@inproceedings{NanniFreybergdeGuentheretal., author = {Nanni, Giacomo and Freyberg, Linda and de G{\"u}nther, Sabine and D{\"o}rk, Marian}, title = {"The research is happening in the text fields"}, series = {Book of Abstracts : Digital Humanities 2023}, booktitle = {Book of Abstracts : Digital Humanities 2023}, editor = {Baillot, Anne and Scholger, Walter and Tasovac, Toma and Vogeler, Georg}, address = {Graz}, organization = {Zentrum f{\"u}r Informationsmodellierung - Austrian Centre for Digital Humanities}, doi = {10.5281/zenodo.8107731}, pages = {1 -- 2}, abstract = {This contribution explores the instructive tensions between art-historical research and semantic data modeling. While the potential of LOD-applications is obvious in terms of standardization and precision some aspects of research may not be formally represented. Therefore we propose to bridge LOD and full text descriptions through information visualization.}, subject = {Linked Data}, language = {en} } @article{Doerk, author = {D{\"o}rk, Marian}, title = {Conceptual Analogues: Coming to Terms with Data Visualisation}, series = {Interface Critique}, volume = {5}, journal = {Interface Critique}, publisher = {arthistoricum.net}, address = {Heidelberg}, issn = {2570-0472}, doi = {10.11588/ic.2025.1.113533}, pages = {51 -- 72}, abstract = {Humanist data visualisation can make a profound contribution to stimu.ate a form of curiosity that recognizes and appreciates the entangled shimmer of the world.}, subject = {Feminismus}, language = {en} } @incollection{Braeunert, author = {Br{\"a}unert, Svea}, title = {Castaways}, series = {Schichtungen des Urbanen / Urban Layers : Rust Belt and the Ruhr}, booktitle = {Schichtungen des Urbanen / Urban Layers : Rust Belt and the Ruhr}, editor = {Balint, Iuditha and Golombek, Jana and Nusser, Tanja}, publisher = {Brill}, address = {Leiden}, isbn = {978-3-7705-6787-4}, doi = {10.30965/9783846767870_008}, publisher = {Fachhochschule Potsdam}, pages = {135 -- 158}, subject = {Fotografie}, language = {en} } @article{Kreutzer, author = {Kreutzer, Markus}, title = {Gestalterische Reproduktion}, series = {Designabilities : Design research journal}, journal = {Designabilities : Design research journal}, number = {8}, address = {Offenbach am Main}, organization = {Hochschule f{\"u}r Gestaltung Offenbach am Main}, issn = {2940-0090}, pages = {39 -- 53}, subject = {Gestaltung}, language = {de} } @book{WeizeneggerPravicaFunkeetal., author = {Weizenegger, Hermann August and Pravica, Sandra and Funke, Rainer and Godau, Marion and Johanssen, Pascal and Beyerle, Tulga}, title = {DESIGN KOSMOS}, publisher = {Weizenegger, Hermann August}, address = {Berlin}, isbn = {978-3-00-056622-6}, pages = {390}, subject = {Design}, language = {de} } @book{OPUS4-3782, title = {Die Schrebergartenlaube}, editor = {Weizenegger, Hermann August}, publisher = {DISTANZ Verlag GmbH}, address = {Berlin}, isbn = {978-3-95476-834-9}, publisher = {Fachhochschule Potsdam}, pages = {203}, subject = {Gartenhaus}, language = {de} } @article{ShwartzAltshuolerAridorHershkovitzMikulinskyetal., author = {Shwartz Altshuoler, Tehilla and Aridor Hershkovitz, Rachel and Mikulinsky, Romi and M{\"u}ller, Boris}, title = {Governing phygital spaces: Human rights by design meets speculative design}, series = {Internet policy review : Journal on internet regulation}, volume = {14}, journal = {Internet policy review : Journal on internet regulation}, number = {4}, address = {Berlin}, organization = {Alexander von Humboldt Institut f{\"u}r Internet und Gesellschaft}, issn = {2197-6775}, doi = {10.14763/2025.4.2048}, pages = {26}, abstract = {Smart glasses and AI-powered "phygital spaces" are transforming how people perceive, navigate, and interact with the world. Yet existing regulatory frameworks - Privacy by design and Human Rights by design - focus narrowly on data protection and overlook the relational and collective dynamics these technologies disrupt. This article introduces the 'ethics of interactions' as a complementary framework that situates regulation within the lived realities of AI-mediated environments. Our interdisciplinary team, combining law, speculative design, and human-computer interaction, developed a year-long methodology spanning speculative storytelling, legal mapping, field diaries, and role-play based workshops in Germany and Israel. These exercises revealed how smart glasses might reshape trust, consent and perception, through five recurring modes of interaction: person-to-person, person-to-space, person-to-reality, person-to-machine, and person-to-platform. Workshop role-play surfaced vulnerabilities that conventional legal analysis misses, from peer-to-peer surveillance and emotional inference to corporate, platform and government control of augmented realities. Building on these findings, we propose regulatory recommendations that combine dual governance models, interaction-sensitive safeguards, and investment in digital literacy for policymakers. By embedding speculative inquiry into policy design, this study closes the loop between abstract principles and lived dilemmas, offering both conceptual and practical pathways for governing phygital spaces.}, subject = {Datenschutz}, language = {en} } @incollection{JossinMilicevicSommerfeldtetal., author = {Jossin, Jasmin and Milicevic, Myriel and Sommerfeldt, Ida-Maria and Voigt, Annette}, title = {The End of Human Dominance}, series = {Teaching Design for Sustainable Futures : Community, Construction, and Creativity}, booktitle = {Teaching Design for Sustainable Futures : Community, Construction, and Creativity}, editor = {Ahmad, Lina and Sosa, Marco}, publisher = {Routledge, Taylor \& Francis}, address = {London}, isbn = {9781003495444}, doi = {10.4324/9781003495444-10}, publisher = {Fachhochschule Potsdam}, pages = {95 -- 112}, abstract = {The concern underlying the teaching initiative described in this chapter is an effort to promote greater public and student engagement in contemplating and designing sustainable futures for the planet. This approach emphasizes the diverse dimensions that can shape these sustainable futures and aims to cultivate creative thinking in response to current and anticipated challenges. In this context, the chapter introduces the pedagogical methodology of Xtopias, which serves as a vehicle for creative thought through "future visioning exercises." The specific Xtopia explored in detail in this chapter revolves around the concept of the "end of human dominance." Architecture and urban design students utilized this concept to envision sustainable future scenarios and facilitate public engagement in discussions surrounding these potential futures. Taking inspiration from the R.E.M. song "It's the End of the World as We Know It," this Xtopia encouraged reflection on the potential end of an era and posed the question to students: "How could the world look if humans lived in greater symbiosis with other creatures?" As a means of fostering creative visions of a sustainable future, this methodology welcomes serious, humorous, and experimental speculations on urban projects from students. It aims to train the human mind to think creatively about the effects, consequences, and responses to climate change. Moreover, the project specifically discussed here involved the creation of public exhibitions described as interactive stations, which aimed to engage the public in the creative thought process. This methodology is viewed as an interdisciplinary example of transformative learning that explores the relationship between humans and nature. It encompasses a range of complementary activities, including interactive presentations, self-knowledge exercises, group brainstorming, and excursions. By describing the Xtopia methodology, the chapter presents another instance of creative pedagogical responses to the challenge of teaching and engaging students with the climate issues they will confront as future professionals.}, subject = {Ausstellung}, language = {en} } @article{Braeunert, author = {Br{\"a}unert, Svea}, title = {From evidence to testimony}, series = {Photographies}, volume = {19}, journal = {Photographies}, number = {1}, publisher = {Routledge, Taylor \& Francis}, address = {London}, issn = {1754-0763}, doi = {10.1080/17540763.2025.2607744}, pages = {103 -- 124}, abstract = {The essay looks closely at Exhibit A-i: The Refugee Account (2023), a collaborative human rights project communicating the experience of 32 refugees detained by the Australian government in offshore processing centers under inhumane conditions. To make up for the lack of images, they used the AI-powered text-image generator Midjourney. Analyzing the project, I am interested in how to conceptually approach these images that refer to the history and theory of photography but do not share photography's ontology. Drawing both on traditional photo theory and memory studies as well as literature dealing with algorithmic images, I make an argument for these images to constitute a new kind of testimony, where individual memory and collective image archive intersect. To do so, I draw on select modes of production of AI-generated images, detailing aspects such as the linking of text and image as well as the reliance on noise to make a representation. While acknowledging the power asymmetries between the Global North and Global South inherent to AI, I argue that projects such as Exhibit A-i can appropriate the technology to question its use in migration policies, all the while demanding from the audience to reflect on its own implication.}, subject = {Bilderzeugung}, language = {en} } @article{Heinicker, author = {Heinicker, Paul}, title = {Visualising in Spite of All the Data}, series = {Journal of Visualization and Interaction}, volume = {1}, journal = {Journal of Visualization and Interaction}, number = {1}, publisher = {Aalborg University Open Publishing}, address = {Aalborg}, issn = {2794-5502}, doi = {10.54337/jovi.v1i1.8417}, pages = {7}, abstract = {The paper discusses the the contemporary development of the practice and theory of visualisation culture. It looks at the prevailing ideas and narratives regarding data and its visual representation from a media cultural studies perspective. It analyses a dominant model of affirmative visualisation that shapes the cultural technique in its data-positivist and representation-centric stance, arguing that it often overlooks the evolving socio-technical landscape and fails to address critical questions about context, intention, and author responsibility. The paper proposes that the potential of data visualisation lies in its adaptability to changing conditions and suggests a need to reconsider prevailing models that prioritise efficiency legibility over self-reflection and context.}, subject = {Bildtheorie}, language = {en} }