@article{GlinkaPietschDilbaetal., author = {Glinka, Katrin and Pietsch, Christopher and Dilba, Carsten and D{\"o}rk, Marian}, title = {Linking Structure, Texture and Context in a Visualization of Historical Drawings by Frederick William IV (1795-1861)}, series = {International Journal for Digital Art History}, journal = {International Journal for Digital Art History}, number = {2}, publisher = {Graphentis-Verl.}, address = {M{\"u}nchen}, issn = {2363-5401}, doi = {10.11588/dah.2016.2.33530}, url = {http://nbn-resolving.de/urn:nbn:de:bsz:16-dah-335306}, pages = {199 -- 213}, abstract = {In this article we present a case study on digital representation of the art historical research and metadata brought together for a scientific collection catalogue by the Prussian Palaces and Gardens Foundation Berlin-Brandenburg. The resulting interface aims at linking the structure and texture of a collection of drawings by Frederick William IV of Prussia (1795-1861) with additional contextual information. The article describes the context of the larger research project and presents the resulting visualization and interaction techniques specifically designed for dynamic exploration along time and subjects.}, subject = {Information}, language = {en} } @incollection{vonLupinGeuderLeidingeretal., author = {von Lupin, Martin and Geuder, Philipp and Leidinger, Marie-Claire and Schr{\"o}der, Tobias and D{\"o}rk, Marian}, title = {Emosaic - Visualisierung von Emotionen in Texten durch Farbumwandlung zur Analyse und Exploration}, series = {DHd 2016 : Modellierung - Vernetzung - Visualisierung : die Digital Humanities als f{\"a}cher{\"u}bergreifendes Forschungsparadigma : Konferenzabstracts : Universit{\"a}t Leipzig, 7. bis 12. M{\"a}rz 2016}, booktitle = {DHd 2016 : Modellierung - Vernetzung - Visualisierung : die Digital Humanities als f{\"a}cher{\"u}bergreifendes Forschungsparadigma : Konferenzabstracts : Universit{\"a}t Leipzig, 7. bis 12. M{\"a}rz 2016}, publisher = {nisaba verlag}, address = {Duisburg}, isbn = {978-3-941379-05-3}, pages = {263 -- 266}, abstract = {Das computergest{\"u}tzte Extrahieren und Visualisieren von Emotionen in Texten ist eine etablierte Technik des "Distant Reading". Die generelle Stimmung eines Textes kann schnell erfasst werden ohne den gesamten Text lesen zu m{\"u}ssen. Da Emotionen sehr komplex und die Eigenschaften zwischen verschiedenen Emotionen fließend sind, ist die visuelle Charakterisierung von Emotionen schwierig. Wir stellen Emosaic vor, ein Online-Tool welches Emotionen aus benutzerdefinierten Texten filtert und durch systematische und nachvollziehbare Farbumwandlung zur Exploration und Analyse innerhalb einer interaktiven Visualisierung bereitstellt. Die durch drei Dimensionen beschreibbaren Emotionen werden dabei in klar definierte Farbparameter {\"u}bersetzt. Ein von uns entwickelter {\"o}ffentlich zug{\"a}nglicher Web- Prototyp ( vgl. Geuder et al. 2014-) zeigt anhand interaktiver Visualisierungen erste Analyse- und Explorationsm{\"o}glichkeiten dieser Methode.}, subject = {Geisteswissenschaften}, language = {de} } @article{AlbrechtDoerkMueller, author = {Albrecht, Kim and D{\"o}rk, Marian and M{\"u}ller, Boris}, title = {Culturagraphy}, series = {Leonardo}, volume = {50}, journal = {Leonardo}, number = {2}, publisher = {MIT Press}, address = {Cambridge, Mass.}, issn = {1530-9282}, doi = {10.1162/LEON_a_01230}, pages = {209 -- 210}, abstract = {Culturegraphy visualizes the exchange of cultural information over time. Treating cultural works as nodes and influences as directed edges, the visualization of these cultural networks can provide new insights into the rich interconnections of cultural development such as that seen in movie references. All findings reported in this article were made through a process that involved network scientists, a media theorist and a sociologist; the role that visualization can play in bridging scientific communities was central to this work. The visualizations were in fact the result of a process to bring researchers from different disciplines together. While traditionally physicists have used different methods than those used by media theorists or sociologists, physicists are increasingly asking questions similar to those asked by media theorists or sociologists as they study the dynamics in networks. Visualization can serve as a common language that brings fields together and identifies the differences between them but that also has its own idiosyncratic views.}, subject = {Graphische Datenverarbeitung}, language = {en} } @incollection{StangeLandstorferDoerketal., author = {Stange, Jan-Erik and Landstorfer, Johannes and D{\"o}rk, Marian and Wettach, Reto}, title = {Visual Filter}, series = {Proceedings of the Eleventh Workshop on Visualization for Cyber Security (VizSec '14)}, booktitle = {Proceedings of the Eleventh Workshop on Visualization for Cyber Security (VizSec '14)}, publisher = {ACM}, address = {New York, NY}, isbn = {978-1-4503-2826-5}, doi = {10.1145/2671491.2671503}, pages = {41 -- 48}, abstract = {Network log files often need to be investigated manually for suspicious activity. The huge amount of log lines complicates maintaining an overview, navigation and quick pattern identification. We propose a system that uses an interactive visualization, a visual filter, representing the whole log in an overview, allowing to navigate and make context-preserving subselections with the visualization and in this way reducing the time and effort for security experts needed to identify patterns in the log file. This explorative interactive visualization is combined with focused querying to search for known suspicious terms that are then highlighted in the visualization and the log file itself.}, subject = {Computergrafik}, language = {en} } @misc{AlbrechtMuellerDoerk, author = {Albrecht, Kim and M{\"u}ller, Boris and D{\"o}rk, Marian}, title = {Culturegraphy - Visualizing Cultural Network Dynamics}, abstract = {Culturegraphy visualizes cultural information exchange over time. Treating cultural works as nodes and influences as directed edges, the visualization of these cultural networks can provide new insights into the rich interconnections of cultural development. The graphics represent complex relationships of movie references by combining macro views summarizing 100 years of movie influences with micro views providing a close-up look at the embedding of individual movies. The macro view shows the rise of the self-referential character of postmodern cinema, while the micro level illustrates differences between individual movies, when they were referenced and by whom. The visualizations provide views that are closer to the real complexity of the relationships than aggregated views or rankings could do.}, subject = {Kultur}, language = {en} } @incollection{ChenDoerkDadeRobertson, author = {Chen, Ko-le and D{\"o}rk, Marian and Dade-Robertson, Martyn}, title = {Exploring the Promises and Potentials of Visual Archive Interfaces}, series = {iConference Berlin 2014 : breaking down walls ; culture, context, computing ; proceedings, March 4 - 7, 2014}, booktitle = {iConference Berlin 2014 : breaking down walls ; culture, context, computing ; proceedings, March 4 - 7, 2014}, publisher = {IDEALS}, address = {Urbana-Champaign, Ill.}, isbn = {0-9884900-1-3}, doi = {10.9776/14348}, pages = {735 -- 741}, abstract = {A photo archive contains diverse narratives that only get partially exposed in digital interfaces. In this paper we explore a potential framework for archivists and designers to create photo archive interfaces that are sensitive to the ethos and social context of its content. We outline our approach to engaging with archival projects and present the results of a pilot workshop, which raised a range of complex questions about the design of visual interfaces. Our aim is to practically and conceptually expand how a visual interface would let a visitor access, explore, and interpret the contents of an archive. To do this we are interested in the different associations that people weave between the artefacts of an archive.}, subject = {Fotografie}, language = {en} } @incollection{ColjeeGrayDoerkCarpendale, author = {Coljee-Gray, Cody and D{\"o}rk, Marian and Carpendale, Sheelagh}, title = {Visually Exploring Books along their Subject Headings}, series = {iConference Berlin 2014 : breaking down walls ; culture, context, computing ; proceedings, March 4 - 7, 2014}, booktitle = {iConference Berlin 2014 : breaking down walls ; culture, context, computing ; proceedings, March 4 - 7, 2014}, publisher = {IDEALS}, address = {Urbana-Champaign, Ill.}, isbn = {0-9884900-1-3}, doi = {10.9776/14347}, pages = {729 -- 734}, abstract = {We present a visualization of subject headings that typically accompany books as flat textual metadata. The purpose of the visualization is twofold: first to expose the implicit structure in subject headings as an overview of a library collection and second to present a visual web of keywords to invite exploration of books. Taking a tag cloud as a starting point, the visualization extends it to a networked tag cloud that respects the hierarchy that is implicit in subject headings. By allowing an information seeker to successively build a subject filter, while seeing the results at each step, we hope to improve the searcher's orientation in a comprehensive book collection.}, subject = {Informationstheorie}, language = {en} } @incollection{DoerkComberDadeRobertson, author = {D{\"o}rk, Marian and Comber, Rob and Dade-Robertson, Martyn}, title = {Monadic Exploration}, series = {CHI 2014 : one of a CHInd ; The 32nd Annual ACM Conference on Human Factors in Computing Systems, conference proceedings, Toronto, Canada, April 26 - May 1}, booktitle = {CHI 2014 : one of a CHInd ; The 32nd Annual ACM Conference on Human Factors in Computing Systems, conference proceedings, Toronto, Canada, April 26 - May 1}, publisher = {ACM}, address = {New York, NY}, isbn = {978-1-4503-2473-1}, doi = {10.1145/2556288.2557083}, pages = {1535 -- 1544}, abstract = {Monadic exploration is a new approach to interacting with relational information spaces that challenges the distinction between the whole and its parts. Building on the work of sociologists Gabriel Tarde and Bruno Latour we turn to the concept of the monad as a useful lens on online communities and collections that expands the possibility for creating meaning in their navigation. While existing interfaces tend to emphasize either the structure of the whole or details of a part, monadic exploration brings these opposing perspectives closer together in continuous movements between partially overlapping points of view. We present a visualization that reflects a given node's relative position within a network using radial displacements and visual folding. To investigate the potential of monadic exploration we report on an iterative design process of a web-based visualization of a highly cross-referenced book and its six-month deployment.}, subject = {Informationstheorie}, language = {en} } @incollection{LandstorferHerrmannStangeetal., author = {Landstorfer, Johannes and Herrmann, Ivo and Stange, Jan-Erik and D{\"o}rk, Marian and Wettach, Reto}, title = {Weaving a Carpet from Log Entries}, series = {2014 IEEE Conference on Visual Analytics Science and Technology (VAST) : 25 - 31 Oct. [i.e. 9 - 14 November] 2014, Paris, France}, booktitle = {2014 IEEE Conference on Visual Analytics Science and Technology (VAST) : 25 - 31 Oct. [i.e. 9 - 14 November] 2014, Paris, France}, publisher = {IEEE}, address = {Piscataway, NJ}, doi = {10.1109/VAST.2014.7042483}, pages = {73 -- 82}, abstract = {We created a pixel map for multivariate data based on an analysis of the needs of network security engineers. Parameters of a log record are shown as pixels and these pixels are stacked to represent a record. This allows a broad view of a data set on one screen while staying very close to the raw data and to expose common and rare patterns of user behavior through the visualization itself (the "Carpet"). Visualizations that immediately point to areas of suspicious activity without requiring extensive filtering, help network engineers investigating unknown computer security incidents. Most of them, however, have limited knowledge of advanced visualization techniques, while many designers and data scientists are unfamiliar with computer security topics. To bridge this gap, we developed visualizations together with engineers, following a co-creative process. We will show how we explored the scope of the engineers' tasks and how we jointly developed ideas and designs. Our expert evaluation indicates that this visualization helps to scan large parts of log files quickly and to define areas of interest for closer inspection.}, subject = {Rechnernetz}, language = {en} } @article{SchofieldKirkAmaraletal., author = {Schofield, Tom and Kirk, David and Amaral, Telmo and D{\"o}rk, Marian and Whitelaw, Mitchell and Schofield, Guy and Ploetz, Thomas}, title = {Archival Liveness}, series = {Digital Humanities Quarterly}, volume = {9}, journal = {Digital Humanities Quarterly}, number = {3}, issn = {1938-4122}, abstract = {We present "archival liveness" as a concept in design and the Digital Humanities and describe its development within a Research Through Design process. Working with a newly acquired archive of contemporary poetry we produced designs that both manifested and "geared in to" [Durrant 2011] [Gurwitsch 1979] the temporal rhythms of the work and infrastructure of archiving. Drawing on user-centred work with participants, often poets themselves, we focused on marginalia as a material feature of the archive, developing a drawing machine and live Twitter bot. Our work addresses institutional concerns for outreach and engagement while also acknowledging and exploiting the inevitably incomplete or live character of archival collections. For designers working with digital archives, we demonstrate the pragmatic and critical value of liveness as a focus of the design process.}, subject = {Geisteswissenschaften}, language = {en} } @incollection{GlinkaDoerk, author = {Glinka, Katrin and D{\"o}rk, Marian}, title = {Museum im Display}, series = {EVA Berlin 2015 : elektronische Medien \& Kunst, Kultur, Historie : Konferenzband : 22. Berliner Veranstaltung der internationalen EVA-Serie}, booktitle = {EVA Berlin 2015 : elektronische Medien \& Kunst, Kultur, Historie : Konferenzband : 22. Berliner Veranstaltung der internationalen EVA-Serie}, publisher = {arthistoricum.net}, address = {Heidelberg}, isbn = {978-3-88609-773-9}, doi = {10.11588/arthistoricum.157.197}, pages = {21 -- 27}, abstract = {Im R{\"u}ckgriff auf Ausstellungspraktiken im Museum stellt der Artikel Bez{\"u}ge zwischen Erkenntnissen aus der Visualisierungsforschung und der Rezeption von Museumssammlungen in einem Ausstellungsdisplay her. Besondere Beachtung finden hierbei Makro- und Mikroperspektiven auf Sammlungen und Darstellungen im (digitalen) Display eines Museums. Visualisierungen k{\"o}nnen einen offenen und explorativen Zugang zu den digitalisierten Best{\"a}nden bieten, der eher den Ausstellungs- und Vermittlungsaktivit{\"a}ten des Museums entspricht oder diese erg{\"a}nzt. Dabei werden die Potenziale der digitalen Pr{\"a}sentation herausgearbeitet und Anhand von Use Cases aus der Forschung illustriert, welche Ans{\"a}tze in der facettierten und „kuratierten" Inszenierung von Sammlungen umgesetzt werden k{\"o}nnen.}, subject = {Museum}, language = {de} } @inproceedings{OttenHildebrandtNageletal., author = {Otten, Heike and Hildebrandt, Lennart and Nagel, Till and D{\"o}rk, Marian and M{\"u}ller, Boris}, title = {Are there networks in maps?}, pages = {3}, abstract = {Shifted Maps proposes a novel visualization method to generate personal geovisualizations of individual movement data. The resulting visual appearance can be characterized as a map network consisting of visited places and their connections. The visited places are shown as circular map extracts scaled according to the time spent there and the movements between the places are represented as edges between the places. A key feature of the Shifted Maps visualization is the possibility to explore the data in three different arrangements based on geo-spatial position, travel time, and frequency of movements. By combining map and network visualizations of movement data, it becomes possible to analyze and compare spatial and temporal topologies.}, subject = {Geographie}, language = {en} }