TY - GEN A1 - Fritz, Birgit A1 - Kofekidou, Eleni A1 - Kolmykova, Daria A1 - Rocktäschel, Lucia Clara A1 - Kramann, Guido ED - Rocktäschel, Lucia Clara T1 - Werkschau Künstlerische Forschung 2018 N2 - Participants of "Artistic Research" present their works. The course refers to Edmund Husserl's phenomenology and is dedicated to technicians. This year the results were presented in the wave field synthesis laboratory of HAW in Hamburg. KW - Computerkunst KW - artistic research KW - phenomenology KW - wave field synthesis Y1 - 2018 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:522-opus4-19657 PB - Technische Hochschule Brandenburg CY - Brandenburg an der Havel ER - TY - CHAP A1 - Kramann, Guido T1 - Darwinian Pianos: Realtime Composition Based on Competitive Evolutionary Process T2 - Evolutionary and Biologically Inspired Music, Sound, Art and Design, Second International Conference, EvoMUSART 2013, 3. bis 5. April, Wien T3 - Lecture notes in computer science - 7834 KW - Evolutionärer Algorithmus KW - Maschinelles Lernen KW - Kunst KW - Musik Y1 - 2013 SN - 978-3-642-36954-4 SN - 978-3-642-36955-1 U6 - https://doi.org/10.1007/978-3-642-36955-1_4 VL - 7834 SP - 37 EP - 46 PB - Springer CY - Berlin / Heidelberg ER - TY - CHAP A1 - Kramann, Guido T1 - Modulo KW - algorithmic composition KW - arithmetic operations KW - realtime composition KW - live coding Y1 - 2019 UR - https://hal.archives-ouvertes.fr/hal-02382500/file/Proceedings_CMMR2019.pdf#page=994 SP - 993 EP - 999 ER - TY - CHAP A1 - Kramann, Guido T1 - Generative Grammar Based on Arithmetic Operations for Realtime Composition T2 - Proc. of the 14th International Symposium on CMMR, Marseille, France, Oct. 14-18, 2019 KW - algorithmic composition KW - phenomenology KW - arithmetic operations KW - realtime composition KW - live coding KW - Edmund Husserl KW - notation system Y1 - 2019 UR - https://hal.archives-ouvertes.fr/hal-02382500/document#page=352 SP - 346 EP - 360 ER - TY - CHAP A1 - Kramann, Guido ED - Kronland-Martinet, Richard T1 - Generative Grammar Based on Arithmetic Operations for Realtime Composition T2 - Perception, Representations, Image, Sound, Music : 14th International Symposium, CMMR 2019, Marseille, France, October 14–18, 2019 T3 - Lecture notes in computer science - 12631 KW - Algorithmic composition KW - Phenomenology KW - Arithmetic operations KW - Realtime composition KW - Live coding KW - Edmund Husserl KW - Notation system Y1 - 2021 SN - 978-3-030-70210-6 U6 - https://doi.org/10.1007/978-3-030-70210-6_19 SP - 279 EP - 303 PB - Springer CY - Cham ER - TY - CHAP A1 - Kramann, Guido T1 - Of renouncing to do something grandiose T2 - Konferenz: X ubimus - Ubiquitous Music Workshop 2020, Online, 2020/ Konferenzband: Proceedings of the 10th Workshop on Ubiquitous Music (UbiMus); November 9 - 13, 2020 (online) N2 - A central idea of ubiquitous music is that music does not arise from the ideas of an isolated genius, but rather from the interaction of several participants [Keller et al. 2014]. But this requires a certain amount of restraint on the part of the designers of the respective setting and at the same time seems to require a full disclosure of the underlying theoretical and aesthetic concepts to the participants, if the participants are really to be taken seriously and given the means to actually be able to become creative themselves in an understandable way within the given context. In this paper, the consequences of such a demand are first discussed theoretically. Finally, for the concept developed by the author, ”Every human being can compose on the basis of natural numbers”, an attempt is made in this specific case to determine in what form such a concept could be passed on in order to meet the above criteria. Y1 - 2020 UR - https://zenodo.org/record/4246025 SN - 978-65-00-10188-1 U6 - https://doi.org/10.5281/zenodo.4246025 SP - 21 EP - 35 PB - Zenodo CY - Online ER - TY - CHAP A1 - Kramann, Guido T1 - AOGscript – Design of a Stand-Alone Scripting Language for the Generation of Music. Proceedings of the International Symposium on Ubiquitous Music, 2023 T2 - Konferenz: 13th International Symposium on Ubiquitous Music 2023 (Ubimus23) , Ulster University, Derry~Londonderry, Northern Ireland, 2-4 November, 2023 N2 - Ubiquitous Music is an interdisciplinary research area that combines methodologies from music, computer science, education, creativity studies, human sciences and engineering. The Ubiumus 2023 symposium, held at Ulster University and North West Regional College in Derry~Londonderry, Northern Ireland, included contributions on the following topics: Rapid Prototyping and Live Environments Ecological Approaches to Ubiquitous Music Ubiquitous Music Creative Practices, Tools and Influences The symposium also included a number of artistic contributions and workshops, which are also discussed in the proceedings volume. A number of events (including all paper presentations, an invited lecture, a panel discussion, and a keynote and associated performance) were also documented via video, with a link available in this Proceedings volume. Y1 - 2023 UR - https://zenodo.org/records/10670220 SN - 978-65-00-85069-7 U6 - https://doi.org/10.5281/zenodo.10670220 SP - 95 EP - 109 PB - Zenodo ER - TY - CHAP A1 - Guido, Kramann T1 - AOGscript, Generative Code as Conceptual Artwork: Giving Space to Astonishment. Proceedings of xCoAx 2023 T2 - Konferenz: xCoAx 2023 11th Conference on Computation, Communication, Aesthetics & X Y1 - 2023 UR - https://2023.xcoax.org/xcoax2023.pdf SN - 978-989-9049-52-9 U6 - https://doi.org/10.34626/xcoax.2023 SP - 401 EP - 408 PB - i2ADS CY - Porto, Portugal ER - TY - JOUR A1 - Kramann, Guido T1 - Composing by Laypeople: A Broader Perspective Provided by Arithmetic Operation Grammar JF - Computer Music Journal Y1 - 2021 U6 - https://doi.org/10.1162/comj_a_00550 VL - 44 IS - 1 SP - 17 EP - 34 PB - MIT Press ER -