@phdthesis{RohdeAbuba2024, author = {Rohde-Abuba, Caterina}, title = {Un/doing Migration : understanding the performativity of migrant identities in care work}, doi = {10.26127/BTUOpen-6794}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:co1-opus4-67947}, school = {BTU Cottbus - Senftenberg}, year = {2024}, abstract = {This Rahmenpapier discusses the performativity approaches of Bourdieu and Butler as reflexive research perspectives on the social construction of migrant and refugee identities. Focusing on the performativity of speech acts and emotionalized enactments, I employ empirical data examples about commodified and familial care work that reveals how migration and refugeeness are constituted in micro-level face-to-face interactions. Introducing the concepts of doing, undoing and not doing migration/refugeeness, I show different care performances that reproduce, transform or subvert social identities in the interplay of individual agency with the social regulation by institutional, organizational and discursive structures of the national migration, asylum and integration regimes. Throughout the paper, I argue that the social order of migration/refugeeness is biopolitical and postcolonial: drawing on historical images of orientalism, social positions of internal others are constituted and simultaneously subordinated to the majority society. Regulated by biopolitical means of administration and disciplining, social processes of doing of migration/refugeeness generate affective values in the images of internal and external others, who supposedly depend on the care and control of the hegemonic nation. When 'migrant/refugee workers' are used as an effective and economical solution to the increasing labor demand of the nation and when 'refugee families' become a commodity on the national market of public and private social services, the social order of migration/refugeeness materializes in productive values that benefit the nation state.}, subject = {Refugeenes; Migration; Reflexivity; Performativity; Identities; Flucht; Performativit{\"a}t; Identit{\"a}t; Biopolitik; Biopolitik; Fl{\"u}chtlingslager; Identit{\"a}t; Performativit{\"a}t }, language = {en} } @phdthesis{Sabauri2021, author = {Sabauri, Marine}, title = {Geschlecht und Sexualit{\"a}t in den diskursiven R{\"a}umen der Migrationsfilme}, doi = {10.26127/BTUOpen-5473}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:co1-opus4-54739}, school = {BTU Cottbus - Senftenberg}, year = {2021}, abstract = {Analysegegenstand der Arbeit sind die Diskurse von Geschlecht und Sexualit{\"a}t in den diskursiven R{\"a}umen von Migrationsfilmen. Dabei wurden die theoretischen Beitr{\"a}ge aus der migrationssensiblen Genderforschung miteinbezogen. Der Mehrwert dieser Arbeit liegt weniger im Abgleich der theoretischen Beitr{\"a}ge aus migrationssensiblen Genderforschung mit den filmischen Diskursen, sondern vielmehr am Offenlegen der diskursiven Verflechtungen von Sexualit{\"a}t und Geschlecht und der Forschungsgebiete der Migrations-, Gender- und Filmforschung, wobei sich diese gegenseitig in ihren Wissensdiskursen erg{\"a}nzen. Somit haben die Forschungsergebnisse die drei Diskursebenen dargestellt, die miteinander diskursive verflochten sind: 1. Diskurse von Geschlecht und Sexualit{\"a}t; 2. Diskursr{\"a}ume der gegenw{\"a}rtigen Migrationsfilme; 3. Diskursanalyse. In den theoretischen Kapiteln wurden deshalb zun{\"a}chst die verschiedenen Ebenen der Diskursivit{\"a}t von Geschlecht und Sexualit{\"a}t in den filmischen Texten und in der migrationssensiblen Genderforschung beschrieben. Im empirischen Teil wurden gezielt Migrationsfilme aus unterschiedlichen L{\"a}ndern analysiert, um Zugang zu den Diskursen von Geschlecht und Sexualit{\"a}t in dispersen transnationalen diskursiven R{\"a}umen zu gewinnen.}, subject = {Migrationsforschung; Migrationsfilm; Diskursivit{\"a}t; Diskursanalyse; Genderstudien; Migration Research; Migration Film; Discursivity; Discourse Analysis; Gender Studies; Migration; Film; Diskursanalyze; Geschlechterforschung}, language = {de} } @phdthesis{OumaRadoli2019, author = {Ouma Radoli, Lydia}, title = {Narratives of migration and development as discourses in transnational digital migrant media : the case of Kenyan migration to Europe}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:co1-opus4-47805}, school = {BTU Cottbus - Senftenberg}, year = {2019}, abstract = {This dissertation examines how migration and development narratives are (re)produced in transnational digital migrant media using an example of Kenyan migration to Europe. It also raises questions about existing gaps in the literature on the role of the media specifically, transnational digital migrant media in constructing influential discourses. It achieves this quest by submitting to an objective to examine the contribution of migrant media discourses to development in migration-sending countries (De Haas, 2007). Using postcolonial-discourse theoretic approach, the thesis analyses the criteria for selection of texts on migration and development, and how the texts inform the discourse. The theoretical concepts of development in this thesis follow Arturo Escobar's (1995) deconstruction of conventional development theory. It includes an appreciation of multi-faceted theoretic dynamics, especially historical effects on development and creation of hegemonic disparities causing migration of Kenyans to Europe. The dissertation explores the relation of liberal development narratives to Postcolonial perspectives of Edward Said (1977), Gayatri Chakravorty Spivak (1986) and Homi Bhabha (1983), whose writings expose stereotypes like those found in development constructs. The study highlights similar aspects of representations of migration and development in the media. It does not only expose migrant's contribution to development but accentuates the discourse forming function of migrant media in the production of heterogeneous narratives on migration and development. This reflection is an attempt to look at possibilities of alternative development trajectories in migrant media and Postcolonial texts, that resist neo-colonial economic narratives forced on people of African descent. The findings for this thesis show that migrant media provides hegemonic ideas on development, as well as alternative counter-hegemonic views. Even though poverty and political instability of Africa characterize narratives in the mainstream media, migrant media utilizes new media platforms for "subalterns" to be heard. Migrants' inputs on development (re)produced in migrant media, inform a discourse that champions initiatives aimed at improving livelihoods in migration-sending countries. To answer the main sociological question on (re)production of narratives this dissertation learns from Norman Fairclough's (1995, 2012) guidelines to discourse analysis, as informed from Michel Foucault's (1980) theoretic approach. As a qualitative research strategy, the dissertation explores Texts from transnational digital migrant media for Kenyans in Europe (Germany and UK) and expert interviews with Kenyan media producers in Germany and in Britain. On this basis, the thesis argues that not only are media expert's contributors to development but also important creators of a discourse that qualifies migration as a reality in Kenya's development.}, subject = {Media narratives; Migration and development; Postcolonialism; Migrations crisis; Kenyans in Europe; Medienberichte; Migration und Entwicklung; Postkolonialismus; Migrationskrise; Kenianer in Europa; Europa; Kenianer; Migration; Neue Medien; Postkolonialismus; Darstellung}, language = {en} }