@article{RodighieroDerryDuhaimeetal., author = {Rodighiero, Dario and Derry, Lins and Duhaime, Douglas and Kruguer, Jordan and Mueller, Maximilian C. and Pietsch, Christopher and Schnapp, Jeffrey T. and Steward, Jeff}, title = {Surprise machines : revealing Harvard Art Museums' image collection}, series = {Information Design Journal}, volume = {27}, journal = {Information Design Journal}, number = {1}, publisher = {John Benjamins Publishing Company}, address = {Amsterdam}, issn = {1569-979X}, doi = {10.1075/idj.22013.rod}, pages = {21 -- 34}, abstract = {Surprise Machines is a project of experimental museology that sets out to visualize the entire image collection of the Harvard Art Museums, with a view to opening up unexpected vistas on more than 200,000 objects usually inaccessible to visitors. The project is part of the exhibition organized by metaLAB (at) Harvard entitled Curatorial A(i)gents and explores the limits of artificial intelligence to display a large set of images and create surprise among visitors. To achieve this feeling of surprise, a choreographic interface was designed to connect the audience's movement with several unique views of the collection.}, subject = {K{\"u}nstliche Intelligenz}, language = {en} } @inproceedings{MoratSchwerdtfegerHeidmann, author = {Morat, Paul and Schwerdtfeger, Aaron and Heidmann, Frank}, title = {Nachtalb}, series = {Proceedings SIGGRAPH 2022 : Immersive Pavilion}, booktitle = {Proceedings SIGGRAPH 2022 : Immersive Pavilion}, publisher = {Association for Computing Machinery}, address = {New York}, isbn = {978-1-4503-9369-0}, doi = {10.1145/3532834.3536207}, pages = {1 -- 2}, abstract = {Nachtalb is an immersive interface that enables brain-to-brain interaction using multisensory feedback. With the help of the g.tec Unicorn Hybrid Black brain-computer-interface (BCI), brain-activity-data is measured and translated visually with the Oculus Quest 2, tactilely with the bHaptics TactSuit and auditorily with 3D Sound. This intends to create a feedback loop that turns brain activity from data-input into sensory output which directly influences the brain activity data-input again.}, subject = {Gehirn-Computer-Schnittstelle}, language = {en} } @incollection{deGuenther, author = {de G{\"u}nther, Sabine}, title = {Kleidung im Bild : Kontextualisierung und Verzahnung als Methode der vestiment{\"a}ren Forschung}, series = {Bildarchive : Wissensordnungen - Arbeitspraktiken - Nutzungspotenziale}, booktitle = {Bildarchive : Wissensordnungen - Arbeitspraktiken - Nutzungspotenziale}, address = {Dresden}, organization = {Institut f{\"u}r S{\"a}chsische Geschichte und Volkskunde}, isbn = {978-3-948620-03-5}, issn = {2700-0613}, doi = {10.25366/2021.87}, publisher = {Fachhochschule Potsdam}, pages = {258 -- 272}, subject = {Digitalisierung}, language = {de} } @inproceedings{Fischer, author = {Fischer, Florian}, title = {Designtransfer an der Fachhochschule Potsdam}, series = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, booktitle = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, publisher = {Westermann-Kommunikation}, address = {Ingelheim}, organization = {Fachhochschule Potsdam}, isbn = {3-928710-27-3}, pages = {98 -- 99}, subject = {Design}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Cyberspace versus Homunkulus? Beginnt das Problem im Virtuellen?}, series = {Virtualit{\"a}t contra Realit{\"a}t?}, booktitle = {Virtualit{\"a}t contra Realit{\"a}t?}, editor = {Hochschule f{\"u}r Kunst und Design Halle /Saale,}, isbn = {3-86019-008-3}, doi = {10.11588/diglit.31840.9}, pages = {53 -- 62}, subject = {Selbstreflexion}, language = {de} } @article{SchwanArndtDoerk, author = {Schwan, Hannah and Arndt, Jonas and D{\"o}rk, Marian}, title = {Disclosure as a critical-feminist design practice for Web-based data stories}, series = {First Monday}, volume = {27}, journal = {First Monday}, number = {11}, address = {Chicago}, organization = {University of Illinois Chicago Library}, issn = {1396-0466}, doi = {10.5210/fm.v27i11.12712}, abstract = {We present findings from design research on disclosure at the intersection of data visualization, digital storytelling, and feminism. While there is an increased awareness of power structures in data science, computing, and design, there is little design research to confront these. This work explores the potential of disclosing context information of data stories, i.e., digital storytelling formats utilizing data visualizations, to enable critical-feminist readings of and reflections on these stories. Drawing from a growing body of feminist scholarship in human-computer interaction, data science, and beyond, we identify key aspects and forms of disclosure for embedding them into visual data story interfaces. We devise and validate these aspects and forms within a case study: a Web-based scrollytelling article explaining the feminist concept of intersectionality using a combination of animated illustration, data visualization, and text. With this work, we demonstrate and discuss the potentials and pitfalls of disclosure practices in data storytelling.}, subject = {Publizit{\"a}t}, language = {en} } @incollection{MaueFlechtner, author = {Mau{\´e}, Rahel and Flechtner, Rahel}, title = {"Hopohopo": a virtual reality awareness application about social anxiety disorder}, series = {Proceedings of Mensch und Computer 2022 : MuC'22}, booktitle = {Proceedings of Mensch und Computer 2022 : MuC'22}, publisher = {Association for Computing Machinery}, address = {New York}, isbn = {978-1-4503-9690-5}, doi = {10.1145/3543758.3547550}, publisher = {Fachhochschule Potsdam}, pages = {420 -- 424}, abstract = {Virtual Reality (VR) applications play an increasingly important role in the context of mental health. While VR-based therapeutic interventions are increasingly well-established, the application of VR in the field of mental health awareness represents a novel and promising development. We present our mental health awareness VR application "hopohopo", in which the user takes the perspective of a person suffering from social anxiety. Through the VR journey, the user experiences what it could feel like to suffer from constant fear of being negatively judged by others in everyday social situations. The aim of the application is to allow nonaffected users to expand their knowledge and to raise mental health awareness. In this paper, we report our findings on the potential of this immersive VR application for psychoeducation and destigmatization of social anxiety. In this respect, we provide the scope of our VR application and first results of its ongoing usability and usefulness evaluation process.}, subject = {Mensch-Maschine-Kommunikation}, language = {en} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Computerbasierte Rezeption}, series = {Handbuch Filmsoziologie}, booktitle = {Handbuch Filmsoziologie}, publisher = {Springer}, address = {Wiesbaden}, isbn = {978-3-658-10729-1}, doi = {10.1007/978-3-658-10729-1_77}, pages = {1371 -- 1389}, abstract = {Die neuen, genauer: computerbasierten Formen der Filmrezeption nimmt dieser Beitrag zum Anlass, sowohl die damit adressierten als auch die damit distanzierten Rezeptionsbedingungen in den Blick zu nehmen. Die Verbindung von Film und New Media f{\"u}hrt dabei einerseits zur historisch bedeutenden Etablierung der DVD und andererseits zu damit verbundenen Fragen und Mythen von (Inter-)Aktivit{\"a}t, Passivit{\"a}t, Flexibilit{\"a}t und Neuheit. Der wortw{\"o}rtliche Umgang mit Film, der auf der Basis des Computers durch Medien wie DVD und Blu-ray Disc sowie durch Online-Angebote und Second Screen Apps m{\"o}glich und herausgefordert wird, modifiziert zwei grunds{\"a}tzliche Aspekte des Verh{\"a}ltnisses von Film und Gesellschaft: die Aktivit{\"a}t des Publikums und die Anti-Originalit{\"a}t des Films.}, subject = {Neue Medien}, language = {de} } @incollection{Gerling, author = {Gerling, Winfried}, title = {Bildforensik im Journalismus : Kontexte und Methoden}, series = {Fotojournalismus im Umbruch : hybrid, multimedial, prek{\"a}r}, booktitle = {Fotojournalismus im Umbruch : hybrid, multimedial, prek{\"a}r}, publisher = {Herbert von Halem Verlag}, address = {K{\"o}ln}, isbn = {978-3-86962-560-7}, pages = {296 -- 317}, subject = {Journalismus}, language = {de} } @inproceedings{BludauDoerkTominski, author = {Bludau, Mark-Jan and D{\"o}rk, Marian and Tominski, Christian}, title = {Unfolding Edges for Exploring Multivariate Edge Attributes in Graphs}, series = {21st Eurographics Conference on Visualization}, booktitle = {21st Eurographics Conference on Visualization}, editor = {Byska, Jan and J{\"a}nicke, Stefan and Schmidt, Johanna}, publisher = {Eurographics Association}, address = {Niederlande}, isbn = {978-3-03868-143-4}, doi = {10.2312/evp.20211070}, pages = {17 -- 19}, abstract = {With this research we present an approach to network visualization that expands the capabilities for visual encoding and interactive exploration through edges in node-link diagrams. Compared to the various possibilities for visual and interactive properties of nodes, there are few techniques for interactive visualization of multivariate edge attributes in node-link diagrams. Visualization of edge attributes is oftentimes limited by occlusion and space issues of methods that globally encode attributes in a node-link diagram for all edges, not sufficiently exploiting the potential of interaction. Building up on existing techniques for edge encoding and interaction, we propose 'Unfolding Edges' as an exemplary use of an on-demand detail enhancing approach for exploration of multivariate edge attributes.}, subject = {Graph}, language = {en} } @book{OPUS4-3348, title = {Kellerkinder und Stacheltiere}, editor = {Bock, Hans-Michael and Distelmeyer, Jan and Sch{\"o}ning, J{\"o}rg}, publisher = {edition text + kritik}, address = {M{\"u}nchen}, isbn = {978-3-96707-442-0}, publisher = {Fachhochschule Potsdam}, abstract = {Im Kino wurde schon immer gelacht. Wann aber der Spaß aufh{\"o}rt und der Ernst beginnt, das haben Filmemacher und Publikum stets aufs Neue ausgelotet. Das neue CineGraph Buch zeigt, dass sich Kurt Tucholskys Frage "Was darf Satire?" in der Filmgeschichte nicht pauschal mit "Alles" beantworten l{\"a}sst, sondern die Antwort immer abh{\"a}ngig vom historischen Kontext, insbesondere den jeweiligen Machtstrukturen ist. Anstoß f{\"u}r die satirischen Filmproduktionen gaben gesellschaftliche sowie politische Ereignisse wie der Zweite Weltkrieg, die Auseinandersetzung mit dem Nationalsozialismus, der Kalte Krieg, das Wirtschaftswunder, die Entwicklung der Medien oder die kapitalistische Gesellschaft. Das kritisch-unterhaltsame Genre weist ein facettenreiches Spektrum an Filmen auf, von denen einige in den Beitr{\"a}gen dieses Buches n{\"a}her betrachtet werden, darunter "Der Maulkorb" (DE 1937/38), "Der Untertan" (DDR 1951), "Animal Farm" (GB 1951-54), die Satire-Serie "Das Stacheltier" (DDR 1953-65), "Wir Wunderkinder" (BRD 1958), "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" (GB/US 1964) sowie "Er ist wieder da" (DE 2014/15). Zum Thema des Sammelbandes erschien im November 2019 bereits das cinefest-Katalogbuch "Dr. Seltsam oder: Aus den Wolken kommt das Gl{\"u}ck. Film zwischen Polit-Kom{\"o}die und Gesellschafts-Satire".}, subject = {Deutschland}, language = {de} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Einleitung : Interface}, series = {Algorithmen \& Zeichen}, booktitle = {Algorithmen \& Zeichen}, editor = {Distelmeyer, Jan and Ehrmanntraut, Sophie and M{\"u}ller, Boris}, publisher = {Kadmos}, address = {Berlin}, isbn = {978-3-86599-484-4}, publisher = {Fachhochschule Potsdam}, pages = {266 -- 273}, subject = {Mensch-Maschine-Schnittstelle}, language = {de} } @misc{Haase, author = {Haase, Maik}, title = {Typokalligrafie : [eine illustrierte Schriftklassifikation]}, publisher = {Vacat}, address = {Potsdam}, organization = {Fachhochschule Potsdam, Designinitiative Berlin-Brandenburg}, isbn = {3-930752-03-4}, pages = {16}, subject = {Schrift}, language = {de} } @article{BrueggemannBludauKreiseleretal., author = {Br{\"u}ggemann, Viktoria and Bludau, Mark-Jan and Kreiseler, Sarah and Casavola, Silvia and Pomerance, Jona and D{\"o}rk, Marian}, title = {Granularities of Dispersion and Materiality}, series = {Medaon : Magazin f{\"u}r J{\"u}disches Leben in Forschung und Bildung}, volume = {19}, journal = {Medaon : Magazin f{\"u}r J{\"u}disches Leben in Forschung und Bildung}, number = {36}, publisher = {HATiKVA e.V. - Die Hoffnung Bildungs- und Begegnungsst{\"a}tte f{\"u}r J{\"u}dische Geschichte und Kultur Sachsen}, address = {Dresden}, issn = {1866-069X}, pages = {1 -- 19}, abstract = {Bedeutungsvolle und sensible digitale Darstellungen f{\"u}r kulturelle Sammlungen zu finden, erfordert eine umsichtige Umsetzung und Zusammenarbeit, von der Datenmodellierung und Katalogisierung bis zur Ideenfindung und Entwicklung von Prototypen. In unserem Beitrag berichten wir von unserer designorientierten Forschung, die sich mit der Visualisierung eines Fotoarchivs {\"u}ber die j{\"u}dische Diaspora befasst. Mit dem Ziel, eine Webplattform zu schaffen, die vielf{\"a}ltige explorative und narrative Erlebnisse bietet, reflektieren wir die Verwendung digitaler und analoger Methoden f{\"u}r visuelle Sammlungen, insbesondere f{\"u}r eine Sammlung des j{\"u}dischen Kulturerbes.}, subject = {Diaspora }, language = {en} } @article{NestelSłomskaPrzechLedermannetal., author = {Nestel, Chelsea and Słomska-Przech, Katarzyna and Ledermann, Florian and Bogucka, Edyta P. and V{\"o}r{\"o}s, Fanni and Meier, Sebastian and Roth, Robert E.}, title = {Opportunities and Challenges for the Next Generation of Cartographers}, series = {The cartographic journal : The world of mapping}, volume = {61}, journal = {The cartographic journal : The world of mapping}, number = {3}, publisher = {Taylor and Francis}, address = {London}, issn = {0008-7041}, doi = {10.1080/00087041.2024.2439720}, pages = {218 -- 226}, abstract = {Here, we introduce Next Generation Cartographers, a Working Group of the International Cartographic Association (ICA) Students and early-career professionals today learn cartographic design alongside a diverse array of conceptual and technical competencies and, therefore, are working at the forefront of the discipline. However, they typically are not among the leading voices within the cartography community simply due to experience. To this end, we organized a Next Generation Cartographers (NGC) workshop at EuroCarto 2022 to identify opportunities and challenges for the next generation of cartographers. During our discussions, advocacy, peer support, mentorship, and outreach emerged as key needs of next generation cartographers and, ultimately, the need for NGC to have a voice in ICA planning. Inclusion became a core value of NGC to promote safety and diversity across the cartography community. NGC opened to global membership in August 2023 at the International Cartographic Conference in Cape Town, South Africa, and became a Working Group in autumn 2023.}, subject = {International Cartographic Association}, language = {en} } @article{KauerDoerkBach, author = {Kauer, Tobias and D{\"o}rk, Marian and Bach, Benjamin}, title = {Towards Collective Storytelling}, series = {IEEE Computer Graphics and Applications}, volume = {45}, journal = {IEEE Computer Graphics and Applications}, number = {3}, address = {New York}, organization = {Institute of Electrical and Electronics Engineers (IEEE)}, issn = {0272-1716}, doi = {10.1109/MCG.2025.3547944}, pages = {17 -- 31}, abstract = {This work investigates personal perspectives in visualization annotations as devices for collective data-driven storytelling. Inspired by existing efforts in critical cartography, we show how people share personal memories in a visualization of COVID-19 data and how comments by other visualization readers influence the reading and understanding of visualizations. Analyzing interaction logs, reader surveys, visualization annotations, and interviews, we find that reader annotations help other viewers relate to other people's stories and reflect on their own experiences. Further, we found that annotations embedded directly into the visualization can serve as social traces guiding through a visualization and help readers contextualize their own stories. With that, they supersede the attention paid to data encodings and become the main focal point of the visualization.}, subject = {Annotation}, language = {en} } @misc{GottsmannWrobel, author = {Gottsmann, Frank and Wrobel, Egon Igor}, title = {S{\"a}ulen}, subject = {Malerei}, language = {de} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Kritik der Digitalit{\"a}t (und was Interfaces dazu beitragen)}, series = {Jahrbuch f{\"u}r Kulturpolitik 2023/24 : Kultur(en) der Digitalit{\"a}t}, booktitle = {Jahrbuch f{\"u}r Kulturpolitik 2023/24 : Kultur(en) der Digitalit{\"a}t}, editor = {Sievers, Simon and Pfaff, Sophie and Heid, Katherine}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8376-7524-5}, doi = {10.14361/9783839475249}, publisher = {Fachhochschule Potsdam}, pages = {49 -- 55}, subject = {Medialit{\"a}t}, language = {de} } @techreport{Funke, author = {Funke, Rainer}, title = {Entwicklungsressource Design}, series = {Designbericht 1995 : Designrealisationen}, journal = {Designbericht 1995 : Designrealisationen}, editor = {Designinitiative Brandenburg-Berlin e.V. an der Fachhochschule Potsdam,}, publisher = {Westermann Kommunikation Ges. f{\"u}r Publizistik}, address = {Ingelheim}, isbn = {3-928710-28-1}, pages = {4 -- 7}, subject = {Wirtschaftsentwicklung}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Designprozesse zwischen Hoch- und Subkultur}, series = {Objekt und Prozess}, booktitle = {Objekt und Prozess}, address = {Halle (Saale)}, pages = {111 -- 118}, subject = {Design}, language = {de} } @book{MuellerBaumgartZeugner, author = {M{\"u}ller, Angela and Baumgart, G{\"u}nther and Zeugner, Gerhardt}, title = {Farbgestaltung : Baudekor, Schrift, Zeichnen}, publisher = {Cornelsen}, address = {Berlin}, isbn = {3-464-43401-X}, pages = {240}, subject = {Architektur}, language = {de} } @book{Kertesz, author = {Kert{\´e}sz, Imre}, title = {Eine Zur{\"u}ckweisung : Buch und CD zum Brandenburgischen Literaturpreis 1995}, publisher = {Vacat}, address = {Potsdam}, isbn = {3-930752-07-7}, pages = {63}, subject = {Buch}, language = {de} } @article{Frank, author = {Frank, Tanja}, title = {Ernst K{\´a}llai und Hannes Meyer : ein freundschaftlicher Disput in der Bauhaus-Zeitschrift}, series = {Acta historiae artium Academiae Scientiarum Hungaricae : revue de l'Acad{\´e}mie des Sciences de Hongrie}, volume = {36}, journal = {Acta historiae artium Academiae Scientiarum Hungaricae : revue de l'Acad{\´e}mie des Sciences de Hongrie}, number = {1-4}, editor = {Marosi, Ern{\"o}}, publisher = {Akad. Kiad{\´o}}, address = {Budapest}, issn = {0001-5830}, pages = {164 -- 168}, subject = {Architektur}, language = {de} } @incollection{Frank, author = {Frank, Tanja}, title = {Behauptete Mitte : die Mutterfiguren Heidrun Hegewalds}, series = {Verkl{\"a}rt, verkitscht, vergessen : die Mutter als {\"a}sthetische Figur}, booktitle = {Verkl{\"a}rt, verkitscht, vergessen : die Mutter als {\"a}sthetische Figur}, editor = {M{\"o}hrmann, Renate}, publisher = {Metzler}, address = {Stuttgart}, isbn = {3-476-01302-2}, doi = {10.1007/978-3-476-03596-7_18}, pages = {334 -- 353}, subject = {Hegewald, Heidrun}, language = {de} } @book{OPUS4-3687, title = {Die Kamera im Fokus}, editor = {Bock, Hans-Michael and Distelmeyer, Jan and Sch{\"o}ning, J{\"o}rg}, publisher = {edition text + kritik}, address = {M{\"u}nchen}, isbn = {978-3-96707-896-1}, publisher = {Fachhochschule Potsdam}, pages = {189}, abstract = {Die Kamera ist technisches, aber auch k{\"u}nstlerisches Herzst{\"u}ck der Filmproduktion. Getrieben von der Idee, bewegte Bilder einzufangen und wiederzugeben, ist die technische Entwicklung der Kamera (und der damit zusammenh{\"a}ngenden Technologien wie Filmmaterial und Lichtsetzung) ein Prozess, der mit der bewegten Fotografie begann und der Digitalisierung der Aufnahme noch nicht abgeschlossen ist. Die hoch angesehene Kamerakunst der deutschen Kinematografie hatte auch international großen Einfluss. Etablierte Meister der Kamera gingen ins Ausland und halfen dort bei der Professionalisierung der Filmproduktion, Nachwuchskr{\"a}fte aus dem Ausland vervollkommneten ihr K{\"o}nnen in deutschen Ateliers. Die Texte in diesem Band befassen sich mit dem Wandel des Berufsbilds der Kameraleute, beleuchten die technischen Entwicklungen und Innovationen und deren Einfluss auf die {\"A}sthetik und Filmtechnik, aber auch Krisen in der Kameraarbeit, die z.B. durch den Wegfall eines festen Bildformats entstanden. Ein wichtiger Aspekt ist die fr{\"u}he Collage{\"a}sthetik, die Kamera im Kino des Expressionismus und dem damit in Zusammenhang stehenden Film noir. Hier werden auch Mythen, die sich um die Kameraarbeit entwickelt haben, dekonstruiert. Auf die j{\"u}ngeren Entwicklungen reagiert der Band mit der Frage "Was ist die digitale Kamera?". Der Band gibt einen {\"U}berblick {\"u}ber die Beziehungen zwischen Kameratechnik und Filmkunst in der deutschen Kinematografie und wirft dabei auch einen neuen Blick auf viele Aspekte der Kameraarbeit. Zum Thema des Sammelbandes erschien im November 2022 bereits das cinefest-Katalogbuch "Gekurbelt, Entfesselt, Bunt, Digital. Kameratechnik und Filmkunst in der deutschen Kinematografie".}, subject = {Filmproduktion}, language = {de} } @article{Distelmeyer, author = {Distelmeyer, Jan}, title = {Mit KI zu tun bekommen}, series = {Cargo : Film, Medien, Kultur}, volume = {17}, journal = {Cargo : Film, Medien, Kultur}, number = {65}, publisher = {Cargo-Verlag}, address = {Berlin}, issn = {1867-8742}, pages = {52 -- 61}, subject = {ChatGPT}, language = {de} } @book{OPUS4-2954, title = {New Tesla World - Nachhaltige Regionalentwicklung in Brandenburg?}, editor = {Martini, Alexandra and Prytula, Michael and Schr{\"o}der, Tobias}, address = {Potsdam}, isbn = {978-3-947796-09-0}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:525-29543}, publisher = {Fachhochschule Potsdam}, pages = {201}, abstract = {Im S{\"u}dosten von Berlin entsteht durch die Neuansiedlung der Tesla-Autofabrik in Gr{\"u}nheide und der Er{\"o}ffnung des neuen Berliner Flughafens ein starkes wirtschaftliches Wachstum. Neben gesch{\"a}tzen 12.000 neuen Arbeitspl{\"a}tzen in der Autofabrik selbst (Ausbaustufe I) werden zuk{\"u}nftig bis zu 40.000 neue Arbeitspl{\"a}tze (Ausbaustufe II und induzierte Bedarfe) prognostiziert - mit entsprechend hohem Wohnraum- und Mobilit{\"a}tsbedarf. F{\"u}r die inter- und transdisziplin{\"a}re Projektarbeit des 5. Jahrgangs im Masterstudiengang Urbane Zukunft an der Fachhochschule Potsdam waren die Leitfragen, wie unter diesen Rahmenbedingungen eine sozial{\"o}kologische Modernisierung und der {\"U}bergang in eine klimaneutrale Gesellschaft gestaltet werden kann und welche raumplanerischen, technologischen und sozialen Entwicklungen hierf{\"u}r erforderlich sind. Als Bezugsrahmen unserer Untersuchungen diente das Leitbild der 2.000-Watt-Gesellschaft, das als Zielgr{\"o}ße f{\"u}r eine nachhaltige Gesellschaft eine durchschnittliche Energieleistung von max. 2.000 Watt pro Einwohner definiert. Das Erreichen dieses Ziels erfordert neben technologischen Innovationen und einem gewaltigen Umbau der urbanen (Infrastruktur-) Systeme vor allem nachhaltige Lebensstile und ber{\"u}hrt so auch s{\"a}mtliche Fragen des Wohnens und Arbeitens, der Energieversorgung sowie des Mobilit{\"a}ts- und Konsumverhalten.}, subject = {Stadtentwicklung}, language = {de} } @inproceedings{GarretonMoriniPazMoyanoetal., author = {Garreton, M. and Morini, Francesca and Paz Moyano, D. and Gr{\"u}n, G.-C. and Parra, D. and D{\"o}rk, Marian}, title = {Data Stories of Water}, series = {Computer graphics forum}, volume = {42}, booktitle = {Computer graphics forum}, number = {3}, publisher = {Wiley-Blackwell}, address = {Oxford}, issn = {1467-8659}, doi = {10.1111/cgf.14815}, pages = {99 -- 110}, abstract = {We present a methodology for making sense of the communicative role of data visualizations in journalistic storytelling and share findings from surveying water-related data stories. Data stories are a genre of long-form journalism that integrate text, data visualization, and other visual expressions (e.g., photographs, illustrations, videos) for the purpose of data-driven storytelling. In the last decade, a considerable number of data stories about a wide range of topics have been published worldwide. Authors use a variety of techniques to make complex phenomena comprehensible and use visualizations as communicative devices that shape the understanding of a given topic. Despite the popularity of data stories, we, as scholars, still lack a methodological framework for assessing the communicative role of visualizations in data stories. To this extent, we draw from data journalism, visual culture, and multimodality studies to propose an interpretative framework in six stages. The process begins with the analysis of content blocks and framing elements and ends with the identification of dimensions, patterns, and relationships between textual and visual elements. The framework is put to the test by analyzing 17 data stories about water-related issues. Our observations from the survey illustrate how data visualizations can shape the framing of complex topics.}, subject = {Journalismus}, language = {en} } @article{PolidoEhnertJossinetal., author = {Polido, Alexandra and Ehnert, Franziska and Jossin, Jasmin and Mascarenhas, Andr{\´e}}, title = {Theatre of the Innova(c)tors}, series = {Sustainability Science}, volume = {20}, journal = {Sustainability Science}, number = {2}, publisher = {Springer Japan}, address = {Tokyo}, issn = {1862-4065}, doi = {10.1007/s11625-025-01628-4}, pages = {659 -- 664}, abstract = {Complex sustainability challenges call for transformative spaces where participants are encouraged to move away from conventional thinking. Arts-based and embodied practices can enable new encounters with the world and new forms of meaning-making. We introduce the Theatre of the Innova(c)tors, an interactive theatre tool that encourages reflexivity and learning by creating transformative spaces. Inspired by the techniques of Theatre of the Oppressed, specifically Image Theatre, this tool engages diverse audiences and empowers participants. The Theatre of the Innova(c)tors can serve as a pedagogical innovation and intervention tool to explore different dimensions of care and can be applied in different communities, where it needs to be contextualised and customised to their specific needs.}, subject = {Stegreifspiel}, language = {en} } @inproceedings{TostFlechtnerMaueetal., author = {Tost, Jordi and Flechtner, Rahel and Mau{\´e}, Rahel and Heidmann, Frank}, title = {Caring for a companion as a form of self-care}, series = {Live - Uniting HCI for a Hyperlocal and Global Experience : Proceedings of the 13th Nordic Conference on Human-Computer Interaction}, booktitle = {Live - Uniting HCI for a Hyperlocal and Global Experience : Proceedings of the 13th Nordic Conference on Human-Computer Interaction}, editor = {Uppsala University, and Ume{\aa} University,}, publisher = {Association for Computing Machinery}, address = {New York}, isbn = {979-8-4007-0966-1}, doi = {10.1145/3679318.3685343}, pages = {1 -- 15}, abstract = {This paper presents an approach to designing companion technologies for mental health based on a case study on social anxiety disorder (SAD). We highlight the potential of an irritating dimension of user experience and propose including irritating qualities in companions as a strategy to disrupt patterns of behavior and thought, support perspective change, and expand an individual's comfort zone. Taking the Tamagotchi as a counterpoint to assisting technologies and combining frameworks and concepts from psychology and HCI, we propose the grounding metaphor of 'caring for the companion as a form of self-care,' arguing the potential of building reciprocal care relationships as a means by which to support emotional attachment and establish healthy routines. In this paper, we introduce this grounding metaphor and a set of principles for fostering positive irritations. Our framework provides a basis for exploring and developing novel paradigms and poses future directions for HCI.}, subject = {Angstst{\"o}rung}, language = {en} } @book{OPUS4-3547, title = {Doing well by doing good?}, editor = {Schr{\"o}der, Tobias and Wettach, Reto}, address = {Potsdam}, isbn = {978-3-947796-16-8}, doi = {10.34678/opus4-3547}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:525-35478}, publisher = {Fachhochschule Potsdam}, pages = {193}, abstract = {Die Menschheit muss in der n{\"a}chsten Generation von einem Wirtschaftsmodell, in dem nat{\"u}rliche Ressourcen verbraucht werden, zu einem Modell kommen, bei dem sich Wirtschaften in die nat{\"u}rlichen Stoffkreisl{\"a}ufe einf{\"u}gt. Wohlstand darf langfristig nicht auf Kosten der Regenerationsf{\"a}higkeit der nat{\"u}rlichen Ressourcen gehen. Gleichzeitig leben (bei allen Fortschritten der Armutsbek{\"a}mpfung) immer noch große Teile der Menschheit in unzureichenden Verh{\"a}ltnissen. Vor diesem Hintergrund ist bei allem Engagement gegen den Klimawandel und f{\"u}r Ressourcensparsamkeit wichtig, dass f{\"u}r alle Menschen und L{\"a}nder ein Recht auf wirtschaftliche Entwicklung gilt, {\"a}hnlich wie sie die westliche Welt in der ersten Welle der Industrialisierung schon genießen durfte. Nachhaltige Entwicklung bedeutet daher, auf den ersten Blick Unvereinbares gleichzeitig zu schaffen: die (weltweiten) wirtschaftlichen Verh{\"a}ltnisse zu verbessern, soziale Probleme und Ungerechtigkeiten zu l{\"o}sen, dabei aber trotzdem gleichzeitig den Ressourcenverbrauch schnell und massiv zu verringern. Die Studierenden des Masterstudiengangs Urbane Zukunft an der FH Potsdam haben sich vor diesem Hintergrund der Aufgabe gestellt, unternehmerische Ideen zu entwickeln, die soziale und {\"o}kologische Probleme adressieren, aber dabei auch wirtschaftlich erfolgreich sein k{\"o}nnen. Die f{\"u}nf Ideen, die daraus entstanden sind und in diesem Band vorgestellt werden, stehen beispielhaft f{\"u}r das verantwortungsvolle wirtschaftliche Denken, zu dem wir alle im 21. Jahrhundert finden m{\"u}ssen.}, subject = {Wirtschaftssystem}, language = {de} } @article{MoriniGerretonPomeranceetal., author = {Morini, Francesca and Gerret{\´o}n, Manuela and Pomerance, Jona and Zeissig, Nadia and de G{\"u}nther, Sabine and D{\"o}rk, Marian and Thomet, Fidel and Freyberg, Linda and Kyriazis, Ilias and Scholz, Andrea}, title = {Critical Interactivity}, series = {IEEE Computer Graphics and Applications}, volume = {45}, journal = {IEEE Computer Graphics and Applications}, number = {3}, address = {New York}, organization = {Institute of Electrical and Electronics Engineers (IEEE)}, issn = {0272-1716}, doi = {10.1109/MCG.2025.3544684}, pages = {58 -- 72}, abstract = {We propose critical interactivity as a concept to study and design the dynamic and transitory aspects of data visualizations. Theoretically, interactivity is often described as the means to support analytical tasks, while in practice, it encompasses the techniques that alter visual representations. These notions are a useful starting point to study the role of interactivity in critical engagements with data visualizations. At the core of critical interactivity is the negotiation of authority and agency: authority as authors provide structure and context, and agency as viewers navigate and interpret the data on their own terms. This raises the critical question: who has the power to control the visualization? Drawing from four case studies in science communication, art history, anthropology, and climate advocacy, we examine how critical interactivity links exploration and narration. We reflect on the effort involved in preparing data and propose design strategies for implementing critical interactivity in data visualization.}, subject = {Interaktive Medien}, language = {en} } @article{BrueggemannDittrichDoerketal., author = {Br{\"u}ggemann, Viktoria and Dittrich, Katja and D{\"o}rk, Marian and Herseni, Johannes and Rauenbusch, Jens and Thomet, Fidel}, title = {Die bibliografischen Daten der Deutschen Nationalbibliothek entfalten}, volume = {2018}, number = {1}, address = {Leipzig ; Frankfurt am Main}, organization = {Deutsche Nationalbibliothek}, issn = {0936-1138}, pages = {11 -- 16}, abstract = {Wie sieht die Zukunft der Recherche in digitalen Bibliothekskatalogen aus? Wie k{\"o}nnen umfangreiche und heterogene Sammlungsbest{\"a}nde mit Hilfe von Datenvisualisierungen besser zug{\"a}nglich gemacht werden? Kann man durch eine digitale Bibliothek flanieren und dabei den Bestand auf ganz neue Art entdecken? Diese Fragen standen im Zentrum eines Forschungsprojekts, das ein interdisziplin{\"a}res Team von Forscherinnen und Forschern des Urban Complexity Lab der FHP im vergangenen Jahr in Kooperation mit der DNB durchgef{\"u}hrt hat. Dieser Artikel stellt das Hauptergebnis des Projekts vor: DNBVIS, der Prototyp eines experimentellen Kataloginterfaces. Anschließend werden die Vorgehensweise und wichtigsten Erkenntnisse des Projekts zusammengefasst.}, subject = {Bibliografische Daten}, language = {de} } @article{CayNagelMeier, author = {{\c{C}}ay, Damla and Nagel, Till and Meier, Sebastian}, title = {The UDV Card Deck}, series = {IEEE Computer Graphics and Applications}, volume = {45}, journal = {IEEE Computer Graphics and Applications}, number = {4}, address = {New York}, organization = {Institute of Electrical and Electronics Engineers (IEEE)}, issn = {0272-1716}, doi = {10.1109/MCG.2025.3556573}, pages = {30 -- 44}, abstract = {This paper presents the Urban Data Visualization (UDV) card deck, a tool designed to facilitate reflective discussions and inform the collaborative design process of urban data visualizations. The UDV card deck was developed to bridge the gap between theoretical knowledge and practice in workshop settings, fostering inclusive and reflective approaches to visualization design. Drawing from urban visualization design literature and the results from a series of expert workshops, these cards summarize key considerations when designing urban data visualizations. The card deck guides different activities in an engaging, collaborative, and structured format, promoting inclusion of diverse urban actors. We introduce the card deck and its goals, demonstrate its use in four case studies, and discuss our findings. Feedback from workshop participants indicates that the UDV card deck can serve as a supportive and reflective tool for urban data visualization researchers, designers and practitioners.}, subject = {Fallstudie}, language = {en} } @book{OPUS4-878, title = {Construction, concept, color : Michael Bette, Fr{\´e} Ilgen, Fausta Squatriti}, address = {Speyer}, isbn = {3-929769-38-7}, pages = {40}, subject = {Ausstellung}, language = {en} } @incollection{Funke, author = {Funke, Rainer}, title = {F{\"u}r eine kreative Revolution!}, series = {Designpreis Brandenburg 1997}, booktitle = {Designpreis Brandenburg 1997}, editor = {Designinitiative Berlin-Brandenburg e. V.,}, address = {Potsdam}, isbn = {3-980-5768-2-5}, subject = {Designpreis Brandenburg}, language = {de} } @incollection{Frank, author = {Frank, Tanja}, title = {Die Macht der Erinnerung und die Kraft der Bilder : Werner T{\"u}bkes Lebenserinnerungen des Dr. jur. Schulze}, series = {Verwaltete Vergangenheit : Geschichtskultur und Herrschaftslegitimation in der DDR}, booktitle = {Verwaltete Vergangenheit : Geschichtskultur und Herrschaftslegitimation in der DDR}, editor = {Sabrow, Martin}, publisher = {Akad. Verl.-Anst.}, address = {Leipzig}, isbn = {3-931982-02-5}, pages = {293 -- 323}, subject = {T{\"u}bke, Werner}, language = {de} } @article{Frank, author = {Frank, Tanja}, title = {Alltagsgesch{\"a}ft und mediale Bilder : Werbung und Kultur}, series = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, journal = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, number = {1}, publisher = {FHP}, address = {Potsdam}, issn = {0948-6240}, pages = {13}, subject = {Kommunikation}, language = {de} } @article{Frank, author = {Frank, Tanja}, title = {documenta X : Ermutigung zu neuen Medien}, series = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, journal = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, number = {3}, publisher = {FHP}, address = {Potsdam}, issn = {0948-6240}, pages = {14}, subject = {Documenta}, language = {de} } @article{Frank, author = {Frank, Tanja}, title = {Bildsprachen der alten und neuen Medien im Vergleich}, series = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, journal = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, number = {1}, publisher = {FHP}, address = {Potsdam}, issn = {0948-6240}, pages = {4}, subject = {Kommunikation}, language = {de} } @article{WalkerSchmid, author = {Walker, Kevin and Schmid, Helga}, title = {The Shape of "Computime"}, series = {Leonardo}, journal = {Leonardo}, publisher = {MIT Press}, address = {Cambridge}, issn = {0024-094X}, doi = {10.1162/leon_a_02677}, pages = {13}, abstract = {This article presents findings from ethnographic fieldwork in Silicon Valley investigating how computers utilize time and how human engineers and designers use and understand time. We found common themes across computational and human uses of time, including the quantification and calculation of time as a finite resource; the imbalance of clock time versus "event time" and linear versus cyclical time; the perception and reality of the acceleration and fragmentation of time; and an approach to programmability, which is applied to time, people, and the world as a whole. We show how these cultural assumptions become embedded into digital devices.}, subject = {Feldforschung}, language = {en} } @article{BludauDoerkBruckneretal., author = {Bludau, Mark-Jan and D{\"o}rk, Marian and Bruckner, Stefan and Tominski, Christian}, title = {Fluidly Revealing Information}, series = {Computer Graphics Forum}, volume = {44}, journal = {Computer Graphics Forum}, number = {3}, publisher = {Wiley-Blackwell}, address = {Oxford}, issn = {0167-7055}, doi = {10.1111/cgf.70152}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:525-36719}, pages = {26}, abstract = {Revealing relevant information on demand is an essential requirement for visual data exploration. In this state-of-the-art report, we review and classify techniques that are inspired by the physical metaphor of un/folding to reveal relevant information or, conversely, to reduce irrelevant information in data visualizations. Similar to focus+context approaches, un/foldable visualizations transform the visual data representation, often between different granularities, in an integrated manner while preserving the overall context. This typically involves switching between different visibility states of data elements or adjusting the graphical abstraction linked by gradual display transitions. We analyze a literature corpus of 101 visualization techniques specifically with respect to their use of the un/folding metaphor. In particular, we consider the type of data, the focus scope and the effect scope, the number of un/folding states, the transformation type, and the controllability and interaction directness of un/folding. The collection of un/foldables is available as an online catalog that includes classic focus+context, semantic zooming, and multi-scale visualizations as well as contemporary un/foldable visualizations. From our literature analysis, we further extract families of un/folding techniques, summarize empirical findings to date, and identify promising research directions for un/foldable data visualization.}, subject = {Falten}, language = {en} } @book{Doeppner, author = {D{\"o}ppner, Werner}, title = {Kullu mumkin}, address = {Berlin}, subject = {Buchkunst}, language = {de} } @incollection{MilićevićJossinFoersteretal., author = {Milićević, Myriel and Jossin, Jasmin and Foerster, Desiree and Vuttikorn, Ruttikorn}, title = {Climate Community Street Play}, series = {Imagining, Designing and Teaching Regenerative Futures : Art-Science Approaches and Inspirations From Around the World}, booktitle = {Imagining, Designing and Teaching Regenerative Futures : Art-Science Approaches and Inspirations From Around the World}, editor = {Bentz, Julia and Trajković, Jelena Ristić}, publisher = {Springer Nature}, address = {Berlin}, isbn = {978-981-96-9029-9}, doi = {10.1007/978-981-96-9029-9_46}, publisher = {Fachhochschule Potsdam}, pages = {299 -- 304}, abstract = {It is a 40 °C day. Where do you run to? Jump ahead and land on both feet. Right foot stands on sunny asphalt in painful 56 °C. Left foot in the shade of a tree at 34 °C. You jump ahead but get trapped inside a dome of hot air, finding yourself on a heat island. It's a mono-species place, a human figure says. You too are of the human species but cannot take it there. You follow a tree portal to escape. A forest spreads out in front of you, where you find rescue. Birds, pollinators, foragers, amphibia, and many other species are already there. Jump once more, spiral in the air by 180°, and land on both feet to read what is written upside down: Turn surroundings into multi-species places.}, subject = {Klima{\"a}nderung}, language = {en} } @article{SafariallahkheiliSchieweMeier, author = {Safariallahkheili, Qasem and Schiewe, Jochen and Meier, Sebastian}, title = {Post-Hoc Explanation of AI Predictions in Wildfire Risk Mapping Through an Interactive Web-Based GeoXAI System}, series = {KN - Journal of cartography and geographic information}, journal = {KN - Journal of cartography and geographic information}, publisher = {Springer International Publishing}, address = {Cham}, issn = {2524-4957}, doi = {10.1007/s42489-025-00194-0}, pages = {16}, abstract = {This case study presents an innovative approach for explaining wildfire susceptibility through a web-based Geospatial eXplainable Artificial Intelligence (GeoXAI) system. By addressing limitations in traditional GeoXAI tools, such as the lack of geographical context for model predictions and local explanation, this system integrates state-of-the-art XAI methods with open-source geospatial technologies. Applied to the wildfire-prone regions of Berlin and Brandenburg, Germany, the system combines environmental, topographic, and meteorological features derived from high-resolution geospatial data for training a Random Forest (RF) model. The web-based GeoXAI system enables interactive exploration of the model output and its features, allowing users to visualize wildfire susceptibility, examine feature contributions, and correlate predictions with spatial patterns through post-hoc interpretability. By employing post-hoc explanation methods like SHAP, the system offers clear insights into model predictions by analyzing feature contributions after training, which helps users better understand AI-driven outcomes. Designed with a user-centered approach, the platform promotes trust and usability through transparent predictions, interactive geovisualizations, and local explanations, allowing users to navigate spatial data intuitively by exploring overviews, focusing on specific regions, and accessing detailed insights on demand. This work highlights the potential of combining GeoXAI with machine learning to improve decision-making in wildfire prevention and management.}, subject = {Entscheidungsunterst{\"u}tzungssystem}, language = {en} } @incollection{BaessHodappNemeshBaieretal., author = {Baess, Pamela and Hodapp, Julia and Nemesh-Baier, Barbara and P{\"o}lmann, Kendra and von Kap-herr, Katrin and Wojcik, Katarzyna}, title = {Neue Perspektiven auf die mediale Pr{\"a}senz von Wissenschaftlerinnen*}, series = {Wissenschaftskommunikation und Gender : Chancen und Herausforderungen der Sichtbarkeit von Wissenschaftler*innen in sozialen und klassischen Medien}, booktitle = {Wissenschaftskommunikation und Gender : Chancen und Herausforderungen der Sichtbarkeit von Wissenschaftler*innen in sozialen und klassischen Medien}, editor = {Ackermann, Judith and Gerlieb, Anne-Kathrin and Barbutev, Anna-Sophie}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8394-1154-4}, doi = {10.14361/9783839411544}, publisher = {Fachhochschule Potsdam}, pages = {261 -- 267}, abstract = {Der Beitrag zeigt, wie Vernetzung und gegenseitige Unterst{\"u}tzung Frauen* in der Wissenschaft zu einer st{\"a}rkeren Positionierung als Expertinnen verhilft. Er stellt praxisnah die Sicht von Wissenschaftlerinnen* dar, die nach dem Mentoringprogramm »M4P - Mentoring or Professorship« das Netzwerk Science Sisterhood gegr{\"u}ndet haben. Dazu werden praxisorientierte Handlungsempfehlungen gegeben, wie weibliche* Sichtbarkeit durch Mentoring und Netzwerke gest{\"a}rkt werden kann.}, subject = {Mentoring}, language = {de} } @book{OPUS4-3743, title = {Die Musik macht den Ton}, editor = {Bock, Hans-Michael and Distelmeyer, Jan and Sch{\"o}ning, J{\"o}rg}, edition = {1. Auflage}, publisher = {edition text + kritik}, address = {M{\"u}nchen}, isbn = {978-3-689-30016-6}, publisher = {Fachhochschule Potsdam}, pages = {160}, abstract = {Der Band dokumentiert die Beitr{\"a}ge des CineGraph-Kongresses 2023 zum popul{\"a}ren Genre der Tonfilmoperette bzw. musikalischen Kom{\"o}die, das in Deutschland nach Einf{\"u}hrung des Tonfilms ab 1929 entstand. Die Autorinnen und Autoren dieses CineGraph-Buches gehen den Einfl{\"u}ssen nach, die sich aus den Kooperationen von K{\"u}nstlerinnen und K{\"u}nstlern mit unterschiedlichen Traditionen f{\"u}r die Weiterentwicklung des Musicals bzw. der musikalischen Kom{\"o}die ergeben haben. Nach dem Machtantritt der Nazis 1933 wurde ein großer Teil der an diesem Genre beteiligten Regisseure, Autoren, Komponisten und Stars ins Exil vertrieben. {\"U}ber Wien, Budapest, London kamen die meisten schließlich nach Hollywood. Die Beitr{\"a}ge beleuchten die Karrieren von Regisseuren wie Wilhelm Thiele, Hanns Schwarz und Max Reichmann, Komponisten wie Werner Richard Heymann, Hans May und Michael Eisemann, singenden Schauspielern und Schauspielerinnen wie Paul H{\"o}rbiger, Joseph Schmidt, Max Hansen, Imperio Argentina und Lilian Harvey. Dabei stehen die jeweilige Bedeutung und der Einfluss auf das Musikfilmgenre im Mittelpunkt. Ein {\"U}bersichtstext {\"u}ber fr{\"u}he Tonfilmoperetten und eine Betrachtung der transatlantischen Erfahrungen sowohl im Film als auch bei exilierten Filmschaffenden runden das Buch ab.}, subject = {Filmkom{\"o}die}, language = {de} } @inproceedings{OPUS4-1182, title = {Drewinski an die Welt - Die Welt an Potsdam}, editor = {Drewinski, Lex}, organization = {Fachhochschule Potsdam}, isbn = {3-9805768-6-8}, pages = {80}, abstract = {Auf Initiative von Lex Drewinski, Professor am Fachbereich Design der Fachhochschule Potsdam und international bekannter Plakatgestalter, wurden 100 Grafik-Designer aus der ganzen Welt zu einer Fax-Aktion eingeladen, bei der Skizzen und Entw{\"u}rfen zum Thema "Zukunftsbilder f{\"u}rs Design" eingesandt und zeitgleich zur Tagung im Januar 1998 im Alten Rathaus Potsdams ausgestellt wurden.}, subject = {Grafik}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Der Traum von der Unsterblichkeit oder: die Designer erschaffen die Welt}, series = {Zukunftsbilder f{\"u}rs Design : 2. Europ{\"a}ische Designkonferenz Potsdam 30. und 31. Januar 1998 an der Fachhochschule Potsdam}, booktitle = {Zukunftsbilder f{\"u}rs Design : 2. Europ{\"a}ische Designkonferenz Potsdam 30. und 31. Januar 1998 an der Fachhochschule Potsdam}, editor = {Funke, Rainer and Fischer, Florian}, organization = {Fachhochschule Potsdam}, isbn = {3-9805768-5-X}, pages = {71 -- 80}, subject = {Design}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Die Zukunft : Vorstellungsbilder mit realer Wirkung}, series = {Zukunftsbilder f{\"u}rs Design : 2. Europ{\"a}ische Designkonferenz Potsdam 30. und 31. Januar 1998 an der Fachhochschule Potsdam}, booktitle = {Zukunftsbilder f{\"u}rs Design : 2. Europ{\"a}ische Designkonferenz Potsdam 30. und 31. Januar 1998 an der Fachhochschule Potsdam}, editor = {Funke, Rainer and Fischer, Florian}, organization = {Fachhochschule Potsdam}, isbn = {3-9805768-5-X}, pages = {7 -- 10}, subject = {Zukunft}, language = {de} }