TY - CHAP A1 - Hasche, Eberhard A1 - Karaschewski, Oliver A1 - Creutzburg, Reiner T1 - Comparing different approaches to create input device transforms (IDTs) for the RED Scarlet-X Camera T2 - Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2018; 28 January - 2 February, 2018 Y1 - 2018 CY - Burlingame, California USA ER - TY - CHAP A1 - Hasche, Eberhard A1 - Karaschewski, Oliver A1 - Creutzburg, Reiner T1 - Creating input device transforms for Blackmagic Production Camera and Canon EOS 5D Mark III DSLR camera T2 - Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2018, 28 January - 2 February, 2018, Burlingame, California USA Y1 - 2018 ER - TY - CHAP A1 - Creutzburg, Reiner A1 - Hasche, Eberhard A1 - Karaschewski, Oliver T1 - Comparing ACES Input Device Transforms for the Canon EOS 5D Mark III DSLR camera T2 - Electronic Imaging: Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications, 28. Januar bis 1. Februar 2018, Burlingame, Kalifornien, USA Y1 - 2018 U6 - https://doi.org/10.2352/issn.2470-1173.2018.06.mobmu-138 SN - 2470-1173 SP - 138-1 EP - 138-13 PB - Society for Imaging Science and Technology CY - Kilworth Lane / Springfield, Virginia, USA ER - TY - CHAP A1 - Hasche, Eberhard A1 - Creutzburg, Reiner A1 - Karaschewski, Oliver T1 - Refining ACES Best Practice T2 - Color Imaging XXIV: Displaying, Processing, Hardcopy, and Applications, 13. bis 17. Januar, Burlingame, Kalifornien, USA Y1 - 2019 U6 - https://doi.org/10.2352/ISSN.2470-1173.2019.14.COLOR-097 SP - 097-1 EP - 097-20 PB - Society for Imaging Science and Technology ER - TY - JOUR A1 - Hasche, Eberhard A1 - Benning, Dominik A1 - Karaschewski, Oliver A1 - Carstens, Florian A1 - Creutzburg, Reiner T1 - Creating high-resolution 360-degree single-line 25K video content for modern conference rooms using film compositing techniques JF - Electronic Imaging KW - 360 panorama KW - VR an AR KW - film compsiting KW - high resolution panorama Y1 - 2020 U6 - https://doi.org/10.2352/ISSN.2470-1173.2020.3.MOBMU-206 SN - 2470-1173 SP - 206-1 EP - 206-14 PB - Society for Imaging Science and Technology ER - TY - JOUR A1 - Hasche, Eberhard A1 - Karaschewski, Oliver A1 - Creutzburg, Reiner T1 - iPhone12 imagery in scene-referred computer graphics pipelines JF - Electronic Imaging N2 - With the release of the Apple iPhone 12 Pro Max in 2020, various features were integrated that make it attractive as a recording device for scene-related computer graphics pipelines. The captured Apple RAW images have a much higher dynamic range than the standard 8-bit images. Since a scene-based workflow naturally has an extended dynamic range (HDR), the Apple RAW recordings can be well integrated. To correctly integrate the iPhone 12 pro Apple RAW data into a scene-related workflow, two command-line software solutions, among others, are dcraw and rawtoaces. In this paper, we concentrate on dcraw. dcraw offers the possibility to export RAW images directly to ACES2065-1. Different images recorded under different lighting conditions are examined to determine which options for the dcraw development produce the best results. Images from five different lighting situations like D65, D60, D55, D50, and 2980K, are examined. The DNG files are developed using different methods within dcraw. The values of the recorded ColorChecker24 patches are compared to reference values derived from BabelColor [1] and ACES [2]. Y1 - 2023 U6 - https://doi.org/10.2352/EI.2023.35.3.MOBMU-350 SP - 350-1 EP - 350-14 PB - Society for Imaging Science and Technology ER - TY - JOUR A1 - Hasche, Eberhard A1 - Karaschewski, Oliver A1 - Creutzburg, Reiner ED - Society for Imaging Science and Technology, T1 - RAW images and videos for 30K panoramic projection using the ACES workflow JF - Electronic Imaging Y1 - 2022 UR - https://library.imaging.org/ei/articles/34/3/MOBMU-400 U6 - https://doi.org/10.2352/EI.2022.34.3.MOBMU-400 SN - 2470-1173 IS - 34 SP - 400-1 EP - 400-13 PB - Society for Imaging Science and Technology ER - TY - JOUR A1 - Hasche, Eberhard A1 - Karaschewski, Oliver A1 - Creutzburg, Reiner T1 - Using ACES Look Modification Transforms (LMTs) in VFX Environments – Part 2: Gamut Mapping JF - Electronic Imaging KW - 3ARRI footage KW - ACES KW - VFX KW - color gamut KW - color management KW - color spaces KW - tone mapping Y1 - 2021 U6 - https://doi.org/10.2352/ISSN.2470-1173.2021.3.MOBMU-108 SN - 2470-1173 SP - 108-1 EP - 108-14 PB - Society for Imaging Science and Technology CY - Springfield, VA ER -