@inproceedings{HascheKaraschewskiCreutzburg2018, author = {Hasche, Eberhard and Karaschewski, Oliver and Creutzburg, Reiner}, title = {Comparing different approaches to create input device transforms (IDTs) for the RED Scarlet-X Camera}, series = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2018; 28 January - 2 February, 2018}, booktitle = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2018; 28 January - 2 February, 2018}, address = {Burlingame, California USA}, year = {2018}, language = {en} } @inproceedings{HascheKaraschewskiCreutzburg2018, author = {Hasche, Eberhard and Karaschewski, Oliver and Creutzburg, Reiner}, title = {Creating input device transforms for Blackmagic Production Camera and Canon EOS 5D Mark III DSLR camera}, series = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2018, 28 January - 2 February, 2018, Burlingame, California USA}, booktitle = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2018, 28 January - 2 February, 2018, Burlingame, California USA}, year = {2018}, language = {en} } @inproceedings{CreutzburgHascheKaraschewski2018, author = {Creutzburg, Reiner and Hasche, Eberhard and Karaschewski, Oliver}, title = {Comparing ACES Input Device Transforms for the Canon EOS 5D Mark III DSLR camera}, series = {Electronic Imaging: Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications, 28. Januar bis 1. Februar 2018, Burlingame, Kalifornien, USA}, booktitle = {Electronic Imaging: Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications, 28. Januar bis 1. Februar 2018, Burlingame, Kalifornien, USA}, publisher = {Society for Imaging Science and Technology}, address = {Kilworth Lane / Springfield, Virginia, USA}, issn = {2470-1173}, doi = {10.2352/issn.2470-1173.2018.06.mobmu-138}, pages = {138-1 -- 138-13}, year = {2018}, language = {en} } @inproceedings{HascheCreutzburgKaraschewski2019, author = {Hasche, Eberhard and Creutzburg, Reiner and Karaschewski, Oliver}, title = {Refining ACES Best Practice}, series = {Color Imaging XXIV: Displaying, Processing, Hardcopy, and Applications, 13. bis 17. Januar, Burlingame, Kalifornien, USA}, booktitle = {Color Imaging XXIV: Displaying, Processing, Hardcopy, and Applications, 13. bis 17. Januar, Burlingame, Kalifornien, USA}, publisher = {Society for Imaging Science and Technology}, doi = {10.2352/ISSN.2470-1173.2019.14.COLOR-097}, pages = {097-1 -- 097-20}, year = {2019}, language = {en} } @article{HascheBenningKaraschewskietal.2020, author = {Hasche, Eberhard and Benning, Dominik and Karaschewski, Oliver and Carstens, Florian and Creutzburg, Reiner}, title = {Creating high-resolution 360-degree single-line 25K video content for modern conference rooms using film compositing techniques}, series = {Electronic Imaging}, journal = {Electronic Imaging}, publisher = {Society for Imaging Science and Technology}, issn = {2470-1173}, doi = {10.2352/ISSN.2470-1173.2020.3.MOBMU-206}, pages = {206-1 -- 206-14}, year = {2020}, language = {en} } @article{HascheKaraschewskiCreutzburg2023, author = {Hasche, Eberhard and Karaschewski, Oliver and Creutzburg, Reiner}, title = {iPhone12 imagery in scene-referred computer graphics pipelines}, series = {Electronic Imaging}, journal = {Electronic Imaging}, publisher = {Society for Imaging Science and Technology}, doi = {10.2352/EI.2023.35.3.MOBMU-350}, pages = {350-1 -- 350-14}, year = {2023}, abstract = {With the release of the Apple iPhone 12 Pro Max in 2020, various features were integrated that make it attractive as a recording device for scene-related computer graphics pipelines. The captured Apple RAW images have a much higher dynamic range than the standard 8-bit images. Since a scene-based workflow naturally has an extended dynamic range (HDR), the Apple RAW recordings can be well integrated. To correctly integrate the iPhone 12 pro Apple RAW data into a scene-related workflow, two command-line software solutions, among others, are dcraw and rawtoaces. In this paper, we concentrate on dcraw. dcraw offers the possibility to export RAW images directly to ACES2065-1. Different images recorded under different lighting conditions are examined to determine which options for the dcraw development produce the best results. Images from five different lighting situations like D65, D60, D55, D50, and 2980K, are examined. The DNG files are developed using different methods within dcraw. The values of the recorded ColorChecker24 patches are compared to reference values derived from BabelColor [1] and ACES [2].}, language = {en} } @article{HascheKaraschewskiCreutzburg2022, author = {Hasche, Eberhard and Karaschewski, Oliver and Creutzburg, Reiner}, title = {RAW images and videos for 30K panoramic projection using the ACES workflow}, series = {Electronic Imaging}, journal = {Electronic Imaging}, number = {34}, editor = {Society for Imaging Science and Technology,}, publisher = {Society for Imaging Science and Technology}, issn = {2470-1173}, doi = {10.2352/EI.2022.34.3.MOBMU-400}, pages = {400-1 -- 400-13}, year = {2022}, language = {en} } @article{HascheKaraschewskiCreutzburg2021, author = {Hasche, Eberhard and Karaschewski, Oliver and Creutzburg, Reiner}, title = {Using ACES Look Modification Transforms (LMTs) in VFX Environments - Part 2: Gamut Mapping}, series = {Electronic Imaging}, journal = {Electronic Imaging}, publisher = {Society for Imaging Science and Technology}, address = {Springfield, VA}, issn = {2470-1173}, doi = {10.2352/ISSN.2470-1173.2021.3.MOBMU-108}, pages = {108-1 -- 108-14}, year = {2021}, language = {en} }