@inproceedings{Jamaikina, author = {Jamaikina, Jelena}, title = {Forschung und Entwicklung an der Fachhochschule Potsdam}, series = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. Juni 1995}, booktitle = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. Juni 1995}, publisher = {Westermann-Kommunikation}, address = {Ingelheim}, organization = {Fachhochschule Potsdam}, isbn = {3-928710-27-3}, pages = {212 -- 219}, subject = {Fachhochschule Potsdam}, language = {de} } @inproceedings{Funke, author = {Funke, Rainer}, title = {Designhochschulen - M{\"a}rchenstuben?}, series = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, booktitle = {Images of a conference : Designkonferenz Potsdam ; Konferenz am 23./24. JUni 1995}, publisher = {Westermann-Kommunikation}, address = {Ingelheim}, organization = {Fachhochschule Potsdam}, isbn = {3-928710-27-3}, pages = {15 -- 25}, subject = {Design}, language = {de} } @inproceedings{MoratSchwerdtfegerFeuchtetal., author = {Morat, Paul and Schwerdtfeger, Aaron and Feucht, Max Emanuel and Heidmann, Frank}, title = {Der Trog}, series = {CHI EA '25 : Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems}, booktitle = {CHI EA '25 : Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems}, editor = {Yamashta, Naomi and Evers, Vanessa and Yatani, Koji and Ding, Xianghua}, address = {New York}, organization = {Association for Computing Machinery}, isbn = {979-8-4007-1395-8}, doi = {10.1145/3706599.3721173}, pages = {1 -- 5}, abstract = {Der Trog is a prototype for a contactless, embodied breath-to-water interface, exploring the potential of Artificial Intelligence as a mediator to facilitate emotional and sensory interactions with nature. By tracking respiration via thermal image analysis and translating it into wave patterns on a water surface, the installation provides a tangible experience translating the user's corporal rhythm onto a natural material. The present research project investigates whether such interactions can help bridging the gap between environmental knowledge and action within the ecological crisis, encouraging holistic empathy for nature. Der Trog aims to inspire new perceptions of our connection to natural elements, advocating for sustainable behaviour through meaningful, embodied encounters with the environment.}, subject = {K{\"u}nstliche Intelligenz}, language = {en} } @inproceedings{WindhagerAbdulRahmanBludauetal., author = {Windhager, Florian and Abdul-Rahman, Alfie and Bludau, Mark-Jan and Hengesbach, Nicole and Lamqaddam, Houda and Meirelles, Isabel and Speckmann, Bettina and Corell, Michael}, title = {Complexity as Design Material}, series = {2024 IEEE Evaluation and Beyond - Methodological Approaches for Visualization : BELIV 2024}, booktitle = {2024 IEEE Evaluation and Beyond - Methodological Approaches for Visualization : BELIV 2024}, publisher = {Institute of Electrical and Electronics Engineers (IEEE)}, address = {New York}, isbn = {979-8-3315-2846-1}, doi = {10.1109/BELIV64461.2024.00013}, pages = {71 -- 80}, abstract = {Complexity is often seen as a inherent negative in information design, with the job of the designer being to reduce or eliminate complexity, and with principles like Tufte's "data-ink ratio" or "chartjunk" to operationalize mimimalism and simplicity in visualizations. However, in this position paper, we call for a more expansive view of complexity as a design material, like color or texture or shape: an element of information design that can be used in many ways, many of which are beneficial to the goals of using data to understand the world around us. We describe complexity as a phenomenon that occurs not just in visual design but in every aspect of the sensemaking process, from data collection to interpretation. For each of these stages, we present examples of ways that these various forms of complexity can be used (or abused) in visualization design. We ultimately call on the visualization community to build a more nuanced view of complexity, to look for places to usefully integrate complexity in multiple stages of the design process, and, even when the goal is to reduce complexity, to look for the non-visual forms of complexity that may have otherwise been overlooked.}, subject = {Komplexit{\"a}t}, language = {en} } @article{MatznerThielWoznicaTostetal., author = {Matzner, Nils and Thiel-Woznica, Marcel and Tost, Jordi and Weller, Kevin}, title = {Prototypes as Future Artifacts of Today}, series = {On_culture : the open journal for the study of culture}, journal = {On_culture : the open journal for the study of culture}, number = {15}, publisher = {Justus-Liebig-Universit{\"a}t Gießen}, address = {Gießen}, issn = {2366-4142}, doi = {10.22029/oc.2023.1353}, pages = {25}, abstract = {The design of sociotechnical futures relies on institutionalized visions but also on material artifacts. In this context, prototypes are a materialized means of exploration of potential futures. This article explores interdependencies between irritations by prototypes and critical/speculative design and argues that prototypes problematize a balance between feasibility and their potential for irritation, i.e. being incited to act differently by a prototype that does not fit into familiar practices (e.g. flying cars). We investigate the significance of the feasibility-irritation tension, first, by analyzing two case studies of prototypes from urban mobility as examples of technical feasibility in marketing and testing environments, and second, by contrasting them to the notion of prototypes as deliberately irritating artifacts within critical and speculative design practices. We offer a perspective for understanding their transformative potential. Our discussion shows how prototypes, as they are used in speculative design, might open new negotiation spaces instead of limiting futures to what seems feasible. New, irritating prototypes highlight a contingency, which is necessary to openly discussing feasible and fictional futures together.}, subject = {Mobilit{\"a}t}, language = {de} } @book{BetteThiessenSchneider, author = {Bette, Michael and Thiessen-Schneider, Gudrun}, title = {Michael Bette - Kunstverein Grafschaft Bentheim, Neuenhaus 25.4. - 21.6.1998}, publisher = {Kunstverein Grafschaft Bentheim}, address = {Neuenhaus}, isbn = {3-922805-63-9}, pages = {85}, subject = {Kunst}, language = {de} } @unpublished{MoriniEschenbacherHartmannetal., author = {Morini, Francesca and Eschenbacher, Anna and Hartmann, Johanna and D{\"o}rk, Marian}, title = {From shock to shift}, series = {IEEE transactions on visualization and computer graphics}, journal = {IEEE transactions on visualization and computer graphics}, publisher = {Institute of Electrical and Electronics Engineers (IEEE)}, address = {New York}, issn = {1077-2626}, doi = {10.1109/TVCG.2023.3327185}, pages = {1 -- 11}, abstract = {We present a multi-dimensional, multi-level, and multi-channel approach to data visualization for the purpose of constructive climate journalism. Data visualization has assumed a central role in environmental journalism and is often used in data stories to convey the dramatic consequences of climate change and other ecological crises. However, the emphasis on the catastrophic impacts of climate change tends to induce feelings of fear, anxiety, and apathy in readers. Climate mitigation, adaptation, and protection—all highly urgent in the face of the climate crisis—are at risk of being overlooked. These topics are more difficult to communicate as they are hard to convey on varying levels of locality, involve multiple interconnected sectors, and need to be mediated across various channels from the printed newspaper to social media platforms. So far, there has been little research on data visualization to enhance affective engagement with data about climate protection as part of solution-oriented reporting of climate change. With this research we characterize the unique challenges of constructive climate journalism for data visualization and share findings from a research and design study in collaboration with a national newspaper in Germany. Using the affordances and aesthetics of travel postcards, we present Klimakarten, a data journalism project on the progress of climate protection at multiple spatial scales (from national to local), across five key sectors (agriculture, buildings, energy, mobility, and waste), and for print and online use. The findings from quantitative and qualitative analysis of reader feedback confirm our overall approach and suggest implications for future work.}, subject = {Erz{\"a}hlen}, language = {en} } @inproceedings{deGuentherNanniKyriazisetal., author = {de G{\"u}nther, Sabine and Nanni, Giacomo and Kyriazis, Ilias and Freyberg, Linda and D{\"o}rk, Marian}, title = {Tracing and Telling}, series = {EVA BERLIN 2023}, booktitle = {EVA BERLIN 2023}, editor = {Lengyel, Dominik and Bienert, Andreas}, address = {Cottbus}, organization = {Brandenburgische Technische Universit{\"a}t Cottbus-Senftenberg (BTU)}, isbn = {978-3-88609-891-0}, pages = {333 -- 338}, abstract = {Cultural collections have transcended the boundaries of physical showcases and storage cabinets, evolving into intricate digital webs of interconnected data. The research project Restaging Fashion aimed to expand the possibilities for experiencing the linkages in digitized cultural heritage, focusing on the visualization of collection holdings related to the history of garments. Through graph-based narratives, the project investigated the complex interplay between the linear - and at times tentative - art historical discourses and the non-linear explorations of associated cultural heritage data. The resulting visualizations have been designed with the aim to allow for curated and dynamic exploration of the collection along research essays and their interrelated graphs.}, subject = {Sammlung}, language = {en} } @article{ScheckBinnDoerketal., author = {Scheck, Ester and Binn, Andrea and D{\"o}rk, Marian and Ledermann, Florian}, title = {A Contemporary Nolli Map}, series = {Abstracts of the ICA}, journal = {Abstracts of the ICA}, number = {6}, publisher = {Copernicus Publications}, address = {G{\"o}ttingen}, issn = {2570-2106}, doi = {10.5194/ica-abs-6-223-2023}, pages = {1 -- 2}, abstract = {More than 250 years ago, Giovanni Battista Nolli, an Italian architect, engineer and cartographer, was concerned with how and where space is or is not publicly accessible. In his map 'La nuova topografia di Roma Comasco', he mapped publicly accessible interior and exterior spaces of Rome with an impressively high level of detail as a figure-ground map. Since Nolli's time, both the character and diversity of public spaces as well as cartographic technology have changed. This research project aims to adapt some ideas behind Nolli's map for today's circumstances on the basis of open data, and seeks to develop methods for processing volunteered geographical information from OpenStreetMap (OSM) to identify, categorize, and map public spaces based on thematic and geometric information.}, subject = {OpenStreetMap}, language = {en} } @article{MeierBoguckaLedermannetal., author = {Meier, Sebastian and Bogucka, Edyta P. and Ledermann, Florian and Roth, Robert E. and Słomska-Przech, Katarzyna and V{\"o}r{\"o}s, Fanni}, title = {Opportunities and Challenges for the Next Generation of Cartographers}, series = {Abstracts of the ICA}, journal = {Abstracts of the ICA}, number = {6}, publisher = {Copernicus Publications}, address = {G{\"o}ttingen}, issn = {2570-2106}, doi = {10.5194/ica-abs-6-162-2023}, pages = {1 -- 3}, abstract = {Developing the next generation of cartographers is essential to sustaining and expanding the mission of the International Cartographic Association. Students and early-career professionals today learn cartographic design alongside a diverse array of conceptual and technical competencies, such as data science, human-computer interaction, information visualization, and machine learning. Accordingly, the next generation of cartographers often are working at the forefront of the discipline, actively reshaping what cartography is and can be.}, subject = {Kartograf}, language = {en} }