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(2019)
A central idea of ubiquitous music is that music does not arise from the ideas of an isolated genius, but rather from the interaction of several participants [Keller et al. 2014]. But this requires a certain amount of restraint on the part of the designers of the respective setting and at the same time seems to require a full disclosure of the underlying theoretical and aesthetic concepts to the participants, if the participants are really to be taken seriously and given the means to actually be able to become creative themselves in an understandable way within the given context. In this paper, the consequences of such a demand are first discussed theoretically. Finally, for the concept developed by the author, ”Every human being can compose on the basis of natural numbers”, an attempt is made in this specific case to determine in what form such a concept could be passed on in order to meet the above criteria.
Ubiquitous Music is an interdisciplinary research area that combines methodologies from music, computer science, education, creativity studies, human sciences and engineering.
The Ubiumus 2023 symposium, held at Ulster University and North West Regional College in Derry~Londonderry, Northern Ireland, included contributions on the following topics:
Rapid Prototyping and Live Environments
Ecological Approaches to Ubiquitous Music
Ubiquitous Music Creative Practices, Tools and Influences
The symposium also included a number of artistic contributions and workshops, which are also discussed in the proceedings volume. A number of events (including all paper presentations, an invited lecture, a panel discussion, and a keynote and associated performance) were also documented via video, with a link available in this Proceedings volume.