@incollection{Heinicker, author = {Heinicker, Paul}, title = {Datensadismus}, series = {Atlas der Datenk{\"o}rper 2 : Digitale K{\"o}rperlichkeit im Bauhaus, der Politik und Mystik}, booktitle = {Atlas der Datenk{\"o}rper 2 : Digitale K{\"o}rperlichkeit im Bauhaus, der Politik und Mystik}, editor = {Bart, Marlene and Breuer, Johannes}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8394-7086-2}, doi = {10.14361/9783839470862-024}, publisher = {Fachhochschule Potsdam}, pages = {218 -- 223}, subject = {Datenerhebung}, language = {de} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Carrying Computerization}, series = {Image - Action - Space}, booktitle = {Image - Action - Space}, editor = {Feiersinger, Luisa and Friedrich, Kathrin and Queisner, Moritz}, publisher = {De Gruyter}, address = {Berlin}, isbn = {978-3-11-046497-9}, doi = {10.1515/9783110464979-005}, publisher = {Fachhochschule Potsdam}, pages = {55 -- 68}, subject = {Mensch-Maschine-Schnittstelle}, language = {en} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Durch und {\"u}ber Computer}, series = {Cutting Edge! : Aktuelle Positionen der Filmmontage}, booktitle = {Cutting Edge! : Aktuelle Positionen der Filmmontage}, editor = {Doll, Martin}, publisher = {Bertz + Fischer}, address = {Berlin}, isbn = {978-3-86505-334-3}, publisher = {Fachhochschule Potsdam}, pages = {193 -- 210}, subject = {Film}, language = {de} } @incollection{EppelinKaden, author = {Eppelin, Anita and Kaden, Ben}, title = {Open-Access-Transformation in Brandenburg}, series = {Offen und vernetzt f{\"u}r alle}, booktitle = {Offen und vernetzt f{\"u}r alle}, editor = {Helmkamp, Kerstin and Sch{\"u}tt, R{\"u}diger and Stockhusen, Sabrina}, publisher = {Universit{\"a}tsverlag Kiel}, address = {Kiel}, isbn = {978-3-928794-52-7}, doi = {10.38072/978-3-928794-59-6/p4}, publisher = {Fachhochschule Potsdam}, pages = {27 -- 36}, abstract = {Im Beitrag werden a) Einblicke in den Prozess gegeben, der 2019 zur Open-Access-Strategie des Landes Brandenburg gef{\"u}hrt hat, b) die wesentlichen Aussagen, Leitprinzipien, Ziele und Maßnahmen des Strategiepapiers und das Umsetzungskonzept, speziell zur Vernetzungs- und Kompetenzstelle, vorgestellt, c) Ausblicke auf die konkreten kommenden Unterst{\"u}tzungsstrukturen gegeben, die die Brandenburger Einrichtungen in die Lage versetzen sollen, die Leitprinzipien der Strategie mit Leben zu f{\"u}llen und ihre Ziele zu erreichen.}, subject = {Open Access}, language = {de} } @incollection{VolmarMoskatovaDistelmeyer, author = {Volmar, Axel and Moskatova, Olga and Distelmeyer, Jan}, title = {Video Conferencing: Infrastructures, Practices, Aesthetics}, series = {Video Conferencing}, booktitle = {Video Conferencing}, editor = {Volmar, Axel and Moskatova, Olga and Distelmeyer, Jan}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8394-6228-7}, issn = {2702-8852}, doi = {10.1515/9783839462287-001}, publisher = {Fachhochschule Potsdam}, pages = {9 -- 42}, subject = {Videokonferenz}, language = {en} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Video Conferencing as Programmatic Relations}, series = {Video Conferencing}, booktitle = {Video Conferencing}, editor = {Volmar, Axel and Moskatova, Olga and Distelmeyer, Jan}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8394-6228-7}, issn = {2702-8852}, doi = {10.1515/9783839462287-008}, publisher = {Fachhochschule Potsdam}, pages = {149 -- 167}, subject = {Videokonferenz}, language = {en} } @incollection{Gerling, author = {Gerling, Winfried}, title = {People Who Stare at Screens}, series = {Video Conferencing}, booktitle = {Video Conferencing}, editor = {Volmar, Axel and Moskatova, Olga and Distelmeyer, Jan}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8394-6228-7}, issn = {2702-8852}, doi = {10.1515/9783839462287-015}, publisher = {Fachhochschule Potsdam}, pages = {293 -- 323}, subject = {Bildschirm}, language = {en} } @incollection{Heisig, author = {Heisig, Peter}, title = {Knowledge Management Essentials}, series = {The Future of Knowledge Management}, booktitle = {The Future of Knowledge Management}, editor = {Bratianu, Constantin and Handzic, Meliha and Bolisani, Ettore}, publisher = {Springer International Publishing}, address = {Cham}, isbn = {978-3-031-38696-1}, issn = {2199-8671}, doi = {10.1007/978-3-031-38696-1_5}, publisher = {Fachhochschule Potsdam}, pages = {91 -- 109}, abstract = {Reflecting on the history and development of the knowledge management discipline from an academic and applied research perspective, this chapter will outline the KM essentials as core of the discipline and open questions to be addressed in the future. Secondly, the author will discuss in particular the role of KM within organizational practice in regard to the overall societal challenges all organizations are facing today globally. Thirdly, the chapter will provide an outlook of the discipline in the light of future developments and suggests some research topics to be addressed by interdisciplinary KM research in the future. Beside on drawing on more than 35 years of experience in the KM field, this contribution will profit from previous research undertaken on the future of KM (2002 and 2012), contributions to guidelines and standards for KM (e.g., CEN, DIN, ISO), as well as from working with European Fortune 500 companies over the past 25 years.}, subject = {Wissensmanagement}, language = {en} } @incollection{Spaete, author = {Sp{\"a}te, Julius}, title = {Mehr als nur Zitiertechniken}, series = {Verl{\"a}ssliche Wissenschaft : Bedingungen, Analysen, Reflexionen}, booktitle = {Verl{\"a}ssliche Wissenschaft : Bedingungen, Analysen, Reflexionen}, publisher = {wbg Academic}, address = {Darmstadt}, isbn = {978-3-534-40608-1}, publisher = {Fachhochschule Potsdam}, pages = {187 -- 202}, subject = {Zitat}, language = {de} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Computerbasierte Rezeption}, series = {Handbuch Filmsoziologie}, booktitle = {Handbuch Filmsoziologie}, publisher = {Springer}, address = {Wiesbaden}, isbn = {978-3-658-10729-1}, doi = {10.1007/978-3-658-10729-1_77}, pages = {1371 -- 1389}, abstract = {Die neuen, genauer: computerbasierten Formen der Filmrezeption nimmt dieser Beitrag zum Anlass, sowohl die damit adressierten als auch die damit distanzierten Rezeptionsbedingungen in den Blick zu nehmen. Die Verbindung von Film und New Media f{\"u}hrt dabei einerseits zur historisch bedeutenden Etablierung der DVD und andererseits zu damit verbundenen Fragen und Mythen von (Inter-)Aktivit{\"a}t, Passivit{\"a}t, Flexibilit{\"a}t und Neuheit. Der wortw{\"o}rtliche Umgang mit Film, der auf der Basis des Computers durch Medien wie DVD und Blu-ray Disc sowie durch Online-Angebote und Second Screen Apps m{\"o}glich und herausgefordert wird, modifiziert zwei grunds{\"a}tzliche Aspekte des Verh{\"a}ltnisses von Film und Gesellschaft: die Aktivit{\"a}t des Publikums und die Anti-Originalit{\"a}t des Films.}, subject = {Neue Medien}, language = {de} } @incollection{Distelmeyer, author = {Distelmeyer, Jan}, title = {Einleitung : Interface}, series = {Algorithmen \& Zeichen}, booktitle = {Algorithmen \& Zeichen}, editor = {Distelmeyer, Jan and Ehrmanntraut, Sophie and M{\"u}ller, Boris}, publisher = {Kadmos}, address = {Berlin}, isbn = {978-3-86599-484-4}, publisher = {Fachhochschule Potsdam}, pages = {266 -- 273}, subject = {Mensch-Maschine-Schnittstelle}, language = {de} } @incollection{HenningsMillonig, author = {Hennings, Ralf-Dirk and Millonig, Harald}, title = {Beratungszentrum f{\"u}r Imaging-Technologien und Bilddatenbanken}, series = {Informatik: Herausforderungen f{\"u}r Wirtschaft und Wissenschaft}, booktitle = {Informatik: Herausforderungen f{\"u}r Wirtschaft und Wissenschaft}, number = {6}, editor = {P{\"o}tschke, Dieter}, pages = {140 -- 143}, subject = {Bilddatenbank}, language = {de} } @incollection{Hennings, author = {Hennings, Ralf-Dirk}, title = {Grundlagen zur technischen Realisierung}, series = {Digitalisierte Bilder im Museum : technische Tendenzen und organisatorisches Umfeld}, booktitle = {Digitalisierte Bilder im Museum : technische Tendenzen und organisatorisches Umfeld}, publisher = {Leske + Budrich}, address = {Opladen}, isbn = {3-8100-1483-4}, pages = {122 -- 182}, subject = {Museum}, language = {de} } @incollection{JossinMilicevicSommerfeldtetal., author = {Jossin, Jasmin and Milicevic, Myriel and Sommerfeldt, Ida-Maria and Voigt, Annette}, title = {The End of Human Dominance}, series = {Teaching Design for Sustainable Futures : Community, Construction, and Creativity}, booktitle = {Teaching Design for Sustainable Futures : Community, Construction, and Creativity}, editor = {Ahmad, Lina and Sosa, Marco}, publisher = {Routledge, Taylor \& Francis}, address = {London}, isbn = {9781003495444}, doi = {10.4324/9781003495444-10}, publisher = {Fachhochschule Potsdam}, pages = {95 -- 112}, abstract = {The concern underlying the teaching initiative described in this chapter is an effort to promote greater public and student engagement in contemplating and designing sustainable futures for the planet. This approach emphasizes the diverse dimensions that can shape these sustainable futures and aims to cultivate creative thinking in response to current and anticipated challenges. In this context, the chapter introduces the pedagogical methodology of Xtopias, which serves as a vehicle for creative thought through "future visioning exercises." The specific Xtopia explored in detail in this chapter revolves around the concept of the "end of human dominance." Architecture and urban design students utilized this concept to envision sustainable future scenarios and facilitate public engagement in discussions surrounding these potential futures. Taking inspiration from the R.E.M. song "It's the End of the World as We Know It," this Xtopia encouraged reflection on the potential end of an era and posed the question to students: "How could the world look if humans lived in greater symbiosis with other creatures?" As a means of fostering creative visions of a sustainable future, this methodology welcomes serious, humorous, and experimental speculations on urban projects from students. It aims to train the human mind to think creatively about the effects, consequences, and responses to climate change. Moreover, the project specifically discussed here involved the creation of public exhibitions described as interactive stations, which aimed to engage the public in the creative thought process. This methodology is viewed as an interdisciplinary example of transformative learning that explores the relationship between humans and nature. It encompasses a range of complementary activities, including interactive presentations, self-knowledge exercises, group brainstorming, and excursions. By describing the Xtopia methodology, the chapter presents another instance of creative pedagogical responses to the challenge of teaching and engaging students with the climate issues they will confront as future professionals.}, subject = {Ausstellung}, language = {en} }