@article{HascheKaraschewskiCreutzburg2021, author = {Hasche, Eberhard and Karaschewski, Oliver and Creutzburg, Reiner}, title = {Using ACES Look Modification Transforms (LMTs) in VFX Environments - Part 2: Gamut Mapping}, series = {Electronic Imaging}, journal = {Electronic Imaging}, publisher = {Society for Imaging Science and Technology}, address = {Springfield, VA}, issn = {2470-1173}, doi = {10.2352/ISSN.2470-1173.2021.3.MOBMU-108}, pages = {108-1 -- 108-14}, year = {2021}, language = {en} } @inproceedings{IngwerGassenPostetal.2015, author = {Ingwer, Patrick and Gassen, Fabian and Post, Stefan and Duhn, Melanie and Sch{\"a}licke, Marten and M{\"u}ller, Katja and Ruhm, Heiko and Rettig, Josephin and Hasche, Eberhard and Fischer, Arno and Creutzburg, Reiner}, title = {Practical usefulness of structure from motion (SfM) point clouds obtained from different consumer cameras}, series = {Mobile devices and multimedia: enabling technologies, algorithms, and applications 2015 : 10 - 11 February 2015, San Francisco, California, United States ; proceedings ; [part of] IS\&T/SPIE electronic imaging}, booktitle = {Mobile devices and multimedia: enabling technologies, algorithms, and applications 2015 : 10 - 11 February 2015, San Francisco, California, United States ; proceedings ; [part of] IS\&T/SPIE electronic imaging}, editor = {Creutzburg, Reiner}, publisher = {SPIE}, address = {Bellingham, Wash.}, isbn = {978-1-62841-501-8}, year = {2015}, language = {en} } @inproceedings{SchoenIngwerFischeretal.2017, author = {Sch{\"o}n, Stefan and Ingwer, Patrick and Fischer, Arno and Schaff{\"o}ner, Martin and Hasche, Eberhard and Creutzburg, Reiner}, title = {3D reconstruction of buildings and landscapes - Evaluation of quality parameters and optimization of mission planning using RPAS}, series = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2016 : IS \& T International Symposium on Electronic Imaging Science and Technology 2016 : San Francisco, California, USA, 14-18 February 2016}, booktitle = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2016 : IS \& T International Symposium on Electronic Imaging Science and Technology 2016 : San Francisco, California, USA, 14-18 February 2016}, editor = {Creutzburg, Reiner}, publisher = {Curran Associates, Inc.}, address = {Red Hook, NY}, isbn = {978-1-5108-4600-5}, year = {2017}, language = {en} } @inproceedings{GassenHascheIngweretal.2017, author = {Gassen, Fabian and Hasche, Eberhard and Ingwer, Patrick and Creutzburg, Reiner}, title = {Supplementation of LiDAR scans with Structure from Motion (SfM) data}, series = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2016 : IS \& T International Symposium on Electronic Imaging Science and Technology 2016 : San Francisco, California, USA, 14-18 February 2016}, booktitle = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2016 : IS \& T International Symposium on Electronic Imaging Science and Technology 2016 : San Francisco, California, USA, 14-18 February 2016}, editor = {Creutzburg, Reiner}, publisher = {Curran Associates, Inc.}, address = {Red Hook, NY}, isbn = {978-1-5108-4600-5}, year = {2017}, language = {en} } @inproceedings{HascheKaraschewskiCreutzburg2018, author = {Hasche, Eberhard and Karaschewski, Oliver and Creutzburg, Reiner}, title = {Comparing different approaches to create input device transforms (IDTs) for the RED Scarlet-X Camera}, series = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2018; 28 January - 2 February, 2018}, booktitle = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2018; 28 January - 2 February, 2018}, address = {Burlingame, California USA}, year = {2018}, language = {en} } @inproceedings{HascheKaraschewskiCreutzburg2018, author = {Hasche, Eberhard and Karaschewski, Oliver and Creutzburg, Reiner}, title = {Creating input device transforms for Blackmagic Production Camera and Canon EOS 5D Mark III DSLR camera}, series = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2018, 28 January - 2 February, 2018, Burlingame, California USA}, booktitle = {Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications 2018, 28 January - 2 February, 2018, Burlingame, California USA}, year = {2018}, language = {en} } @incollection{Hasche2016, author = {Hasche, Eberhard}, title = {Generieren von 3D-Inhalt zum Einf{\"u}gen in Live-Action-Footage}, series = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, booktitle = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, edition = {1}, publisher = {Springer-Verlag GmbH}, address = {Berlin ; Heidelberg}, isbn = {978-3-662-43888-6}, doi = {10.1007/978-3-662-43889-3_9}, publisher = {Technische Hochschule Brandenburg}, pages = {279 -- 339}, year = {2016}, subject = {Farbbildverarbeitung}, language = {de} } @inproceedings{CreutzburgHascheKaraschewski2018, author = {Creutzburg, Reiner and Hasche, Eberhard and Karaschewski, Oliver}, title = {Comparing ACES Input Device Transforms for the Canon EOS 5D Mark III DSLR camera}, series = {Electronic Imaging: Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications, 28. Januar bis 1. Februar 2018, Burlingame, Kalifornien, USA}, booktitle = {Electronic Imaging: Mobile Devices and Multimedia: Enabling Technologies, Algorithms, and Applications, 28. Januar bis 1. Februar 2018, Burlingame, Kalifornien, USA}, publisher = {Society for Imaging Science and Technology}, address = {Kilworth Lane / Springfield, Virginia, USA}, issn = {2470-1173}, doi = {10.2352/issn.2470-1173.2018.06.mobmu-138}, pages = {138-1 -- 138-13}, year = {2018}, language = {en} } @incollection{Hasche2016, author = {Hasche, Eberhard}, title = {Farbe, Farbmodelle und Farbr{\"a}ume}, series = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, booktitle = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, edition = {1}, publisher = {Springer-Verlag GmbH}, address = {Berlin ; Heidelberg}, isbn = {978-3-662-43888-6}, doi = {10.1007/978-3-662-43889-3_1}, publisher = {Technische Hochschule Brandenburg}, pages = {1 -- 50}, year = {2016}, subject = {Farbbildverarbeitung}, language = {de} } @incollection{HascheIngwer2016, author = {Hasche, Eberhard and Ingwer, Patrick}, title = {Erzeugen und Anwenden von Masken}, series = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, booktitle = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, edition = {1}, publisher = {Springer-Verlag GmbH}, address = {Berlin ; Heidelberg}, isbn = {978-3-662-43888-6}, doi = {10.1007/978-3-662-43889-3_8}, publisher = {Technische Hochschule Brandenburg}, pages = {249 -- 278}, year = {2016}, subject = {Farbbildverarbeitung}, language = {de} } @incollection{Hasche2016, author = {Hasche, Eberhard}, title = {Dreharbeiten und Erfassen von Daten f{\"u}r die VFXProduktion}, series = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, booktitle = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, edition = {1}, publisher = {Springer-Verlag GmbH}, address = {Berlin ; Heidelberg}, isbn = {978-3-662-43888-6}, doi = {10.1007/978-3-662-43889-3_4}, publisher = {Technische Hochschule Brandenburg}, pages = {125 -- 167}, year = {2016}, subject = {Farbbildverarbeitung}, language = {de} } @incollection{Hasche2016, author = {Hasche, Eberhard}, title = {Compositing}, series = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, booktitle = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, edition = {1}, publisher = {Springer-Verlag GmbH}, address = {Berlin ; Heidelberg}, isbn = {978-3-662-43888-6}, doi = {10.1007/978-3-662-43889-3_10}, publisher = {Technische Hochschule Brandenburg}, pages = {341 -- 388}, year = {2016}, subject = {Farbbildverarbeitung}, language = {de} } @incollection{Hasche2016, author = {Hasche, Eberhard}, title = {Erfassen und Weiterverarbeitung von Daten f{\"u}r den Schnitt und die VFX-Produktion}, series = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, booktitle = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, edition = {1}, publisher = {Springer-Verlag GmbH}, address = {Berlin ; Heidelberg}, isbn = {978-3-662-43888-6}, doi = {10.1007/978-3-662-43889-3_5}, publisher = {Technische Hochschule Brandenburg}, pages = {169 -- 198}, year = {2016}, subject = {Farbbildverarbeitung}, language = {de} } @incollection{Hasche2016, author = {Hasche, Eberhard}, title = {Farbworkflow in HDTV- und Filmproduktionen}, series = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, booktitle = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, edition = {1}, publisher = {Springer-Verlag GmbH}, address = {Berlin ; Heidelberg}, isbn = {978-3-662-43888-6}, doi = {10.1007/978-3-662-43889-3_2}, publisher = {Technische Hochschule Brandenburg}, pages = {51 -- 92}, year = {2016}, subject = {Farbbildverarbeitung}, language = {de} } @incollection{Hasche2016, author = {Hasche, Eberhard}, title = {Tracking und Matchmoving}, series = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, booktitle = {Game of colors: moderne Bewegtbildproduktion : Theorie und Praxis f{\"u}r Film, Video und Fernsehen}, edition = {1}, publisher = {Springer-Verlag GmbH}, address = {Berlin ; Heidelberg}, isbn = {978-3-662-43888-6}, doi = {10.1007/978-3-662-43889-3_7}, publisher = {Technische Hochschule Brandenburg}, pages = {225 -- 248}, year = {2016}, subject = {Farbbildverarbeitung}, language = {de} } @inproceedings{HascheCreutzburgKaraschewski2019, author = {Hasche, Eberhard and Creutzburg, Reiner and Karaschewski, Oliver}, title = {Refining ACES Best Practice}, series = {Color Imaging XXIV: Displaying, Processing, Hardcopy, and Applications, 13. bis 17. Januar, Burlingame, Kalifornien, USA}, booktitle = {Color Imaging XXIV: Displaying, Processing, Hardcopy, and Applications, 13. bis 17. Januar, Burlingame, Kalifornien, USA}, publisher = {Society for Imaging Science and Technology}, doi = {10.2352/ISSN.2470-1173.2019.14.COLOR-097}, pages = {097-1 -- 097-20}, year = {2019}, language = {en} } @article{HascheBenningKaraschewskietal.2020, author = {Hasche, Eberhard and Benning, Dominik and Karaschewski, Oliver and Carstens, Florian and Creutzburg, Reiner}, title = {Creating high-resolution 360-degree single-line 25K video content for modern conference rooms using film compositing techniques}, series = {Electronic Imaging}, journal = {Electronic Imaging}, publisher = {Society for Imaging Science and Technology}, issn = {2470-1173}, doi = {10.2352/ISSN.2470-1173.2020.3.MOBMU-206}, pages = {206-1 -- 206-14}, year = {2020}, language = {en} } @article{HascheBenningCreutzburg2020, author = {Hasche, Eberhard and Benning, Dominik and Creutzburg, Reiner}, title = {Using ACES Look Modification Transforms (LMTs) in a Visual Effects Production Environment -Part 1: Rec.709 Inputsand Outputs}, series = {Electronic Imaging}, journal = {Electronic Imaging}, publisher = {Society for Imaging Science and Technology}, address = {Springfield, VA}, issn = {2470-1173}, doi = {10.2352/ISSN.2470-1173.2020.3.MOBMU-205}, pages = {205-1 -- 205-14}, year = {2020}, language = {en} } @inproceedings{CreutzburgHagenHasche2022, author = {Creutzburg, Reiner and Hagen, Dirk and Hasche, Eberhard}, title = {Potentials and challenges for mega events: mobile devices usability for virtual reality, augmented reality, and visual effects}, series = {Konferenz: Multimodal Image Exploitation and Learning 2022, Orlando, United States, 2022/ Koferenzband: Multimodal Image Exploitation and Learning 2022}, booktitle = {Konferenz: Multimodal Image Exploitation and Learning 2022, Orlando, United States, 2022/ Koferenzband: Multimodal Image Exploitation and Learning 2022}, editor = {Agaian, Sos and Jassim, Sabah and DelMarco, Stephen and Asari, Vijayan K.}, publisher = {SPIE - The International Society for Optics and Photonics}, address = {Orlando, United States}, isbn = {978-1-5106-5617-8}, doi = {10.1117/12.2618822}, pages = {12}, year = {2022}, language = {en} } @article{CreutzburgHagenHasche2022, author = {Creutzburg, Reiner and Hagen, Dirk and Hasche, Eberhard}, title = {Application scenarios and usability for modern 360 degree video projection rooms in the MICE industry}, series = {Electronic Imaging}, journal = {Electronic Imaging}, number = {3}, publisher = {Society for Imaging Science and Technology (IS\&T)}, issn = {2470-1173}, doi = {10.2352/EI.2022.34.3.MOBMU-401}, pages = {401 - 1 -- 401 - 9}, year = {2022}, abstract = {360-degree image and movie content has gained popularity over the media and the MICE (Meeting, Incentive, Conventions, and Exhibitions) industry in the last few years. There are three main reasons for this development. First, on the one hand, it is the immersive character of this media form, and, on the other hand, the development of recording and presentation technology has made significant progress in terms of resolution and quality. Third, after a decade of dynamic rising, the MICE Industry focuses on a disruptive change for more digital-based solutions. 360-degree panoramas are particularly widespread in VR and AR technology. However, despite the high immersive potential, these forms of presentation have the disadvantage that the users are isolated and have no social contact during the performance. Therefore, efforts have been made to project 360-degree content in specially equipped rooms or planetariums to enable a shared experience for the audience. One application area for 360-degree panoramas and films is conference rooms in hotels, conference centers, and any other venues that create an immersive environment for their clients to stimulate creativity. This work aims to overview the various application scenarios and usability possibilities for such conference rooms. In particular, we consider applications in construction, control, tourism, medicine, art exhibition, architecture, music performance, education, partying, organizing and carrying out events, and video conferencing. These applications and use scenarios were successfully tested, implemented, and evaluated in the 360-degree conference room "Dortmund" in the Hotel Park Soltau in Soltau, Germany. Finally, the advantages, challenges, and limitations of the proposed method are described.}, language = {en} }