@inproceedings{deGuentherNanniKyriazisetal., author = {de G{\"u}nther, Sabine and Nanni, Giacomo and Kyriazis, Ilias and Freyberg, Linda and D{\"o}rk, Marian}, title = {Tracing and Telling}, series = {EVA BERLIN 2023}, booktitle = {EVA BERLIN 2023}, editor = {Lengyel, Dominik and Bienert, Andreas}, address = {Cottbus}, organization = {Brandenburgische Technische Universit{\"a}t Cottbus-Senftenberg (BTU)}, isbn = {978-3-88609-891-0}, pages = {333 -- 338}, abstract = {Cultural collections have transcended the boundaries of physical showcases and storage cabinets, evolving into intricate digital webs of interconnected data. The research project Restaging Fashion aimed to expand the possibilities for experiencing the linkages in digitized cultural heritage, focusing on the visualization of collection holdings related to the history of garments. Through graph-based narratives, the project investigated the complex interplay between the linear - and at times tentative - art historical discourses and the non-linear explorations of associated cultural heritage data. The resulting visualizations have been designed with the aim to allow for curated and dynamic exploration of the collection along research essays and their interrelated graphs.}, subject = {Sammlung}, language = {en} } @article{Doerk, author = {D{\"o}rk, Marian}, title = {Conceptual Analogues: Coming to Terms with Data Visualisation}, series = {Interface Critique}, volume = {5}, journal = {Interface Critique}, publisher = {arthistoricum.net}, address = {Heidelberg}, issn = {2570-0472}, doi = {10.11588/ic.2025.1.113533}, pages = {51 -- 72}, abstract = {Humanist data visualisation can make a profound contribution to stimu.ate a form of curiosity that recognizes and appreciates the entangled shimmer of the world.}, subject = {Feminismus}, language = {en} } @article{DoerkPietschCredico, author = {D{\"o}rk, Marian and Pietsch, Christopher and Credico, Gabriel}, title = {One view is not enough High-level visualizations of a large cultural collection}, series = {Information Design Journal}, volume = {23}, journal = {Information Design Journal}, number = {1}, publisher = {John Benjamins Publishing}, address = {Amsterdam}, issn = {1569-979X}, doi = {10.1075/idj.23.1.06dor}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:525-26609}, pages = {39 -- 47}, abstract = {As cultural institutions are digitizing their artifacts and interlinking their collections, new opportunities emerge to engage with cultural heritage. However, it is the often comprehensive and complex nature of collections that can make it difficult to grasp their distribution and extent across a variety of dimensions. After a brief introduction to the research area of collection visualizations, this paper presents a design study visualizing an aggregated collection from diverse cultural institutions in Germany. We detail our iterative design process leading to prototypical implementations of four stylistically and functionally coordinated visualizations, each one focusing on different facets of the collection.}, subject = {Visualisierung}, language = {en} } @inproceedings{EingartnerDruckerDoerk, author = {Eingartner, Theresa and Drucker, Johanna and D{\"o}rk, Marian}, title = {Inflecting Data Visualizations for Web-based Scrollytelling}, series = {EuroVis 2025 Short Papers}, booktitle = {EuroVis 2025 Short Papers}, editor = {El-Assady, Mennatallah and Ottley, Alvitta and Tominksi, Christian}, address = {Niederlande}, organization = {Eurographics Association}, doi = {10.2312/evs.20251088}, pages = {5}, abstract = {We propose the idea of inflections as a method for capturing and conveying interpretative interactions with data visualizations. Aiming to narrow the gap between data analysis and story authoring, inflections are subtle modulations of a visualization's graphical attributes that guide attention, highlight important patterns, and embed communicative cues. By parameterizing view changes and annotations in visualizations, authors can embed insights from their data analysis into story segments and connect them with the respective visualization states. This paper presents the general concept and a technical architecture supporting inflectable data visualizations. By leveraging native web technologies and established visualization conventions, we propose a flexible and extensible approach to inflecting visualizations that link exploratory data analysis and data-driven storytelling.}, subject = {Visualisierung}, language = {en} } @article{GarretonMoriniCelhayetal., author = {Garret{\´o}n, Manuela and Morini, Francesca and Celhay, Pablo and D{\"o}rk, Marian and Parra, Denis}, title = {Attitudinal effects of data visualizations and illustrations in data stories}, series = {IEEE Transactions on Visualization and Computer Graphics}, volume = {30}, journal = {IEEE Transactions on Visualization and Computer Graphics}, number = {7}, address = {New York}, organization = {Institute of Electrical and Electronics Engineers (IEEE)}, issn = {1077-2626}, doi = {10.1109/TVCG.2023.3248319}, pages = {4039 -- 4054}, abstract = {Journalism has become more data-driven and inherently visual in recent years. Photographs, illustrations, infographics, data visualizations, and general images help convey complex topics to a wide audience. The way that visual artifacts influence how readers form an opinion beyond the text is an important issue to research, but there are few works about this topic. In this context, we research the persuasive, emotional and memorable dimensions of data visualizations and illustrations in journalistic storytelling for long-form articles. We conducted a user study and compared the effects which data visualizations and illustrations have on changing attitude towards a presented topic. While visual representations are usually studied along one dimension, in this experimental study, we explore the effects on readers' attitudes along three: persuasion, emotion, and information retention. By comparing different versions of the same article, we observe how attitudes differ based on the visual stimuli present, and how they are perceived when combined. Results indicate that the narrative using only data visualization elicits a stronger emotional impact than illustration-only visual support, as well as a significant change in the initial attitude about the topic. Our findings contribute to a growing body of literature on how visual artifacts may be used to inform and influence public opinion and debate. We present ideas for future work to generalize the results beyond the domain studied, the water crisis.}, subject = {Journalismus}, language = {en} } @techreport{GeuderLeidingerLupinetal., type = {Working Paper}, author = {Geuder, Philipp and Leidinger, Marie-Claire and Lupin, Martin von and D{\"o}rk, Marian and Schr{\"o}der, Tobias}, title = {Emosaic: Visualizing Affective Content of Text at Varying Granularity}, series = {arxiv.org}, journal = {arxiv.org}, publisher = {Cornell University}, doi = {10.48550/arXiv.2002.10096}, pages = {9}, abstract = {This paper presents Emosaic, a tool for visualizing the emotional tone of text documents, considering multiple dimensions of emotion and varying levels of semantic granularity. Emosaic is grounded in psychological research on the relationship between language, affect, and color perception. We capitalize on an established three-dimensional model of human emotion: valence (good, nice vs. bad, awful), arousal (calm, passive vs. exciting, active) and dominance (weak, controlled vs. strong, in control). Previously, multi-dimensional models of emotion have been used rarely in visualizations of textual data, due to the perceptual challenges involved. Furthermore, until recently most text visualizations remained at a high level, precluding closer engagement with the deep semantic content of the text. Informed by empirical studies, we introduce a color mapping that translates any point in three-dimensional affective space into a unique color. Emosaic uses affective dictionaries of words annotated with the three emotional parameters of the valence-arousal-dominance model to extract emotional meanings from texts and then assigns to them corresponding color parameters of the hue-saturation-brightness color space. This approach of mapping emotion to color is aimed at helping readers to more easily grasp the emotional tone of the text. Several features of Emosaic allow readers to interactively explore the affective content of the text in more detail; e.g., in aggregated form as histograms, in sequential form following the order of text, and in detail embedded into the text display itself. Interaction techniques have been included to allow for filtering and navigating of text and visualizations.}, subject = {Mensch-Maschine-Kommunikation}, language = {en} } @inproceedings{GoodwinMeierBartrametal., author = {Goodwin, Sarah and Meier, Sebastian and Bartram, Lyn and Godwin, Alex and Nagel, Till and D{\"o}rk, Marian}, title = {Unravelling the Human Perspective and Considerations for Urban Data Visualization}, series = {2021 IEEE 14th Pacific Visualization Symposium (PacificVis)}, booktitle = {2021 IEEE 14th Pacific Visualization Symposium (PacificVis)}, publisher = {IEEE}, address = {New York}, organization = {The Institute of Electrical and Electronics Engineers (IEEE)}, isbn = {978-1-6654-3931-2}, doi = {10.1109/PacificVis52677.2021.00024}, pages = {126 -- 130}, abstract = {Effective use of data is an essential asset to modern cities. Visualization as a tool for analysis, exploration, and communication has become a driving force in the task of unravelling our complex urban fabrics. This paper outlines the findings from a series of three workshops from 2018-2020 bringing together experts in urban data visualization with the aim of exploring multidisciplinary perspectives from the human-centric lens. Based on the rich and detailed workshop discussions identifying challenges and opportunities for urban data visualization research, we outline major human-centric themes and considerations fundamental for CityVis design and introduce a framework for an urban visualization design space.}, subject = {Individuelle Datenverarbeitung}, language = {en} } @incollection{HeidmannMeierMatthies, author = {Heidmann, Frank and Meier, Anita and Matthies, Denys J.C.}, title = {A brief Survey on Understanding the Interaction between Human and Technology at the Task of Pedestrian Navigation}, series = {Proceedings of the International Summer School on Visual Computing 2015 : August 17-21, 2015 in Rostock, Germany}, booktitle = {Proceedings of the International Summer School on Visual Computing 2015 : August 17-21, 2015 in Rostock, Germany}, publisher = {Fraunhofer}, address = {Stuttgart}, isbn = {978-3-8396-0960-6}, pages = {135 -- 140}, subject = {Bilderzeugung}, language = {en} } @techreport{HeidmannThomMeier, author = {Heidmann, Frank and Thom, Andreas and Meier, Sebastian}, title = {Wachstumskern Potenzial : MSNI - Mobile Semantische Navigation und Information, Teilprojekt 3: Nutzerschnittstellen und Content-Visualisierung. Projekt-Schlussbericht ; Berichtslaufzeit: 02/12 bis 01/14}, publisher = {FHP, FB Design}, address = {Potsdam}, doi = {10.2314/GBV:834735105}, pages = {57}, subject = {Mobiles Internet}, language = {de} } @book{Heinicker, author = {Heinicker, Paul}, title = {Anderes Visualisieren}, publisher = {transcript Verlag}, address = {Bielefeld}, isbn = {978-3-8394-7482-2}, doi = {10.14361/9783839474822}, publisher = {Fachhochschule Potsdam}, pages = {436}, abstract = {Ob Corona-Pandemie oder Klimawandel - Datenbilder sind zu einem zentralen Bestandteil gesellschaftlicher Diskurse geworden. Doch gerade ihre Anschaulichkeit verstellt den Blick auf die Komplexit{\"a}t von Bildprozessen. Was zeigen Datenvisualisierungen und was verschweigen sie? Und vonn wem und wie werden Daten visualisiert? Paul Heinicker formuliert eine Kritik an der abbildungsgetriebenen Kultur der Datenvisualisierung und entwickelt alternative Modelle, die sich n{\"a}her an den produktionstheoretischen Realit{\"a}ten der Datengestaltung orientieren - wozu auch die Beschreibung eigener Visualisierungspraktiken geh{\"o}rt. Dabei zeigt sich: Anderes Visualisieren realisiert sich im Dazwischen von Theorie und Praxis.}, subject = {Daten}, language = {de} }