@inproceedings{MoratSchwerdtfegerHeidmann, author = {Morat, Paul and Schwerdtfeger, Aaron and Heidmann, Frank}, title = {Nachtalb}, series = {Proceedings SIGGRAPH 2022 : Immersive Pavilion}, booktitle = {Proceedings SIGGRAPH 2022 : Immersive Pavilion}, publisher = {Association for Computing Machinery}, address = {New York}, isbn = {978-1-4503-9369-0}, doi = {10.1145/3532834.3536207}, pages = {1 -- 2}, abstract = {Nachtalb is an immersive interface that enables brain-to-brain interaction using multisensory feedback. With the help of the g.tec Unicorn Hybrid Black brain-computer-interface (BCI), brain-activity-data is measured and translated visually with the Oculus Quest 2, tactilely with the bHaptics TactSuit and auditorily with 3D Sound. This intends to create a feedback loop that turns brain activity from data-input into sensory output which directly influences the brain activity data-input again.}, subject = {Gehirn-Computer-Schnittstelle}, language = {en} } @incollection{deGuenther, author = {de G{\"u}nther, Sabine}, title = {Kleidung im Bild : Kontextualisierung und Verzahnung als Methode der vestiment{\"a}ren Forschung}, series = {Bildarchive : Wissensordnungen - Arbeitspraktiken - Nutzungspotenziale}, booktitle = {Bildarchive : Wissensordnungen - Arbeitspraktiken - Nutzungspotenziale}, address = {Dresden}, organization = {Institut f{\"u}r S{\"a}chsische Geschichte und Volkskunde}, isbn = {978-3-948620-03-5}, issn = {2700-0613}, doi = {10.25366/2021.87}, publisher = {Fachhochschule Potsdam}, pages = {258 -- 272}, subject = {Digitalisierung}, language = {de} } @inproceedings{Fischer, author = {Fischer, Florian}, title = {Designtransfer an der Fachhochschule Potsdam}, series = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, booktitle = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, publisher = {Westermann-Kommunikation}, address = {Ingelheim}, organization = {Fachhochschule Potsdam}, isbn = {3-928710-27-3}, pages = {98 -- 99}, subject = {Design}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Cyberspace versus Homunkulus? Beginnt das Problem im Virtuellen?}, series = {Virtualit{\"a}t contra Realit{\"a}t?}, booktitle = {Virtualit{\"a}t contra Realit{\"a}t?}, editor = {Hochschule f{\"u}r Kunst und Design Halle /Saale,}, isbn = {3-86019-008-3}, doi = {10.11588/diglit.31840.9}, pages = {53 -- 62}, subject = {Selbstreflexion}, language = {de} } @article{SchwanArndtDoerk, author = {Schwan, Hannah and Arndt, Jonas and D{\"o}rk, Marian}, title = {Disclosure as a critical-feminist design practice for Web-based data stories}, series = {First Monday}, volume = {27}, journal = {First Monday}, number = {11}, address = {Chicago}, organization = {University of Illinois Chicago Library}, issn = {1396-0466}, doi = {10.5210/fm.v27i11.12712}, abstract = {We present findings from design research on disclosure at the intersection of data visualization, digital storytelling, and feminism. While there is an increased awareness of power structures in data science, computing, and design, there is little design research to confront these. This work explores the potential of disclosing context information of data stories, i.e., digital storytelling formats utilizing data visualizations, to enable critical-feminist readings of and reflections on these stories. Drawing from a growing body of feminist scholarship in human-computer interaction, data science, and beyond, we identify key aspects and forms of disclosure for embedding them into visual data story interfaces. We devise and validate these aspects and forms within a case study: a Web-based scrollytelling article explaining the feminist concept of intersectionality using a combination of animated illustration, data visualization, and text. With this work, we demonstrate and discuss the potentials and pitfalls of disclosure practices in data storytelling.}, subject = {Publizit{\"a}t}, language = {en} } @incollection{MaueFlechtner, author = {Mau{\´e}, Rahel and Flechtner, Rahel}, title = {"Hopohopo": a virtual reality awareness application about social anxiety disorder}, series = {Proceedings of Mensch und Computer 2022 : MuC'22}, booktitle = {Proceedings of Mensch und Computer 2022 : MuC'22}, publisher = {Association for Computing Machinery}, address = {New York}, isbn = {978-1-4503-9690-5}, doi = {10.1145/3543758.3547550}, publisher = {Fachhochschule Potsdam}, pages = {420 -- 424}, abstract = {Virtual Reality (VR) applications play an increasingly important role in the context of mental health. While VR-based therapeutic interventions are increasingly well-established, the application of VR in the field of mental health awareness represents a novel and promising development. We present our mental health awareness VR application "hopohopo", in which the user takes the perspective of a person suffering from social anxiety. Through the VR journey, the user experiences what it could feel like to suffer from constant fear of being negatively judged by others in everyday social situations. The aim of the application is to allow nonaffected users to expand their knowledge and to raise mental health awareness. In this paper, we report our findings on the potential of this immersive VR application for psychoeducation and destigmatization of social anxiety. In this respect, we provide the scope of our VR application and first results of its ongoing usability and usefulness evaluation process.}, subject = {Mensch-Maschine-Kommunikation}, language = {en} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Computerbasierte Rezeption}, series = {Handbuch Filmsoziologie}, booktitle = {Handbuch Filmsoziologie}, publisher = {Springer}, address = {Wiesbaden}, isbn = {978-3-658-10729-1}, doi = {10.1007/978-3-658-10729-1_77}, pages = {1371 -- 1389}, abstract = {Die neuen, genauer: computerbasierten Formen der Filmrezeption nimmt dieser Beitrag zum Anlass, sowohl die damit adressierten als auch die damit distanzierten Rezeptionsbedingungen in den Blick zu nehmen. Die Verbindung von Film und New Media f{\"u}hrt dabei einerseits zur historisch bedeutenden Etablierung der DVD und andererseits zu damit verbundenen Fragen und Mythen von (Inter-)Aktivit{\"a}t, Passivit{\"a}t, Flexibilit{\"a}t und Neuheit. Der wortw{\"o}rtliche Umgang mit Film, der auf der Basis des Computers durch Medien wie DVD und Blu-ray Disc sowie durch Online-Angebote und Second Screen Apps m{\"o}glich und herausgefordert wird, modifiziert zwei grunds{\"a}tzliche Aspekte des Verh{\"a}ltnisses von Film und Gesellschaft: die Aktivit{\"a}t des Publikums und die Anti-Originalit{\"a}t des Films.}, subject = {Neue Medien}, language = {de} } @incollection{Gerling, author = {Gerling, Winfried}, title = {Bildforensik im Journalismus : Kontexte und Methoden}, series = {Fotojournalismus im Umbruch : hybrid, multimedial, prek{\"a}r}, booktitle = {Fotojournalismus im Umbruch : hybrid, multimedial, prek{\"a}r}, publisher = {Herbert von Halem Verlag}, address = {K{\"o}ln}, isbn = {978-3-86962-560-7}, pages = {296 -- 317}, subject = {Journalismus}, language = {de} } @inproceedings{BludauDoerkTominski, author = {Bludau, Mark-Jan and D{\"o}rk, Marian and Tominski, Christian}, title = {Unfolding Edges for Exploring Multivariate Edge Attributes in Graphs}, series = {21st Eurographics Conference on Visualization}, booktitle = {21st Eurographics Conference on Visualization}, editor = {Byska, Jan and J{\"a}nicke, Stefan and Schmidt, Johanna}, publisher = {Eurographics Association}, address = {Niederlande}, isbn = {978-3-03868-143-4}, doi = {10.2312/evp.20211070}, pages = {17 -- 19}, abstract = {With this research we present an approach to network visualization that expands the capabilities for visual encoding and interactive exploration through edges in node-link diagrams. Compared to the various possibilities for visual and interactive properties of nodes, there are few techniques for interactive visualization of multivariate edge attributes in node-link diagrams. Visualization of edge attributes is oftentimes limited by occlusion and space issues of methods that globally encode attributes in a node-link diagram for all edges, not sufficiently exploiting the potential of interaction. Building up on existing techniques for edge encoding and interaction, we propose 'Unfolding Edges' as an exemplary use of an on-demand detail enhancing approach for exploration of multivariate edge attributes.}, subject = {Graph}, language = {en} } @book{OPUS4-3348, title = {Kellerkinder und Stacheltiere}, editor = {Bock, Hans-Michael and Distelmeyer, Jan and Sch{\"o}ning, J{\"o}rg}, publisher = {edition text + kritik}, address = {M{\"u}nchen}, isbn = {978-3-96707-442-0}, publisher = {Fachhochschule Potsdam}, abstract = {Im Kino wurde schon immer gelacht. Wann aber der Spaß aufh{\"o}rt und der Ernst beginnt, das haben Filmemacher und Publikum stets aufs Neue ausgelotet. Das neue CineGraph Buch zeigt, dass sich Kurt Tucholskys Frage "Was darf Satire?" in der Filmgeschichte nicht pauschal mit "Alles" beantworten l{\"a}sst, sondern die Antwort immer abh{\"a}ngig vom historischen Kontext, insbesondere den jeweiligen Machtstrukturen ist. Anstoß f{\"u}r die satirischen Filmproduktionen gaben gesellschaftliche sowie politische Ereignisse wie der Zweite Weltkrieg, die Auseinandersetzung mit dem Nationalsozialismus, der Kalte Krieg, das Wirtschaftswunder, die Entwicklung der Medien oder die kapitalistische Gesellschaft. Das kritisch-unterhaltsame Genre weist ein facettenreiches Spektrum an Filmen auf, von denen einige in den Beitr{\"a}gen dieses Buches n{\"a}her betrachtet werden, darunter "Der Maulkorb" (DE 1937/38), "Der Untertan" (DDR 1951), "Animal Farm" (GB 1951-54), die Satire-Serie "Das Stacheltier" (DDR 1953-65), "Wir Wunderkinder" (BRD 1958), "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" (GB/US 1964) sowie "Er ist wieder da" (DE 2014/15). Zum Thema des Sammelbandes erschien im November 2019 bereits das cinefest-Katalogbuch "Dr. Seltsam oder: Aus den Wolken kommt das Gl{\"u}ck. Film zwischen Polit-Kom{\"o}die und Gesellschafts-Satire".}, subject = {Deutschland}, language = {de} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Einleitung : Interface}, series = {Algorithmen \& Zeichen}, booktitle = {Algorithmen \& Zeichen}, editor = {Distelmeyer, Jan and Ehrmanntraut, Sophie and M{\"u}ller, Boris}, publisher = {Kadmos}, address = {Berlin}, isbn = {978-3-86599-484-4}, publisher = {Fachhochschule Potsdam}, pages = {266 -- 273}, subject = {Mensch-Maschine-Schnittstelle}, language = {de} } @misc{Haase, author = {Haase, Maik}, title = {Typokalligrafie : [eine illustrierte Schriftklassifikation]}, publisher = {Vacat}, address = {Potsdam}, organization = {Fachhochschule Potsdam, Designinitiative Berlin-Brandenburg}, isbn = {3-930752-03-4}, pages = {16}, subject = {Schrift}, language = {de} } @article{BrueggemannBludauKreiseleretal., author = {Br{\"u}ggemann, Viktoria and Bludau, Mark-Jan and Kreiseler, Sarah and Casavola, Silvia and Pomerance, Jona and D{\"o}rk, Marian}, title = {Granularities of Dispersion and Materiality}, series = {Medaon : Magazin f{\"u}r J{\"u}disches Leben in Forschung und Bildung}, volume = {19}, journal = {Medaon : Magazin f{\"u}r J{\"u}disches Leben in Forschung und Bildung}, number = {36}, publisher = {HATiKVA e.V. - Die Hoffnung Bildungs- und Begegnungsst{\"a}tte f{\"u}r J{\"u}dische Geschichte und Kultur Sachsen}, address = {Dresden}, issn = {1866-069X}, pages = {1 -- 19}, abstract = {Bedeutungsvolle und sensible digitale Darstellungen f{\"u}r kulturelle Sammlungen zu finden, erfordert eine umsichtige Umsetzung und Zusammenarbeit, von der Datenmodellierung und Katalogisierung bis zur Ideenfindung und Entwicklung von Prototypen. In unserem Beitrag berichten wir von unserer designorientierten Forschung, die sich mit der Visualisierung eines Fotoarchivs {\"u}ber die j{\"u}dische Diaspora befasst. Mit dem Ziel, eine Webplattform zu schaffen, die vielf{\"a}ltige explorative und narrative Erlebnisse bietet, reflektieren wir die Verwendung digitaler und analoger Methoden f{\"u}r visuelle Sammlungen, insbesondere f{\"u}r eine Sammlung des j{\"u}dischen Kulturerbes.}, subject = {Diaspora }, language = {en} } @article{NestelSłomskaPrzechLedermannetal., author = {Nestel, Chelsea and Słomska-Przech, Katarzyna and Ledermann, Florian and Bogucka, Edyta P. and V{\"o}r{\"o}s, Fanni and Meier, Sebastian and Roth, Robert E.}, title = {Opportunities and Challenges for the Next Generation of Cartographers}, series = {The cartographic journal : The world of mapping}, volume = {61}, journal = {The cartographic journal : The world of mapping}, number = {3}, publisher = {Taylor and Francis}, address = {London}, issn = {0008-7041}, doi = {10.1080/00087041.2024.2439720}, pages = {218 -- 226}, abstract = {Here, we introduce Next Generation Cartographers, a Working Group of the International Cartographic Association (ICA) Students and early-career professionals today learn cartographic design alongside a diverse array of conceptual and technical competencies and, therefore, are working at the forefront of the discipline. However, they typically are not among the leading voices within the cartography community simply due to experience. To this end, we organized a Next Generation Cartographers (NGC) workshop at EuroCarto 2022 to identify opportunities and challenges for the next generation of cartographers. During our discussions, advocacy, peer support, mentorship, and outreach emerged as key needs of next generation cartographers and, ultimately, the need for NGC to have a voice in ICA planning. Inclusion became a core value of NGC to promote safety and diversity across the cartography community. NGC opened to global membership in August 2023 at the International Cartographic Conference in Cape Town, South Africa, and became a Working Group in autumn 2023.}, subject = {International Cartographic Association}, language = {en} } @article{KauerDoerkBach, author = {Kauer, Tobias and D{\"o}rk, Marian and Bach, Benjamin}, title = {Towards Collective Storytelling}, series = {IEEE Computer Graphics and Applications}, volume = {45}, journal = {IEEE Computer Graphics and Applications}, number = {3}, address = {New York}, organization = {Institute of Electrical and Electronics Engineers (IEEE)}, issn = {0272-1716}, doi = {10.1109/MCG.2025.3547944}, pages = {17 -- 31}, abstract = {This work investigates personal perspectives in visualization annotations as devices for collective data-driven storytelling. Inspired by existing efforts in critical cartography, we show how people share personal memories in a visualization of COVID-19 data and how comments by other visualization readers influence the reading and understanding of visualizations. Analyzing interaction logs, reader surveys, visualization annotations, and interviews, we find that reader annotations help other viewers relate to other people's stories and reflect on their own experiences. Further, we found that annotations embedded directly into the visualization can serve as social traces guiding through a visualization and help readers contextualize their own stories. With that, they supersede the attention paid to data encodings and become the main focal point of the visualization.}, subject = {Annotation}, language = {en} } @misc{GottsmannWrobel, author = {Gottsmann, Frank and Wrobel, Egon Igor}, title = {S{\"a}ulen}, subject = {Malerei}, language = {de} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Kritik der Digitalit{\"a}t (und was Interfaces dazu beitragen)}, series = {Jahrbuch f{\"u}r Kulturpolitik 2023/24 : Kultur(en) der Digitalit{\"a}t}, booktitle = {Jahrbuch f{\"u}r Kulturpolitik 2023/24 : Kultur(en) der Digitalit{\"a}t}, editor = {Sievers, Simon and Pfaff, Sophie and Heid, Katherine}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8376-7524-5}, doi = {10.14361/9783839475249}, publisher = {Fachhochschule Potsdam}, pages = {49 -- 55}, subject = {Medialit{\"a}t}, language = {de} } @techreport{Funke, author = {Funke, Rainer}, title = {Entwicklungsressource Design}, series = {Designbericht 1995 : Designrealisationen}, journal = {Designbericht 1995 : Designrealisationen}, editor = {Designinitiative Brandenburg-Berlin e.V. an der Fachhochschule Potsdam,}, publisher = {Westermann Kommunikation Ges. f{\"u}r Publizistik}, address = {Ingelheim}, isbn = {3-928710-28-1}, pages = {4 -- 7}, subject = {Wirtschaftsentwicklung}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Designprozesse zwischen Hoch- und Subkultur}, series = {Objekt und Prozess}, booktitle = {Objekt und Prozess}, address = {Halle (Saale)}, pages = {111 -- 118}, subject = {Design}, language = {de} } @book{MuellerBaumgartZeugner, author = {M{\"u}ller, Angela and Baumgart, G{\"u}nther and Zeugner, Gerhardt}, title = {Farbgestaltung : Baudekor, Schrift, Zeichnen}, publisher = {Cornelsen}, address = {Berlin}, isbn = {3-464-43401-X}, pages = {240}, subject = {Architektur}, language = {de} }