@inproceedings{Krohn, author = {Krohn, Matthias}, title = {Design mit digitalen Medien : das Projekt "Human Touch"}, series = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, booktitle = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, publisher = {Westermann-Kommunikation}, address = {Ingelheim}, organization = {Fachhochschule Potsdam}, isbn = {3-928710-27-3}, pages = {204 -- 209}, subject = {Design}, language = {de} } @inproceedings{Jamaikina, author = {Jamaikina, Jelena}, title = {Forschung und Entwicklung an der Fachhochschule Potsdam}, series = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. Juni 1995}, booktitle = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. Juni 1995}, publisher = {Westermann-Kommunikation}, address = {Ingelheim}, organization = {Fachhochschule Potsdam}, isbn = {3-928710-27-3}, pages = {212 -- 219}, subject = {Fachhochschule Potsdam}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Designhochschulen - M{\"a}rchenstuben?}, series = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, booktitle = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, publisher = {Westermann-Kommunikation}, address = {Ingelheim}, organization = {Fachhochschule Potsdam}, isbn = {3-928710-27-3}, pages = {15 -- 25}, subject = {Design}, language = {de} } @inproceedings{MoratSchwerdtfegerFeuchtetal., author = {Morat, Paul and Schwerdtfeger, Aaron and Feucht, Max Emanuel and Heidmann, Frank}, title = {Der Trog}, series = {CHI EA '25 : Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems}, booktitle = {CHI EA '25 : Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems}, editor = {Yamashta, Naomi and Evers, Vanessa and Yatani, Koji and Ding, Xianghua}, address = {New York}, organization = {Association for Computing Machinery}, isbn = {979-8-4007-1395-8}, doi = {10.1145/3706599.3721173}, pages = {1 -- 5}, abstract = {Der Trog is a prototype for a contactless, embodied breath-to-water interface, exploring the potential of Artificial Intelligence as a mediator to facilitate emotional and sensory interactions with nature. By tracking respiration via thermal image analysis and translating it into wave patterns on a water surface, the installation provides a tangible experience translating the user's corporal rhythm onto a natural material. The present research project investigates whether such interactions can help bridging the gap between environmental knowledge and action within the ecological crisis, encouraging holistic empathy for nature. Der Trog aims to inspire new perceptions of our connection to natural elements, advocating for sustainable behaviour through meaningful, embodied encounters with the environment.}, subject = {K{\"u}nstliche Intelligenz}, language = {en} } @inproceedings{WindhagerAbdulRahmanBludauetal., author = {Windhager, Florian and Abdul-Rahman, Alfie and Bludau, Mark-Jan and Hengesbach, Nicole and Lamqaddam, Houda and Meirelles, Isabel and Speckmann, Bettina and Corell, Michael}, title = {Complexity as Design Material}, series = {2024 IEEE Evaluation and Beyond - Methodological Approaches for Visualization : BELIV 2024}, booktitle = {2024 IEEE Evaluation and Beyond - Methodological Approaches for Visualization : BELIV 2024}, publisher = {Institute of Electrical and Electronics Engineers (IEEE)}, address = {New York}, isbn = {979-8-3315-2846-1}, doi = {10.1109/BELIV64461.2024.00013}, pages = {71 -- 80}, abstract = {Complexity is often seen as a inherent negative in information design, with the job of the designer being to reduce or eliminate complexity, and with principles like Tufte's "data-ink ratio" or "chartjunk" to operationalize mimimalism and simplicity in visualizations. However, in this position paper, we call for a more expansive view of complexity as a design material, like color or texture or shape: an element of information design that can be used in many ways, many of which are beneficial to the goals of using data to understand the world around us. We describe complexity as a phenomenon that occurs not just in visual design but in every aspect of the sensemaking process, from data collection to interpretation. For each of these stages, we present examples of ways that these various forms of complexity can be used (or abused) in visualization design. We ultimately call on the visualization community to build a more nuanced view of complexity, to look for places to usefully integrate complexity in multiple stages of the design process, and, even when the goal is to reduce complexity, to look for the non-visual forms of complexity that may have otherwise been overlooked.}, subject = {Komplexit{\"a}t}, language = {en} } @article{MatznerThielWoznicaTostetal., author = {Matzner, Nils and Thiel-Woznica, Marcel and Tost, Jordi and Weller, Kevin}, title = {Prototypes as Future Artifacts of Today}, series = {On_culture : the open journal for the study of culture}, journal = {On_culture : the open journal for the study of culture}, number = {15}, publisher = {Justus-Liebig-Universit{\"a}t Gießen}, address = {Gießen}, issn = {2366-4142}, doi = {10.22029/oc.2023.1353}, pages = {25}, abstract = {The design of sociotechnical futures relies on institutionalized visions but also on material artifacts. In this context, prototypes are a materialized means of exploration of potential futures. This article explores interdependencies between irritations by prototypes and critical/speculative design and argues that prototypes problematize a balance between feasibility and their potential for irritation, i.e. being incited to act differently by a prototype that does not fit into familiar practices (e.g. flying cars). We investigate the significance of the feasibility-irritation tension, first, by analyzing two case studies of prototypes from urban mobility as examples of technical feasibility in marketing and testing environments, and second, by contrasting them to the notion of prototypes as deliberately irritating artifacts within critical and speculative design practices. We offer a perspective for understanding their transformative potential. Our discussion shows how prototypes, as they are used in speculative design, might open new negotiation spaces instead of limiting futures to what seems feasible. New, irritating prototypes highlight a contingency, which is necessary to openly discussing feasible and fictional futures together.}, subject = {Mobilit{\"a}t}, language = {de} } @book{Heinicker, author = {Heinicker, Paul}, title = {Anderes Visualisieren}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8394-7482-2}, doi = {10.14361/9783839474822}, publisher = {Fachhochschule Potsdam}, pages = {436}, abstract = {Ob Corona-Pandemie oder Klimawandel - Datenbilder sind zu einem zentralen Bestandteil gesellschaftlicher Diskurse geworden. Doch gerade ihre Anschaulichkeit verstellt den Blick auf die Komplexit{\"a}t von Bildprozessen. Was zeigen Datenvisualisierungen und was verschweigen sie? Und vonn wem und wie werden Daten visualisiert? Paul Heinicker formuliert eine Kritik an der abbildungsgetriebenen Kultur der Datenvisualisierung und entwickelt alternative Modelle, die sich n{\"a}her an den produktionstheoretischen Realit{\"a}ten der Datengestaltung orientieren - wozu auch die Beschreibung eigener Visualisierungspraktiken geh{\"o}rt. Dabei zeigt sich: Anderes Visualisieren realisiert sich im Dazwischen von Theorie und Praxis.}, subject = {Daten}, language = {de} } @book{BetteThiessenSchneider, author = {Bette, Michael and Thiessen-Schneider, Gudrun}, title = {Michael Bette - Kunstverein Grafschaft Bentheim, Neuenhaus 25.4. - 21.6.1998}, publisher = {Kunstverein Grafschaft Bentheim}, address = {Neuenhaus}, isbn = {3-922805-63-9}, pages = {85}, subject = {Kunst}, language = {de} } @unpublished{MoriniEschenbacherHartmannetal., author = {Morini, Francesca and Eschenbacher, Anna and Hartmann, Johanna and D{\"o}rk, Marian}, title = {From shock to shift}, series = {IEEE transactions on visualization and computer graphics}, journal = {IEEE transactions on visualization and computer graphics}, publisher = {Institute of Electrical and Electronics Engineers (IEEE)}, address = {New York}, issn = {1077-2626}, doi = {10.1109/TVCG.2023.3327185}, pages = {1 -- 11}, abstract = {We present a multi-dimensional, multi-level, and multi-channel approach to data visualization for the purpose of constructive climate journalism. Data visualization has assumed a central role in environmental journalism and is often used in data stories to convey the dramatic consequences of climate change and other ecological crises. However, the emphasis on the catastrophic impacts of climate change tends to induce feelings of fear, anxiety, and apathy in readers. Climate mitigation, adaptation, and protection—all highly urgent in the face of the climate crisis—are at risk of being overlooked. These topics are more difficult to communicate as they are hard to convey on varying levels of locality, involve multiple interconnected sectors, and need to be mediated across various channels from the printed newspaper to social media platforms. So far, there has been little research on data visualization to enhance affective engagement with data about climate protection as part of solution-oriented reporting of climate change. With this research we characterize the unique challenges of constructive climate journalism for data visualization and share findings from a research and design study in collaboration with a national newspaper in Germany. Using the affordances and aesthetics of travel postcards, we present Klimakarten, a data journalism project on the progress of climate protection at multiple spatial scales (from national to local), across five key sectors (agriculture, buildings, energy, mobility, and waste), and for print and online use. The findings from quantitative and qualitative analysis of reader feedback confirm our overall approach and suggest implications for future work.}, subject = {Erz{\"a}hlen}, language = {en} } @inproceedings{deGuentherNanniKyriazisetal., author = {de G{\"u}nther, Sabine and Nanni, Giacomo and Kyriazis, Ilias and Freyberg, Linda and D{\"o}rk, Marian}, title = {Tracing and Telling}, series = {EVA BERLIN 2023}, booktitle = {EVA BERLIN 2023}, editor = {Lengyel, Dominik and Bienert, Andreas}, address = {Cottbus}, organization = {Brandenburgische Technische Universit{\"a}t Cottbus-Senftenberg (BTU)}, isbn = {978-3-88609-891-0}, pages = {333 -- 338}, abstract = {Cultural collections have transcended the boundaries of physical showcases and storage cabinets, evolving into intricate digital webs of interconnected data. The research project Restaging Fashion aimed to expand the possibilities for experiencing the linkages in digitized cultural heritage, focusing on the visualization of collection holdings related to the history of garments. Through graph-based narratives, the project investigated the complex interplay between the linear - and at times tentative - art historical discourses and the non-linear explorations of associated cultural heritage data. The resulting visualizations have been designed with the aim to allow for curated and dynamic exploration of the collection along research essays and their interrelated graphs.}, subject = {Sammlung}, language = {en} } @article{ScheckBinnDoerketal., author = {Scheck, Ester and Binn, Andrea and D{\"o}rk, Marian and Ledermann, Florian}, title = {A Contemporary Nolli Map}, series = {Abstracts of the ICA}, journal = {Abstracts of the ICA}, number = {6}, publisher = {Copernicus Publications}, address = {G{\"o}ttingen}, issn = {2570-2106}, doi = {10.5194/ica-abs-6-223-2023}, pages = {1 -- 2}, abstract = {More than 250 years ago, Giovanni Battista Nolli, an Italian architect, engineer and cartographer, was concerned with how and where space is or is not publicly accessible. In his map 'La nuova topografia di Roma Comasco', he mapped publicly accessible interior and exterior spaces of Rome with an impressively high level of detail as a figure-ground map. Since Nolli's time, both the character and diversity of public spaces as well as cartographic technology have changed. This research project aims to adapt some ideas behind Nolli's map for today's circumstances on the basis of open data, and seeks to develop methods for processing volunteered geographical information from OpenStreetMap (OSM) to identify, categorize, and map public spaces based on thematic and geometric information.}, subject = {OpenStreetMap}, language = {en} } @article{MeierBoguckaLedermannetal., author = {Meier, Sebastian and Bogucka, Edyta P. and Ledermann, Florian and Roth, Robert E. and Słomska-Przech, Katarzyna and V{\"o}r{\"o}s, Fanni}, title = {Opportunities and Challenges for the Next Generation of Cartographers}, series = {Abstracts of the ICA}, journal = {Abstracts of the ICA}, number = {6}, publisher = {Copernicus Publications}, address = {G{\"o}ttingen}, issn = {2570-2106}, doi = {10.5194/ica-abs-6-162-2023}, pages = {1 -- 3}, abstract = {Developing the next generation of cartographers is essential to sustaining and expanding the mission of the International Cartographic Association. Students and early-career professionals today learn cartographic design alongside a diverse array of conceptual and technical competencies, such as data science, human-computer interaction, information visualization, and machine learning. Accordingly, the next generation of cartographers often are working at the forefront of the discipline, actively reshaping what cartography is and can be.}, subject = {Kartograf}, language = {en} } @article{BludauDoerkTominski, author = {Bludau, Mark-Jan and D{\"o}rk, Marian and Tominski, Christian}, title = {Unfolding Edges}, series = {Computer Graphics Forum}, volume = {42}, journal = {Computer Graphics Forum}, number = {3}, publisher = {Wiley-Blackwell}, address = {Oxford}, issn = {0167-7055}, doi = {10.1111/cgf.14831}, pages = {297 -- 309}, abstract = {Existing work on visualizing multivariate graphs is primarily concerned with representing the attributes of nodes. Even though edges are the constitutive elements of networks, there have been only few attempts to visualize attributes of edges. In this work, we focus on the critical importance of edge attributes for interpreting network visualizations and building trust in the underlying data. We propose 'unfolding of edges' as an interactive approach to integrate multivariate edge attributes dynamically into existing node-link diagrams. Unfolding edges is an in-situ approach that gradually transforms basic links into detailed representations of the associated edge attributes. This approach extends focus+context, semantic zoom, and animated transitions for network visualizations to accommodate edge details on-demand without cluttering the overall graph layout. We explore the design space for the unfolding of edges, which covers aspects of making space for the unfolding, of actually representing the edge context, and of navigating between edges. To demonstrate the utility of our approach, we present two case studies in the context of historical network analysis and computational social science. For these, web-based prototypes were implemented based on which we conducted interviews with domain experts. The experts' feedback suggests that the proposed unfolding of edges is a useful tool for exploring rich edge information of multivariate graphs.}, subject = {Visualisierung}, language = {en} } @inproceedings{MeierGlinka, author = {Meier, Sebastian and Glinka, Katrin}, title = {To Classify is to Interpret}, series = {Proceedings of Mensch und Computer 2023}, booktitle = {Proceedings of Mensch und Computer 2023}, editor = {Stolze, Markus and Loch, Frieder and Baldauf, Matthias and Alt, Florian and Schneegass, Christina and Kosch, Thomas and Hirzle, Teresa and Sadeghian, Shadan and Draxler, Fiona and Bektas, Kenan and Lohan, Katrin and Knierim, Pascal}, publisher = {Association for Computing Machinery}, address = {New York}, isbn = {979-8-4007-0771-1}, doi = {10.1145/3603555.3608532}, pages = {395 -- 401}, abstract = {Taxonomy building is a task that requires interpreting and classifying data within a given frame of reference, which comes to play in many areas of application that deal with knowledge and information organization. In this paper, we explore how taxonomy building can be supported with systems that integrate machine learning (ML). However, relying only on black-boxed ML-based systems to automate taxonomy building would sideline the users' expertise. We propose an approach that allows the user to iteratively take into account multiple model's outputs as part of their sensemaking process. We implemented our approach in two real-world use cases. The work is positioned in the context of HCI research that investigates the design of ML-based systems with an emphasis on enabling human-AI collaboration.}, subject = {K{\"u}nstliche Intelligenz}, language = {en} } @inproceedings{GuentherFreyberg, author = {G{\"u}nther, Sabine de and Freyberg, Linda}, title = {Digitale Kontextualisierung und Visualisierung der Quellen-Trias Bild-Text-Realia zu historischer Kleidung, ihrer Ausformung, Zeichenhaftigkeit und Dreidimensionalit{\"a}t}, series = {DHd2022 Kulturen des digitalen Ged{\"a}chtnisses : Konferenzabstracts : Universit{\"a}t Potsdam \& Fachhochschule Potsdam, 07. bis 11. M{\"a}rz 2022}, booktitle = {DHd2022 Kulturen des digitalen Ged{\"a}chtnisses : Konferenzabstracts : Universit{\"a}t Potsdam \& Fachhochschule Potsdam, 07. bis 11. M{\"a}rz 2022}, editor = {Geierhos, Michaela}, address = {Potsdam}, doi = {10.5281/zenodo.6327958}, pages = {78 -- 82}, abstract = {Kleidung, Tracht und Mode kommunizieren die Vorstellung des Tr{\"a}gers von Sch{\"o}nheit, Status, K{\"o}rper, Form, sozialer Hierarchie und religi{\"o}ser Zugeh{\"o}rigkeit, kurz: die Identit{\"a}t des Tr{\"a}gers. Die Informationen in den historischen Quellen zur Kleidung, in bildlichen Darstellungen, beschreibenden Texten und textilen Artefakten, werden in dem interdisziplin{\"a}ren Forschungs- und Digitalisierungsprojekt "Restaging Fashion. Digitale Kontextualisierung vestiment{\"a}rer Quellen" (UCLAB, Fachhochschule Potsdam) interpretiert und kontextualisiert. Eine tiefe inhaltliche Erschließung, sowie im Projekt angefertigte Digitalisate bilden daf{\"u}r die Datenbasis. Ein besonderer Schwerpunkt wird zum einen auf der prototypischen 3D-Digitalisierung historischer Kleidung liegen. Zum Anderen wird die Datenvisualisierung als epistemisches Werkzeug sowohl im Prozess der Erfassung genutzt als auch f{\"u}r die Sammlungspr{\"a}sentation im Web eingesetzt. Ein Beitrag zur 8. Tagung des Verbands "Digital Humanities im deutschsprachigen Raum" - DHd 2022 Kulturen des digitalen Ged{\"a}chtnisses.}, subject = {Daten}, language = {de} } @inproceedings{BludauHallingHollyetal., author = {Bludau, Mark-Jan and Halling, Thorsten and Holly, Eva Maria and Wieloch, Jasmin and Schnaitter, Hannes and Balck, Sandra and Plakidis, Melina and Rehm, Georg and Fangerau, Heiner and D{\"o}rk, Marian}, title = {Was sehe ich? Visualisierungsstrategien f{\"u}r Datentransparenz in der Historischen Netzwerkanalyse}, series = {DHd2022 : Kulturen des digitalen Ged{\"a}chtnisses}, booktitle = {DHd2022 : Kulturen des digitalen Ged{\"a}chtnisses}, address = {Hamburg}, organization = {Verband Digital Humanities im deutschsprachigen Raum e.V.}, doi = {10.5281/zenodo.6327931}, pages = {1 -- 5}, abstract = {Die Historische Netzwerkanalyse (HNA) hat sich zu einem etablierten Forschungsfeld entwickelt. Zu ihren wichtigsten methodischen Herausforderungen geh{\"o}rt die Suggestionskraft von Visualisierungen. Die Transparenz bez{\"u}glich der Datenquellen ist daher f{\"u}r die HNA sowohl bei selbst erhobenen als auch bei sekund{\"a}r genutzten Daten Voraussetzung, will sie geisteswissenschaftlichen Kriterien der Nachpr{\"u}fbarkeit und Nachvollziehbarkeit von Interpretationen erf{\"u}llen. Dieser Beitrag beschreibt und diskutiert - aufbauend auf einem iterativen und durch Workshops sowie einer Nutzer*innenstudie begleiteten Forschungsprozess - vier Designziele zur Verwirklichung einer solchen Transparenz: 1) Aufnahme und Kommunikation von Datenprovenienzen, 2) Dokumentation vorausgegangener Prozesse, 3) Offenhaltung der Interpretierbarkeit der Daten und 4) Unterst{\"u}tzung von Folgeforschung. Anschließend werden beispielhafte Umsetzungsstrategien in Form von Prototypen pr{\"a}sentiert.}, subject = {Visualisierung}, language = {de} } @inproceedings{BrueggemannBludauPietschetal., author = {Br{\"u}ggemann, Viktoria and Bludau, Mark-Jan and Pietsch, Christopher and D{\"o}rk, Marian}, title = {Von der Wolke zum Pfad}, series = {DHd2022 : Kulturen des digitalen Ged{\"a}chtnisses}, booktitle = {DHd2022 : Kulturen des digitalen Ged{\"a}chtnisses}, address = {Hamburg}, organization = {Verband Digital Humanities im deutschsprachigen Raum e.V.}, doi = {10.5281/zenodo.6327939}, pages = {1 -- 5}, abstract = {Die in den letzten Jahren entstandenen explorativen Visualisierungen musealer Sammlungen widmen sich zumeist einzelnen Sammlungen, welche oft einer spezifischen Systematik folgen und eine geringe Vielfalt an Objektgattungen und Attributen aufweisen. Das hier vorgestellte Forschungsprojekt stellte sich die Frage, wie verschiedene, in sich heterogene, Sammlungen miteinander verkn{\"u}pft, visualisiert und exploriert werden k{\"o}nnen, ohne die Unterschiede zwischen ihnen zu nivellieren. Dazu wurden im Rahmen einer Forschungskooperation mit den Staatlichen Museen zu Berlin die Best{\"a}nde aus dem 19. Jahrhundert der Alten Nationalgalerie sowie des Museums Europ{\"a}ischer Kulturen ausgew{\"a}hlt. Das Ziel war es, {\"u}bergreifende Zusammenh{\"a}nge und Resonanzen zwischen den Sammlungen aufzugreifen und dynamische, interaktive Arrangements zu entwickeln, welche die assoziative Exploration von Best{\"a}nden anregen. Das Ergebnis ist ein interaktiver Prototyp, der eine globale {\"U}bersicht in Form einer annotierten Wolke mit der lokalen Perspektive eines auf {\"A}hnlichkeiten basierten Pfads verkn{\"u}pft.}, subject = {Visualisierung}, language = {de} } @inproceedings{KienbaumKreiselerHeidmann, author = {Kienbaum, Janna and Kreiseler, Sarah and Heidmann, Frank}, title = {Wahrnehmungsstrukturen und User Experience des digitalen Kulturerbes}, series = {DHd2022 : Kulturen des digitalen Ged{\"a}chtnisses}, booktitle = {DHd2022 : Kulturen des digitalen Ged{\"a}chtnisses}, address = {Hamburg}, organization = {Verband Digital Humanities im deutschsprachigen Raum e.V.}, doi = {10.5281/zenodo.6328051}, pages = {1 -- 4}, abstract = {Der Workshop hinterfragt partizipativ die Visualisierungskultur und Wahrnehmungs- bzw. Nutzungspraktiken digitaler Kulturerbe-Daten am Beispiel musealer Sammlungen im Web. Im Zentrum steht dabei der Einsatz von Eyetracking-Verfahren sowie Methoden der heuristischen Usability-Evaluation. Ausgehend von den Webseiten "explorativ" gestalteter Online Sammlungen werden die graphischen Benutzeroberfl{\"a}chen als visuelle Schnittstelle zwischen interner Objektdatenbank und Rezipientenschaft kritisch beleuchtet. In engem Austausch mit den Teilnehmer*innen sollen die User Experience praktisch erforscht werden. Dazu geh{\"o}ren einerseits Fragen nach den Wahrnehmungsstrukturen und der intuitiven Nutzung der Seiten, ihrer Zeichen und Navigation. Andererseits wird explizit ein Augenmerk auf die angebotene Auswahl der Informationen von v.a. Einzelobjektseiten und das Vernetzungspotential verlinkter Daten als M{\"o}glichkeit der Kunstvermittlung gelegt.}, subject = {Visualisierung}, language = {de} } @article{BruhnMeierLawrence, author = {Bruhn, Thomas and Meier, Sebastian and Lawrence, Mark G.}, title = {Interactive network visualization on the integration of mindsets and sustainability : creating conditions for emergence through a relational narrative}, series = {Innovation : The European Journal of Social Science Research}, volume = {36}, journal = {Innovation : The European Journal of Social Science Research}, number = {1}, publisher = {Routledge, Taylor \& Francis Group}, address = {London}, issn = {1351-1610}, doi = {10.1080/13511610.2022.2101987}, pages = {71 -- 84}, abstract = {Transdisciplinary research processes often involve the integration of knowledge and stakeholders from various backgrounds. Here, we introduce the story of the research project AMA (A Mindset for the Anthropocene) on the role of mindsets in the context of sustainability and present an interactive visualization tool that we developed for stakeholder mapping and research communication. Through this platform, we provide access and navigation to everyone interested in this field of research and we have simultaneously created a channel for all stakeholders to co-create content. Here, we describe the design and functionalities of the platform and the participatory way it was developed as part of our stakeholder engagement. We discuss upon how such a design allows for reflection of potential biases in transdisciplinary research processes and simultaneously catalyzing self-organization in stakeholder networks.}, subject = {Stakeholder}, language = {en} } @inproceedings{Meier, author = {Meier, Sebastian}, title = {Semi-automatic spatial classification of heterogeneous spatial open government data : use case of Germany}, series = {Abstracts of the International Cartographic Association}, booktitle = {Abstracts of the International Cartographic Association}, publisher = {Copernicus Publications}, address = {G{\"o}ttingen}, issn = {2570-2106}, doi = {10.5194/ica-abs-5-59-2022}, pages = {2}, abstract = {As part of the research project Open Data Cloud Services (ODCS), we have been trying to overcome some of the limitations introduced through the heterogeneity of spatial open government data (sOGD). In this paper we describe some of the challenges of sODG and one of the tools we built to spatially organize heterogenous sOGD, to make it easier for users to find data and automatically integrate it into existing data structures and in the future allow for cross-dataset spatial analysis.}, subject = {Klassifikation}, language = {en} } @article{RodighieroDerryDuhaimeetal., author = {Rodighiero, Dario and Derry, Lins and Duhaime, Douglas and Kruguer, Jordan and Mueller, Maximilian C. and Pietsch, Christopher and Schnapp, Jeffrey T. and Steward, Jeff}, title = {Surprise machines : revealing Harvard Art Museums' image collection}, series = {Information Design Journal}, volume = {27}, journal = {Information Design Journal}, number = {1}, publisher = {John Benjamins Publishing Company}, address = {Amsterdam}, issn = {1569-979X}, doi = {10.1075/idj.22013.rod}, pages = {21 -- 34}, abstract = {Surprise Machines is a project of experimental museology that sets out to visualize the entire image collection of the Harvard Art Museums, with a view to opening up unexpected vistas on more than 200,000 objects usually inaccessible to visitors. The project is part of the exhibition organized by metaLAB (at) Harvard entitled Curatorial A(i)gents and explores the limits of artificial intelligence to display a large set of images and create surprise among visitors. To achieve this feeling of surprise, a choreographic interface was designed to connect the audience's movement with several unique views of the collection.}, subject = {K{\"u}nstliche Intelligenz}, language = {en} } @inproceedings{MoratSchwerdtfegerHeidmann, author = {Morat, Paul and Schwerdtfeger, Aaron and Heidmann, Frank}, title = {Nachtalb}, series = {Proceedings SIGGRAPH 2022 : Immersive Pavilion}, booktitle = {Proceedings SIGGRAPH 2022 : Immersive Pavilion}, publisher = {Association for Computing Machinery}, address = {New York}, isbn = {978-1-4503-9369-0}, doi = {10.1145/3532834.3536207}, pages = {1 -- 2}, abstract = {Nachtalb is an immersive interface that enables brain-to-brain interaction using multisensory feedback. With the help of the g.tec Unicorn Hybrid Black brain-computer-interface (BCI), brain-activity-data is measured and translated visually with the Oculus Quest 2, tactilely with the bHaptics TactSuit and auditorily with 3D Sound. This intends to create a feedback loop that turns brain activity from data-input into sensory output which directly influences the brain activity data-input again.}, subject = {Gehirn-Computer-Schnittstelle}, language = {en} } @incollection{deGuenther, author = {de G{\"u}nther, Sabine}, title = {Kleidung im Bild : Kontextualisierung und Verzahnung als Methode der vestiment{\"a}ren Forschung}, series = {Bildarchive : Wissensordnungen - Arbeitspraktiken - Nutzungspotenziale}, booktitle = {Bildarchive : Wissensordnungen - Arbeitspraktiken - Nutzungspotenziale}, address = {Dresden}, organization = {Institut f{\"u}r S{\"a}chsische Geschichte und Volkskunde}, isbn = {978-3-948620-03-5}, issn = {2700-0613}, doi = {10.25366/2021.87}, publisher = {Fachhochschule Potsdam}, pages = {258 -- 272}, subject = {Digitalisierung}, language = {de} } @inproceedings{Fischer, author = {Fischer, Florian}, title = {Designtransfer an der Fachhochschule Potsdam}, series = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, booktitle = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, publisher = {Westermann-Kommunikation}, address = {Ingelheim}, organization = {Fachhochschule Potsdam}, isbn = {3-928710-27-3}, pages = {98 -- 99}, subject = {Design}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Cyberspace versus Homunkulus? Beginnt das Problem im Virtuellen?}, series = {Virtualit{\"a}t contra Realit{\"a}t?}, booktitle = {Virtualit{\"a}t contra Realit{\"a}t?}, editor = {Hochschule f{\"u}r Kunst und Design Halle /Saale,}, isbn = {3-86019-008-3}, doi = {10.11588/diglit.31840.9}, pages = {53 -- 62}, subject = {Selbstreflexion}, language = {de} } @article{SchwanArndtDoerk, author = {Schwan, Hannah and Arndt, Jonas and D{\"o}rk, Marian}, title = {Disclosure as a critical-feminist design practice for Web-based data stories}, series = {First Monday}, volume = {27}, journal = {First Monday}, number = {11}, address = {Chicago}, organization = {University of Illinois Chicago Library}, issn = {1396-0466}, doi = {10.5210/fm.v27i11.12712}, abstract = {We present findings from design research on disclosure at the intersection of data visualization, digital storytelling, and feminism. While there is an increased awareness of power structures in data science, computing, and design, there is little design research to confront these. This work explores the potential of disclosing context information of data stories, i.e., digital storytelling formats utilizing data visualizations, to enable critical-feminist readings of and reflections on these stories. Drawing from a growing body of feminist scholarship in human-computer interaction, data science, and beyond, we identify key aspects and forms of disclosure for embedding them into visual data story interfaces. We devise and validate these aspects and forms within a case study: a Web-based scrollytelling article explaining the feminist concept of intersectionality using a combination of animated illustration, data visualization, and text. With this work, we demonstrate and discuss the potentials and pitfalls of disclosure practices in data storytelling.}, subject = {Publizit{\"a}t}, language = {en} } @incollection{MaueFlechtner, author = {Mau{\´e}, Rahel and Flechtner, Rahel}, title = {"Hopohopo": a virtual reality awareness application about social anxiety disorder}, series = {Proceedings of Mensch und Computer 2022 : MuC'22}, booktitle = {Proceedings of Mensch und Computer 2022 : MuC'22}, publisher = {Association for Computing Machinery}, address = {New York}, isbn = {978-1-4503-9690-5}, doi = {10.1145/3543758.3547550}, publisher = {Fachhochschule Potsdam}, pages = {420 -- 424}, abstract = {Virtual Reality (VR) applications play an increasingly important role in the context of mental health. While VR-based therapeutic interventions are increasingly well-established, the application of VR in the field of mental health awareness represents a novel and promising development. We present our mental health awareness VR application "hopohopo", in which the user takes the perspective of a person suffering from social anxiety. Through the VR journey, the user experiences what it could feel like to suffer from constant fear of being negatively judged by others in everyday social situations. The aim of the application is to allow nonaffected users to expand their knowledge and to raise mental health awareness. In this paper, we report our findings on the potential of this immersive VR application for psychoeducation and destigmatization of social anxiety. In this respect, we provide the scope of our VR application and first results of its ongoing usability and usefulness evaluation process.}, subject = {Mensch-Maschine-Kommunikation}, language = {en} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Computerbasierte Rezeption}, series = {Handbuch Filmsoziologie}, booktitle = {Handbuch Filmsoziologie}, publisher = {Springer}, address = {Wiesbaden}, isbn = {978-3-658-10729-1}, doi = {10.1007/978-3-658-10729-1_77}, pages = {1371 -- 1389}, abstract = {Die neuen, genauer: computerbasierten Formen der Filmrezeption nimmt dieser Beitrag zum Anlass, sowohl die damit adressierten als auch die damit distanzierten Rezeptionsbedingungen in den Blick zu nehmen. Die Verbindung von Film und New Media f{\"u}hrt dabei einerseits zur historisch bedeutenden Etablierung der DVD und andererseits zu damit verbundenen Fragen und Mythen von (Inter-)Aktivit{\"a}t, Passivit{\"a}t, Flexibilit{\"a}t und Neuheit. Der wortw{\"o}rtliche Umgang mit Film, der auf der Basis des Computers durch Medien wie DVD und Blu-ray Disc sowie durch Online-Angebote und Second Screen Apps m{\"o}glich und herausgefordert wird, modifiziert zwei grunds{\"a}tzliche Aspekte des Verh{\"a}ltnisses von Film und Gesellschaft: die Aktivit{\"a}t des Publikums und die Anti-Originalit{\"a}t des Films.}, subject = {Neue Medien}, language = {de} } @incollection{Gerling, author = {Gerling, Winfried}, title = {Bildforensik im Journalismus : Kontexte und Methoden}, series = {Fotojournalismus im Umbruch : hybrid, multimedial, prek{\"a}r}, booktitle = {Fotojournalismus im Umbruch : hybrid, multimedial, prek{\"a}r}, publisher = {Herbert von Halem Verlag}, address = {K{\"o}ln}, isbn = {978-3-86962-560-7}, pages = {296 -- 317}, subject = {Journalismus}, language = {de} } @inproceedings{BludauDoerkTominski, author = {Bludau, Mark-Jan and D{\"o}rk, Marian and Tominski, Christian}, title = {Unfolding Edges for Exploring Multivariate Edge Attributes in Graphs}, series = {21st Eurographics Conference on Visualization}, booktitle = {21st Eurographics Conference on Visualization}, editor = {Byska, Jan and J{\"a}nicke, Stefan and Schmidt, Johanna}, publisher = {Eurographics Association}, address = {Niederlande}, isbn = {978-3-03868-143-4}, doi = {10.2312/evp.20211070}, pages = {17 -- 19}, abstract = {With this research we present an approach to network visualization that expands the capabilities for visual encoding and interactive exploration through edges in node-link diagrams. Compared to the various possibilities for visual and interactive properties of nodes, there are few techniques for interactive visualization of multivariate edge attributes in node-link diagrams. Visualization of edge attributes is oftentimes limited by occlusion and space issues of methods that globally encode attributes in a node-link diagram for all edges, not sufficiently exploiting the potential of interaction. Building up on existing techniques for edge encoding and interaction, we propose 'Unfolding Edges' as an exemplary use of an on-demand detail enhancing approach for exploration of multivariate edge attributes.}, subject = {Graph}, language = {en} } @book{OPUS4-3348, title = {Kellerkinder und Stacheltiere}, editor = {Bock, Hans-Michael and Distelmeyer, Jan and Sch{\"o}ning, J{\"o}rg}, publisher = {edition text + kritik}, address = {M{\"u}nchen}, isbn = {978-3-96707-442-0}, publisher = {Fachhochschule Potsdam}, abstract = {Im Kino wurde schon immer gelacht. Wann aber der Spaß aufh{\"o}rt und der Ernst beginnt, das haben Filmemacher und Publikum stets aufs Neue ausgelotet. Das neue CineGraph Buch zeigt, dass sich Kurt Tucholskys Frage "Was darf Satire?" in der Filmgeschichte nicht pauschal mit "Alles" beantworten l{\"a}sst, sondern die Antwort immer abh{\"a}ngig vom historischen Kontext, insbesondere den jeweiligen Machtstrukturen ist. Anstoß f{\"u}r die satirischen Filmproduktionen gaben gesellschaftliche sowie politische Ereignisse wie der Zweite Weltkrieg, die Auseinandersetzung mit dem Nationalsozialismus, der Kalte Krieg, das Wirtschaftswunder, die Entwicklung der Medien oder die kapitalistische Gesellschaft. Das kritisch-unterhaltsame Genre weist ein facettenreiches Spektrum an Filmen auf, von denen einige in den Beitr{\"a}gen dieses Buches n{\"a}her betrachtet werden, darunter "Der Maulkorb" (DE 1937/38), "Der Untertan" (DDR 1951), "Animal Farm" (GB 1951-54), die Satire-Serie "Das Stacheltier" (DDR 1953-65), "Wir Wunderkinder" (BRD 1958), "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" (GB/US 1964) sowie "Er ist wieder da" (DE 2014/15). Zum Thema des Sammelbandes erschien im November 2019 bereits das cinefest-Katalogbuch "Dr. Seltsam oder: Aus den Wolken kommt das Gl{\"u}ck. Film zwischen Polit-Kom{\"o}die und Gesellschafts-Satire".}, subject = {Deutschland}, language = {de} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Einleitung : Interface}, series = {Algorithmen \& Zeichen}, booktitle = {Algorithmen \& Zeichen}, editor = {Distelmeyer, Jan and Ehrmanntraut, Sophie and M{\"u}ller, Boris}, publisher = {Kadmos}, address = {Berlin}, isbn = {978-3-86599-484-4}, publisher = {Fachhochschule Potsdam}, pages = {266 -- 273}, subject = {Mensch-Maschine-Schnittstelle}, language = {de} } @misc{Haase, author = {Haase, Maik}, title = {Typokalligrafie : [eine illustrierte Schriftklassifikation]}, publisher = {Vacat}, address = {Potsdam}, organization = {Fachhochschule Potsdam, Designinitiative Berlin-Brandenburg}, isbn = {3-930752-03-4}, pages = {16}, subject = {Schrift}, language = {de} } @article{BrueggemannBludauKreiseleretal., author = {Br{\"u}ggemann, Viktoria and Bludau, Mark-Jan and Kreiseler, Sarah and Casavola, Silvia and Pomerance, Jona and D{\"o}rk, Marian}, title = {Granularities of Dispersion and Materiality}, series = {Medaon : Magazin f{\"u}r J{\"u}disches Leben in Forschung und Bildung}, volume = {19}, journal = {Medaon : Magazin f{\"u}r J{\"u}disches Leben in Forschung und Bildung}, number = {36}, publisher = {HATiKVA e.V. - Die Hoffnung Bildungs- und Begegnungsst{\"a}tte f{\"u}r J{\"u}dische Geschichte und Kultur Sachsen}, address = {Dresden}, issn = {1866-069X}, pages = {1 -- 19}, abstract = {Bedeutungsvolle und sensible digitale Darstellungen f{\"u}r kulturelle Sammlungen zu finden, erfordert eine umsichtige Umsetzung und Zusammenarbeit, von der Datenmodellierung und Katalogisierung bis zur Ideenfindung und Entwicklung von Prototypen. In unserem Beitrag berichten wir von unserer designorientierten Forschung, die sich mit der Visualisierung eines Fotoarchivs {\"u}ber die j{\"u}dische Diaspora befasst. Mit dem Ziel, eine Webplattform zu schaffen, die vielf{\"a}ltige explorative und narrative Erlebnisse bietet, reflektieren wir die Verwendung digitaler und analoger Methoden f{\"u}r visuelle Sammlungen, insbesondere f{\"u}r eine Sammlung des j{\"u}dischen Kulturerbes.}, subject = {Diaspora }, language = {en} } @article{NestelSłomskaPrzechLedermannetal., author = {Nestel, Chelsea and Słomska-Przech, Katarzyna and Ledermann, Florian and Bogucka, Edyta P. and V{\"o}r{\"o}s, Fanni and Meier, Sebastian and Roth, Robert E.}, title = {Opportunities and Challenges for the Next Generation of Cartographers}, series = {The cartographic journal : The world of mapping}, volume = {61}, journal = {The cartographic journal : The world of mapping}, number = {3}, publisher = {Taylor and Francis}, address = {London}, issn = {0008-7041}, doi = {10.1080/00087041.2024.2439720}, pages = {218 -- 226}, abstract = {Here, we introduce Next Generation Cartographers, a Working Group of the International Cartographic Association (ICA) Students and early-career professionals today learn cartographic design alongside a diverse array of conceptual and technical competencies and, therefore, are working at the forefront of the discipline. However, they typically are not among the leading voices within the cartography community simply due to experience. To this end, we organized a Next Generation Cartographers (NGC) workshop at EuroCarto 2022 to identify opportunities and challenges for the next generation of cartographers. During our discussions, advocacy, peer support, mentorship, and outreach emerged as key needs of next generation cartographers and, ultimately, the need for NGC to have a voice in ICA planning. Inclusion became a core value of NGC to promote safety and diversity across the cartography community. NGC opened to global membership in August 2023 at the International Cartographic Conference in Cape Town, South Africa, and became a Working Group in autumn 2023.}, subject = {International Cartographic Association}, language = {en} } @article{KauerDoerkBach, author = {Kauer, Tobias and D{\"o}rk, Marian and Bach, Benjamin}, title = {Towards Collective Storytelling}, series = {IEEE Computer Graphics and Applications}, volume = {45}, journal = {IEEE Computer Graphics and Applications}, number = {3}, address = {New York}, organization = {Institute of Electrical and Electronics Engineers (IEEE)}, issn = {0272-1716}, doi = {10.1109/MCG.2025.3547944}, pages = {17 -- 31}, abstract = {This work investigates personal perspectives in visualization annotations as devices for collective data-driven storytelling. Inspired by existing efforts in critical cartography, we show how people share personal memories in a visualization of COVID-19 data and how comments by other visualization readers influence the reading and understanding of visualizations. Analyzing interaction logs, reader surveys, visualization annotations, and interviews, we find that reader annotations help other viewers relate to other people's stories and reflect on their own experiences. Further, we found that annotations embedded directly into the visualization can serve as social traces guiding through a visualization and help readers contextualize their own stories. With that, they supersede the attention paid to data encodings and become the main focal point of the visualization.}, subject = {Annotation}, language = {en} } @misc{GottsmannWrobel, author = {Gottsmann, Frank and Wrobel, Egon Igor}, title = {S{\"a}ulen}, subject = {Malerei}, language = {de} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Kritik der Digitalit{\"a}t (und was Interfaces dazu beitragen)}, series = {Jahrbuch f{\"u}r Kulturpolitik 2023/24 : Kultur(en) der Digitalit{\"a}t}, booktitle = {Jahrbuch f{\"u}r Kulturpolitik 2023/24 : Kultur(en) der Digitalit{\"a}t}, editor = {Sievers, Simon and Pfaff, Sophie and Heid, Katherine}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8376-7524-5}, doi = {10.14361/9783839475249}, publisher = {Fachhochschule Potsdam}, pages = {49 -- 55}, subject = {Medialit{\"a}t}, language = {de} } @techreport{Funke, author = {Funke, Rainer}, title = {Entwicklungsressource Design}, series = {Designbericht 1995 : Designrealisationen}, journal = {Designbericht 1995 : Designrealisationen}, editor = {Designinitiative Brandenburg-Berlin e.V. an der Fachhochschule Potsdam,}, publisher = {Westermann Kommunikation Ges. f{\"u}r Publizistik}, address = {Ingelheim}, isbn = {3-928710-28-1}, pages = {4 -- 7}, subject = {Wirtschaftsentwicklung}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Designprozesse zwischen Hoch- und Subkultur}, series = {Objekt und Prozess}, booktitle = {Objekt und Prozess}, address = {Halle (Saale)}, pages = {111 -- 118}, subject = {Design}, language = {de} } @book{MuellerBaumgartZeugner, author = {M{\"u}ller, Angela and Baumgart, G{\"u}nther and Zeugner, Gerhardt}, title = {Farbgestaltung : Baudekor, Schrift, Zeichnen}, publisher = {Cornelsen}, address = {Berlin}, isbn = {3-464-43401-X}, pages = {240}, subject = {Architektur}, language = {de} } @book{Kertesz, author = {Kert{\´e}sz, Imre}, title = {Eine Zur{\"u}ckweisung : Buch und CD zum Brandenburgischen Literaturpreis 1995}, publisher = {Vacat}, address = {Potsdam}, isbn = {3-930752-07-7}, pages = {63}, subject = {Buch}, language = {de} } @article{Frank, author = {Frank, Tanja}, title = {Ernst K{\´a}llai und Hannes Meyer : ein freundschaftlicher Disput in der Bauhaus-Zeitschrift}, series = {Acta historiae artium Academiae Scientiarum Hungaricae : revue de l'Acad{\´e}mie des Sciences de Hongrie}, volume = {36}, journal = {Acta historiae artium Academiae Scientiarum Hungaricae : revue de l'Acad{\´e}mie des Sciences de Hongrie}, number = {1-4}, editor = {Marosi, Ern{\"o}}, publisher = {Akad. Kiad{\´o}}, address = {Budapest}, issn = {0001-5830}, pages = {164 -- 168}, subject = {Architektur}, language = {de} } @incollection{Frank, author = {Frank, Tanja}, title = {Behauptete Mitte : die Mutterfiguren Heidrun Hegewalds}, series = {Verkl{\"a}rt, verkitscht, vergessen : die Mutter als {\"a}sthetische Figur}, booktitle = {Verkl{\"a}rt, verkitscht, vergessen : die Mutter als {\"a}sthetische Figur}, editor = {M{\"o}hrmann, Renate}, publisher = {Metzler}, address = {Stuttgart}, isbn = {3-476-01302-2}, doi = {10.1007/978-3-476-03596-7_18}, pages = {334 -- 353}, subject = {Hegewald, Heidrun}, language = {de} } @book{OPUS4-3687, title = {Die Kamera im Fokus}, editor = {Bock, Hans-Michael and Distelmeyer, Jan and Sch{\"o}ning, J{\"o}rg}, publisher = {edition text + kritik}, address = {M{\"u}nchen}, isbn = {978-3-96707-896-1}, publisher = {Fachhochschule Potsdam}, pages = {189}, abstract = {Die Kamera ist technisches, aber auch k{\"u}nstlerisches Herzst{\"u}ck der Filmproduktion. Getrieben von der Idee, bewegte Bilder einzufangen und wiederzugeben, ist die technische Entwicklung der Kamera (und der damit zusammenh{\"a}ngenden Technologien wie Filmmaterial und Lichtsetzung) ein Prozess, der mit der bewegten Fotografie begann und der Digitalisierung der Aufnahme noch nicht abgeschlossen ist. Die hoch angesehene Kamerakunst der deutschen Kinematografie hatte auch international großen Einfluss. Etablierte Meister der Kamera gingen ins Ausland und halfen dort bei der Professionalisierung der Filmproduktion, Nachwuchskr{\"a}fte aus dem Ausland vervollkommneten ihr K{\"o}nnen in deutschen Ateliers. Die Texte in diesem Band befassen sich mit dem Wandel des Berufsbilds der Kameraleute, beleuchten die technischen Entwicklungen und Innovationen und deren Einfluss auf die {\"A}sthetik und Filmtechnik, aber auch Krisen in der Kameraarbeit, die z.B. durch den Wegfall eines festen Bildformats entstanden. Ein wichtiger Aspekt ist die fr{\"u}he Collage{\"a}sthetik, die Kamera im Kino des Expressionismus und dem damit in Zusammenhang stehenden Film noir. Hier werden auch Mythen, die sich um die Kameraarbeit entwickelt haben, dekonstruiert. Auf die j{\"u}ngeren Entwicklungen reagiert der Band mit der Frage "Was ist die digitale Kamera?". Der Band gibt einen {\"U}berblick {\"u}ber die Beziehungen zwischen Kameratechnik und Filmkunst in der deutschen Kinematografie und wirft dabei auch einen neuen Blick auf viele Aspekte der Kameraarbeit. Zum Thema des Sammelbandes erschien im November 2022 bereits das cinefest-Katalogbuch "Gekurbelt, Entfesselt, Bunt, Digital. Kameratechnik und Filmkunst in der deutschen Kinematografie".}, subject = {Filmproduktion}, language = {de} } @article{Distelmeyer, author = {Distelmeyer, Jan}, title = {Mit KI zu tun bekommen}, series = {Cargo : Film, Medien, Kultur}, volume = {17}, journal = {Cargo : Film, Medien, Kultur}, number = {65}, publisher = {Cargo-Verlag}, address = {Berlin}, issn = {1867-8742}, pages = {52 -- 61}, subject = {ChatGPT}, language = {de} } @book{OPUS4-2954, title = {New Tesla World - Nachhaltige Regionalentwicklung in Brandenburg?}, editor = {Martini, Alexandra and Prytula, Michael and Schr{\"o}der, Tobias}, address = {Potsdam}, isbn = {978-3-947796-09-0}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:525-29543}, publisher = {Fachhochschule Potsdam}, pages = {201}, abstract = {Im S{\"u}dosten von Berlin entsteht durch die Neuansiedlung der Tesla-Autofabrik in Gr{\"u}nheide und der Er{\"o}ffnung des neuen Berliner Flughafens ein starkes wirtschaftliches Wachstum. Neben gesch{\"a}tzen 12.000 neuen Arbeitspl{\"a}tzen in der Autofabrik selbst (Ausbaustufe I) werden zuk{\"u}nftig bis zu 40.000 neue Arbeitspl{\"a}tze (Ausbaustufe II und induzierte Bedarfe) prognostiziert - mit entsprechend hohem Wohnraum- und Mobilit{\"a}tsbedarf. F{\"u}r die inter- und transdisziplin{\"a}re Projektarbeit des 5. Jahrgangs im Masterstudiengang Urbane Zukunft an der Fachhochschule Potsdam waren die Leitfragen, wie unter diesen Rahmenbedingungen eine sozial{\"o}kologische Modernisierung und der {\"U}bergang in eine klimaneutrale Gesellschaft gestaltet werden kann und welche raumplanerischen, technologischen und sozialen Entwicklungen hierf{\"u}r erforderlich sind. Als Bezugsrahmen unserer Untersuchungen diente das Leitbild der 2.000-Watt-Gesellschaft, das als Zielgr{\"o}ße f{\"u}r eine nachhaltige Gesellschaft eine durchschnittliche Energieleistung von max. 2.000 Watt pro Einwohner definiert. Das Erreichen dieses Ziels erfordert neben technologischen Innovationen und einem gewaltigen Umbau der urbanen (Infrastruktur-) Systeme vor allem nachhaltige Lebensstile und ber{\"u}hrt so auch s{\"a}mtliche Fragen des Wohnens und Arbeitens, der Energieversorgung sowie des Mobilit{\"a}ts- und Konsumverhalten.}, subject = {Stadtentwicklung}, language = {de} } @inproceedings{GarretonMoriniPazMoyanoetal., author = {Garreton, M. and Morini, Francesca and Paz Moyano, D. and Gr{\"u}n, G.-C. and Parra, D. and D{\"o}rk, Marian}, title = {Data Stories of Water}, series = {Computer graphics forum}, volume = {42}, booktitle = {Computer graphics forum}, number = {3}, publisher = {Wiley-Blackwell}, address = {Oxford}, issn = {1467-8659}, doi = {10.1111/cgf.14815}, pages = {99 -- 110}, abstract = {We present a methodology for making sense of the communicative role of data visualizations in journalistic storytelling and share findings from surveying water-related data stories. Data stories are a genre of long-form journalism that integrate text, data visualization, and other visual expressions (e.g., photographs, illustrations, videos) for the purpose of data-driven storytelling. In the last decade, a considerable number of data stories about a wide range of topics have been published worldwide. Authors use a variety of techniques to make complex phenomena comprehensible and use visualizations as communicative devices that shape the understanding of a given topic. Despite the popularity of data stories, we, as scholars, still lack a methodological framework for assessing the communicative role of visualizations in data stories. To this extent, we draw from data journalism, visual culture, and multimodality studies to propose an interpretative framework in six stages. The process begins with the analysis of content blocks and framing elements and ends with the identification of dimensions, patterns, and relationships between textual and visual elements. The framework is put to the test by analyzing 17 data stories about water-related issues. Our observations from the survey illustrate how data visualizations can shape the framing of complex topics.}, subject = {Journalismus}, language = {en} } @article{PolidoEhnertJossinetal., author = {Polido, Alexandra and Ehnert, Franziska and Jossin, Jasmin and Mascarenhas, Andr{\´e}}, title = {Theatre of the Innova(c)tors}, series = {Sustainability Science}, volume = {20}, journal = {Sustainability Science}, number = {2}, publisher = {Springer Japan}, address = {Tokyo}, issn = {1862-4065}, doi = {10.1007/s11625-025-01628-4}, pages = {659 -- 664}, abstract = {Complex sustainability challenges call for transformative spaces where participants are encouraged to move away from conventional thinking. Arts-based and embodied practices can enable new encounters with the world and new forms of meaning-making. We introduce the Theatre of the Innova(c)tors, an interactive theatre tool that encourages reflexivity and learning by creating transformative spaces. Inspired by the techniques of Theatre of the Oppressed, specifically Image Theatre, this tool engages diverse audiences and empowers participants. The Theatre of the Innova(c)tors can serve as a pedagogical innovation and intervention tool to explore different dimensions of care and can be applied in different communities, where it needs to be contextualised and customised to their specific needs.}, subject = {Stegreifspiel}, language = {en} } @inproceedings{TostFlechtnerMaueetal., author = {Tost, Jordi and Flechtner, Rahel and Mau{\´e}, Rahel and Heidmann, Frank}, title = {Caring for a companion as a form of self-care}, series = {Live - Uniting HCI for a Hyperlocal and Global Experience : Proceedings of the 13th Nordic Conference on Human-Computer Interaction}, booktitle = {Live - Uniting HCI for a Hyperlocal and Global Experience : Proceedings of the 13th Nordic Conference on Human-Computer Interaction}, editor = {Uppsala University, and Ume{\aa} University,}, publisher = {Association for Computing Machinery}, address = {New York}, isbn = {979-8-4007-0966-1}, doi = {10.1145/3679318.3685343}, pages = {1 -- 15}, abstract = {This paper presents an approach to designing companion technologies for mental health based on a case study on social anxiety disorder (SAD). We highlight the potential of an irritating dimension of user experience and propose including irritating qualities in companions as a strategy to disrupt patterns of behavior and thought, support perspective change, and expand an individual's comfort zone. Taking the Tamagotchi as a counterpoint to assisting technologies and combining frameworks and concepts from psychology and HCI, we propose the grounding metaphor of 'caring for the companion as a form of self-care,' arguing the potential of building reciprocal care relationships as a means by which to support emotional attachment and establish healthy routines. In this paper, we introduce this grounding metaphor and a set of principles for fostering positive irritations. Our framework provides a basis for exploring and developing novel paradigms and poses future directions for HCI.}, subject = {Angstst{\"o}rung}, language = {en} } @book{OPUS4-3547, title = {Doing well by doing good?}, editor = {Schr{\"o}der, Tobias and Wettach, Reto}, address = {Potsdam}, isbn = {978-3-947796-16-8}, doi = {10.34678/opus4-3547}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:525-35478}, publisher = {Fachhochschule Potsdam}, pages = {193}, abstract = {Die Menschheit muss in der n{\"a}chsten Generation von einem Wirtschaftsmodell, in dem nat{\"u}rliche Ressourcen verbraucht werden, zu einem Modell kommen, bei dem sich Wirtschaften in die nat{\"u}rlichen Stoffkreisl{\"a}ufe einf{\"u}gt. Wohlstand darf langfristig nicht auf Kosten der Regenerationsf{\"a}higkeit der nat{\"u}rlichen Ressourcen gehen. Gleichzeitig leben (bei allen Fortschritten der Armutsbek{\"a}mpfung) immer noch große Teile der Menschheit in unzureichenden Verh{\"a}ltnissen. Vor diesem Hintergrund ist bei allem Engagement gegen den Klimawandel und f{\"u}r Ressourcensparsamkeit wichtig, dass f{\"u}r alle Menschen und L{\"a}nder ein Recht auf wirtschaftliche Entwicklung gilt, {\"a}hnlich wie sie die westliche Welt in der ersten Welle der Industrialisierung schon genießen durfte. Nachhaltige Entwicklung bedeutet daher, auf den ersten Blick Unvereinbares gleichzeitig zu schaffen: die (weltweiten) wirtschaftlichen Verh{\"a}ltnisse zu verbessern, soziale Probleme und Ungerechtigkeiten zu l{\"o}sen, dabei aber trotzdem gleichzeitig den Ressourcenverbrauch schnell und massiv zu verringern. Die Studierenden des Masterstudiengangs Urbane Zukunft an der FH Potsdam haben sich vor diesem Hintergrund der Aufgabe gestellt, unternehmerische Ideen zu entwickeln, die soziale und {\"o}kologische Probleme adressieren, aber dabei auch wirtschaftlich erfolgreich sein k{\"o}nnen. Die f{\"u}nf Ideen, die daraus entstanden sind und in diesem Band vorgestellt werden, stehen beispielhaft f{\"u}r das verantwortungsvolle wirtschaftliche Denken, zu dem wir alle im 21. Jahrhundert finden m{\"u}ssen.}, subject = {Wirtschaftssystem}, language = {de} } @article{MoriniGerretonPomeranceetal., author = {Morini, Francesca and Gerret{\´o}n, Manuela and Pomerance, Jona and Zeissig, Nadia and de G{\"u}nther, Sabine and D{\"o}rk, Marian and Thomet, Fidel and Freyberg, Linda and Kyriazis, Ilias and Scholz, Andrea}, title = {Critical Interactivity}, series = {IEEE Computer Graphics and Applications}, volume = {45}, journal = {IEEE Computer Graphics and Applications}, number = {3}, address = {New York}, organization = {Institute of Electrical and Electronics Engineers (IEEE)}, issn = {0272-1716}, doi = {10.1109/MCG.2025.3544684}, pages = {58 -- 72}, abstract = {We propose critical interactivity as a concept to study and design the dynamic and transitory aspects of data visualizations. Theoretically, interactivity is often described as the means to support analytical tasks, while in practice, it encompasses the techniques that alter visual representations. These notions are a useful starting point to study the role of interactivity in critical engagements with data visualizations. At the core of critical interactivity is the negotiation of authority and agency: authority as authors provide structure and context, and agency as viewers navigate and interpret the data on their own terms. This raises the critical question: who has the power to control the visualization? Drawing from four case studies in science communication, art history, anthropology, and climate advocacy, we examine how critical interactivity links exploration and narration. We reflect on the effort involved in preparing data and propose design strategies for implementing critical interactivity in data visualization.}, subject = {Interaktive Medien}, language = {en} } @article{BrueggemannDittrichDoerketal., author = {Br{\"u}ggemann, Viktoria and Dittrich, Katja and D{\"o}rk, Marian and Herseni, Johannes and Rauenbusch, Jens and Thomet, Fidel}, title = {Die bibliografischen Daten der Deutschen Nationalbibliothek entfalten}, volume = {2018}, number = {1}, address = {Leipzig ; Frankfurt am Main}, organization = {Deutsche Nationalbibliothek}, issn = {0936-1138}, pages = {11 -- 16}, abstract = {Wie sieht die Zukunft der Recherche in digitalen Bibliothekskatalogen aus? Wie k{\"o}nnen umfangreiche und heterogene Sammlungsbest{\"a}nde mit Hilfe von Datenvisualisierungen besser zug{\"a}nglich gemacht werden? Kann man durch eine digitale Bibliothek flanieren und dabei den Bestand auf ganz neue Art entdecken? Diese Fragen standen im Zentrum eines Forschungsprojekts, das ein interdisziplin{\"a}res Team von Forscherinnen und Forschern des Urban Complexity Lab der FHP im vergangenen Jahr in Kooperation mit der DNB durchgef{\"u}hrt hat. Dieser Artikel stellt das Hauptergebnis des Projekts vor: DNBVIS, der Prototyp eines experimentellen Kataloginterfaces. Anschließend werden die Vorgehensweise und wichtigsten Erkenntnisse des Projekts zusammengefasst.}, subject = {Bibliografische Daten}, language = {de} } @article{CayNagelMeier, author = {{\c{C}}ay, Damla and Nagel, Till and Meier, Sebastian}, title = {The UDV Card Deck}, series = {IEEE Computer Graphics and Applications}, volume = {45}, journal = {IEEE Computer Graphics and Applications}, number = {4}, address = {New York}, organization = {Institute of Electrical and Electronics Engineers (IEEE)}, issn = {0272-1716}, doi = {10.1109/MCG.2025.3556573}, pages = {30 -- 44}, abstract = {This paper presents the Urban Data Visualization (UDV) card deck, a tool designed to facilitate reflective discussions and inform the collaborative design process of urban data visualizations. The UDV card deck was developed to bridge the gap between theoretical knowledge and practice in workshop settings, fostering inclusive and reflective approaches to visualization design. Drawing from urban visualization design literature and the results from a series of expert workshops, these cards summarize key considerations when designing urban data visualizations. The card deck guides different activities in an engaging, collaborative, and structured format, promoting inclusion of diverse urban actors. We introduce the card deck and its goals, demonstrate its use in four case studies, and discuss our findings. Feedback from workshop participants indicates that the UDV card deck can serve as a supportive and reflective tool for urban data visualization researchers, designers and practitioners.}, subject = {Fallstudie}, language = {en} } @book{OPUS4-878, title = {Construction, concept, color : Michael Bette, Fr{\´e} Ilgen, Fausta Squatriti}, address = {Speyer}, isbn = {3-929769-38-7}, pages = {40}, subject = {Ausstellung}, language = {en} } @incollection{Funke, author = {Funke, Rainer}, title = {F{\"u}r eine kreative Revolution!}, series = {Designpreis Brandenburg 1997}, booktitle = {Designpreis Brandenburg 1997}, editor = {Designinitiative Berlin-Brandenburg e. V.,}, address = {Potsdam}, isbn = {3-980-5768-2-5}, subject = {Designpreis Brandenburg}, language = {de} } @incollection{Frank, author = {Frank, Tanja}, title = {Die Macht der Erinnerung und die Kraft der Bilder : Werner T{\"u}bkes Lebenserinnerungen des Dr. jur. Schulze}, series = {Verwaltete Vergangenheit : Geschichtskultur und Herrschaftslegitimation in der DDR}, booktitle = {Verwaltete Vergangenheit : Geschichtskultur und Herrschaftslegitimation in der DDR}, editor = {Sabrow, Martin}, publisher = {Akad. Verl.-Anst.}, address = {Leipzig}, isbn = {3-931982-02-5}, pages = {293 -- 323}, subject = {T{\"u}bke, Werner}, language = {de} } @article{Frank, author = {Frank, Tanja}, title = {Alltagsgesch{\"a}ft und mediale Bilder : Werbung und Kultur}, series = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, journal = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, number = {1}, publisher = {FHP}, address = {Potsdam}, issn = {0948-6240}, pages = {13}, subject = {Kommunikation}, language = {de} } @article{Frank, author = {Frank, Tanja}, title = {documenta X : Ermutigung zu neuen Medien}, series = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, journal = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, number = {3}, publisher = {FHP}, address = {Potsdam}, issn = {0948-6240}, pages = {14}, subject = {Documenta}, language = {de} } @article{Frank, author = {Frank, Tanja}, title = {Bildsprachen der alten und neuen Medien im Vergleich}, series = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, journal = {blue letter : die Hauszeitung der Fachhochschule Potsdam}, number = {1}, publisher = {FHP}, address = {Potsdam}, issn = {0948-6240}, pages = {4}, subject = {Kommunikation}, language = {de} } @article{WalkerSchmid, author = {Walker, Kevin and Schmid, Helga}, title = {The Shape of "Computime"}, series = {Leonardo}, journal = {Leonardo}, publisher = {MIT Press}, address = {Cambridge}, issn = {0024-094X}, doi = {10.1162/leon_a_02677}, pages = {13}, abstract = {This article presents findings from ethnographic fieldwork in Silicon Valley investigating how computers utilize time and how human engineers and designers use and understand time. We found common themes across computational and human uses of time, including the quantification and calculation of time as a finite resource; the imbalance of clock time versus "event time" and linear versus cyclical time; the perception and reality of the acceleration and fragmentation of time; and an approach to programmability, which is applied to time, people, and the world as a whole. We show how these cultural assumptions become embedded into digital devices.}, subject = {Feldforschung}, language = {en} } @article{BludauDoerkBruckneretal., author = {Bludau, Mark-Jan and D{\"o}rk, Marian and Bruckner, Stefan and Tominski, Christian}, title = {Fluidly Revealing Information}, series = {Computer Graphics Forum}, volume = {44}, journal = {Computer Graphics Forum}, number = {3}, publisher = {Wiley-Blackwell}, address = {Oxford}, issn = {0167-7055}, doi = {10.1111/cgf.70152}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:525-36719}, pages = {26}, abstract = {Revealing relevant information on demand is an essential requirement for visual data exploration. In this state-of-the-art report, we review and classify techniques that are inspired by the physical metaphor of un/folding to reveal relevant information or, conversely, to reduce irrelevant information in data visualizations. Similar to focus+context approaches, un/foldable visualizations transform the visual data representation, often between different granularities, in an integrated manner while preserving the overall context. This typically involves switching between different visibility states of data elements or adjusting the graphical abstraction linked by gradual display transitions. We analyze a literature corpus of 101 visualization techniques specifically with respect to their use of the un/folding metaphor. In particular, we consider the type of data, the focus scope and the effect scope, the number of un/folding states, the transformation type, and the controllability and interaction directness of un/folding. The collection of un/foldables is available as an online catalog that includes classic focus+context, semantic zooming, and multi-scale visualizations as well as contemporary un/foldable visualizations. From our literature analysis, we further extract families of un/folding techniques, summarize empirical findings to date, and identify promising research directions for un/foldable data visualization.}, subject = {Falten}, language = {en} } @book{Doeppner, author = {D{\"o}ppner, Werner}, title = {Kullu mumkin}, address = {Berlin}, subject = {Buchkunst}, language = {de} } @incollection{MilićevićJossinFoersteretal., author = {Milićević, Myriel and Jossin, Jasmin and Foerster, Desiree and Vuttikorn, Ruttikorn}, title = {Climate Community Street Play}, series = {Imagining, Designing and Teaching Regenerative Futures : Art-Science Approaches and Inspirations From Around the World}, booktitle = {Imagining, Designing and Teaching Regenerative Futures : Art-Science Approaches and Inspirations From Around the World}, editor = {Bentz, Julia and Trajković, Jelena Ristić}, publisher = {Springer Nature}, address = {Berlin}, isbn = {978-981-96-9029-9}, doi = {10.1007/978-981-96-9029-9_46}, publisher = {Fachhochschule Potsdam}, pages = {299 -- 304}, abstract = {It is a 40 °C day. Where do you run to? Jump ahead and land on both feet. Right foot stands on sunny asphalt in painful 56 °C. Left foot in the shade of a tree at 34 °C. You jump ahead but get trapped inside a dome of hot air, finding yourself on a heat island. It's a mono-species place, a human figure says. You too are of the human species but cannot take it there. You follow a tree portal to escape. A forest spreads out in front of you, where you find rescue. Birds, pollinators, foragers, amphibia, and many other species are already there. Jump once more, spiral in the air by 180°, and land on both feet to read what is written upside down: Turn surroundings into multi-species places.}, subject = {Klima{\"a}nderung}, language = {en} } @article{SafariallahkheiliSchieweMeier, author = {Safariallahkheili, Qasem and Schiewe, Jochen and Meier, Sebastian}, title = {Post-Hoc Explanation of AI Predictions in Wildfire Risk Mapping Through an Interactive Web-Based GeoXAI System}, series = {KN - Journal of cartography and geographic information}, journal = {KN - Journal of cartography and geographic information}, publisher = {Springer International Publishing}, address = {Cham}, issn = {2524-4957}, doi = {10.1007/s42489-025-00194-0}, pages = {16}, abstract = {This case study presents an innovative approach for explaining wildfire susceptibility through a web-based Geospatial eXplainable Artificial Intelligence (GeoXAI) system. By addressing limitations in traditional GeoXAI tools, such as the lack of geographical context for model predictions and local explanation, this system integrates state-of-the-art XAI methods with open-source geospatial technologies. Applied to the wildfire-prone regions of Berlin and Brandenburg, Germany, the system combines environmental, topographic, and meteorological features derived from high-resolution geospatial data for training a Random Forest (RF) model. The web-based GeoXAI system enables interactive exploration of the model output and its features, allowing users to visualize wildfire susceptibility, examine feature contributions, and correlate predictions with spatial patterns through post-hoc interpretability. By employing post-hoc explanation methods like SHAP, the system offers clear insights into model predictions by analyzing feature contributions after training, which helps users better understand AI-driven outcomes. Designed with a user-centered approach, the platform promotes trust and usability through transparent predictions, interactive geovisualizations, and local explanations, allowing users to navigate spatial data intuitively by exploring overviews, focusing on specific regions, and accessing detailed insights on demand. This work highlights the potential of combining GeoXAI with machine learning to improve decision-making in wildfire prevention and management.}, subject = {Entscheidungsunterst{\"u}tzungssystem}, language = {en} } @incollection{BaessHodappNemeshBaieretal., author = {Baess, Pamela and Hodapp, Julia and Nemesh-Baier, Barbara and P{\"o}lmann, Kendra and von Kap-herr, Katrin and Wojcik, Katarzyna}, title = {Neue Perspektiven auf die mediale Pr{\"a}senz von Wissenschaftlerinnen*}, series = {Wissenschaftskommunikation und Gender : Chancen und Herausforderungen der Sichtbarkeit von Wissenschaftler*innen in sozialen und klassischen Medien}, booktitle = {Wissenschaftskommunikation und Gender : Chancen und Herausforderungen der Sichtbarkeit von Wissenschaftler*innen in sozialen und klassischen Medien}, editor = {Ackermann, Judith and Gerlieb, Anne-Kathrin and Barbutev, Anna-Sophie}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8394-1154-4}, doi = {10.14361/9783839411544}, publisher = {Fachhochschule Potsdam}, pages = {261 -- 267}, abstract = {Der Beitrag zeigt, wie Vernetzung und gegenseitige Unterst{\"u}tzung Frauen* in der Wissenschaft zu einer st{\"a}rkeren Positionierung als Expertinnen verhilft. Er stellt praxisnah die Sicht von Wissenschaftlerinnen* dar, die nach dem Mentoringprogramm »M4P - Mentoring or Professorship« das Netzwerk Science Sisterhood gegr{\"u}ndet haben. Dazu werden praxisorientierte Handlungsempfehlungen gegeben, wie weibliche* Sichtbarkeit durch Mentoring und Netzwerke gest{\"a}rkt werden kann.}, subject = {Mentoring}, language = {de} } @book{OPUS4-3743, title = {Die Musik macht den Ton}, editor = {Bock, Hans-Michael and Distelmeyer, Jan and Sch{\"o}ning, J{\"o}rg}, edition = {1. Auflage}, publisher = {edition text + kritik}, address = {M{\"u}nchen}, isbn = {978-3-689-30016-6}, publisher = {Fachhochschule Potsdam}, pages = {160}, abstract = {Der Band dokumentiert die Beitr{\"a}ge des CineGraph-Kongresses 2023 zum popul{\"a}ren Genre der Tonfilmoperette bzw. musikalischen Kom{\"o}die, das in Deutschland nach Einf{\"u}hrung des Tonfilms ab 1929 entstand. Die Autorinnen und Autoren dieses CineGraph-Buches gehen den Einfl{\"u}ssen nach, die sich aus den Kooperationen von K{\"u}nstlerinnen und K{\"u}nstlern mit unterschiedlichen Traditionen f{\"u}r die Weiterentwicklung des Musicals bzw. der musikalischen Kom{\"o}die ergeben haben. Nach dem Machtantritt der Nazis 1933 wurde ein großer Teil der an diesem Genre beteiligten Regisseure, Autoren, Komponisten und Stars ins Exil vertrieben. {\"U}ber Wien, Budapest, London kamen die meisten schließlich nach Hollywood. Die Beitr{\"a}ge beleuchten die Karrieren von Regisseuren wie Wilhelm Thiele, Hanns Schwarz und Max Reichmann, Komponisten wie Werner Richard Heymann, Hans May und Michael Eisemann, singenden Schauspielern und Schauspielerinnen wie Paul H{\"o}rbiger, Joseph Schmidt, Max Hansen, Imperio Argentina und Lilian Harvey. Dabei stehen die jeweilige Bedeutung und der Einfluss auf das Musikfilmgenre im Mittelpunkt. Ein {\"U}bersichtstext {\"u}ber fr{\"u}he Tonfilmoperetten und eine Betrachtung der transatlantischen Erfahrungen sowohl im Film als auch bei exilierten Filmschaffenden runden das Buch ab.}, subject = {Filmkom{\"o}die}, language = {de} } @inproceedings{OPUS4-1182, title = {Drewinski an die Welt - Die Welt an Potsdam}, editor = {Drewinski, Lex}, organization = {Fachhochschule Potsdam}, isbn = {3-9805768-6-8}, pages = {80}, abstract = {Auf Initiative von Lex Drewinski, Professor am Fachbereich Design der Fachhochschule Potsdam und international bekannter Plakatgestalter, wurden 100 Grafik-Designer aus der ganzen Welt zu einer Fax-Aktion eingeladen, bei der Skizzen und Entw{\"u}rfen zum Thema "Zukunftsbilder f{\"u}rs Design" eingesandt und zeitgleich zur Tagung im Januar 1998 im Alten Rathaus Potsdams ausgestellt wurden.}, subject = {Grafik}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Der Traum von der Unsterblichkeit oder: die Designer erschaffen die Welt}, series = {Zukunftsbilder f{\"u}rs Design : 2. Europ{\"a}ische Designkonferenz Potsdam 30. und 31. Januar 1998 an der Fachhochschule Potsdam}, booktitle = {Zukunftsbilder f{\"u}rs Design : 2. Europ{\"a}ische Designkonferenz Potsdam 30. und 31. Januar 1998 an der Fachhochschule Potsdam}, editor = {Funke, Rainer and Fischer, Florian}, organization = {Fachhochschule Potsdam}, isbn = {3-9805768-5-X}, pages = {71 -- 80}, subject = {Design}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Die Zukunft : Vorstellungsbilder mit realer Wirkung}, series = {Zukunftsbilder f{\"u}rs Design : 2. Europ{\"a}ische Designkonferenz Potsdam 30. und 31. Januar 1998 an der Fachhochschule Potsdam}, booktitle = {Zukunftsbilder f{\"u}rs Design : 2. Europ{\"a}ische Designkonferenz Potsdam 30. und 31. Januar 1998 an der Fachhochschule Potsdam}, editor = {Funke, Rainer and Fischer, Florian}, organization = {Fachhochschule Potsdam}, isbn = {3-9805768-5-X}, pages = {7 -- 10}, subject = {Zukunft}, language = {de} } @inproceedings{Simson, author = {Simson, Jutta}, title = {Design as everybody's Darling}, series = {Zukunftsbilder f{\"u}rs Design : 2. Europ{\"a}ische Designkonferenz Potsdam 30. und 31. Januar 1998 an der Fachhochschule Potsdam}, booktitle = {Zukunftsbilder f{\"u}rs Design : 2. Europ{\"a}ische Designkonferenz Potsdam 30. und 31. Januar 1998 an der Fachhochschule Potsdam}, editor = {Funke, Rainer and Fischer, Florian}, organization = {Fachhochschule Potsdam}, isbn = {3-9805768-5-X}, pages = {25 -- 27}, subject = {Design}, language = {de} } @inproceedings{BoribunHeidmann, author = {Boribun, Wisanukorn and Heidmann, Frank}, title = {Scaffolding Reflection, not Generation}, series = {Social Robotics + AI : 17th International Conference, ICSR+AI 2025, Naples, Italy, September 10-12, 2025, Proceedings, Part I}, booktitle = {Social Robotics + AI : 17th International Conference, ICSR+AI 2025, Naples, Italy, September 10-12, 2025, Proceedings, Part I}, editor = {Staffa, Mariacarla and Cabibihan, John-John and Siciliano, Bruno and Sam Ge, Shuzhi and Bodenhagen, Leon and Tapus, Adriana and Rossi, Silvia and Cavallo, Filippo and Fiorini, Laura and Matarese, Marco and He, Hongsheng}, publisher = {Springer Nature}, address = {Berlin}, isbn = {978-981-95-2379-5}, issn = {0302-9743}, doi = {10.1007/978-981-95-2379-5_36}, pages = {482 -- 489}, abstract = {In the context of design education, this study explores how a non-directive social robot (Furhat) can support early-stage idea generation. The robot was intentionally designed not to offer suggestions or solutions, distinguishing it from typical generative AI tools. Instead, it engaged students using metaphors, open-ended questions, and active listening. The aim was to examine how participants responded to a system that deliberately resisted the generative behavior commonly associated with tools like ChatGPT. Many participants appreciated the robot's reflective role, noting that it helped them clarify and structure ideas without imposing direction. However, as the design process progressed, some expressed frustration and a desire for more proactive input—ranging from creative suggestions and emotional feedback to auditory elements, such as singing or whistling a melody. This mismatch between the robot's expressive embodiment and its intentionally limited functionality led to moments of tension. Rather than viewing this as a shortcoming, we frame it as a deliberate design strategy: by withholding generative output, the robot fosters independent ideation. These findings contribute to broader discussions in human-robot interaction, particularly concerning creativity, user expectations, and the design of non-directive AI systems.}, subject = {Benutzererlebnis}, language = {en} } @inproceedings{KreutzerBenturAltshuleretal., author = {Kreutzer, Markus and Bentur, Aya and Altshuler, Tehilla Shwartz and Mikulinsky, Romi and M{\"u}ller, Boris}, title = {Phygital Vocabulary}, series = {Proceedings of the 22nd International Conference on Culture and Computer Science : Remixing Analog and Digital}, booktitle = {Proceedings of the 22nd International Conference on Culture and Computer Science : Remixing Analog and Digital}, editor = {Olivero, Lucas Fabian and Stark, Maja and Sch{\"u}rrer, Dagmar and Israel, Johann Habakuk}, publisher = {Association for Computing Machinery}, address = {New York}, isbn = {979-8-4007-1478-8}, doi = {10.1145/3769526.3769635}, pages = {8}, abstract = {To consciously perceive and discuss new developments we need new terms. This paper proposes a speculative vocabulary that describes possible characteristics of phygital spaces, an emerging development where the physical and the digital increasingly merge and fundamentally form human perception of reality. The emergence of phygital spaces is driven by dominant digital-economic worldviews that get projected into the future. This might reinforce already problematic circumstances as well as create completely new issues. The paper explores how this could manifest in certain characteristics through the proposition of speculative terms. The terms attempt to describe possible changes in human-world relationships that affect existence, meaning and behavior. Among other things, this includes changes such as the curation of a person's view of the world by personalization algorithms, the enhancement of a person's understanding of the world through algorithmic pre-interpretation or the organization of social systems through synchronized individual action recommendations. Futures within which these reality-forming characteristics would exist need to be explored, discussed, shaped and possibly prevented. Language is thereby a tool to enable new conversations and organize actions across a wide range of people. Just as many analytical concepts supported the understanding of existing conditions, this vocabulary tries to support the understanding of possible conditions, enable holistic implication assessments and shifts in worldview beyond current digital-economic paradigms.}, subject = {Erweiterte Realit{\"a}t }, language = {en} } @article{SafariallahkheiliSchieweMeier, author = {Safariallahkheili, Qasem and Schiewe, Jochen and Meier, Sebastian}, title = {Interactive web-based Geospatial eXplainable Artificial Intelligence for AI model output exploration}, series = {AGILE : GIScience series}, volume = {6}, journal = {AGILE : GIScience series}, number = {44}, publisher = {Copernicus Publications}, address = {G{\"o}ttingen}, issn = {2700-8150}, doi = {10.5194/agile-giss-6-44-2025}, pages = {7}, abstract = {This case study presents a web-based Geospatial eXplainable Artificial Intelligence (GeoXAI) system demonstrated through a case study for wildfire susceptibility assessment. Addressing limitations in traditional GeoXAI tools, the system integrates XAI methods with open-source geospatial technologies. Using a Random Forest model, the system combines environmental, topographic, and meteorological features to provide global and local insights. SHAP values offer feature-level explanations, while the interactive platform enables users to visualize wildfire susceptibility, examine feature contributions, and correlate predictions with spatial patterns and distribution of feature values. This approach tries to enhance transparency in AI-driven environmental decision support systems, with a specific focus on the interpretability of model output.}, subject = {Erkl{\"a}rbare k{\"u}nstliche Intelligenz}, language = {en} } @article{Meier, author = {Meier, Sebastian}, title = {Offene Daten und Interoperabilit{\"a}t}, series = {Vermessung Brandenburg}, volume = {29}, journal = {Vermessung Brandenburg}, number = {1.2024}, address = {Potsdam}, organization = {Ministerium des Innern und f{\"u}r Kommunales des Landes Brandenburg}, issn = {1430-7650}, pages = {22 -- 29}, abstract = {Das Thema „Offene Daten" (Open Data) gewinnt in immer mehr Anwendungsgebieten an Bedeutung. Auch in Beh{\"o}rden und der {\"o}ffentlichen Verwaltung etabliert sich zunehmend eine Open-Data-Kultur. Offene Daten aus der Verwaltung, im englischen „Open Government Data" (OGD), bergen viele Potentiale - ob es die Erleichterung der bereichs{\"u}bergreifenden Zusammenarbeit innerhalb der Verwaltung selbst ist oder das Schaffen von Transparenz gegen{\"u}ber B{\"u}rgerinnen und B{\"u}rgern. Auch auf wirtschaftlicher Ebene bieten sich neue M{\"o}glichkeiten f{\"u}r datengest{\"u}tzte Gesch{\"a}ftsfelder. Doch bei der Entwicklung neuer zivilgesellschaftlicher oder wirtschaftlicher Anwendungen basierend auf beh{\"o}rdlichen offenen Daten ergeben sich auch Herausforderungen.}, subject = {Cloud Computing}, language = {de} } @inproceedings{HinrichsWindhagerElAssadyetal., author = {Hinrichs, Uta and Windhager, Florian and El-Assady, Mennatallah and Alexander, Eric and Bradley, Adam and Bludau, Mark-Jan}, title = {From Sketching to Coding}, series = {Book of Abstracts}, booktitle = {Book of Abstracts}, editor = {Baillot, Anne and Scholger, Walter and Tasovac, Toma and Vogeler, Georg}, address = {Graz}, organization = {Zentrum f{\"u}r Informationsmodellierung - Austrian Centre for Digital Humanities}, doi = {10.5281/zenodo.8107882}, pages = {1 -- 2}, abstract = {This workshop will explore strategies for teaching visualization literacy - from sketching to creating visualizations using computational tools. Led by instructors from the humanities, visual analytics, design, and computer science, sessions will discuss different methodologies and challenges of teaching visualization to audiences with varied technical and disciplinary expertise and goals.}, subject = {Visualisierung}, language = {en} } @inproceedings{NanniFreybergdeGuentheretal., author = {Nanni, Giacomo and Freyberg, Linda and de G{\"u}nther, Sabine and D{\"o}rk, Marian}, title = {"The research is happening in the text fields"}, series = {Book of Abstracts : Digital Humanities 2023}, booktitle = {Book of Abstracts : Digital Humanities 2023}, editor = {Baillot, Anne and Scholger, Walter and Tasovac, Toma and Vogeler, Georg}, address = {Graz}, organization = {Zentrum f{\"u}r Informationsmodellierung - Austrian Centre for Digital Humanities}, doi = {10.5281/zenodo.8107731}, pages = {1 -- 2}, abstract = {This contribution explores the instructive tensions between art-historical research and semantic data modeling. While the potential of LOD-applications is obvious in terms of standardization and precision some aspects of research may not be formally represented. Therefore we propose to bridge LOD and full text descriptions through information visualization.}, subject = {Linked Data}, language = {en} } @article{Doerk, author = {D{\"o}rk, Marian}, title = {Conceptual Analogues: Coming to Terms with Data Visualisation}, series = {Interface Critique}, volume = {5}, journal = {Interface Critique}, publisher = {arthistoricum.net}, address = {Heidelberg}, issn = {2570-0472}, doi = {10.11588/ic.2025.1.113533}, pages = {51 -- 72}, abstract = {Humanist data visualisation can make a profound contribution to stimu.ate a form of curiosity that recognizes and appreciates the entangled shimmer of the world.}, subject = {Feminismus}, language = {en} } @incollection{Braeunert, author = {Br{\"a}unert, Svea}, title = {Castaways}, series = {Schichtungen des Urbanen / Urban Layers : Rust Belt and the Ruhr}, booktitle = {Schichtungen des Urbanen / Urban Layers : Rust Belt and the Ruhr}, editor = {Balint, Iuditha and Golombek, Jana and Nusser, Tanja}, publisher = {Brill}, address = {Leiden}, isbn = {978-3-7705-6787-4}, doi = {10.30965/9783846767870_008}, publisher = {Fachhochschule Potsdam}, pages = {135 -- 158}, subject = {Fotografie}, language = {en} } @article{Kreutzer, author = {Kreutzer, Markus}, title = {Gestalterische Reproduktion}, series = {Designabilities : Design research journal}, journal = {Designabilities : Design research journal}, number = {8}, address = {Offenbach am Main}, organization = {Hochschule f{\"u}r Gestaltung Offenbach am Main}, issn = {2940-0090}, pages = {39 -- 53}, subject = {Gestaltung}, language = {de} } @book{WeizeneggerPravicaFunkeetal., author = {Weizenegger, Hermann August and Pravica, Sandra and Funke, Rainer and Godau, Marion and Johanssen, Pascal and Beyerle, Tulga}, title = {DESIGN KOSMOS}, publisher = {Weizenegger, Hermann August}, address = {Berlin}, isbn = {978-3-00-056622-6}, pages = {390}, subject = {Design}, language = {de} } @book{OPUS4-3782, title = {Die Schrebergartenlaube}, editor = {Weizenegger, Hermann August}, publisher = {DISTANZ Verlag GmbH}, address = {Berlin}, isbn = {978-3-95476-834-9}, publisher = {Fachhochschule Potsdam}, pages = {203}, subject = {Gartenhaus}, language = {de} } @article{ShwartzAltshuolerAridorHershkovitzMikulinskyetal., author = {Shwartz Altshuoler, Tehilla and Aridor Hershkovitz, Rachel and Mikulinsky, Romi and M{\"u}ller, Boris}, title = {Governing phygital spaces: Human rights by design meets speculative design}, series = {Internet policy review : Journal on internet regulation}, volume = {14}, journal = {Internet policy review : Journal on internet regulation}, number = {4}, address = {Berlin}, organization = {Alexander von Humboldt Institut f{\"u}r Internet und Gesellschaft}, issn = {2197-6775}, doi = {10.14763/2025.4.2048}, pages = {26}, abstract = {Smart glasses and AI-powered "phygital spaces" are transforming how people perceive, navigate, and interact with the world. Yet existing regulatory frameworks - Privacy by design and Human Rights by design - focus narrowly on data protection and overlook the relational and collective dynamics these technologies disrupt. This article introduces the 'ethics of interactions' as a complementary framework that situates regulation within the lived realities of AI-mediated environments. Our interdisciplinary team, combining law, speculative design, and human-computer interaction, developed a year-long methodology spanning speculative storytelling, legal mapping, field diaries, and role-play based workshops in Germany and Israel. These exercises revealed how smart glasses might reshape trust, consent and perception, through five recurring modes of interaction: person-to-person, person-to-space, person-to-reality, person-to-machine, and person-to-platform. Workshop role-play surfaced vulnerabilities that conventional legal analysis misses, from peer-to-peer surveillance and emotional inference to corporate, platform and government control of augmented realities. Building on these findings, we propose regulatory recommendations that combine dual governance models, interaction-sensitive safeguards, and investment in digital literacy for policymakers. By embedding speculative inquiry into policy design, this study closes the loop between abstract principles and lived dilemmas, offering both conceptual and practical pathways for governing phygital spaces.}, subject = {Datenschutz}, language = {en} } @incollection{JossinMilicevicSommerfeldtetal., author = {Jossin, Jasmin and Milicevic, Myriel and Sommerfeldt, Ida-Maria and Voigt, Annette}, title = {The End of Human Dominance}, series = {Teaching Design for Sustainable Futures : Community, Construction, and Creativity}, booktitle = {Teaching Design for Sustainable Futures : Community, Construction, and Creativity}, editor = {Ahmad, Lina and Sosa, Marco}, publisher = {Routledge, Taylor \& Francis}, address = {London}, isbn = {9781003495444}, doi = {10.4324/9781003495444-10}, publisher = {Fachhochschule Potsdam}, pages = {95 -- 112}, abstract = {The concern underlying the teaching initiative described in this chapter is an effort to promote greater public and student engagement in contemplating and designing sustainable futures for the planet. This approach emphasizes the diverse dimensions that can shape these sustainable futures and aims to cultivate creative thinking in response to current and anticipated challenges. In this context, the chapter introduces the pedagogical methodology of Xtopias, which serves as a vehicle for creative thought through "future visioning exercises." The specific Xtopia explored in detail in this chapter revolves around the concept of the "end of human dominance." Architecture and urban design students utilized this concept to envision sustainable future scenarios and facilitate public engagement in discussions surrounding these potential futures. Taking inspiration from the R.E.M. song "It's the End of the World as We Know It," this Xtopia encouraged reflection on the potential end of an era and posed the question to students: "How could the world look if humans lived in greater symbiosis with other creatures?" As a means of fostering creative visions of a sustainable future, this methodology welcomes serious, humorous, and experimental speculations on urban projects from students. It aims to train the human mind to think creatively about the effects, consequences, and responses to climate change. Moreover, the project specifically discussed here involved the creation of public exhibitions described as interactive stations, which aimed to engage the public in the creative thought process. This methodology is viewed as an interdisciplinary example of transformative learning that explores the relationship between humans and nature. It encompasses a range of complementary activities, including interactive presentations, self-knowledge exercises, group brainstorming, and excursions. By describing the Xtopia methodology, the chapter presents another instance of creative pedagogical responses to the challenge of teaching and engaging students with the climate issues they will confront as future professionals.}, subject = {Ausstellung}, language = {en} } @article{BrueningJossinGrabow, author = {Br{\"u}ning, Herbert and Jossin, Jasmin and Grabow, Busso}, title = {Transformationsraum N}, series = {Gaia : ecological perspectives for science and society : {\"o}kologische Perspektiven f{\"u}r Wissenschaft und Gesellschaft}, volume = {34}, journal = {Gaia : ecological perspectives for science and society : {\"o}kologische Perspektiven f{\"u}r Wissenschaft und Gesellschaft}, number = {2}, publisher = {oekom Verlag}, address = {M{\"u}nchen}, issn = {0940-5550}, doi = {10.14512/gaia.34.2.5}, pages = {88 -- 93}, abstract = {Der Transformationsraum N ist eine offene Initiative, die zum Umdenken einl{\"a}dt: Wie k{\"o}nnen wir die Transformation zur Nachhaltigkeit entscheidend voranbringen - insbesondere vor Ort? Die bisherigen Fortschritte - auch in unserer eigenen Arbeit - reichen nicht aus. Was fehlt, ist ein systemisches Vorgehen, das die Br{\"u}cke von Forschung bis Umsetzung schl{\"a}gt und den komplexen Herausforderungen gerecht wird. Der Transformationsraum N skizziert hierf{\"u}r einen Ansatz entlang von acht Prinzipien - offen zur Diskussion und Weiterentwicklung mit allen, die mehr bewegen wollen.}, subject = {Nachhaltigkeit}, language = {de} } @inproceedings{ScheckLedermannBinnetal., author = {Scheck, Ester and Ledermann, Florian and Binn, Andrea and D{\"o}rk, Marian}, title = {Mapping public space in urban neighbourhoods using OpenStreetMap data}, series = {Proceedings of OSM Science 2023}, booktitle = {Proceedings of OSM Science 2023}, editor = {Minghini, Marco and Hao, Li and Grinberger, Yair A. and Liu, Pengyuan and Yeboah, Godwin and Juh{\´a}sz, Levente and Coetzee, Serena and Mooney, Peter and Sarretta, Alessandro and Anderson, Jennings}, address = {Belgien}, organization = {State of the Map Europe}, doi = {10.5281/zenodo.10443326}, pages = {33 -- 37}, subject = {Geoinformationssystem}, language = {en} } @incollection{Gerling, author = {Gerling, Winfried}, title = {Anschauung}, series = {Paradoxalit{\"a}t des Medialen}, booktitle = {Paradoxalit{\"a}t des Medialen}, publisher = {Fink}, address = {Paderborn}, isbn = {978-3-7705-5502-4}, pages = {125 -- 146}, subject = {Medientheorie}, language = {de} } @article{GerlingBraeunertHeinicker, author = {Gerling, Winfried and Br{\"a}unert, Svea and Heinicker, Paul}, title = {Instrumental Data}, series = {Membrana : Journal of Photography, Theory and Visual Culture}, volume = {10}, journal = {Membrana : Journal of Photography, Theory and Visual Culture}, publisher = {Membrana}, address = {Slovenien}, issn = {2463-8501}, doi = {10.47659/mj-v10id348.}, pages = {24}, abstract = {Climate and migration are not just bound together on a political or metaphorical level but their relationship is also coupled in the joint application of data. Building on Allan Sekula's notion of the instrumental image developed in light of aerial composite photographs taken during World War I, we propose to speak of instrumental data to describe operative platforms fusing data from satellites, social media, and local sensors and using them for divergent political ends, most notably the control of borders and the quality of water, air, and crops in Europe. Taking the EU-funded pilot project CALLISTO as a case study, we combine media-theoretical analysis, artistic research, and critical data visualization to address the nexus of visualization, decision making, and control effected by the ways in which the platform promises to make satellite data operable, ultimately fusing not just data but also the corresponding social fields of climate and migration.}, subject = {Luftbild}, language = {en} } @inproceedings{EingartnerDruckerDoerk, author = {Eingartner, Theresa and Drucker, Johanna and D{\"o}rk, Marian}, title = {Inflecting Data Visualizations for Web-based Scrollytelling}, series = {EuroVis 2025 Short Papers}, booktitle = {EuroVis 2025 Short Papers}, editor = {El-Assady, Mennatallah and Ottley, Alvitta and Tominksi, Christian}, address = {Niederlande}, organization = {Eurographics Association}, doi = {10.2312/evs.20251088}, pages = {5}, abstract = {We propose the idea of inflections as a method for capturing and conveying interpretative interactions with data visualizations. Aiming to narrow the gap between data analysis and story authoring, inflections are subtle modulations of a visualization's graphical attributes that guide attention, highlight important patterns, and embed communicative cues. By parameterizing view changes and annotations in visualizations, authors can embed insights from their data analysis into story segments and connect them with the respective visualization states. This paper presents the general concept and a technical architecture supporting inflectable data visualizations. By leveraging native web technologies and established visualization conventions, we propose a flexible and extensible approach to inflecting visualizations that link exploratory data analysis and data-driven storytelling.}, subject = {Visualisierung}, language = {en} } @inproceedings{ProffDoerk, author = {Proff, Philipp and D{\"o}rk, Marian}, title = {Textarium: Entangling Annotation, Abstraction and Argument}, series = {2025 IEEE Workshop on Visualization for the Digital Humanities (VIS4DH)}, booktitle = {2025 IEEE Workshop on Visualization for the Digital Humanities (VIS4DH)}, editor = {Institute of Electrical and Electronics Engineers (IEEE),}, address = {New York}, organization = {Institute of Electrical and Electronics Engineers (IEEE)}, isbn = {979-8-3315-8037-7}, doi = {10.1109/VIS4DH69385.2025.00007}, pages = {14 -- 20}, abstract = {We present a web-based environment that connects annotation, abstraction, and argumentation during the interpretation of text. As a visual interface for scholarly reading and writing, Textarium combines human analysis with lightweight computational processing to bridge close and distant reading practices. Readers can highlight text, group keywords into concepts, and embed these observations as anchors in essays. The interface renders these interpretive actions as parameterized visualization states. Through a speculative design process of co-creative and iterative prototyping, we developed a reading-writing approach that makes interpretive processes transparent and shareable within digital narratives.}, subject = {Annotation}, language = {en} } @incollection{GerlingJaeger, author = {Gerling, Winfried and J{\"a}ger, Jens}, title = {A Conversation with Fatimah M. Dadzie on Her Documentary Fati's Choice (Le choix de Fati) (Ghana, South Africa, 2021)}, series = {Nomadic Camera : Photography, Displacement and Dis:connectivities}, booktitle = {Nomadic Camera : Photography, Displacement and Dis:connectivities}, editor = {Dogramaci, Burcu and Gerling, Winfried and J{\"a}ger, Jens and Mersmann, Birigt}, publisher = {Leuven University Press}, address = {L{\"o}wen}, isbn = {9789461667144}, doi = {10.11116/9789461667151}, publisher = {Fachhochschule Potsdam}, pages = {181 -- 192}, subject = {Dokumentarfilm}, language = {en} } @incollection{Braeunert, author = {Br{\"a}unert, Svea}, title = {"A still image with a little bit of life to it"}, series = {Nomadic Camera : Photography, Displacement and Dis:connectivities}, booktitle = {Nomadic Camera : Photography, Displacement and Dis:connectivities}, editor = {Dogramaci, Burcu and Gerling, Winfried and J{\"a}ger, Jens and Mersmann, Birigt}, publisher = {Leuven University Press}, address = {L{\"o}wen}, isbn = {9789461667144}, doi = {10.11116/9789461667151}, publisher = {Fachhochschule Potsdam}, pages = {95 -- 109}, subject = {Fotografie}, language = {en} } @incollection{DogramaciGerlingJaegeretal., author = {Dogramaci, Burcu and Gerling, Winfried and J{\"a}ger, Jens and Mersmann, Birigt}, title = {Introduction : Nomadic Camera}, series = {Nomadic Camera : Photography, Displacement and Dis:connectivities}, booktitle = {Nomadic Camera : Photography, Displacement and Dis:connectivities}, editor = {Dogramaci, Burcu and Gerling, Winfried and J{\"a}ger, Jens and Mersmann, Birigt}, publisher = {Leuven University Press}, address = {L{\"o}wen}, isbn = {9789461667144}, doi = {10.11116/9789461667151}, publisher = {Fachhochschule Potsdam}, pages = {9 -- 37}, subject = {Fotografie}, language = {en} } @incollection{Gerling, author = {Gerling, Winfried}, title = {Fugitive Heat}, series = {Nomadic Camera : Photography, Displacement and Dis:connectivities}, booktitle = {Nomadic Camera : Photography, Displacement and Dis:connectivities}, editor = {Dogramaci, Burcu and Gerling, Winfried and J{\"a}ger, Jens and Mersmann, Birigt}, publisher = {Leuven University Press}, address = {L{\"o}wen}, isbn = {9789461667144}, doi = {10.11116/9789461667151}, publisher = {Fachhochschule Potsdam}, pages = {41 -- 59}, subject = {Thermografie}, language = {en} } @book{OPUS4-3800, title = {Nomadic Camera}, editor = {Dogramaci, Burcu and Gerling, Winfried and J{\"a}ger, Jens and Mersmann, Birigt}, publisher = {Leuven University Press}, address = {L{\"o}wen}, isbn = {9789461667144}, doi = {10.11116/9789461667151}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:525-38005}, publisher = {Fachhochschule Potsdam}, pages = {400}, abstract = {From its introduction in the early nineteenth century and through ongoing technical developments, photography has been a mobile medium closely tied to equipment, social conditions and cultural framings. The volume Nomadic Camera investigates the technical, medial and aesthetic relationship between photography and displacement in historical and contemporary perspectives. The contributing authors adopt the term 'nomadic' - signifying a transitory form of existence - to explore photography beyond static concepts of being and national boundaries. Viewing photography as a formative part of this history of mobility and migration, the book explores the interplay between the concepts of the 'nomadic' and the 'camera', offering new perspectives on photography as a medium on the move. The interdisciplinary contributions approach this topic from various angles. They examine photographic tools and technologies; investigate the role of bodies, agents, and performative acts in photographic practices; explore how photography constructs and conveys narratives of movement; and address issues of image circulation, archiving, and memory.}, subject = {Fotografie}, language = {en} }