@incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Durch und {\"u}ber Computer}, series = {Cutting Edge! : Aktuelle Positionen der Filmmontage}, booktitle = {Cutting Edge! : Aktuelle Positionen der Filmmontage}, editor = {Doll, Martin}, publisher = {Bertz + Fischer}, address = {Berlin}, isbn = {978-3-86505-334-3}, publisher = {Fachhochschule Potsdam}, pages = {193 -- 210}, subject = {Film}, language = {de} } @book{OPUS4-3345, title = {Fluchtlinien}, editor = {Bock, Hans-Michael and Distelmeyer, Jan and Sch{\"o}ning, J{\"o}rg}, edition = {1. Auflage}, publisher = {edition text + kritik}, address = {M{\"u}nchen}, isbn = {978-3-96707-730-8}, publisher = {Fachhochschule Potsdam}, abstract = {In den letzten Jahrzehnten ist - nicht zuletzt durch CineGraph - das Schicksal von j{\"u}dischen Filmschaffenden aus Ost-Europa, die durch den v{\"o}lkischen Rassismus des NS-Regimes ins Exil vertrieben wurden, h{\"a}ufig in den Blick genommen worden. Dar{\"u}ber hinaus gibt es aber auch zahllose ost- und mitteleurop{\"a}ische Filmschaffende aller Gewerke, die im 20. Jahrhundert ihre Heimatl{\"a}nder verließen; ihre Karrieren sind noch weniger erforscht. Die Texte in diesem Band pr{\"a}sentieren einen Querschnitt dieser zum Teil vergessenen Filmschaffenden. Neben den Regiekarrieren von Alfr{\´e}d De{\´e}sy, Slatan Dudow und Ladislao Vajda werden die Lebenswege der Schauspielerinnen Marija Leiko, Lya Mara und Anna Sten betrachtet. Aber auch die Arbeit von Produzenten wie Miloš Havel und der Familie Salkind wird untersucht. Zudem wird Leo Lanias Bedeutung f{\"u}r die Anf{\"a}nge des dokumentarischen Films behandelt. Ein Beitrag widmet sich dem Einfluss der sowjetischen Berater auf den fr{\"u}hen DEFA-Film. Der Sammelband wird mit einem Essay des ungarischen Schriftstellers und Historikers Gy{\"o}rgy Dalos zum politischen und kulturellen Exil in der Zwischenkriegszeit eingeleitet. Zum Thema des Sammelbandes erschien im November 2021 bereits das cinefest-Katalogbuch "Westw{\"a}rts. Osteurop{\"a}ische Filmschaffende in Westeuropa".}, subject = {Film}, language = {de} } @inproceedings{BludauDoerkFangerauetal., author = {Bludau, Mark-Jan and D{\"o}rk, Marian and Fangerau, Heiner and Halling, Thorsten and Leitner, Elena and Menzel, Sina and M{\"u}ller, Gerhard and Petras, Vivien and Rehm, Georg and Neudecker, Clemens and Zellhiefer, David and Moreno Schneider, Julian}, title = {SoNAR (IDH)}, series = {DHd 2020 Spielr{\"a}ume: Digital Humanities zwischen Modellierung und Interpretation}, booktitle = {DHd 2020 Spielr{\"a}ume: Digital Humanities zwischen Modellierung und Interpretation}, editor = {Sch{\"o}ch, Christof}, address = {Hamburg}, organization = {Verband Digital Humanities im deutschsprachigen Raum e.V.}, doi = {10.5281/zenodo.4621862}, pages = {1 -- 3}, subject = {Soziale Netzwerkanalyse}, language = {de} } @inproceedings{MenzelBludauLeitneretal., author = {Menzel, Sina and Bludau, Mark-Jan and Leitner, Elena and D{\"o}rk, Marian and Moreno-Schneider, Juli{\´a}n and Petras, Vivien and Rehm, Georg}, title = {Graph Technologies for the Analysis of Historical Social Networks Using Heterogeneous Data Sources}, series = {Graph Technologies in the Humanities}, booktitle = {Graph Technologies in the Humanities}, editor = {Andrews, Tara and Diehr, Franziska and Efer, Thomas and Kuczera, Andreas and van Zundert, Joris}, address = {Wien}, organization = {Universit{\"a}t Wien}, issn = {1613-0073}, pages = {124 -- 149}, abstract = {Over the last decades, cultural heritage institutions have provided extensive machine-readable data, such as bibliographic and archival metadata, full-text collections, and authority records containing multitudes of implicit and explicit statements about the social relations between various types of entities. In this paper, we discuss how approaches to the creation and operation of advanced research infrastructure for historical network analysis (HNA) based on heterogeneous data sources from cultural heritage institutions can be examined and evaluated. Based on our interdisciplinary research, we describe challenges and strategies with a special focus on the issue of data processing, sketch out the advantages of human-centered project design in the form of a preliminary co-design workshop, and present an iterative approach to data visualization.}, subject = {Kulturerbe}, language = {en} } @techreport{GeuderLeidingerLupinetal., type = {Working Paper}, author = {Geuder, Philipp and Leidinger, Marie-Claire and Lupin, Martin von and D{\"o}rk, Marian and Schr{\"o}der, Tobias}, title = {Emosaic: Visualizing Affective Content of Text at Varying Granularity}, series = {arxiv.org}, journal = {arxiv.org}, publisher = {Cornell University}, doi = {10.48550/arXiv.2002.10096}, pages = {9}, abstract = {This paper presents Emosaic, a tool for visualizing the emotional tone of text documents, considering multiple dimensions of emotion and varying levels of semantic granularity. Emosaic is grounded in psychological research on the relationship between language, affect, and color perception. We capitalize on an established three-dimensional model of human emotion: valence (good, nice vs. bad, awful), arousal (calm, passive vs. exciting, active) and dominance (weak, controlled vs. strong, in control). Previously, multi-dimensional models of emotion have been used rarely in visualizations of textual data, due to the perceptual challenges involved. Furthermore, until recently most text visualizations remained at a high level, precluding closer engagement with the deep semantic content of the text. Informed by empirical studies, we introduce a color mapping that translates any point in three-dimensional affective space into a unique color. Emosaic uses affective dictionaries of words annotated with the three emotional parameters of the valence-arousal-dominance model to extract emotional meanings from texts and then assigns to them corresponding color parameters of the hue-saturation-brightness color space. This approach of mapping emotion to color is aimed at helping readers to more easily grasp the emotional tone of the text. Several features of Emosaic allow readers to interactively explore the affective content of the text in more detail; e.g., in aggregated form as histograms, in sequential form following the order of text, and in detail embedded into the text display itself. Interaction techniques have been included to allow for filtering and navigating of text and visualizations.}, subject = {Mensch-Maschine-Kommunikation}, language = {en} } @incollection{MaueFlechtner, author = {Mau{\´e}, Rahel and Flechtner, Rahel}, title = {"Hopohopo": a virtual reality awareness application about social anxiety disorder}, series = {Proceedings of Mensch und Computer 2022 : MuC'22}, booktitle = {Proceedings of Mensch und Computer 2022 : MuC'22}, publisher = {Association for Computing Machinery}, address = {New York}, isbn = {978-1-4503-9690-5}, doi = {10.1145/3543758.3547550}, publisher = {Fachhochschule Potsdam}, pages = {420 -- 424}, abstract = {Virtual Reality (VR) applications play an increasingly important role in the context of mental health. While VR-based therapeutic interventions are increasingly well-established, the application of VR in the field of mental health awareness represents a novel and promising development. We present our mental health awareness VR application "hopohopo", in which the user takes the perspective of a person suffering from social anxiety. Through the VR journey, the user experiences what it could feel like to suffer from constant fear of being negatively judged by others in everyday social situations. The aim of the application is to allow nonaffected users to expand their knowledge and to raise mental health awareness. In this paper, we report our findings on the potential of this immersive VR application for psychoeducation and destigmatization of social anxiety. In this respect, we provide the scope of our VR application and first results of its ongoing usability and usefulness evaluation process.}, subject = {Mensch-Maschine-Kommunikation}, language = {en} } @inproceedings{MichelLangerHeidmann, author = {Michel, Antje and Langer, Constanze and Heidmann, Frank}, title = {Curriculum design: How can the development of information science curricula benefit from interdisciplinary cooperation?}, series = {The Future of Education in Information Science : Proceedings from FEIS - International EINFOSE Symposium, 10-11 September 2018 Pisa, Italy}, booktitle = {The Future of Education in Information Science : Proceedings from FEIS - International EINFOSE Symposium, 10-11 September 2018 Pisa, Italy}, editor = {Aparac-Jelusic, Tatjana and Casarosa, Vittore and Maceviciute, Elena}, address = {Kroatien}, organization = {Josip-Juraj-Strossmayer-Universit{\"a}t Osijek}, isbn = {978-953-314-120-6}, pages = {223 -- 228}, abstract = {This poster summary offers a brief overview of the methodical approach behind the process of curriculum development for the design degree programmes at the University of Applied Sciences Potsdam (Fachhochschule Potsdam [FHP]), in adherence to the underlying principle of an iterative ideation process as part of the interdisciplinary project entitled "Design NOT plain vanilla". It presents an approach enriched by the example of "student" stakeholder group integration. First, the shared attributes linked to digitalisation that characterise the transformation of job descriptions found in the epistemic cultures of design and information sciences, and the differences in existing curricula concepts were outlined. Based on this, an explanation is provided as to why - as per the authors' interpretation - the methodical approach that shapes the development of curricula as well as the underlying paradigms of the curriculum concept within the design degree programmes could provide prudent impetus for the process of curriculum development, as well as for the structure of curricula in information Science degree programmes.}, subject = {Informations- und Dokumentationswissenschaft}, language = {de} } @inproceedings{BludauHallingHollyetal., author = {Bludau, Mark-Jan and Halling, Thorsten and Holly, Eva Maria and Wieloch, Jasmin and Schnaitter, Hannes and Balck, Sandra and Plakidis, Melina and Rehm, Georg and Fangerau, Heiner and D{\"o}rk, Marian}, title = {Was sehe ich? Visualisierungsstrategien f{\"u}r Datentransparenz in der Historischen Netzwerkanalyse}, series = {DHd2022 : Kulturen des digitalen Ged{\"a}chtnisses}, booktitle = {DHd2022 : Kulturen des digitalen Ged{\"a}chtnisses}, address = {Hamburg}, organization = {Verband Digital Humanities im deutschsprachigen Raum e.V.}, doi = {10.5281/zenodo.6327931}, pages = {1 -- 5}, abstract = {Die Historische Netzwerkanalyse (HNA) hat sich zu einem etablierten Forschungsfeld entwickelt. Zu ihren wichtigsten methodischen Herausforderungen geh{\"o}rt die Suggestionskraft von Visualisierungen. Die Transparenz bez{\"u}glich der Datenquellen ist daher f{\"u}r die HNA sowohl bei selbst erhobenen als auch bei sekund{\"a}r genutzten Daten Voraussetzung, will sie geisteswissenschaftlichen Kriterien der Nachpr{\"u}fbarkeit und Nachvollziehbarkeit von Interpretationen erf{\"u}llen. Dieser Beitrag beschreibt und diskutiert - aufbauend auf einem iterativen und durch Workshops sowie einer Nutzer*innenstudie begleiteten Forschungsprozess - vier Designziele zur Verwirklichung einer solchen Transparenz: 1) Aufnahme und Kommunikation von Datenprovenienzen, 2) Dokumentation vorausgegangener Prozesse, 3) Offenhaltung der Interpretierbarkeit der Daten und 4) Unterst{\"u}tzung von Folgeforschung. Anschließend werden beispielhafte Umsetzungsstrategien in Form von Prototypen pr{\"a}sentiert.}, subject = {Visualisierung}, language = {de} } @inproceedings{BrueggemannBludauPietschetal., author = {Br{\"u}ggemann, Viktoria and Bludau, Mark-Jan and Pietsch, Christopher and D{\"o}rk, Marian}, title = {Von der Wolke zum Pfad}, series = {DHd2022 : Kulturen des digitalen Ged{\"a}chtnisses}, booktitle = {DHd2022 : Kulturen des digitalen Ged{\"a}chtnisses}, address = {Hamburg}, organization = {Verband Digital Humanities im deutschsprachigen Raum e.V.}, doi = {10.5281/zenodo.6327939}, pages = {1 -- 5}, abstract = {Die in den letzten Jahren entstandenen explorativen Visualisierungen musealer Sammlungen widmen sich zumeist einzelnen Sammlungen, welche oft einer spezifischen Systematik folgen und eine geringe Vielfalt an Objektgattungen und Attributen aufweisen. Das hier vorgestellte Forschungsprojekt stellte sich die Frage, wie verschiedene, in sich heterogene, Sammlungen miteinander verkn{\"u}pft, visualisiert und exploriert werden k{\"o}nnen, ohne die Unterschiede zwischen ihnen zu nivellieren. Dazu wurden im Rahmen einer Forschungskooperation mit den Staatlichen Museen zu Berlin die Best{\"a}nde aus dem 19. Jahrhundert der Alten Nationalgalerie sowie des Museums Europ{\"a}ischer Kulturen ausgew{\"a}hlt. Das Ziel war es, {\"u}bergreifende Zusammenh{\"a}nge und Resonanzen zwischen den Sammlungen aufzugreifen und dynamische, interaktive Arrangements zu entwickeln, welche die assoziative Exploration von Best{\"a}nden anregen. Das Ergebnis ist ein interaktiver Prototyp, der eine globale {\"U}bersicht in Form einer annotierten Wolke mit der lokalen Perspektive eines auf {\"A}hnlichkeiten basierten Pfads verkn{\"u}pft.}, subject = {Visualisierung}, language = {de} } @article{Meier, author = {Meier, Sebastian}, title = {Visualizations in Online News - and Their Effect on Perceived Credibility}, series = {KN - Journal of cartography and geographic information}, volume = {67}, journal = {KN - Journal of cartography and geographic information}, number = {2}, publisher = {Springer International Publishing}, address = {Cham}, issn = {2524-4957}, doi = {10.1007/BF03545380}, pages = {74 -- 83}, abstract = {Over the last few years, data visualization, especially the visualization of spatial data, has become of ever-increasing importance in modern online journalism. While there is a broad range of research projects that focus on developing new methods, techniques, and implementations, empirical analysis of the potential implications of this trend is still rare. In this paper, the potential influence of visualizations in online journalism is in the focus: perceived credibility. The need for such empirical research is emphasized by presenting a preliminary quantitative study that assesses the impact of maps and information visualization on the perceived credibility of online news articles.}, subject = {Glaubw{\"u}rdigkeit}, language = {en} }