@incollection{Gerling, author = {Gerling, Winfried}, title = {Falling Men : Images of the Falling Human in Art and Photography}, series = {Apocalypse : Imagining the End}, booktitle = {Apocalypse : Imagining the End}, publisher = {Brill}, address = {Leiden}, isbn = {978-1-84888-278-2}, doi = {10.1163/9781848882782_006}, publisher = {Fachhochschule Potsdam}, pages = {35 -- 48}, abstract = {Falling is a metaphor and an image for a lot of possible human disasters like the fall of the angels, Adam's fall in sin etc. but also falling prices on the stock market. But there is a harsh contrast between the beauty of the image of a (pictorially) suspended fall and the implicit crash which is rarely been shown. The images of falling individuals make clear to us the utter vulnerability of the possible dead. Images of falling humans are discussed in the context of photography- and media theory. Against the Background of historical representation of falling men as for example in Hendrick Goltzius Series 'The Four Disgracers', photographic images are in the center of the examination: the paradigmatic image of the 'Falling Man' (WTC 09/11) but also contemporary photographers/artists like Denis Darzacq, Gelatin and Cyprian Muresan.}, subject = {fallen}, language = {en} } @article{Gerling, author = {Gerling, Winfried}, title = {Verst{\"a}rker}, series = {Nach dem film}, journal = {Nach dem film}, number = {8}, address = {Berlin}, organization = {Nach dem Film e.V.}, pages = {1 -- 12}, abstract = {Mein Beitrag wird vornehmlich von den ver{\"a}nderten Bedingungen der Fotografie durch digitale Produktionsweisen handeln. Veranschaulicht werden diese am Beispiel des Musikvideos bzw. des Musikclips, der mir in besonderer Weise geeignet scheint, die Ver{\"a}nderungen im Gebrauch und dem Einsatz von Fotografie in einem popul{\"a}ren - postfotografischen - digitalen Kontext zu veranschaulichen. Ich werde zun{\"a}chst durch einige Beispiele, die schlaglichtartig die Verwendung der Fotografie im Musikvideo illustrieren, zeigen, dass Fotografie seit den ersten Versuchen des Genres ein wesentliches Mittel bzw. auch eine Praxis f{\"u}r die Gestaltung von Musikclips ist und war.}, subject = {Fotografie}, language = {de} } @incollection{Gerling, author = {Gerling, Winfried}, title = {Man who fell to earth}, series = {Kein Ort, sondern ein Zustand}, booktitle = {Kein Ort, sondern ein Zustand}, address = {Leipzig}, organization = {Hochschule f{\"u}r Grafik und Buchkunst}, publisher = {Fachhochschule Potsdam}, pages = {12 -- 15}, subject = {Ort}, language = {de} } @incollection{Gerling, author = {Gerling, Winfried}, title = {Gef{\"a}hrliche Augenblicke}, series = {Gefahr oder Risiko}, booktitle = {Gefahr oder Risiko}, editor = {Mein, Georg and Christians, Heiko}, publisher = {Wilhelm Fink}, address = {Paderborn}, isbn = {978-3-7705-6425-5}, doi = {10.30965/9783846764251_010}, publisher = {Fachhochschule Potsdam}, pages = {145 -- 167}, subject = {Fotografie}, language = {de} } @incollection{Gerling, author = {Gerling, Winfried}, title = {Modellieren}, series = {Historisches W{\"o}rterbuch des Mediengebrauchs : Band 2}, booktitle = {Historisches W{\"o}rterbuch des Mediengebrauchs : Band 2}, editor = {Christians, Heiko and Bickenbach, Matthias and Wegmann, Nikolaus}, publisher = {B{\"o}hlau}, address = {K{\"o}ln}, isbn = {978-3-412-51205-7}, doi = {10.7788/9783412512040.300}, publisher = {Fachhochschule Potsdam}, pages = {300 -- 315}, subject = {Medienwissenschaft}, language = {de} } @incollection{Gerling, author = {Gerling, Winfried}, title = {Tote H{\"a}user}, series = {In da house}, booktitle = {In da house}, editor = {Christians, Heiko and Mein, Georg}, publisher = {Wilhelm Fink}, address = {Paderborn}, isbn = {978-3-7705-6141-4}, doi = {10.30965/9783846761410_008}, publisher = {Fachhochschule Potsdam}, pages = {107 -- 137}, subject = {Medienwissenschaft}, language = {de} } @incollection{Gerling, author = {Gerling, Winfried}, title = {Die Insel}, series = {Aktuelle Tendenzen}, booktitle = {Aktuelle Tendenzen}, editor = {Urban, Felix}, edition = {1. Edition}, publisher = {Tectum Verlag}, address = {Baden-Baden}, isbn = {978-3-8288-6849-6}, publisher = {Fachhochschule Potsdam}, pages = {240 -- 265}, subject = {Medienwissenschaft}, language = {de} } @incollection{Gerling, author = {Gerling, Winfried}, title = {"Verdammt nah dran" : die GoPro als Companion Technology}, series = {Automatisierte Zuwendung : Affektive Medien - Sensible Medien - F{\"u}rsorgende Medien}, booktitle = {Automatisierte Zuwendung : Affektive Medien - Sensible Medien - F{\"u}rsorgende Medien}, publisher = {Sch{\"u}ren Verlag}, address = {Marburg}, isbn = {978-3-7410-0213-7}, doi = {10.5771/9783741001802-37}, publisher = {Fachhochschule Potsdam}, pages = {37 -- 44}, subject = {Body-Cam}, language = {de} } @article{GerlingKrautkraemer, author = {Gerling, Winfried and Krautkr{\"a}mer, Florian}, title = {Zeitlupe}, series = {Zeitschrift f{\"u}r Medienwissenschaft}, volume = {16}, journal = {Zeitschrift f{\"u}r Medienwissenschaft}, number = {30}, publisher = {transcript Verlag}, address = {Bielefeld}, issn = {2296-4126}, doi = {10.25969/mediarep/22006}, pages = {131 -- 133}, subject = {Zeitlupe}, language = {de} } @incollection{Gerling, author = {Gerling, Winfried}, title = {Das Ende Europas (Fotoessay)}, series = {Paradoxien des Finalen}, booktitle = {Paradoxien des Finalen}, editor = {Bexte, Peter}, publisher = {Kadmos}, address = {Berlin}, isbn = {978-3-86599-491-2}, publisher = {Fachhochschule Potsdam}, pages = {53 -- 78}, subject = {Europa }, language = {de} } @incollection{Gerling, author = {Gerling, Winfried}, title = {In-Front-of-the-Screen Images}, series = {Screen Images}, booktitle = {Screen Images}, editor = {Gerling, Winfried and M{\"o}ring, Sebastian and De Mutiis, Marco}, publisher = {Kadmos}, address = {Berlin}, isbn = {978-3-86599-535-3}, doi = {10.55309/c3ie61k5}, publisher = {Fachhochschule Potsdam}, pages = {93 -- 134}, subject = {Medienwissenschaft}, language = {en} }