@incollection{HoeySchroeder, author = {Hoey, Jesse and Schr{\"o}der, Tobias}, title = {Bayesian affect control theory of self}, series = {Proceedings of the Twenty-Ninth AAAI Conference on Artificial Intelligence and the Twenty-Seventh Innovative Applications of Artificial Intelligence Conference, 25 - 30 January, Austin, Texas, USA. Volume 1}, booktitle = {Proceedings of the Twenty-Ninth AAAI Conference on Artificial Intelligence and the Twenty-Seventh Innovative Applications of Artificial Intelligence Conference, 25 - 30 January, Austin, Texas, USA. Volume 1}, publisher = {AAAI Press}, address = {Palo Alto, Calif.}, isbn = {978-1-57735-699-8}, pages = {529 -- 536}, abstract = {Notions of identity and of the self have long been studied in social psychology and sociology as key guiding elements of social interaction and coordination. In the AI of the future, these notions will also play a role in producing natural, socially appropriate artificially intelligent agents that encompass subtle and complex human social and affective skills. We propose here a Bayesian generalization of the sociological affect control theory of self as a theoretical foundation for socio-affectively skilled artificial agents. This theory posits that each human maintains an internal model of his or her deep sense of "self" that captures their emotional, psychological, and socio-cultural sense of being in the world. The "self" is then externalised as an identity within any given interpersonal and institutional situation, and this situational identity is the person's local (in space and time) representation of the self. Situational identities govern the actions of humans according to affect control theory. Humans will seek situations that allow them to enact identities consistent with their sense of self. This consistency is cumulative over time: if some parts of a person's self are not actualized regularly, the person will have a growing feeling of inauthenticity that they will seek to resolve. In our present generalisation, the self is represented as a probability distribution, allowing it to be multi-modal (a person can maintain multiple different identities), uncertain (a person can be unsure about who they really are), and learnable (agents can learn the identities and selves of other agents). We show how the Bayesian affect control theory of self can underpin artificial agents that are socially intelligent.}, subject = {K{\"u}nstliche Intelligenz}, language = {en} } @article{SchofieldKirkAmaraletal., author = {Schofield, Tom and Kirk, David and Amaral, Telmo and D{\"o}rk, Marian and Whitelaw, Mitchell and Schofield, Guy and Ploetz, Thomas}, title = {Archival Liveness}, series = {Digital Humanities Quarterly}, volume = {9}, journal = {Digital Humanities Quarterly}, number = {3}, issn = {1938-4122}, abstract = {We present "archival liveness" as a concept in design and the Digital Humanities and describe its development within a Research Through Design process. Working with a newly acquired archive of contemporary poetry we produced designs that both manifested and "geared in to" [Durrant 2011] [Gurwitsch 1979] the temporal rhythms of the work and infrastructure of archiving. Drawing on user-centred work with participants, often poets themselves, we focused on marginalia as a material feature of the archive, developing a drawing machine and live Twitter bot. Our work addresses institutional concerns for outreach and engagement while also acknowledging and exploiting the inevitably incomplete or live character of archival collections. For designers working with digital archives, we demonstrate the pragmatic and critical value of liveness as a focus of the design process.}, subject = {Geisteswissenschaften}, language = {en} } @incollection{GlinkaDoerk, author = {Glinka, Katrin and D{\"o}rk, Marian}, title = {Museum im Display}, series = {EVA Berlin 2015 : elektronische Medien \& Kunst, Kultur, Historie : Konferenzband : 22. Berliner Veranstaltung der internationalen EVA-Serie}, booktitle = {EVA Berlin 2015 : elektronische Medien \& Kunst, Kultur, Historie : Konferenzband : 22. Berliner Veranstaltung der internationalen EVA-Serie}, publisher = {arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-88609-773-9}, doi = {10.11588/arthistoricum.157.197}, pages = {21 -- 27}, abstract = {Im R{\"u}ckgriff auf Ausstellungspraktiken im Museum stellt der Artikel Bez{\"u}ge zwischen Erkenntnissen aus der Visualisierungsforschung und der Rezeption von Museumssammlungen in einem Ausstellungsdisplay her. Besondere Beachtung finden hierbei Makro- und Mikroperspektiven auf Sammlungen und Darstellungen im (digitalen) Display eines Museums. Visualisierungen k{\"o}nnen einen offenen und explorativen Zugang zu den digitalisierten Best{\"a}nden bieten, der eher den Ausstellungs- und Vermittlungsaktivit{\"a}ten des Museums entspricht oder diese erg{\"a}nzt. Dabei werden die Potenziale der digitalen Pr{\"a}sentation herausgearbeitet und Anhand von Use Cases aus der Forschung illustriert, welche Ans{\"a}tze in der facettierten und „kuratierten" Inszenierung von Sammlungen umgesetzt werden k{\"o}nnen.}, subject = {Museum}, language = {de} } @inproceedings{OttenHildebrandtNageletal., author = {Otten, Heike and Hildebrandt, Lennart and Nagel, Till and D{\"o}rk, Marian and M{\"u}ller, Boris}, title = {Are there networks in maps?}, pages = {3}, abstract = {Shifted Maps proposes a novel visualization method to generate personal geovisualizations of individual movement data. The resulting visual appearance can be characterized as a map network consisting of visited places and their connections. The visited places are shown as circular map extracts scaled according to the time spent there and the movements between the places are represented as edges between the places. A key feature of the Shifted Maps visualization is the possibility to explore the data in three different arrangements based on geo-spatial position, travel time, and frequency of movements. By combining map and network visualizations of movement data, it becomes possible to analyze and compare spatial and temporal topologies.}, subject = {Geographie}, language = {en} } @article{DoerkKnight, author = {D{\"o}rk, Marian and Knight, Dawn}, title = {WordWanderer}, series = {Corpora : corpus-based language learning, language processing and linguistics}, volume = {10}, journal = {Corpora : corpus-based language learning, language processing and linguistics}, number = {1}, publisher = {Edinburgh Univ. Press}, address = {Edinburgh}, issn = {1749-5032}, doi = {10.3366/cor.2015.0067}, pages = {83 -- 94}, abstract = {Text visualisations provide visual representations of documents or small corpora with the primary aim of supporting language analysis. We are interested in developing a more playful approach to language that can be characterised by the notion of wandering as an open-ended movement. To support such a casual form of engagement with text, we designed the WordWanderer system: a visualisation technique that extends tag clouds into a navigational interface for text. The tool supports the gradual movement between word 'context views', which represent the words that co-occur in the vicinity of the selected word, and word-'comparison views', which arrange words based on their association strengths between two selected words. We report on the encouraging feedback from a ten-day deployment of the interface and present promising directions for future design and research.}, subject = {Textanalyse}, language = {en} } @incollection{GlinkaMeierDoerk, author = {Glinka, Katrin and Meier, Sebastian and D{\"o}rk, Marian}, title = {Visualising the »Un-seen«}, series = {Kultur und Informatik - Cross Media}, booktitle = {Kultur und Informatik - Cross Media}, publisher = {Werner H{\"u}lsbusch}, address = {Gl{\"u}ckstadt}, isbn = {978-3-86488-082-7}, pages = {105 -- 117}, abstract = {In recent years, access to cultural heritage has been closely connected to digitisation. We argue the case for recognising this digital shift as an opportunity to create interfaces to cultural heritage that are, first of all, more inviting to the public. Secondly, we want to encourage critical approaches towards the representation of cultural production and allow for alternative or even conflicting narratives and interpretations to surface. We present related work, use cases, and concepts for visualisations and interfaces that invite the reconsideration of modes of categorisation, presentation and clustering. Our intent is to develop ways to scrutinise modes of exclusion, carry out critical evaluations and pursue interventional strategies. We discuss the specific potential of visualisation, annotation and dynamic expansion of digital cultural collections. Building on critical approaches in human-computer interaction, visualisation and cultural theories, we explore how the interface could be a means of reflection, critique and inclusion.}, subject = {Kulturerbe}, language = {en} } @inproceedings{WolfGortanaHerrmannetal., author = {Wolf, Ingo and Gortana, Flavio and Herrmann, Ivo and Thiele, Paul and Heidmann, Frank and Schr{\"o}der, Tobias}, title = {Drag-and-drop cognition}, abstract = {We present a newly developed graphical user interface, which allows researchers to create models of complex societal decision-making in a user-friendly manner without being required to program. The software tool is based on InnoMind, an agent-based model that implements theories of emotional cognition from cognitive science. We show the current work in progress and outline the near-term goals of the software development project.}, subject = {Benutzerschnittstelle}, language = {en} }