, isbn = {978-3-00-019561-7}, pages = {109 -- 115}, subject = {Denkmalpflege}, language = {de} } @article{Eschebach, author = {Eschebach, Tjalda}, title = {Farbuntersuchung am Haus Estrich in J{\"u}terbog (Brandenburg)}, series = {VDR-Beitr{\"a}ge zur Erhaltung von Kunst- und Kulturgut}, journal = {VDR-Beitr{\"a}ge zur Erhaltung von Kunst- und Kulturgut}, number = {1}, publisher = {VDR}, address = {Bonn}, issn = {1862-0051}, pages = {58 -- 71}, subject = {Geb{\"a}ude}, language = {de} } @inproceedings{Hoinkis, author = {Hoinkis, Monika}, title = {Living With Things}, series = {Proceedings of the Eighth International Conference on Design and Emotion}, booktitle = {Proceedings of the Eighth International Conference on Design and Emotion}, publisher = {Central Saint Martins College of Art and Design}, address = {London}, isbn = {978-0957071926}, doi = {10.5281/zenodo.2604825}, pages = {6}, abstract = {This paper describes the conceptual object series Living with Things: seven working prototypes of electronically and mechanically altered everyday objects that explore emotional engagement through interaction design. It outlines aim, design and the interaction design model that was developed and applied. Further it looks at scenarios and experiences from the objects in use and finally places them in the larger context of my current PhD research into The Design of Idleness. This research looks at social acceleration from a design perspective and investigates the paradoxical potential of interaction design to contribute to the much-needed social and societal slowdown.}, subject = {Design}, language = {en} } @book{OPUS4-2968, title = {{\"A}sthetik ist ein alter Hut}, editor = {Richtmeyer, Ulrich}, edition = {1. Auflage, 150 Exemplare}, publisher = {proaktiv-print}, address = {Zossen}, organization = {Redaktionskollektiv Alltags{\"a}sthetik}, isbn = {978-3-947796-05-2}, publisher = {Fachhochschule Potsdam}, pages = {97}, abstract = {Der Anlass dieses Buches ist die Erfindung der {\"A}sthetik vor 270 Jahren in Brandenburg. In 30 ausgew{\"a}hlten Essays, die mit neuen Illustrationen und alten Zitaten geschm{\"u}ckt sind, werden die Grundfragen der {\"A}sthetik auf Natur, Alltag, Kultur und Kunst bezogen. Das Spektrum der Themen reicht dabei von Nailart, Latte Art und Fesselungskunst {\"u}ber {\"a}sthetische Chirurgie, Nordlichter und Graffitis bis hin zur {\"A}sthetik von rauchenden Frauen im Film, geklebten Blumen-Wand-Tattoos sowie entenf{\"o}rmigen Fr{\"u}hst{\"u}cksbrettchen.}, subject = {{\"A}sthetik}, language = {de} } @article{AckermannEggerScharlach, author = {Ackermann, Judith and Egger, Benjamin and Scharlach, Rebecca}, title = {Programming the postdigital : curation of appropriation processes in (collaborative) creative coding spaces}, series = {Postdigital Science and Education}, volume = {2}, journal = {Postdigital Science and Education}, publisher = {Springer}, address = {Cham}, issn = {2524-4868}, doi = {10.1007/s42438-019-00088-1}, pages = {416 -- 441}, abstract = {Creative coding is a form of postdigital art that uses programming to solve esthetical problems, subordinating functionality to expression. It often comes with rather uncommon usage patterns of coding, going beyond technologies' affordances and finding ways of appropriating them in an individual way and in exchange with others. The learning ecologies GitHub, Stack Overflow, and Pou{\"e}t present digital infrastructures that curate and support such appropriation-related activities. The paper presents a qualitative analysis of the structure of these spaces, and the appropriation-related communication taking place. It shows how crucial the varying designs of the learning ecologies and the implemented interaction possibilities are for the appropriation activities taking place and draws a line to the desire for stronger participation in postdigital curation.}, subject = {Codierung}, language = {en} } @inproceedings{Hoinkis, author = {Hoinkis, Monika}, title = {»Tap Anything« A Design (Class) Case}, series = {Proceedings of the colors of care : 9th International Conference on Design and Emotion}, booktitle = {Proceedings of the colors of care : 9th International Conference on Design and Emotion}, publisher = {Universidad De Los Andes, Facultad De Arquitectura Y Dise{\~n}o}, address = {Bogota}, organization = {Universidad De Los Andes}, isbn = {978-958-774-070-7}, doi = {10.5281/zenodo.2605588}, pages = {450 -- 455}, abstract = {This report looks at a higher education design class as a design case for teaching participatory design methods to beginning design students from different design disciplines (communication, product, and interface design). The class was an experiment in so far as basic design education usually focuses on other elementary aspects first, such as form, color, representation, etc. The experiment's purpose was to confront design students very early on in the program with a participatory design approach and find out how well they can handle and apply it and how valuable it is for their basic design education. The report describes the overall aim, structure, process, and outcomes of the design class at University of Applied Sciences Potsdam and takes a peep into the near future.}, subject = {Bildung}, language = {en} } @incollection{BeyrowGodauHeidmannetal., author = {Beyrow, Matthias and Godau, Marion and Heidmann, Frank and Langer, Constanze and Wettach, Reto and Mieg, Harald A.}, title = {Inquiry-Based Learning in Design}, series = {Inquiry-Based Learning - Undergraduate Research}, booktitle = {Inquiry-Based Learning - Undergraduate Research}, publisher = {Springer}, address = {Cham}, isbn = {978-3-030-14223-0}, doi = {10.1007/978-3-030-14223-0_22}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:525-26350}, publisher = {Fachhochschule Potsdam}, pages = {239 -- 247}, abstract = {The University of Applied Sciences FH Potsdam is known for its wide-ranging design education: Product and communications designers have been trained here since 1992, interface designers since 2003. In order to highlight the potentials as well as the difficulties and limitations of inquiry-based learning in the discipline of design, several design professors from the department who had already implemented inquiry-based learning in their teaching practice were invited to a discussion in August of 2015.}, subject = {Entdeckendes Lernen}, language = {en} } @incollection{EggerAckermannKovarik, author = {Egger, Benjamin and Ackermann, Judith and Kovarik, Magdalena}, title = {Postdigitale Kunst ausstellen und erfahren}, series = {Transdisziplin{\"a}re Begegnungen zwischen postdigitaler Kunst und Kultureller Bildung}, booktitle = {Transdisziplin{\"a}re Begegnungen zwischen postdigitaler Kunst und Kultureller Bildung}, editor = {Ackermann, Judith and Egger, Benjamin}, publisher = {Springer}, address = {Wiesbaden}, isbn = {978-3-658-32079-9}, doi = {10.1007/978-3-658-32079-9_7}, pages = {113 -- 138}, abstract = {Der Beitrag sp{\"u}rt der Frage nach, auf welche Weise sich k{\"u}nstlerische und kuratorische Prozesse sowie die Vermittlungsarbeit unter dem Einfluss postdigitaler K{\"u}nste ver{\"a}ndern. Auf Basis einer begriffstheoretischen Analyse, einer qualitativen Interviewstudie mit digital arbeitenden K{\"u}nstler*innen und Kurator*innen sowie einer Clusteranalyse postdigitaler Kunstbeispiele wird eine Handreichung zu Bedarfen zeitgen{\"o}ssischer Kunst- und Ausstellungsproduktion entwickelt. Die analysierten Handlungsempfehlungen werden entlang des zentralen Arguments empathischer Feedbackschleifen im Ausstellen konzipiert.}, subject = {Ausstellung}, language = {de} }